Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 17 teosta taiteilijalta James Edward Freeman luettelossamme
Lyhyesti
Gallerian silmissä James Edward Freemann tunnetuin maalaus on Cupid Disguised as a Roman Shepherd Boy (1842). Horatio Seymour (1810-1886) (1835) ja Portrait of Horatio Seymour (1835) täydentävät kolmikon, jonka jokainen silmä tunnistaa. Galleria esittelee James Edward Freeman teoksista 17 tunnetuimmat 17 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.
A young boy occupies the center of the composition, positioned against a solid blue background. He is dressed in a costume designed to resemble a Roman shepherd, featuring a jacket, a cape, and a hat that resembles a wizard's headpiece. His gaze is directed downward toward his hands. In his grasp, he holds a bow and a single arrow. The fabric of his attire and the contours of his limbs…
A man emerges from a void of near-blackness, his presence defined by a sudden, sharp illumination that carves his features out of the gloom. This is a portrait of Horatio Seymour, captured in 1835, where the darkness feels heavy and absolute. The light clings to the planes of his face, highlighting the subtle textures of his skin and the quiet intensity in his gaze. He sits in a three-quarter view,…
The Portrait of Horatio Seymour is a formal depiction of a man by the artist James Edward Freeman. Created about 1835, the work captures the likeness of Horatio Seymour. The subject faces the viewer with a steady, serious gaze. He is presented from the torso up, wearing a dark suit and tie that suggest a life of status and responsibility.
Italian Beggars is an oil painting by James Edward Freeman, executed in 1844. The work emerged during a period when the artist was establishing his presence within the international art community, following his move from North America to Europe.
In Costume PIcture by James Edward Freeman, a lively moment in an Italian village unfolds across a series of stone steps. These stairs create a sense of depth, drawing the eye upward toward an arched doorway. The scene is crowded with life, as villagers gather in the open air to socialize and pass the time. Men lean into one another, drinking and conversing, while the weight of daily chores is…
The painting Masaniello by James Edward Freeman captures a moment of historical weight. Created about 1837, the work focuses on the Neapolitan folk hero Tommaso Aniello. He was known to history as Masaniello, the man who led a successful uprising against Spanish rule in Naples during 1647. Freeman, an artist born in New Brunswick, Canada, sought to render the essence of this figure through the medium of oil on canvas.
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | James Edward Freeman teokset | Tämän listan maalaukset |
|---|---|---|---|
 New York Historical Society |
New York | 1 | Horatio Seymour (1810-1886) |
 Smithsonian American Art Museum |
Washington, D.C. | 1 | The Savoyard Boy in London |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
A man emerges from a void of near-blackness, his presence defined by a sudden, sharp illumination that carves his features out of the gloom. This is a portrait of Horatio Seymour, captured in 1835, where the darkness feels heavy and absolute. The light clings to the planes of his face, highlighting the subtle textures of his skin and the quiet intensity in his gaze. He sits in a three-quarter view,…
A young boy occupies the center of the composition, positioned against a solid blue background. He is dressed in a costume designed to resemble a Roman shepherd, featuring a jacket, a cape, and a hat that resembles a wizard's headpiece. His gaze is directed downward toward his hands. In his grasp, he holds a bow and a single arrow. The fabric of his attire and the contours of his limbs…
In Costume PIcture by James Edward Freeman, a lively moment in an Italian village unfolds across a series of stone steps. These stairs create a sense of depth, drawing the eye upward toward an arched doorway. The scene is crowded with life, as villagers gather in the open air to socialize and pass the time. Men lean into one another, drinking and conversing, while the weight of daily chores is…
Cupid Disguised as a Roman Shepherd Boy (1842). Seuraavina ovat Horatio Seymour (1810-1886) (1835) ja Portrait of Horatio Seymour (1835).
34 vuotta vanha: Cupid Disguised as a Roman Shepherd Boy on peräisin vuodelta 1842, ja James Edward Freeman on syntynyt vuonna 1808.
Cupid Disguised as a Roman Shepherd Boy, Horatio Seymour (1810-1886), Portrait of Horatio Seymour, Italian Beggars, Costume PIcture, Masaniello, Head of St. John, Indian Girl, Poor Jacob'' the Last of the Yoncers'' ja The Crusader's Return. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 17 teosta taiteilijalta James Edward Freeman, aikaväliltä 1835–1871.
Pääasiassa New York Historical Society (New York) ja Smithsonian American Art Museum (Washington, D.C.). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1830s: 6 sivun 17 teoksista on tehty silloin, joista Horatio Seymour (1810-1886).
Tällä sivulla vanhin on Horatio Seymour (1810-1886) (1835) ja uusin The Princess Prattles to Her Parrot (1871).
Girls (4), Man (3) ja Jacket (2), yhteensä 17 teosta tällä sivulla.
Oil, 3 teoksesta sivun 17 teoksesta.
