Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 27 teosta taiteilijalta Gottfried Lindauer luettelossamme
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Portrait of Mrs Rosalia Schischka (1876) on se Gottfried Lindauer -maalaus, joka herättää eniten huomiota; alkuperäisteos kuuluu museolle Auckland Art Gallery Toi o Tāmaki, Auckland. Sen jälkeen katse siirtyy kohteisiin Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga (1880) ja Wiremu Kingi (1850). Gottfried Lindauerin 27 teoksemme joukosta nämä 27 ovat kuuluisimpia; jokainen on ainutlaatuinen alkuperäisteos, joka on esitelty vuosiluvun, museon ja sen syyn kera, miksi teos on säilyttänyt suosionsa.
Mrs. Rosalia Schischka sits in a quiet, suspended moment, her presence filling the space with a heavy, dignified stillness. The light catches the curve of her cheek and the delicate white of her lace chemisette, pulling her features forward from a deep, umber background. She looks directly at us, her steady gaze meeting the viewer with a calm that suggests a life of poise and social standing. There is a…
Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga gazes out from a dark, monochromatic void, her presence commanding the space through a quiet, steady dignity. The light falls softly from the upper left, tracing the contours of her face and catching the subtle textures of her skin. Every line tells a story of a life lived with purpose. Fine wrinkles around her eyes and the intricate, stylized patterns of…
A close-up, three-quarter view captures Wiremu Kingi in a moment of quiet authority. The portrait focuses on the upper body, set against a dark, undifferentiated background that pushes the subject forward. Light enters from the upper left, casting soft shadows that define the contours of the face and the texture of the skin. Every strand of the white beard and the coarse, woven fibers of the flax cloak are rendered…
In this Self portrait, the artist Gottfried Lindauer presents a quiet, introspective view of himself. Painted about 1862, the work captures the artist during his early years, long before his later association with the landscapes and people of New Zealand. It is a rare moment of personal reflection from a man who would eventually become a significant figure in the art history of the South Pacific.
In this intimate oil portrait from 1860, we find ourselves in a close-up, three-quarter view of a Māori woman and a child. The woman faces slightly to the left, yet her gaze is directed toward us, creating an immediate sense of presence. Behind her shoulder, a small child peers out, adding a layer of tenderness to the composition. The palette is grounded in earthy, muted tones—creams, browns, and blacks—which allow…
The air feels heavy and still around the figure of Ihaka Whanga. He sits in a quiet, dark space, his presence commanding the viewer's immediate attention. Light spills softly from the upper left, catching the stark white of his beard and the deep, weathered textures of his skin. Every line on his face tells a story of survival and endurance. The shadows wrap around him, pulling him forward from the…
A formal full-length portrait from 1870 captures a man of significant standing, positioned with a quiet, commanding presence. He is rendered in a realistic academic style, his figure centered against a theatrical backdrop of deep crimson drapery. The subject holds a rolled document, a gesture signifying his profession or social status. Light enters from the upper left, carving out the volume of his face and the sharp tailoring of his…
Heeni Hirini and Child is an oil on canvas painting by the artist Gottfried Lindauer. Created about 1878, this portrait captures Heeni Hirini, who is also known as Ana Rupene. The work belongs to a series of portraits of Māori people that document the presence and identity of the indigenous people of New Zealand.
A formal and dignified portrait of a young Māori woman, executed with high realism. The composition is a medium close-up, centering the subject against a dark, muted background that emphasizes her presence. The color palette is dominated by earthy and rich tones: deep browns, blacks, and burgundies, contrasted by the bright white of her collar and the subtle warmth of her skin tone. Lines are used softly to define the…
Executed in 1876, this work reflects the high mastery of academic realism prevalent during the late 19th century. The smooth, blended transitions in skin tones demonstrate a disciplined approach to portraiture, where the goal was to achieve a lifelike likeness through controlled technique. The eye-level perspective establishes an intimate yet respectful connection, inviting a quiet observation of the man's features and the quiet gravity of his expression.
Eliza Brookes1876 · Auckland Art Gallery Toi o Tāmaki
12
Tukukino Te Ahiātaewa1878 · Auckland Art Gallery Toi o Tāmaki
13
Taraia Ngakuti Te Tumuhuia1874 · Auckland Art Gallery Toi o Tāmaki
14
Portrait of Eruera Maihi Patuone1874 · Auckland Art Gallery Toi o Tāmaki
15
Portrait of Pare Watene1878 · Auckland Art Gallery Toi o Tāmaki
16
Portrait of Terewai Horomona (b.1866)1878 · Royal Collection
17
Portrait of Ngairo Rakai Hikuroa1878
18
Portrait of Wahanui Reihana Te Huatare1880
19
Portrait of Mrs. Paramena1885 · Museum of New Zealand Te Papa Tongarewa
20
Porträt des Mr Paramena1885
21
Kewene Te Haho1890 · Auckland Art Gallery Toi o Tāmaki
22
Portrait of William Smart1914 · Auckland Art Gallery Toi o Tāmaki
23
Self portrait1910
24
Tamati Waka Nene1890 · Auckland Art Gallery Toi o Tāmaki
25
Chief Ngairo Rakaihikuroa in Wairarapa, New ZealandDunedin Public Art Gallery
26
Paratene Te ManuAuckland Art Gallery Toi o Tāmaki
27
Portrait of Kate SperreyTe Whare O Rehua Sarjeant Gallery
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Tämän sivun teoksista eniten sisältävät 6 museota.
| Museo | Kaupunki | Gottfried Lindauer teokset | Tämän listan maalaukset |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 13 | Portrait of Mrs Rosalia Schischka, Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga, Wiremu Kingi |
 Museum of New Zealand Te Papa Tongarewa |
Wellington | 2 | Maori girl, Portrait of Mrs. Paramena |
 Gallery of Western Bohemia |
Plzeň | 1 | Self portrait |
 Royal Collection |
Lontoo | 1 | Portrait of Terewai Horomona (b.1866) |
 Dunedin Public Art Gallery |
1 | Chief Ngairo Rakaihikuroa in Wairarapa, New Zealand | |
 Te Whare O Rehua Sarjeant Gallery |
1 | Portrait of Kate Sperrey |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
A close-up, three-quarter view captures Wiremu Kingi in a moment of quiet authority. The portrait focuses on the upper body, set against a dark, undifferentiated background that pushes the subject forward. Light enters from the upper left, casting soft shadows that define the contours of the face and the texture of the skin. Every strand of the white beard and the coarse, woven fibers of the flax cloak are rendered…
In this Self portrait, the artist Gottfried Lindauer presents a quiet, introspective view of himself. Painted about 1862, the work captures the artist during his early years, long before his later association with the landscapes and people of New Zealand. It is a rare moment of personal reflection from a man who would eventually become a significant figure in the art history of the South Pacific.
Mrs. Rosalia Schischka sits in a quiet, suspended moment, her presence filling the space with a heavy, dignified stillness. The light catches the curve of her cheek and the delicate white of her lace chemisette, pulling her features forward from a deep, umber background. She looks directly at us, her steady gaze meeting the viewer with a calm that suggests a life of poise and social standing. There is a…
Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga gazes out from a dark, monochromatic void, her presence commanding the space through a quiet, steady dignity. The light falls softly from the upper left, tracing the contours of her face and catching the subtle textures of her skin. Every line tells a story of a life lived with purpose. Fine wrinkles around her eyes and the intricate, stylized patterns of…
In the Portrait of William Smart, Gottfried Lindauer presents the subject in a three-quarter view. The man gazes slightly off-camera, maintaining a calm and composed expression. His features are illuminated by soft, directional light originating from the upper left, which creates gentle modeling across the face and subtle highlights on the hair and fabric. This lighting strategy emphasizes the luminous skin tones against a dark, somber background. A single pink…
Portrait of Mrs Rosalia Schischka (1876), Auckland Art Gallery Toi o Tāmaki, Auckland. Seuraavina ovat Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga (1880) ja Wiremu Kingi (1850).
37 vuotta vanha: Portrait of Mrs Rosalia Schischka on peräisin vuodelta 1876, ja Gottfried Lindauer on syntynyt vuonna 1839.
Portrait of Mrs Rosalia Schischka, Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga, Wiremu Kingi, Self portrait, Ana Rupene and child, Portrait of Ihaka Whanga, Porträt des Johann Weitzer, Heeni Hirini and Child, Maori girl ja Charles Brookes. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 27 teosta taiteilijalta Gottfried Lindauer, aikaväliltä 1850–1914.
Pääasiassa Auckland Art Gallery Toi o Tāmaki (Auckland), Museum of New Zealand Te Papa Tongarewa (Wellington) ja Gallery of Western Bohemia (Plzeň). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1870s: 13 sivun 27 teoksista on tehty silloin, joista Portrait of Mrs Rosalia Schischka.
Tällä sivulla vanhin on Wiremu Kingi (1850) ja uusin Portrait of William Smart (1914).
Man (11), Woman (8) ja Dark background (6), yhteensä 27 teosta tällä sivulla.
Oil On Canvas, 19 teoksesta sivun 27 teoksesta.
Academic realism, tämän sivun alkuperäisteosten perusteella.
Portrait of Mrs Rosalia Schischka, Kuinioroa, Daughter of Rangi Kopinga - Te Rangi Pikinga ja Wiremu Kingi: Auckland Art Gallery Toi o Tāmaki, Auckland -ssä on 13 tämän sivun teoksista.
