Felice Beato muotokuva

Felice Beato -maalaukset: Gallerian silmin 50 kuuluisinta teosta

Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 50 teosta taiteilijalta Felice Beato luettelossamme

Lyhyesti

Gallerian silmissä Felice Beaton tunnetuin maalaus on Head Quarter Staff, Pehtang Fort (1860). Arch in Confucius Temple, Canton (1860) ja Carved Tomb at the Depot Near Pekin, The Place Where the Guns and Ammunition was (sic) Left When the Army Marched to Pekin (1860) täydentävät kolmikon, jonka jokainen silmä tunnistaa. Galleria esittelee Felice Beato teoksista 50 tunnetuimmat 50 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.

1832 – 1909, Veneesi Orientalist

Gallerian 10 parasta Felice Beato -maalausta

1
Head Quarter Staff, Pehtang Fort (1860) tekijä: Vincent van Gogh Felice Beato

Head Quarter Staff, Pehtang Fort

1860 · Photography

The scene unfolds at Pehtang Fort in China, a moment frozen in 1860. In "Head Quarter Staff, Pehtang Fort," Felice Beato and Henry Hering capture the presence of military personnel stationed within this fortification. The air feels heavy with the weight of the Second Opium War, as the soldiers occupy the earthen ramparts and the spaces around the heavy artillery. It is a direct glimpse into the organized movement of…

2
Arch in Confucius Temple, Canton (1860) tekijä: Vincent van Gogh Felice Beato

Arch in Confucius Temple, Canton

1860 · Photography

Arch in Confucius Temple, Canton is a photographic work by Felice Beato. Created in 1860, the image captures the architectural detail of the Confucius Temple's archway. The frame holds a singular moment of structural precision within the temple grounds of Canton.

3
Carved Tomb at the Depot Near Pekin, The Place Where the Guns and Ammunition was (sic) Left When the Army Marched to Pekin (1860) tekijä: Vincent van Gogh Felice Beato

Carved Tomb at the Depot Near Pekin, The Place Where the Guns and Ammunition was (sic) Left When the Army Marched to Pekin

1860 · Black and White Photography

In this 1860 photograph, we find ourselves standing before a stone monument, a structure defined by two sturdy pillars that frame a scene of quietude. The image, captured in black and white, reveals a carved tomb situated near a depot in the vicinity of Pekin. It is a place marked by the heavy history of the Second Opium War, specifically identified as the site where guns and ammunition were left…

4
Chinese Theatre, Canton (1860) tekijä: Vincent van Gogh Felice Beato

Chinese Theatre, Canton

1860 · Photography

The artwork titled Chinese Theatre, Canton is a photographic work by the artist Felice Beato. This image, dated 1860, captures a traditional Chinese theatre located in Canton, which is known today as Guangzhou. The subject matter focuses on the architectural exterior of the building during a period of significant historical change in the region.

5
East Street from Yamun, Canton (1860) tekijä: Vincent van Gogh Felice Beato

East Street from Yamun, Canton

1860 · Photography

East Street from Yamun, Canton is a photograph by Felice Beato. Captured around 1860, the image presents a street scene in Canton, China. The subject matter documents the urban landscape and the specific architecture of the city during this period. The view focuses on the built environment, providing a visual record of the structures and the layout of the street as it existed in the mid-19th century.

6
Commissioner's Yamun, Canton (1860) tekijä: Vincent van Gogh Felice Beato

Commissioner's Yamun, Canton

1860 · Black and White Photography

We are looking at Commissioner's Yamun, Canton, a significant photographic work by Felice Beato. This image was produced in 1860, capturing a specific moment in Canton, China. It offers a direct view of the architectural and civic landscape of the region during a period of profound historical transition.

7
Five Genii Temple, Canton (1860) tekijä: Vincent van Gogh Felice Beato

Five Genii Temple, Canton

1860 · Photography

Five Genii Temple, Canton is a photographic work by Felice Beato, captured around 1860. This image functions as a documentary record of a temple complex located in Canton. The subject matter focuses on the architectural landscape of the region, providing a visual account of the structures present during the mid-19th century.

8
Head Quarter House, 1st Division, Pehtang, China (1860) tekijä: Vincent van Gogh Felice Beato

Head Quarter House, 1st Division, Pehtang, China

1860 · Photography

The photograph titled Head Quarter House, 1st Division, Pehtang, China, captures a silent interior within a traditional Chinese building. Created by Felice Beato in 1860, the image fixes a specific moment in Pehtang, China. It presents a formal arrangement of several statues positioned on and around a large table. These figures occupy the center of the room, frozen in a stillness that defies the movement of the era.

9
Temple in North Street, Canton (1860) tekijä: Vincent van Gogh Felice Beato

Temple in North Street, Canton

1860 · Photography

The camera lens captures a moment of stillness in Canton. A traditional Chinese temple facade dominates the frame, its heavy roofline cutting a sharp silhouette against the pale sky. Two men stand before the entrance, their presence grounding the grand architecture in a human scale. They are silent witnesses to the stone and wood of the structure. The image carries the grain of history, a textured surface that speaks of…

10
Bridge in Confucious Temple, Canton (1860) tekijä: Vincent van Gogh Felice Beato

Bridge in Confucious Temple, Canton

1860 · Black and White Photography

Bridge in Confucious Temple, Canton is a photographic work by Felice Beato. Produced in 1860, the image captures a traditional Chinese landscape scene. The composition centers on a stone bridge spanning a body of water, leading toward a complex of buildings in the background.

Felice Beato -taideteokset, sijoitukset 11–50

11Name Hui Kung Temple, Canton (1860) tekijä: Vincent van Gogh Felice BeatoName Hui Kung Temple, Canton1860 12Temple in Tartar Quarter, Canton (1860) tekijä: Vincent van Gogh Felice BeatoTemple in Tartar Quarter, Canton1860 13Temple of Confucius, Canton (1860) tekijä: Vincent van Gogh Felice BeatoTemple of Confucius, Canton1860 14Temple in the Tartar Quarter, Canton (1860) tekijä: Vincent van Gogh Felice BeatoTemple in the Tartar Quarter, Canton1860 15Name Hui Tuk Kung, Canton (1860) tekijä: Vincent van Gogh Felice BeatoName Hui Tuk Kung, Canton1860 16Chinese Merchant's House, Canton (1860) tekijä: Vincent van Gogh Felice BeatoChinese Merchant's House, Canton1860 17East Street from the Treasury, Canton (1860) tekijä: Vincent van Gogh Felice BeatoEast Street from the Treasury, Canton1860 18Interior of Pehtang Fort Showing the Magazine and Wooden Gun (1860) tekijä: Vincent van Gogh Felice BeatoInterior of Pehtang Fort Showing the Magazine and Wooden Gun1860 19Confucius, Canton (1860) tekijä: Vincent van Gogh Felice BeatoConfucius, Canton1860 20Entrance to Treasury, Canton (1860) tekijä: Vincent van Gogh Felice BeatoEntrance to Treasury, Canton1860 21Interior of the Angle of North Fort (1860) tekijä: Vincent van Gogh Felice BeatoInterior of the Angle of North Fort1860 22Five Genii Temple from the Name Hui Tuk Kung, Canton (1860) tekijä: Vincent van Gogh Felice BeatoFive Genii Temple from the Name Hui Tuk Kung, Canton1860 23Mohammedan Mosque, Canton (1860) tekijä: Vincent van Gogh Felice BeatoMohammedan Mosque, Canton1860 24Arch in the Lama Temple Near Pekin (1860) tekijä: Vincent van Gogh Felice BeatoArch in the Lama Temple Near Pekin1860 25Exterior of the Tomb at the Depot Near Pekin, October 1860 (1860) tekijä: Vincent van Gogh Felice BeatoExterior of the Tomb at the Depot Near Pekin, October 18601860 26Imperial Winter Palace Pekin (1860) tekijä: Vincent van Gogh Felice BeatoImperial Winter Palace Pekin1860 27Tibetan Monument in the Lama Temple, Pekin (1860) tekijä: Vincent van Gogh Felice BeatoTibetan Monument in the Lama Temple, Pekin1860 28Treasury Street, Canton (1860) tekijä: Vincent van Gogh Felice BeatoTreasury Street, Canton1860 29Interior of the Tomb at the Depot Near Pekin, October 1860 (1860) tekijä: Vincent van Gogh Felice BeatoInterior of the Tomb at the Depot Near Pekin, October 18601860 30Architectural View of the Lama Temple Near Pekin (1860) tekijä: Vincent van Gogh Felice BeatoArchitectural View of the Lama Temple Near Pekin1860 31Street and Shops in the Tartar City of Pekin, October 1860 (1860) tekijä: Vincent van Gogh Felice BeatoStreet and Shops in the Tartar City of Pekin, October 18601860 32The Great Imperial Porcelain Palace, Yuen Ming Yuen, Pekin (1860) tekijä: Vincent van Gogh Felice BeatoThe Great Imperial Porcelain Palace, Yuen Ming Yuen, Pekin1860 33Interior of the North Fort Showing the Chinese Encampment (1860) tekijä: Vincent van Gogh Felice BeatoInterior of the North Fort Showing the Chinese Encampment1860 34First View Seen in Pekin taken from Anting Gate (1860) tekijä: Vincent van Gogh Felice BeatoFirst View Seen in Pekin taken from Anting Gate1860 35Part of the Entrance to the Lama Temple, Near Peking (1860) tekijä: Vincent van Gogh Felice BeatoPart of the Entrance to the Lama Temple, Near Peking1860 36Exterior of North Fort Showing English Entrance (1860) tekijä: Vincent van Gogh Felice BeatoExterior of North Fort Showing English Entrance1860 37Nine Storied Pagoda and Tartar Street, Canton (1860) tekijä: Vincent van Gogh Felice BeatoNine Storied Pagoda and Tartar Street, Canton1860 38Arch to the Memory of Virtuous Women, Tartar Quarter, Canton (1860) tekijä: Vincent van Gogh Felice BeatoArch to the Memory of Virtuous Women, Tartar Quarter, Canton1860 39Entrance of the Five Genii Temple, Canton (1860) tekijä: Vincent van Gogh Felice BeatoEntrance of the Five Genii Temple, Canton1860 40Shops and Street, Chinese City of Peking (1860) tekijä: Vincent van Gogh Felice BeatoShops and Street, Chinese City of Peking1860 41Five Storied Pagoda, Canton (1860) tekijä: Vincent van Gogh Felice BeatoFive Storied Pagoda, Canton1860 42Top of the Wall from Anting Gate. Pekin Taken Possession by English and French Troops (1860) tekijä: Vincent van Gogh Felice BeatoTop of the Wall from Anting Gate. Pekin Taken Possession by English and French Troops1860 43Mosque Near Pekin Occupied by the Commander in Chief and Lord Elgin (1860) tekijä: Vincent van Gogh Felice BeatoMosque Near Pekin Occupied by the Commander in Chief and Lord Elgin1860 44The Great Imperial Palace Yuen Ming Yuen Before the Burning, Pekin (1860) tekijä: Vincent van Gogh Felice BeatoThe Great Imperial Palace Yuen Ming Yuen Before the Burning, Pekin1860 45Tomb near Palichiao, the Scene of the Commencement of the Attack on September 21st (1860) tekijä: Vincent van Gogh Felice BeatoTomb near Palichiao, the Scene of the Commencement of the Attack on September 21st1860 46View of the Summer Palace Yuen Ming Showing the Pagoda Before the Burning, Pekin (1860) tekijä: Vincent van Gogh Felice BeatoView of the Summer Palace Yuen Ming Showing the Pagoda Before the Burning, Pekin1860 47Sacred Temple of Heaven Where the Emperor Sacrifices Once a Year in the Chinese City, Pekin (1860) tekijä: Vincent van Gogh Felice BeatoSacred Temple of Heaven Where the Emperor Sacrifices Once a Year in the Chinese City, Pekin1860 48Interior of the Angle of North Fort Immediately after the Capture (1860) tekijä: Vincent van Gogh Felice BeatoInterior of the Angle of North Fort Immediately after the Capture1860 49Pagoda Up in the Hill of Summer Palace Yuen Ming Yuen, Pekin, October 18th, 1860 (1860) tekijä: Vincent van Gogh Felice BeatoPagoda Up in the Hill of Summer Palace Yuen Ming Yuen, Pekin, October 18th, 18601860 50Interior and Arches of the Temple of Heaven, Where the Emperor Sacrifices Once a Year in the Chinese City of Peking (1860) tekijä: Vincent van Gogh Felice BeatoInterior and Arches of the Temple of Heaven, Where the Emperor Sacrifices Once a Year in the Chinese City of Peking1860

Felice Beaton kuuluisat maalaukset aikakausittain

Aiheet, jotka vangitsivat Felice Beatoin katseen

Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.

Felice Beato, jokaisen vuoden tunnusomaisimmat teokset

Jokainen tällä sivulla oleva Felice Beato -taiteilijan alkuperäisteos on vuodelta 1860: tässä ne ovat, tunnetuimmat ensin.

Teokset vuosittain

Valitse vuosi nähdäksesi alkuperäisteokset.

Felice Beaton maalaukset: gallerian vastaukset

Mikä Felice Beato -taideteos on kaikkien kuuluisin?Paljasta vastaus

Head Quarter Staff, Pehtang Fort (1860). Seuraavina ovat Arch in Confucius Temple, Canton (1860) ja Carved Tomb at the Depot Near Pekin, The Place Where the Guns and Ammunition was (sic) Left When the Army Marched to Pekin (1860).

Kuinka vanha Felice Beato oli valmistuessaan teos Head Quarter Staff, Pehtang Fort?Paljasta vastaus

28 vuotta vanha: Head Quarter Staff, Pehtang Fort on peräisin vuodelta 1860, ja Felice Beato on syntynyt vuonna 1832.

Mitkä ovat Felice Beato'n 10 parasta maalausta?Paljasta vastaus

Head Quarter Staff, Pehtang Fort, Arch in Confucius Temple, Canton, Carved Tomb at the Depot Near Pekin, The Place Where the Guns and Ammunition was (sic) Left When the Army Marched to Pekin, Chinese Theatre, Canton, East Street from Yamun, Canton, Commissioner's Yamun, Canton, Five Genii Temple, Canton, Head Quarter House, 1st Division, Pehtang, China, Temple in North Street, Canton ja Bridge in Confucious Temple, Canton. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.

Kuinka monta teosta Felice Beato loi?Paljasta vastaus

Katalogissamme on 50 teosta taiteilijalta Felice Beato.

Milloin Felice Beato maalasi kuuluisimmat teoksensa?Paljasta vastaus

Aikakaudella 1860: 50 sivun 50 teoksista on tehty silloin, joista Head Quarter Staff, Pehtang Fort.

Mihin aiheisiin Felice Beato palasi useimmin?Paljasta vastaus

Architecture (31), Temple (17) ja Roof (16), yhteensä 50 teosta tällä sivulla.

Mitä tekniikkaa Felice Beato käytti eniten?Paljasta vastaus

Photography, 25 teoksesta sivun 50 teoksesta.

Mihin taidesuuntaukseen Felice Beato kuuluu?Paljasta vastaus

Orientalist, tämän sivun alkuperäisteosten perusteella.

Felice Beato: taiteilija

A Pioneer’s Lens: The Life and Legacy of Felice Beato

Felice Beato (1832 Venetsia – 29. tammikuuta 1909 Firenze), tunnettu myös nimellä Felix Beato, oli brittiläis-italialainen valokuvaaja. Lapsuutensa hän vietti Korfun saarella, joka oli tuolloin brittiläinen protektoraatti. Hän oli ensimmäisiä Itä-Aasiassa valokuvanneita ja varhaisimpia sotavalokuvaajia. Hänen laatukuviaan, muotokuviaan sekä näkymiään ja panoraamojaan Aasian ja Välimeren alueen arkkitehtuurista ja maisemista pidetään merkittävinä. Beaton matkat eri maissa soivat hänelle mahdollisuuden luoda voimakkaita ja kestäviä kuvia maista, ihmisistä ja tapahtumista, jotka olivat tuntemattomia ja kaukaisia suurimmalle osalle eurooppalaisia ja pohjoisamerikkalaisia. Nykyaikaan saakka hänen työnsä ovat muodostaneet keskeiset kuvat sepoykapinan ja toisen oopiumisodan kaltaisista tapahtumista. Hänen valokuvansa edustavat ensimmäisiä, myöhemmin valokuvajournalismiksi kutsuttuja töitä. Hänellä oli merkittävä vaikutus muihin valokuvaajiin, ja Beaton vaikutus Japanissa, jossa hän työskenteli ja opetti lukuisia muita valokuvaajia ja taiteilijoita, oli erityisen syvä ja kestävä.

Early Life and Training

Felice Beato’s early life remains somewhat shrouded in mystery, though his birth certificate confirmed he was born in Venice in 1832. His family relocated to Corfu, then under British protection, providing him with British citizenship – a pivotal moment that shaped his career trajectory. While specific details of his formative years are scarce, it's believed he received an apprenticeship in photography, likely gaining foundational skills before encountering James Robertson in Malta around 1850. This encounter proved transformative, sparking a partnership that would catapult Beato into the world of professional photography and establish the renowned “Robertson & Beato” firm. The collaboration with Robertson was not merely a business venture; it represented a meeting of artistic minds and a shared ambition to document the world through the lens.

The Crimean War: A Turning Point

The Crimean War marked a dramatic turning point in Felice Beato’s career, thrusting him into the heart of one of history's most pivotal conflicts. Initially serving as Robertson’s assistant, he quickly rose to prominence amidst the chaotic realities of battle. Unlike Roger Fenton, whose photographs often presented a dignified and idealized view of war, Beato and Robertson captured the brutal truth with stark realism. Their images of the fall of Sevastopol in September 1855 were groundbreaking – offering an unprecedented glimpse into the devastation and human cost of war. These photographs shattered conventional notions of warfare representation, moving away from romanticized heroism towards a visceral and honest depiction of conflict. Beato’s willingness to document the horrors of battle, including scenes of destruction and suffering, established him as a pioneering figure in war photography.

Documenting Asia: A Journey of Discovery

Following the Crimean War, Beato embarked on an extraordinary journey across Asia, documenting landscapes, cultures, and historical events with unparalleled detail. He traveled extensively throughout India, China, Japan, Korea, and Burma, capturing a vast array of subjects – from imperial palaces and bustling cityscapes to religious ceremonies and everyday life. His photographs of the Lama Temple near Peking (Beijing) and the Great Imperial Porcelain Palace (Yuen Ming Yuen) stand as poignant reminders of a lost era, offering invaluable visual records of China’s declining empire. Beato's work in Japan was particularly significant, establishing him as one of the first Western photographers to systematically document Japanese society and culture during a period of rapid modernization. He not only captured stunning landscapes but also documented traditional crafts, ceremonies, and portraits, providing Europeans with a unique window into a world largely unknown to them.

Technique and Legacy

Felice Beato was a technically innovative photographer who pushed the boundaries of his craft. He mastered techniques such as hand-coloring photographs, adding depth and emotional resonance to his images. Furthermore, he pioneered the use of panoramic photography, creating expansive views that conveyed a sense of scale and grandeur. His work demonstrated a keen understanding of composition, lighting, and subject matter, resulting in images that were both aesthetically pleasing and historically significant. Beato’s legacy extends beyond his individual photographs; he is recognized as one of the first photojournalists, paving the way for future generations of visual storytellers. His influence on Japanese photography was particularly profound, where he mentored numerous photographers and artists, fostering a vibrant photographic community. His images remain a powerful testament to the transformative potential of photography in documenting history, culture, and the human experience. Useful Links: Useful Content: