Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 25 teosta taiteilijalta Johann Ender luettelossamme
Lyhyesti
Greek Girl (1821) on se Johann Ender -maalaus, joka herättää eniten huomiota; alkuperäisteos kuuluu museolle Hungarian Academy of Sciences, Budapest. Sen jälkeen katse siirtyy kohteisiin Count István Széchenyi (1818) ja Count József Dessewffy (1820). Johann Enderin 25 teoksemme joukosta nämä 22 ovat kuuluisimpia; jokainen on ainutlaatuinen alkuperäisteos, joka on esitelty vuosiluvun, museon ja sen syyn kera, miksi teos on säilyttänyt suosionsa.
In Johann Ender's "Greek Girl," a medium close-up captures a young woman positioned slightly off-center, as if caught in a quiet moment of reflection. A warm, golden light spills from the left, washing over her face and creating a gentle glow upon her skin. This illumination softens the contours of her features and highlights the delicate textures of her attire. She wears a crisp white headscarf and chemise that contrast…
Johann Ender rendered this portrait of Count István Széchenyi about 1818. The subject was a prominent Hungarian statesman. This work captures the likeness of a man central to the political and social development of his era.
This portrait presents Count József Dessewffy, a figure of significant lineage, captured by the Austrian artist Johann Ender. Created around 1820, the work offers a focused study of the subject, reflecting the social standing of the Dessewffy family during this period. The sitter is recognized in historical contexts as the father of Aurél Dessewffy.
The Portrait of Count Mihály Esterházy is an oil painting executed by the Austrian artist Johann Ender. Created about 1823, the work depicts Count Mihály Esterházy of Galánta. The subject was a Hungarian nobleman and politician who held a position as a member of the National Defence Committee during the 1848 Revolution.
The Infante Michael of Braganza is a formal portrait executed by the Austrian painter Johann Ender. Created about 1827, the work captures the likeness of Dom Miguel I of Portugal. The canvas presents a singular figure framed by the weight of his station and the precision of the artist's hand.
In "The Painter Eduard Ender" by Johann Ender, the viewer meets a man caught in a quiet, dignified moment. The portrait is presented within an elegant oval composition, focusing closely on the subject's head and torso. He sits in a three-quarter view, positioned slightly off-center to create a sense of natural balance. A large, dark hat rests upon his head, casting a soft shadow that defines the contours of his…
The sun hangs high over a lush, rolling landscape, casting a bright and diffused light that warms the very air of the scene. Two young women occupy the foreground, their presence grounding the composition amidst a vast expanse of greenery and distant, hazy mountains. One girl wears a garment of deep red, while the other is draped in a cool blue, their colors popping against the earthy browns and soft…
In this 1843 oil painting, we find ourselves observing a group of travelers moving through a hilly, Mediterranean landscape. The scene captures a specific moment of interaction among five figures in the foreground, their bodies angled as they move from left to right across a rugged, rocky path. To the far left, a sixth figure sits alone on the ground, offering a sense of stillness against the movement of the…
In this 1840 lithograph, three women find respite within a vast, atmospheric landscape. The composition centers on their varied postures: one sits upright, gazing toward the distant horizon with a contemplative expression; another leans her head upon her shoulder in a gesture of weariness; the third reclines upon the earth. Their presence is marked by the tools of travel—a walking staff and a water gourd—suggesting a pause in a long…
Johann Ender’s Mary, Adoring the Child is an oil on panel work dating from about 1849. The composition centers on the Virgin Mary as she gazes toward the Christ Child. This religious subject matter reflects the artist's engagement with sacred iconography during the mid-19th century.
Woman at her Writing Desk1820 · Museen der Stadt
12
Count György Károlyi1830 · Hungarian Academy of Sciences
13
Portrait of Ferenc Széchényi1823 · Unkarin kansallismuseo
14
From Darkness, the Light. Allegory of the Hungarian Academy of Sciences1831 · Hungarian Academy of Sciences
15
Portrait of Caroline Augusta of Bavaria
16
Portrait of Maria Theresa of Austria, Queen of the Two Sicilies
17
Die madchen
18
Holding Portrait of a boy in a blue dress and a girl, a picture book
19
Madonna and Child
20
Portrait of a Lady with lace bonnet
21
Portrait of the Archduchess Henriette of Austria sitting in a white dress with blue ribbons, in an armchair
22
From Darkness, the Light1831 · Hungarian Academy of Sciences
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Tämän sivun teoksista eniten sisältävät 5 museota.
| Museo | Kaupunki | Johann Ender teokset | Tämän listan maalaukset |
|---|---|---|---|
 Hungarian Academy of Sciences |
Budapest | 5 | Greek Girl, Count István Széchenyi, Count György Károlyi |
 Historical Museum of Budapest |
Budapest | 1 | Count József Dessewffy |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Portrait of Count Mihály Esterházy |
 Museen der Stadt |
Wien | 1 | Woman at her Writing Desk |
 Unkarin kansallismuseo |
Budapest | 1 | Portrait of Ferenc Széchényi |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
Johann Ender rendered this portrait of Count István Széchenyi about 1818. The subject was a prominent Hungarian statesman. This work captures the likeness of a man central to the political and social development of his era.
In Johann Ender's "Greek Girl," a medium close-up captures a young woman positioned slightly off-center, as if caught in a quiet moment of reflection. A warm, golden light spills from the left, washing over her face and creating a gentle glow upon her skin. This illumination softens the contours of her features and highlights the delicate textures of her attire. She wears a crisp white headscarf and chemise that contrast…
In "The Painter Eduard Ender" by Johann Ender, the viewer meets a man caught in a quiet, dignified moment. The portrait is presented within an elegant oval composition, focusing closely on the subject's head and torso. He sits in a three-quarter view, positioned slightly off-center to create a sense of natural balance. A large, dark hat rests upon his head, casting a soft shadow that defines the contours of his…
Greek Girl (1821), Hungarian Academy of Sciences, Budapest. Seuraavina ovat Count István Széchenyi (1818) ja Count József Dessewffy (1820).
28 vuotta vanha: Greek Girl on peräisin vuodelta 1821, ja Johann Ender on syntynyt vuonna 1793.
Greek Girl, Count István Széchenyi, Count József Dessewffy, Portrait of Count Mihály Esterházy, The Infante Michael of Braganza, The Painter Eduard Ender, Two Girls in a Landscape, Roman pilgrims, resting pilgrims ja Mary, Adoring the Child. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 25 teosta taiteilijalta Johann Ender, aikaväliltä 1818–1849.
Pääasiassa Hungarian Academy of Sciences (Budapest), Historical Museum of Budapest (Budapest) ja Ernest Zmeták Art Gallery (Nové Zámky). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1820s: 6 sivun 22 teoksista on tehty silloin, joista Greek Girl.
Tällä sivulla vanhin on Count István Széchenyi (1818) ja uusin Mary, Adoring the Child (1849).
Portraits (6), Mountains (5) ja Man (4), yhteensä 22 teosta tällä sivulla.
Oil On Canvas, 5 teoksesta sivun 22 teoksesta.
Romanticism, tämän sivun alkuperäisteosten perusteella.
Greek Girl, Count István Széchenyi ja Count György Károlyi: Hungarian Academy of Sciences, Budapest -ssä on 5 tämän sivun teoksista.
