Lyhyesti
Kaikista James Herring jättämistä alkuperäisteoksista kuuluisin on James Monroe (1834), joka kuuluu National Portrait Gallery -kokoelmaan, Washington, D.C.. Heti perässä tulevat Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) ja Jacob Jennings Brown (1775-1828) (1835). Katalogissamme on 6 teosta taiteilijalta James Herring; galleria on säilyttänyt 6 maailman ihailluimmista teoksista, ja jokaisesta on esitetty sen päivämäärä, museo sekä tarina.
James Herring -taiteilijan 10 parasta maalausta: gallerian valinnat
Museot, joissa James Herring'n alkuperäisteokset sijaitsevat
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | James Herring teokset | Tämän listan maalaukset |
|---|---|---|---|
| New York | 5 | Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828), William Lintz (ca. 1815-1874) | |
| Washington, D.C. | 1 | James Monroe |
James Herring vuosi vuodelta: jokaisen vuoden määrittävät alkuperäisteokset
Valinta kattaa James Herring yli 12 vuotta, vuodesta 1834 vuoteen 1845, säilyttäen kunkin vuoden hienoimmat alkuperäisteokset.
Teokset vuosittain
Valitse vuosi nähdäksesi alkuperäisteokset.
Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841)
Keräilijöiden kysymyksiä James Herring -taiteilijan maalauksista
Mistä teoksesta James Herring on tunnetuin?Paljasta vastaus
James Monroe (1834), National Portrait Gallery, Washington, D.C.. Seuraavina ovat Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) ja Jacob Jennings Brown (1775-1828) (1835).
Kuinka vanha James Herring oli, kun James Monroe tehtiin?Paljasta vastaus
40 vuotta vanha: James Monroe on peräisin vuodelta 1834, ja James Herring on syntynyt vuonna 1794.
Kuinka monta maalausta James Herring jätti jälkeensä?Paljasta vastaus
Katalogissamme on 6 teosta taiteilijalta James Herring, aikaväliltä 1834–1845.
Missä museoissa James Herring's mestariteokset sijaitsevat?Paljasta vastaus
Pääasiassa New York Historical Society (New York) ja National Portrait Gallery (Washington, D.C.). Yllä oleva museotaulukko listaa ne kaikki.
Minä vuosina James Herring maalasi kuuluisimmat teoksensa?Paljasta vastaus
Aikakaudella 1845: 2 sivun 6 teoksista on tehty silloin, joista William Lintz (ca. 1815-1874).
Mitkä ovat James Herring ensimmäinen ja viimeinen tunnettua alkuperäisteosta?Paljasta vastaus
Tällä sivulla vanhin on James Monroe (1834) ja uusin William Lintz (ca. 1815-1874) (1845).
Mitä James Herring -teoksia New York Historical Society -museossa on esillä?Paljasta vastaus
Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828) ja William Lintz (ca. 1815-1874): New York Historical Society, New York -ssä on 5 tämän sivun teoksista.
James Herring: elämä ja tuotanto
The Life and Legacy of James Herring
Born in London on January 12, 1794, James Herring was an artist whose life journey mirrored the expanding horizons of the nineteenth-century Atlantic world. Though his roots were English, his spirit was profoundly shaped by the American landscape after he emigrated to the United States with his family in 1805. Growing up amidst the bustling energy of New York City and the developing reaches of New Jersey, Herring’s early years were marked by a diverse range of trades. Before finding his true calling at the easel, he navigated the worlds of education as a school teacher and even engaged in the gritty commerce of his father's distillery business in the Bowery. This varied upbringing provided him with a unique, grounded perspective that would later infuse his work with a sense of unpretentious, honest observation.
Herring’s artistic evolution began not with grand canvases, but with the meticulous and delicate task of coloring prints and maps. This early immersion in graphic arts instilled in him a profound respect for line and detail, a skill set that would serve him well as he moved to Philadelphia to continue his work in map coloring. However, the pull of portraiture eventually drew him back to New York, where he settled in Chatham Square. It was here that he truly found his voice, transitioning from the precise world of cartography to the more expressive realm of portrait painting. His ability to capture the essence of a subject—whether through a formal likeness or a more spirited profile—marked him as a significant figure in the burgeoning American art scene of the mid-1800s.
Artistic Style and Contributions
The work of James Herring is often characterized by its charming, almost naive quality, particularly when he turned his attention to animal subjects and landscapes. While he was a master of the formal portrait, there is a palpable warmth in his depictions of working horses, chickens, and pastoral scenes that suggests a deep affection for the everyday rhythms of American life. His technique, while rooted in the precision learned from his early days with prints, allowed for a certain fluidity and emotional resonance. He was not merely a recorder of faces but an illustrator of character, a talent he shared with notable contemporaries like James Barton Longacre when they collaborated on documenting American biography in the National Portrait Gallery.
Beyond his individual canvases, Herring was a vital promoter of the arts during a period when American artistic identity was still being forged. He possessed a visionary drive to elevate the status of local talent, famously persuading the American Academy of Fine Arts to support significant publications. His influence extended through generations, as seen in the career of his son, Frederick William Herring, who studied under his father and continued the family tradition of portraiture. Through his dual roles as a practitioner and an advocate, Herring helped lay the groundwork for a more robust and self-assured American art movement.
Historical Significance
Today, the historical importance of James Herring lies in his role as a bridge between the colonial traditions of Europe and the emerging aesthetic of a young United States. His work serves as a visual archive of nineteenth-century life, capturing both the dignified portraits of notable citizens and the humble beauty of the natural world. The enduring legacy of his art can be seen in the collections of prestigious institutions such as:
- The Morris Museum of Art
- The Mattatuck Museum
- Oolite Arts, 924 & 928 Gallery
As an artist who moved seamlessly between the technical rigors of engraving and the soulful expression of painting, Herring remains a fascinating figure for scholars and lovers of art alike. His life, spanning from the streets of London to the heart of New York, encapsulates the transformative energy of his era, leaving behind a body of work that continues to resonate with its quiet, enduring truth.

