Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 29 teosta taiteilijalta Herbert Gustave Schmalz luettelossamme
Lyhyesti
Gallerian silmissä Herbert Gustave Schmalzn tunnetuin maalaus on Daughters of Judah in Babylon (1892). Portrait Of Lillie Langtry ja The Temple Of Eros täydentävät kolmikon, jonka jokainen silmä tunnistaa. Galleria esittelee Herbert Gustave Schmalz teoksista 29 tunnetuimmat 29 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.
Daughters of Judah in Babylon, painted by Herbert Gustave Schmalz about 1892, presents a scene of profound displacement. The work focuses on the interaction between exiled Jewish women and the Babylonian royalty. This encounter highlights the tension between the captives and their captors within a grand, structured environment.
In this intimate portrait, we find ourselves in the presence of Lillie Langtry, captured in a moment of quiet elegance. The subject is rendered in a half-length composition, her figure draped in a deep purple gown that anchors the viewer's attention. A delicate arrangement of poppies rests at her corsage, their organic shapes providing a soft contrast to the structured lines of her attire. There is a certain stillness here,…
Sunlight filters through a dense canopy of verdant leaves, casting dappled shadows across a lush, idyllic park. In the heart of this sanctuary, a central figure rises upon a pedestal, embodying the presence of Eros. This deity is the focal point of a quiet, sacred ritual, surrounded by a diverse assembly of souls. Some figures lean forward in contemplation, their faces softened by reverence, while others appear caught in moments…
In this 1888 portrait, we find ourselves drawn into the quiet, intense presence of a solitary young man. He is rendered in a monochromatic palette, a choice that strips away the distraction of color to focus entirely on the weight of his expression and the sharp geometry of his form. He wears classical attire, the heavy folds of his garment caught in a soft, diffused light that seems to emerge…
A woman kneels by the edge of a bed, her black dress a heavy silhouette against the room. Beside her, another figure lies still, resting upon the linens. The air in the chamber feels thick with the weight of unspoken words and the soft rustle of fabric. A single potted plant sits near the bed, its green leaves offering a silent contrast to the somber scene. In the periphery, other…
In this 1897 oil on canvas, we find ourselves drawn into a nocturnal scene of profound spiritual weight. The composition is structured with a deliberate verticality, placing an angel in the upper reaches of the frame, reaching down toward a young woman positioned below. This arrangement creates a quiet hierarchy between the celestial and the earthly. A soft, luminous light emanates from behind the angelic figure, catching the edges of…
A solitary figure stands poised upon a jagged, rocky precipice, looking out over a vast and silent landscape. The scene is stripped of color, rendered in a monochromatic grayscale that emphasizes the heavy weight of the atmosphere. Every detail, from the rough, uneven textures of the stone underfoot to the soft, hazy undulations of the distant hills, speaks to a profound sense of isolation. The figure’s posture—shoulders slumped and head…
In the sweeping grandeur of 1888, Herbert Gustave Schmalz captured a moment of profound stillness amidst the echoes of antiquity with his masterpiece, Zenobia. This evocative portrait transcends mere historical documentation, inviting the viewer into a world where the boundaries between reality and romanticized legend blur. The painting presents a woman of striking elegance, draped in the pristine white of ancient Greek attire, standing upon a high balcony that overlooks…
Return from Calvary1891
12
Resurrection morn1895
13
Return from calvary
14
Home of Bethany1909
15
Nydia Blind Girl of Pompeii1908
16
Shiloh
17
Where Is The Lord, My King
18
Bethany
19
Beth-el
20
Moses Going Up Mount Nebo
21
Captain T. N. C. Nevill
22
Christ At Bethany
23
Nydia
24
Queen Of The May
25
Aithful Unto Death 'christianae Ad Leones!'
26
Sir Galahad (18811)
27
Ninon
28
Rabboni
29
The Sculptor At Work
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | Herbert Gustave Schmalz teokset | Tämän listan maalaukset |
|---|---|---|---|
 Art Gallery of South Australia |
Adelaide | 1 | Zenobia |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
In this 1888 portrait, we find ourselves drawn into the quiet, intense presence of a solitary young man. He is rendered in a monochromatic palette, a choice that strips away the distraction of color to focus entirely on the weight of his expression and the sharp geometry of his form. He wears classical attire, the heavy folds of his garment caught in a soft, diffused light that seems to emerge…
Daughters of Judah in Babylon, painted by Herbert Gustave Schmalz about 1892, presents a scene of profound displacement. The work focuses on the interaction between exiled Jewish women and the Babylonian royalty. This encounter highlights the tension between the captives and their captors within a grand, structured environment.
A solitary figure stands poised upon a jagged, rocky precipice, looking out over a vast and silent landscape. The scene is stripped of color, rendered in a monochromatic grayscale that emphasizes the heavy weight of the atmosphere. Every detail, from the rough, uneven textures of the stone underfoot to the soft, hazy undulations of the distant hills, speaks to a profound sense of isolation. The figure’s posture—shoulders slumped and head…
Daughters of Judah in Babylon (1892). Seuraavina ovat Portrait Of Lillie Langtry ja The Temple Of Eros.
36 vuotta vanha: Daughters of Judah in Babylon on peräisin vuodelta 1892, ja Herbert Gustave Schmalz on syntynyt vuonna 1856.
Daughters of Judah in Babylon, Portrait Of Lillie Langtry, The Temple Of Eros, Imogen, Saint Monica's Prayer, The Great Awakening, Solitude of Sorrow, Zenobia, Dust To Dust ja Where Is My Lord the King. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 29 teosta taiteilijalta Herbert Gustave Schmalz, aikaväliltä 1881–1909.
Pääasiassa Art Gallery of South Australia (Adelaide). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1880s: 4 sivun 29 teoksista on tehty silloin, joista Imogen.
Tällä sivulla vanhin on Dust To Dust (1881) ja uusin Home of Bethany (1909).
Figures (2), Foliage (2) ja Drapery (2), yhteensä 29 teosta tällä sivulla.
Oil, 3 teoksesta sivun 29 teoksesta.
Pre-raphaelite, tämän sivun alkuperäisteosten perusteella.
