Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 24 teosta taiteilijalta Henrique Bernardelli Thierry luettelossamme
Lyhyesti
Kaikista Henrique Bernardelli Thierry jättämistä alkuperäisteoksista kuuluisin on A Tarantela (1886), joka kuuluu Museu Nacional de Belas Artes -kokoelmaan, Rio de Janeiro. Heti perässä tulevat Retrato de Joachim Lebreton (1909) ja Interior Scene with a Girl Reading (1881). Katalogissamme on 24 teosta taiteilijalta Henrique Bernardelli Thierry; galleria on säilyttänyt 23 maailman ihailluimmista teoksista, ja jokaisesta on esitetty sen päivämäärä, museo sekä tarina.
The air inside the rustic room feels thick with the heat of the dance and the rhythmic pulse of the music. In the center of a circular composition, two women spin, their bodies caught in the frantic, joyful energy of the Tarantella. Their clothing, flashes of bright white and blue, cuts through the heavy shadows of the dimly lit interior. Every limb follows a swirling, fluid line, pulling the eye…
The gaze of the viewer meets the steady presence of Retrato de Joachim Lebreton, a work that brings the figure of Joachim Lebreton into immediate focus. This portrait, rendered by the hand of Henrique Bernardelli, captures a moment of quiet intensity. The subject remains fixed in time, his features emerging from the shadows of the composition to command attention. It is a study of character that feels deeply personal, as…
Retrato do pianista Artur Napoleão1904 · Museu Nacional de Belas Artes
12
Head of an Indian1925 · Pinacoteca do Estado de São Paulo
13
Landscape of Ouro Preto1881 · Museu de Arte de São Paulo Assis Chateaubriand
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D. João VI ouvindo o padre José Maurício ao cravo (estudo)Museu Histórico Nacional
15
Portrait (Human Figure 1)Ipiranga-museo
16
Cabeça de cavalo1920 · Museu Histórico Nacional
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Marshall Deodoro da Fonseca1919 · Museu Histórico Nacional
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Dom João VI listening to Father José Maurício at the harpsichord (study)1936 · Museu Histórico Nacional
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Busto de Joaquim Nabuco1950 · Музей Вищого Суду Федерації
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Fragmento de retratoIpiranga-museo
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Retirada do Cabo de São Roque1927 · Ipiranga-museo
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Últimos Momentos de um Bandeirante1932 · Ipiranga-museo
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Ciclo da Caça ao Índio1922 · Ipiranga-museo
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Tämän sivun teoksista eniten sisältävät 6 museota.
| Museo | Kaupunki | Henrique Bernardelli Thierry teokset | Tämän listan maalaukset |
|---|---|---|---|
 Museu Nacional de Belas Artes |
Rio de Janeiro | 8 | A Tarantela, Retrato de Joachim Lebreton, Vista de Roma |
 Ipiranga-museo |
São Paulo | 6 | Bandeirantes na selva, Portrait (Human Figure 1), Fragmento de retrato |
 Museu Histórico Nacional |
Rio de Janeiro | 4 | D. João VI ouvindo o padre José Maurício ao cravo (estudo), Cabeça de cavalo, Marshall Deodoro da Fonseca |
 Museu de Arte de São Paulo Assis Chateaubriand |
São Paulo | 2 | Interior Scene with a Girl Reading, Landscape of Ouro Preto |
 Pinacoteca do Estado de São Paulo |
São Paulo | 2 | Portrait of a Lady, Head of an Indian |
 Музей Вищого Суду Федерації |
Brasília | 1 | Busto de Joaquim Nabuco |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
The air inside the rustic room feels thick with the heat of the dance and the rhythmic pulse of the music. In the center of a circular composition, two women spin, their bodies caught in the frantic, joyful energy of the Tarantella. Their clothing, flashes of bright white and blue, cuts through the heavy shadows of the dimly lit interior. Every limb follows a swirling, fluid line, pulling the eye…
The gaze of the viewer meets the steady presence of Retrato de Joachim Lebreton, a work that brings the figure of Joachim Lebreton into immediate focus. This portrait, rendered by the hand of Henrique Bernardelli, captures a moment of quiet intensity. The subject remains fixed in time, his features emerging from the shadows of the composition to command attention. It is a study of character that feels deeply personal, as…
Bust of elderly man, directed to the left. Long face and nose. High forehead. Dark, unruly hair. Thin eyebrows. Brown eyes. Thick mustache and long beard, gray. Left ear visible. Dark jacket and tie sketches, and white shirt. White background. Author
In this evocative study by the Brazilian master Henrique Bernardelli Thierry, we are invited into an intimate, gilded moment of musical devotion. The scene captures a profound intersection of faith, royalty, and artistry as Dom João VI sits in quiet contemplation, listening to Father José Maurício perform at the harpsichord. There is a palpable stillness in the air, a sense of held breath that accompanies the delicate notes of a…
A Tarantela (1886), Museu Nacional de Belas Artes, Rio de Janeiro. Seuraavina ovat Retrato de Joachim Lebreton (1909) ja Interior Scene with a Girl Reading (1881).
28 vuotta vanha: A Tarantela on peräisin vuodelta 1886, ja Henrique Bernardelli Thierry on syntynyt vuonna 1858.
A Tarantela, Retrato de Joachim Lebreton, Interior Scene with a Girl Reading, Vista de Roma, Messalina, Maternidade, Os Bandeirantes, Model at rest, Portrait of a Lady ja Bandeirantes na selva. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 24 teosta taiteilijalta Henrique Bernardelli Thierry, aikaväliltä 1880–1936.
Pääasiassa Museu Nacional de Belas Artes (Rio de Janeiro), Ipiranga-museo (São Paulo) ja Museu Histórico Nacional (Rio de Janeiro). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1880s: 7 sivun 23 teoksista on tehty silloin, joista A Tarantela.
Tällä sivulla vanhin on Messalina (1880) ja uusin Dom João VI listening to Father José Maurício at the harpsichord (study) (1936).
Man (3) ja Portrait (3), yhteensä 23 teosta tällä sivulla.
Oil On Canvas, 2 teoksesta sivun 23 teoksesta.
A Tarantela, Retrato de Joachim Lebreton ja Vista de Roma: Museu Nacional de Belas Artes, Rio de Janeiro -ssä on 8 tämän sivun teoksista.
