Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 65 teosta taiteilijalta Hans Holbein Vanhempi luettelossamme
Lyhyesti
Gallerian silmissä Hans Holbein Vanhempi's tunnetuin maalaus on Grey Passion (1500), jonka alkuperäinen teos on esillä Staatsgalerie Stuttgart -museossa, kaupungissa Stuttgart. Kaisheim Descent from the Cross (1500) ja Katherine Altar: Martyrdom of Saint Peter (1512) täydentävät kolmikon, jonka jokainen silmä tunnistaa. Galleria esittelee Hans Holbein Vanhempi teoksista 65 tunnetuimmat 65 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.
The Grey Passion is a series of twelve panels created by Hans Holbein the Elder between 1494 and 1500. These paintings illustrate the Passion of Christ, forming the wings of a larger altarpiece. The original structure was a triptych, designed to surround a central element. This centerpiece consisted of a sculpture by Gregor Erhart, which is now lost.
A heavy silence hangs over the wooden beams. The body of Christ hangs limp, a pale weight being lowered from the cross. Shadows cling to the deep folds of crimson and dark green drapery, swallowing the periphery in a somber gloom. Every line follows the downward pull of gravity, tracing the path from the rigid geometry of the timber to the slumped, organic curves of the mourners. At the base,…
Created in 1512, this work belongs to the Northern Renaissance. It reflects the transition from late Gothic traditions toward a more realistic, humanistic approach. The painting emphasizes the visceral details of the human body and the specific textures of material goods. This style is characteristic of early 16th-century German painting, where precision in draftsmanship was a primary concern. The subject matter focuses on religious devotion through the depiction of sacrifice…
The Kaisheim Crucifixion is a dramatic religious painting from 1500 that captures a moment of profound sorrow. The composition is defined by a strong verticality, centering on the figure of Christ on the cross against a dark, near-black background. This high-contrast setting serves to illuminate his pale body, making him the focal point of the work. The color palette is composed of deep reds, stark whites, and heavy blacks, accented…
Katherine Altar: Saint Anne Self-Third is a religious work by Hans Holbein The Elder, executed in 1512. This specific piece functions as a detail from the larger Katharinenaltar: Martyrium Der Hl. Katharina.
In this somber composition from 1500, we find ourselves drawn into a tight, vertical arrangement of mourning. The scene depicts the Lamentation, a moment of profound sorrow where the physical presence of the deceased Christ is the focal point. There is a palpable sense of claustrophobia here; the figures are packed closely together, their grief pressing inward upon the viewer. The color palette relies on deep, saturated tones—crimson reds, dark…
The Epitaph of the Vetter Sisters emerges from the shadows of the late Gothic era, a large-scale altarpiece that commands the space it occupies. Painted by Hans Holbein The Elder, this work dates to about 1499. It exists as a complex, multi-tiered narrative, unfolding through a series of interconnected vignettes that guide the eye across its structured, pointed, arched frame. The scale of the piece carries a weight that demands…
The Frankfurt Dominican Altarpiece: Flagellation is a significant work by Hans Holbein The Elder, dating to 1501. This painting was originally commissioned by the Dominican Convent for the High Altar of the Dominican Church in Frankfurt am Main. It remains a profound example of the artist's early period, executed during a time when his technical precision was already becoming a defining characteristic of his hand.
The Frankfurt Dominican Altarpiece: The Entry into Jerusalem is a significant work by Hans Holbein the Elder, executed in 1501. This piece functioned as the High Altar of the Dominican Church of Frankfurt. It forms a central part of a larger Passion cycle, designed to communicate the narrative of the Passion through a series of related panels.
Frankfurt Dominican Altarpiece: Ecce Homo is a work by Hans Holbein The Elder, executed in 1501. The piece belongs to the Northern Renaissance tradition, emerging from the artist's early career in the German region. It was created during a period when the transition from Late Gothic sensibilities toward Renaissance humanism was reshaping the visual language of religious art.
Frankfurt Dominican Altarpiece: The Cleansing of the Temple1501 · Städel Museum
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Frankfurt Dominican Altarpiece: Christ’s Arrest1501 · Städel Museum
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Frankfurt Dominican Altarpiece: Christ Washing St Peter's Feet1501 · Städel Museum
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Frankfurt Dominican Altarpiece: Christ before Pontius Pilate1501 · Städel Museum
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Frankfurt Dominican Altarpiece: Christ Crowned with Thorns1501 · Städel Museum
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Frankfurt Dominican Altarpiece: Bearing of the Cross1501 · Städel Museum
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Frankfurt Dominican Altarpiece: The Agony in the Garden1501 · Städel Museum
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Frankfurt Dominican Altarpiece: Tree of Jesse (lower part)1501 · Städel Museum
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Frankfurt Dominican Altarpiece: Resurrection1501 · Städel Museum
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Frankfurt Dominican Altarpiece: Lineage of the Dominican Order (lower part)1501 · Städel Museum
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Frankfurt Dominican Altarpiece: Sunday view1501 · Städel Museum
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Frankfurt Dominican Altarpiece: Tree of Jesse (upper part)1501 · Städel Museum
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Basilica Santa Maria Maggiore1499 · Bavarian State Painting Collections
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The Virgin Mary as the Mother of Sorrows1495 · Gemäldegalerie
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Good Deeds of Empress Kunigunde1506 · Bavarian State Painting Collections
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Kaisheim Altar: Birth of Christ1502 · Bavarian State Painting Collections
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Kaisheim Altar: Christ before Pilate1502 · Bavarian State Painting Collections
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Epitaph of the Walther Sisters: Feeding of the Five Thousand1502 · Bavarian State Painting Collections
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Epitaph of the Walther Sisters: Healing of the Possessed1502 · Bavarian State Painting Collections
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Votive Image of Ulrich Schwarz: Christ and Mary as Intercessors before God the Father1503 · Bavarian State Painting Collections
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Kaisheim Altar: Annunciation of Mary1502 · Bavarian State Painting Collections
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Kaisheim Altar: Capture of Christ1502 · Bavarian State Painting Collections
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Kaisheim Altar: Crowning of Christ with Thorns1502 · Bavarian State Painting Collections
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Emperor Henry Condemns the Empress to Trial by Ordeal1506 · Bavarian State Painting Collections
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Emperor Henry Asks the Empress for Forgiveness1506 · Bavarian State Painting Collections
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Epitaph of the Walther Sisters: Transfiguration of Christ1502 · Bavarian State Painting Collections
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Death of Emperor Heinrich1506 · Bavarian State Painting Collections
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Devils Inform a Hermit That They Could Not Lay Hold of the Soul of the Emperor1506 · Bavarian State Painting Collections
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The Devil in the Form of a Youth in the Chamber of Empress Kunigunde1506 · Bavarian State Painting Collections
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Katharinenaltar: Saint Ulrich and Conrad1512 · Bavarian State Painting Collections
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Kaisheim Altar: Visitation of Mary1502 · Bavarian State Painting Collections
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Kaisheim Altar: Carrying of the Cross of Christ1502 · Bavarian State Painting Collections
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Kaisheim Altar: Presentation in the Temple1502 · Bavarian State Painting Collections
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Kaisheim Altar: Christ on the Mount of Olives1502 · Bavarian State Painting Collections
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Kaisheim Altar: Resurrection of Christ1502 · Bavarian State Painting Collections
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Kaisheim Altar: Adoration of the Magi1502 · Bavarian State Painting Collections
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Empress Kunigunde Accused of Adultery1506 · Bavarian State Painting Collections
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Kaisheim Altar: Death of Mary1502 · Bavarian State Painting Collections
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Kaisheim Altar: Temple Walk of Mary1502 · Bavarian State Painting Collections
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Kaisheim Altar: Ecce Homo1502 · Bavarian State Painting Collections
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Kaisheim Altar: Circumcision of Christ1502 · Bavarian State Painting Collections
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Empress Kunigunde Walks Over Glowing Plowshares1506 · Bavarian State Painting Collections
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Catherine Altar: Martyrdom of Saint Catherine1512 · Bavarian State Painting Collections
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Kaisheim Altar: Flagellation of Christ1502 · Bavarian State Painting Collections
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Mary with the Child1502 · Bavarian State Painting Collections
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Virgin with Child by Hans Holbein the Elder, Museu Nacional de Arte Antiga1519 · National Museum of Ancient Art
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Portrait of a Member of the Weiss Family of Augsburg1522 · Städel Museum
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Basilica San Paolo Fuori Le Mura1504 · Bavarian State Painting Collections
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Ecce Homo (Grey Passion-6)1500 · Staatsgalerie Stuttgart
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Bildnis Der Nonne Veronika Vetter1499
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Christ in silence (Grey Passion-9)1500 · Staatsgalerie Stuttgart
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Maria Der Verkündigung (Sebastiansaltar)1516 · Bavarian State Painting Collections
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Portrait of a Wife of An Unknown Stonemason1505
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Grey Passion1500 · Staatsgalerie Stuttgart
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The crown of thorns (Grey Passion-5)1500 · Staatsgalerie Stuttgart
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Tämän sivun teoksista eniten sisältävät 5 museota.
| Museo | Kaupunki | Hans Holbein Vanhempi teokset | Tämän listan maalaukset |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 40 | Kaisheim Descent from the Cross, Katherine Altar: Martyrdom of Saint Peter, Kaisheim Crucifixion |
 Städel Museum |
Frankfurt | 16 | Frankfurt Dominican Altarpiece: Flagellation, Frankfurt Dominican Altarpiece: The Entry into Jerusalem, Frankfurt Dominican Altarpiece: Ecce Homo |
 Staatsgalerie Stuttgart |
Stuttgart | 5 | Grey Passion, Ecce Homo (Grey Passion-6), Christ in silence (Grey Passion-9) |
 Gemäldegalerie |
Berliini | 1 | The Virgin Mary as the Mother of Sorrows |
 National Museum of Ancient Art |
Lissabon | 1 | Virgin with Child by Hans Holbein the Elder, Museu Nacional de Arte Antiga |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
The Epitaph of the Vetter Sisters emerges from the shadows of the late Gothic era, a large-scale altarpiece that commands the space it occupies. Painted by Hans Holbein The Elder, this work dates to about 1499. It exists as a complex, multi-tiered narrative, unfolding through a series of interconnected vignettes that guide the eye across its structured, pointed, arched frame. The scale of the piece carries a weight that demands…
The Grey Passion is a series of twelve panels created by Hans Holbein the Elder between 1494 and 1500. These paintings illustrate the Passion of Christ, forming the wings of a larger altarpiece. The original structure was a triptych, designed to surround a central element. This centerpiece consisted of a sculpture by Gregor Erhart, which is now lost.
Created in 1512, this work belongs to the Northern Renaissance. It reflects the transition from late Gothic traditions toward a more realistic, humanistic approach. The painting emphasizes the visceral details of the human body and the specific textures of material goods. This style is characteristic of early 16th-century German painting, where precision in draftsmanship was a primary concern. The subject matter focuses on religious devotion through the depiction of sacrifice…
The artwork is titled Portrait of a Member of the Weiss Family of Augsburg. It was executed by the German painter Hans Holbein The Elder. This portrait, which dates to about 1522, depicts a person of status. The subject is presented in a formal manner, captured during the Northern Renaissance period.
Grey Passion (1500), Staatsgalerie Stuttgart, Stuttgart. Seuraavina ovat Kaisheim Descent from the Cross (1500) ja Katherine Altar: Martyrdom of Saint Peter (1512).
35 vuotta vanha: Grey Passion on peräisin vuodelta 1500, ja Hans Holbein Vanhempi on syntynyt vuonna 1465.
Grey Passion, Kaisheim Descent from the Cross, Katherine Altar: Martyrdom of Saint Peter, Kaisheim Crucifixion, Katherine Altar: Saint Anne Self-Third, Burial of Kaisheim, Epitaph of the Vetter Sisters, Frankfurt Dominican Altarpiece: Flagellation, Frankfurt Dominican Altarpiece: The Entry into Jerusalem ja Frankfurt Dominican Altarpiece: Ecce Homo. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 65 teosta taiteilijalta Hans Holbein Vanhempi, aikaväliltä 1495–1522.
Pääasiassa Bavarian State Painting Collections (München), Städel Museum (Frankfurt) ja Staatsgalerie Stuttgart (Stuttgart). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1500s: 54 sivun 65 teoksista on tehty silloin, joista Grey Passion.
Tällä sivulla vanhin on The Virgin Mary as the Mother of Sorrows (1495) ja uusin Portrait of a Member of the Weiss Family of Augsburg (1522).
People (21), Drapery (18) ja Figures (15), yhteensä 65 teosta tällä sivulla.
Oil On Panel, 40 teoksesta sivun 65 teoksesta.
Northern renaissance, tämän sivun alkuperäisteosten perusteella.
Kaisheim Descent from the Cross, Katherine Altar: Martyrdom of Saint Peter ja Kaisheim Crucifixion: Bavarian State Painting Collections, München -ssä on 40 tämän sivun teoksista.
Vuonna 1526 Holbein lähti ensimmäiselle matkalleen Englantiin, matkalle, joka muuttaisi hänen uransa suunnan dramaattisesti. Aluksi hän etsi suojelusta merkittävältä humanistiselta oppineelta ja valtiomieheltä, Sir Thomas Morelta. Tämä yhteys avasi ovet muiden Englannin hovin jäsenten luokse, mukaan lukien Henrik VIII:n ja lukuisien aatelisten tilaukset. Holbein Vanhempi -nimellä tunnetun taiteilijan muotokuvat Tudor-dynastian eliitistä ovat kenties hänen kuuluisimpia teoksiaan – ne ovat realismin, diplomatian ja psykologisen syvyyden mestariteoksia. Hänellä oli hämmästyttävä kyky vangita paitsi kohteidensa fyysinen ulkonäkö, myös heidän persoonallisuutensa, kunnianhimonsa ja sosiaalisen asemansa. Hänen muotokuvansa Henrik VIII:sta on esimerkiksi voimakas kuninkaallisen auktoriteetin osoitus, joka välittää kuninkaan vaikuttavan läsnäolon ja horjumattoman vallan. Englannissa Holbein käytti tekniikkaa, jossa ohuita öljyvärilasitteita kerrostettiin huolellisesti valmistetuille paneeleille, luoden pintoja, jotka kimaltelivat eläväistä yksityiskohtaisuutta. Hänestä tuli myös taituri yhdistämään symbolisia elementtejä muotokuviinsa, viestien hienovaraisesti kohteidensa asemasta ja uskomuksista. Hänen menestyksensä Englannin hovissa johti suhteellisen vaurauden ja taiteellisen vapauden aikakauteen.
