Lyhyesti
Gallerian silmissä Dominik Weber's tunnetuin maalaus on Portrait of Two Children (1840), jonka alkuperäinen teos on esillä Augustiner Museum -museossa, kaupungissa Freiburg. Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) ja Portrait of a Young Woman with Two Children (1854) täydentävät kolmikon, jonka jokainen silmä tunnistaa. Galleria esittelee Dominik Weber teoksista 9 tunnetuimmat 9 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.
Gallerian 10 parasta Dominik Weber -maalausta
Museot, joissa Dominik Weber'n alkuperäisteokset sijaitsevat
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | Dominik Weber teokset | Tämän listan maalaukset |
|---|---|---|---|
| Freiburg | 8 | Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt, Portrait of a Young Woman with Two Children | |
| Karlsruhe | 1 | Two Girls with Dove |
Dominik Weber, yksi tunnusomainen maalaus vuosikymmeneltä
Teokset vuosikymmenittäin
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
Dominik Webern maalaukset: gallerian vastaukset
Mikä Dominik Weber -taideteos on kaikkien kuuluisin?Paljasta vastaus
Portrait of Two Children (1840), Augustiner Museum, Freiburg. Seuraavina ovat Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854) ja Portrait of a Young Woman with Two Children (1854).
Kuinka vanha Dominik Weber oli valmistuessaan teos Portrait of Two Children?Paljasta vastaus
21 vuotta vanha: Portrait of Two Children on peräisin vuodelta 1840, ja Dominik Weber on syntynyt vuonna 1819.
Kuinka monta teosta Dominik Weber loi?Paljasta vastaus
Katalogissamme on 9 teosta taiteilijalta Dominik Weber, aikaväliltä 1840–1869.
Missä Dominik Weber'n kuuluisimmat alkuperäisteokset sijaitsevat?Paljasta vastaus
Pääasiassa Augustiner Museum (Freiburg) ja Staatliche Kunsthalle Karlsruhe (Karlsruhe). Yllä oleva museotaulukko listaa ne kaikki.
Milloin Dominik Weber maalasi kuuluisimmat teoksensa?Paljasta vastaus
Aikakaudella 1860s: 5 sivun 9 teoksista on tehty silloin, joista Artist’s Daughter Wearing a Grey Dress.
Mitkä ovat Dominik Weber'n varhaisimmat ja viimeisimmät kuuluisat teokset?Paljasta vastaus
Tällä sivulla vanhin on Portrait of Two Children (1840) ja uusin Two Girls with Dove (1869).
Mitä Dominik Weber -taiteilijan alkuperäisteoksia Augustiner Museum -museossa on?Paljasta vastaus
Portrait of Two Children, Bildnis des Freiburger Kaufmanns Heinrich Heydt ja Portrait of a Young Woman with Two Children: Augustiner Museum, Freiburg -ssä on 8 tämän sivun teoksista.
Dominik Weber: taiteilija
A Life in the Black Forest
Dominik Weber lived much of his life within the quiet landscapes of Germany. Born on 27 July 1819 in Sankt Peter, his roots were deeply tied to the region. He spent his later years in Freiburg im Breisgau, where he passed away on 7 September 1887. His presence in these towns suggests a life shaped by the steady rhythms of the Black Forest and the local communities that surrounded him.
His work often turned its gaze toward the people who inhabited these spaces. He captured the quiet dignity of daily existence, from the faces of merchants to the simple tasks of rural laborers. There is a sense of familiarity in his subjects, as if he were painting neighbors and family members he saw every day.
The Faces of His World
Weber focused heavily on figurative painting, finding meaning in the individual characters of his era. He had a particular interest in capturing portraits that felt grounded and real. Some of his notable subjects included:
- Artist’s Daughter Wearing a Grey Dress (1860): A tender look at a child within his own family.
- Peasant Girl with Two Goats, Carrying a Bundle of Hay: A depiction of the physical labor common to the countryside.
- Portrait of an Elderly Peasant Woman (1869): A study of age and character.
- Bildnis des Freiburger Kaufmanns Heinrich Heydt (1854): A portrait of a local businessman from Freiburg.
In his self-portraits, such as the one painted around 1860, we see the artist looking back at himself. These works, alongside portraits of his wife and children, suggest that his personal life and his professional output were closely intertwined. He did not seek out grand historical scenes, but rather found his purpose in the people closest to him.
A Legacy of Observation
While much of his work remains part of private collections or specific regional archives, the pieces that survive show a commitment to the figurative tradition. His ability to document the clothing, tools, and expressions of 19th-century German life provides a window into a period of transition. He recorded the way a lady sat in 1840 and how a young woman held her children in 1854, preserving these small, human moments for those who would come after him.





