Filippo Parodi muotokuva

Filippo Parodi -maalaukset: Gallerian silmin 11 kuuluisinta teosta

Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 11 teosta taiteilijalta Filippo Parodi luettelossamme

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Gallerian silmissä Filippo Parodi's tunnetuin maalaus on Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius (1661), jonka alkuperäinen teos on esillä Calouste Gulbenkian Foundation -museossa, kaupungissa Lissabon. Adonis (1680) ja Immaculate Conception (1700) täydentävät kolmikon, jonka jokainen silmä tunnistaa. Galleria esittelee Filippo Parodi teoksista 11 tunnetuimmat 11 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.

1630 – 1702 Eniten teoksia: Galleria di Palazzo Reale

Gallerian 10 parasta Filippo Parodi -maalausta

Filippo Parodi -taideteokset, sijoitukset 11–11

Museot, joissa Filippo Parodi'n alkuperäisteokset sijaitsevat

Tämän sivun teoksista eniten sisältävät 6 museota.

Museo Kaupunki Filippo Parodi teokset Tämän listan maalaukset
Galleria di Palazzo Reale, GenovaGalleria di Palazzo Reale Genova 5 Adonis, Venus, Hyacinth
Liechtenstein Museum, WienLiechtenstein Museum Wien 2 Allegory of Vice, Allegory of Virtue
Calouste Gulbenkian Foundation, LissabonCalouste Gulbenkian Foundation Lissabon 1 Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius
San Luca, GenovaSan Luca Genova 1 Immaculate Conception
Santa Maria della Cella, GenovaSanta Maria della Cella Genova 1 Immaculate Conception
Biennale Internazionale dell'Antiquariato di Firenze, FirenzeBiennale Internazionale dell'Antiquariato di Firenze Firenze 1 Virgin and Child

Filippo Parodi, yksi tunnusomainen maalaus vuosikymmeneltä

Teokset vuosikymmenittäin

Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.

Filippo Parodin maalaukset: gallerian vastaukset

Mikä Filippo Parodi -taideteos on kaikkien kuuluisin?Paljasta vastaus

Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius (1661), Calouste Gulbenkian Foundation, Lissabon. Seuraavina ovat Adonis (1680) ja Immaculate Conception (1700).

Kuinka vanha Filippo Parodi oli valmistuessaan teos Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius?Paljasta vastaus

31 vuotta vanha: Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius on peräisin vuodelta 1661, ja Filippo Parodi on syntynyt vuonna 1630.

Mitkä ovat Filippo Parodi'n 10 parasta maalausta?Paljasta vastaus

Aeneas Carrying His Father Anchises and the Penates, Followed by the Young Ascanius, Adonis, Immaculate Conception, Immaculate Conception, Venus, Hyacinth, Clytie, Christ at the Column, Allegory of Vice ja Allegory of Virtue. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.

Kuinka monta teosta Filippo Parodi loi?Paljasta vastaus

Katalogissamme on 11 teosta taiteilijalta Filippo Parodi, aikaväliltä 1660–1700.

Missä Filippo Parodi'n kuuluisimmat alkuperäisteokset sijaitsevat?Paljasta vastaus

Pääasiassa Galleria di Palazzo Reale (Genova), Liechtenstein Museum (Wien) ja Calouste Gulbenkian Foundation (Lissabon). Yllä oleva museotaulukko listaa ne kaikki.

Milloin Filippo Parodi maalasi kuuluisimmat teoksensa?Paljasta vastaus

Aikakaudella 1680s: 6 sivun 11 teoksista on tehty silloin, joista Adonis.

Mitkä ovat Filippo Parodi'n varhaisimmat ja viimeisimmät kuuluisat teokset?Paljasta vastaus

Tällä sivulla vanhin on Immaculate Conception (1660) ja uusin Immaculate Conception (1700).

Mitä Filippo Parodi -taiteilijan alkuperäisteoksia Galleria di Palazzo Reale -museossa on?Paljasta vastaus

Adonis, Venus ja Hyacinth: Galleria di Palazzo Reale, Genova -ssä on 5 tämän sivun teoksista.

Filippo Parodi: taiteilija

The Sculptor of Genoa’s Golden Age

Filippo Parodi stands as a monumental figure in the history of Genoese Baroque sculpture, a master who earned the enduring title of Gemma’s first and greatest native sculptor. Born in 1630 into a lineage deeply rooted in artistic craftsmanship, Parodi was destined for the chisel. His father, Giovanni Battista, was a respected woodcarver, and it was within the intimate, sawdust-filled atmosphere of the family workshop that Filippo first learned to breathe life into raw material. This early immersion in the delicate intricacies of wood carving gifted him with an extraordinary sensitivity to form and texture—a foundational skill that would later allow him to transition seamlessly from the warmth of timber to the cold, commanding elegance of marble and the fluid grace of stucco.

The trajectory of Parodi’s career was irrevocably altered by his transformative journey to Rome. Between 1655 and 1661, he secured an apprenticeship within the studio of Gian Lorenzo Bernini, the undisputed titan of the Baroque era. To work under Bernini was to witness the very pinnacle of dramatic composition and technical virtuosity. Through this immersive experience, Parodi absorbed the secrets of movement, light, and theatricality that defined the Roman High Baroque. Yet, his artistic vision was not merely a mirror of his master; he also drew profound stylistic cues from the works of Algardi and Ercole Ferrata, synthesizing these diverse influences into a unique aesthetic language that blended Roman grandeur with a distinct Genoese sensibility.

A Legacy Carved in Marble and Spirit

Upon his return to Genoa in the mid-1670s, Parodi did not merely return as a student, but as a master capable of reshaping the city's visual landscape. His arrival coincided with a period of intense artistic ferment, and he quickly became a central figure in the local creative community. The sculptor’s ability to manipulate different media allowed him to dominate both large-scale architectural decorations and intimate, emotive busts. His work often captured the tension between the physical weight of stone and the ethereal lightness of divine grace, a hallmark of the Baroque spirit.

The significance of Parodi's contribution extends far beyond his individual masterpieces; he established a standard of excellence that influenced generations of Ligurian artists. His career was marked by several key achievements:

  • Technical Versatility: The rare ability to master wood, marble, and stucco, allowing for a cohesive artistic vision across various architectural contexts.
  • The Bernini Connection: Bringing the sophisticated, dramatic language of Roman Baroque sculpture to the heart of Genoa.
  • Founding a Dynasty: Establishing an artistic legacy through his family, including his son Domenico Parodi, who would continue to shape the late Baroque period.

As we look upon the enduring works of Filippo Parodi, we see more than just stone and pigment; we see the triumph of a native talent who took the lessons of Rome and used them to crown his home city with splendor. His life, spanning from 1630 until his death in 1702, remains a testament to the power of tradition meeting innovation, leaving behind a sculptural heritage that continues to captivate the soul of Genoa.