John Partridge muotokuva

43 tunnetuinta John Partridge -maalausta, jokainen ainutlaatuinen

Päivitetty lokakuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 43 teosta taiteilijalta John Partridge luettelossamme

Lyhyesti

Daniel Asher Alexander (1818) on se John Partridge -maalaus, joka herättää eniten huomiota; alkuperäisteos kuuluu museolle National Portrait Gallery, Lontoo. Sen jälkeen katse siirtyy kohteisiin Christian Frederick, Baron Stockmar (1787-1863) (1838) ja Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat (1846). John Partridgein 43 teoksemme joukosta nämä 43 ovat kuuluisimpia; jokainen on ainutlaatuinen alkuperäisteos, joka on esitelty vuosiluvun, museon ja sen syyn kera, miksi teos on säilyttänyt suosionsa.

1789 – 1872, Glasgow Academic realism Eniten teoksia: National Portrait Gallery

John Partridge -taiteilijan 10 parasta maalausta gallerian silmin

John Partridgen kuuluisia maalauksia, numerot 11–43

11Sir John Forbes (1787–1861) (1847) tekijä John PartridgeSir John Forbes (1787–1861)1847 12Frederick James Lamb, 3rd Viscount Melbourne (1846) tekijä John PartridgeFrederick James Lamb, 3rd Viscount Melbourne1846 · National Portrait Gallery 13The Fine Arts Commissioners, 1846 (1853) tekijä John PartridgeThe Fine Arts Commissioners, 18461853 · National Portrait Gallery 14Henry 3rd Viscount Palmerston (1784–1865), Prime Minister (1850) tekijä John PartridgeHenry 3rd Viscount Palmerston (1784–1865), Prime Minister1850 15Richard Grosvenor (1795-1863), 2nd Marquess of Westminster (1856) tekijä John PartridgeRichard Grosvenor (1795-1863), 2nd Marquess of Westminster1856 · Royal Collection 16James Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey) (1806) tekijä John PartridgeJames Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey)1806 · Scottish National Portrait Gallery 17Portrait of an Unknown Gentleman (said to be a cleric) (1821) tekijä John PartridgePortrait of an Unknown Gentleman (said to be a cleric)1821 18The Clough Taylor Family (1830) tekijä John PartridgeThe Clough Taylor Family1830 19Gaetano Crivelli (1774–1836) (1825) tekijä John PartridgeGaetano Crivelli (1774–1836)1825 · The Royal Society of Musicians of Great Britain 20Elizabeth Acton (d.1850), Lady Throckmorton with Two of Her Children, Courtenay Throckmorton (1831–1854), and Mary Elizabeth Throckmorton (1832–1919) (1833) tekijä John PartridgeElizabeth Acton (d.1850), Lady Throckmorton with Two of Her Children, Courtenay Throckmorton (1831–1854), and Mary Elizabeth Throckmorton (1832–1919)1833 · Coughton Court 21George Glynn and Oswald Petre, Sons of Henry William Petre of Dunkenhalgh (1836) tekijä John PartridgeGeorge Glynn and Oswald Petre, Sons of Henry William Petre of Dunkenhalgh1836 · Towneley Hall Art Gallery - Museum 22Henry Petre, Eldest Son, and Edward Petre, 3rd Son, of Henry William Petre of Dunkenhalgh (1836) tekijä John PartridgeHenry Petre, Eldest Son, and Edward Petre, 3rd Son, of Henry William Petre of Dunkenhalgh1836 · Towneley Hall Art Gallery - Museum 23Thomas Uwins (1836) tekijä John PartridgeThomas Uwins1836 · National Portrait Gallery 24Clarkson Stanfield (1793–1867) (1836) tekijä John PartridgeClarkson Stanfield (1793–1867)1836 25John Partridge (1836) tekijä John PartridgeJohn Partridge1836 · National Portrait Gallery 26The Artist and His Family in Their House at 21 Brook Street, Grosvenor Square, London (1835) tekijä John PartridgeThe Artist and His Family in Their House at 21 Brook Street, Grosvenor Square, London1835 27Robert Trewick Bone (1836) tekijä John PartridgeRobert Trewick Bone1836 · National Portrait Gallery 28John James Chalon (1836) tekijä John PartridgeJohn James Chalon1836 · National Portrait Gallery 29Charles Robert Leslie (1836) tekijä John PartridgeCharles Robert Leslie1836 · National Portrait Gallery 30John Gibson (1790–1866) (1847) tekijä John PartridgeJohn Gibson (1790–1866)1847 · Walker Art Gallery 31Unknown man, formerly known as Richard Partridge (1840) tekijä John PartridgeUnknown man, formerly known as Richard Partridge1840 · National Portrait Gallery 32The Honourable Montgomerie Stewart, Fourth Son of the 7th Earl of Galloway (1847) tekijä John PartridgeThe Honourable Montgomerie Stewart, Fourth Son of the 7th Earl of Galloway1847 · The National Trust For Scotland 33George Hamilton Gordon, 4th Earl of Aberdeen (1847) tekijä John PartridgeGeorge Hamilton Gordon, 4th Earl of Aberdeen1847 · National Portrait Gallery 34Thomas Babington Macaulay, Baron Macaulay (1853) tekijä John PartridgeThomas Babington Macaulay, Baron Macaulay1853 · National Portrait Gallery 35Neil Arnott (1788–1874), MD (1872) tekijä John PartridgeNeil Arnott (1788–1874), MD1872 36Queen Victoria (1819-1901) tekijä John PartridgeQueen Victoria (1819-1901)Royal Collection 37General John Egerton (1753–1823), 7th Earl of Bridgewater (after William Owen) tekijä John PartridgeGeneral John Egerton (1753–1823), 7th Earl of Bridgewater (after William Owen) 38William Lamb, 2nd Viscount Melbourne (1779–1848), Prime Minister tekijä John PartridgeWilliam Lamb, 2nd Viscount Melbourne (1779–1848), Prime MinisterGovernment Art Collection 39Queen Victoria (1819–1901) tekijä John PartridgeQueen Victoria (1819–1901) 40The Honourable Edward Legge (1767–1827) tekijä John PartridgeThe Honourable Edward Legge (1767–1827) 41Andrew Combe (1797–1847) tekijä John PartridgeAndrew Combe (1797–1847)Royal College of Physicians of Edinburgh 42William Lamb, 2nd Viscount Melbourne (1844) tekijä John PartridgeWilliam Lamb, 2nd Viscount Melbourne1844 · National Portrait Gallery 43Henry John Temple, 3rd Viscount Palmerston (1845) tekijä John PartridgeHenry John Temple, 3rd Viscount Palmerston1845 · National Portrait Gallery

Aiheet, jotka vangitsivat John Partridgein katseen

Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.

Museot, joissa John Partridge'n alkuperäisteokset sijaitsevat

Tämän sivun teoksista eniten sisältävät 8 museota.

Museo Kaupunki John Partridge teokset Tämän listan maalaukset
National Portrait Gallery, LontooNational Portrait Gallery Lontoo 14 Daniel Asher Alexander, 'The Fine Arts Commissioners, 1846', Frederick James Lamb, 3rd Viscount Melbourne
Royal Collection, LontooRoyal Collection Lontoo 8 Christian Frederick, Baron Stockmar (1787-1863), Prince Albert (1819-61), William Lamb, 2nd Viscount Melbourne (1779-1848)
Towneley Hall Art Gallery - Museum, BurnleyTowneley Hall Art Gallery - Museum Burnley 2 George Glynn and Oswald Petre, Sons of Henry William Petre of Dunkenhalgh, Henry Petre, Eldest Son, and Edward Petre, 3rd Son, of Henry William Petre of Dunkenhalgh
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 1 Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 James Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey)
The Royal Society of Musicians of Great Britain, LondonThe Royal Society of Musicians of Great Britain London 1 Gaetano Crivelli (1774–1836)
Coughton CourtCoughton Court 1 Elizabeth Acton (d.1850), Lady Throckmorton with Two of Her Children, Courtenay Throckmorton (1831–1854), and Mary Elizabeth Throckmorton (1832–1919)
Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 1 John Gibson (1790–1866)

John Partridge vuosikymmenten varrelta: jokaisesta yksi ainutlaatuinen alkuperäisteos

Teokset vuosikymmenittäin

Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.

John Partridgen maalaukset: kysymyksiä gallerialle

Mikä on John Partridge tunnetuin teos?Paljasta vastaus

Daniel Asher Alexander (1818), National Portrait Gallery, Lontoo. Seuraavina ovat Christian Frederick, Baron Stockmar (1787-1863) (1838) ja Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat (1846).

Missä iässä John Partridge loi teoksen Daniel Asher Alexander?Paljasta vastaus

29 vuotta vanha: Daniel Asher Alexander on peräisin vuodelta 1818, ja John Partridge on syntynyt vuonna 1789.

Mitkä ovat John Partridge kymmenen kuuluisinta maalausta?Paljasta vastaus

Daniel Asher Alexander, Christian Frederick, Baron Stockmar (1787-1863), Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat, 'The Fine Arts Commissioners, 1846', Prince Albert (1819-61), William Lamb, 2nd Viscount Melbourne (1779-1848), Queen Victoria (1819-1901), Prince Albert (1819-1861), Leopold, Duke of Brabant (1835-1909) ja Earl Stanhope (1805–1875). Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.

Kuinka monta John Partridge -teosta tunnetaan?Paljasta vastaus

Katalogissamme on 43 teosta taiteilijalta John Partridge, aikaväliltä 1806–1872.

Missä voi nähdä tunnetuimmat John Partridge -alkuperäisteokset?Paljasta vastaus

Pääasiassa National Portrait Gallery (Lontoo), Royal Collection (Lontoo) ja Towneley Hall Art Gallery - Museum (Burnley). Yllä oleva museotaulukko listaa ne kaikki.

Mihin ajanjaksoon John Partridge tunnituimmat maalauksensa sijoittuvat?Paljasta vastaus

Aikakaudella 1840s: 16 sivun 43 teoksista on tehty silloin, joista Portrait of Thomas Wyse (1791-1862), Politician, Writer and Diplomat.

Mikä on John Partridge kuuluisimmista maalauksista varhaisin ja mikä uusin?Paljasta vastaus

Tällä sivulla vanhin on James Watt (1736–1819), Engineer, Inventor of the Steam Engine (after William Beechey) (1806) ja uusin Neil Arnott (1788–1874), MD (1872).

Mitä aiheita John Partridge suosi?Paljasta vastaus

Victorian era (4), Formal art (3) ja 19th century (3), yhteensä 43 teosta tällä sivulla.

Mihin taidesuuntaukseen John Partridge kuuluu?Paljasta vastaus

Academic realism, tämän sivun alkuperäisteosten perusteella.

Mitä John Partridge alkuperäisteoksia voin nähdä museossa National Portrait Gallery?Paljasta vastaus

Daniel Asher Alexander, 'The Fine Arts Commissioners, 1846' ja Frederick James Lamb, 3rd Viscount Melbourne: National Portrait Gallery, Lontoo -ssä on 14 tämän sivun teoksista.

John Partridge: taiteilijan muotokuva

A Legacy of Royal Splendor: The Life and Art of John Partridge

In the grand, sweeping tapestry of the Victorian era, few artists captured the dignified essence of the age quite like John Partridge. Born in Glasgow in 1789, Partridge emerged from a family steeped in intellectual and creative pursuits, carrying with him a lineage that would see his brother rise to prominence in the medical sciences and his nephew find fame in the theatrical arts. His journey into the heart of the British art world began not merely as an observer, but as a dedicated student of the craft, honing his vision under the esteemed portraitist Thomas Phillips. By 1815, when he debuted ‘Miss Foote in the Character of Lucilla’ at the Royal Academy, Partridge had already begun to signal the arrival of a master who could blend the meticulous precision of academic realism with a profound, soulful depth.

The evolution of Partridge’s artistry was profoundly shaped by his transformative years spent wandering through the sun-drenched landscapes and storied galleries of Italy. Between 1823 and 1827, the artist immersed himself in the cultural treasures of Florence, Venice, and Rome, an experience that acted as a spiritual and technical rebirth. It was during this period that he moved beyond the mere replication of likenesses to engage deeply with the ghosts of the Renaissance. By sketching landscapes and creating meticulous copies of works by Correggio, Raphael, Rubens, Tintage, and Titian, Partridge absorbed the dramatic interplay of light and shadow—the chiaroscuro—that would become a hallmark of his mature style. This classical foundation allowed him to infuse his portraits with an atmospheric weight, making each sitter appear not just as a person, but as a figure of historical permanence.

The Architect of Victorian Identity

Upon his return to London, Partridge’s career ascended to the highest echelons of society. His strategic move to the prestigious Brook Street, near the heart of the aristocracy, placed him in the very orbit of his future subjects. The artist possessed a rare ability to navigate the delicate balance between capturing a person's physical accuracy and projecting their social authority. This skill earned him the extraordinary distinction of being named ‘portrait painter-extraordinary’ to Queen Victoria in 1843. His canvases from this era, including those of the Queen herself and Prince Albert, serve as vital historical windows, documenting the regal poise and the opulent textures of mid-19th-century royal life.

Beyond the royal court, Partridge’s portfolio was a Who's Who of Victorian influence. His brush captured the gravity of political titans such as Henry 3rd Viscount Palmerston and the intellectual weight of figures like Sir John Forbes. Each portrait was a masterclass in narrative detail:

  • The Use of Light: Utilizing dramatic lighting to draw the viewer's eye to the psychological center of the sitter.
  • Textural Realism: A profound ability to render the heavy silks, intricate laces, and polished metals of aristocratic attire.
  • Emotional Resonance: Moving beyond static poses to capture a sense of character, dignity, and even the quiet vulnerability of his subjects.

As we look back upon the life of John Partridge, we see more than just a successful portraitist; we see an artist who acted as a chronicler of an empire. Through his mastery of Renaissance-inspired techniques and his unwavering commitment to the dignity of his subjects, he ensured that the faces of the Victorian era would remain vibrant and breathing long after the era itself had passed into history. His work remains a testament to a time when art was the primary vessel for capturing the soul of a nation.