Lyhyesti
Gallerian silmissä Copley Fieldingn tunnetuin maalaus on Richmond hill, (1830). Ambelside, (1829) ja Lake Nemi with Pontine Marshes in the Background (1837) täydentävät kolmikon, jonka jokainen silmä tunnistaa. Galleria esittelee Copley Fielding teoksista 105 tunnetuimmat 89 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.
Gallerian 10 parasta Copley Fielding -maalausta
Copley Fielding -taideteokset, sijoitukset 11–89
Aiheet, jotka vangitsivat Copley Fieldingin katseen
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Beach 11 teosta
Landscape 9 teosta
Animals 8 teosta
Museot, joissa Copley Fielding'n alkuperäisteokset sijaitsevat
Tämän sivun teoksista eniten sisältävät 4 museota.
| Museo | Kaupunki | Copley Fielding teokset | Tämän listan maalaukset |
|---|---|---|---|
| Birmingham | 2 | Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains | |
| Sydney | 1 | Dunster Castle, sunset | |
| New Haven | 1 | A Scene On The Coast, Merionethshire | |
| 1 | William Gibbs |
Copley Fielding, yksi tunnusomainen maalaus vuosikymmeneltä
Copley Fieldingn maalaukset: gallerian vastaukset
Mikä Copley Fielding -taideteos on kaikkien kuuluisin?Paljasta vastaus
Richmond hill, (1830). Seuraavina ovat Ambelside, (1829) ja Lake Nemi with Pontine Marshes in the Background (1837).
Kuinka vanha Copley Fielding oli valmistuessaan teos Richmond hill,?Paljasta vastaus
43 vuotta vanha: Richmond hill, on peräisin vuodelta 1830, ja Copley Fielding on syntynyt vuonna 1787.
Mitkä ovat Copley Fielding'n 10 parasta maalausta?Paljasta vastaus
Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide ja Unloading the catch, whitby. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Kuinka monta teosta Copley Fielding loi?Paljasta vastaus
Katalogissamme on 105 teosta taiteilijalta Copley Fielding, aikaväliltä 1829–1851.
Missä Copley Fielding'n kuuluisimmat alkuperäisteokset sijaitsevat?Paljasta vastaus
Pääasiassa Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sydney) ja Yale Center for British Art (New Haven). Yllä oleva museotaulukko listaa ne kaikki.
Milloin Copley Fielding maalasi kuuluisimmat teoksensa?Paljasta vastaus
Aikakaudella 1830s: 4 sivun 89 teoksista on tehty silloin, joista Richmond hill,.
Mitkä ovat Copley Fielding'n varhaisimmat ja viimeisimmät kuuluisat teokset?Paljasta vastaus
Tällä sivulla vanhin on Ambelside, (1829) ja uusin Byland Abbey, (1851).
Mihin aiheisiin Copley Fielding palasi useimmin?Paljasta vastaus
Beach (11), Landscape (9) ja Animals (8), yhteensä 89 teosta tällä sivulla.
Mihin taidesuuntaukseen Copley Fielding kuuluu?Paljasta vastaus
Romanticism, tämän sivun alkuperäisteosten perusteella.
Mitä Copley Fielding -taiteilijan alkuperäisteoksia Birmingham Museum and Art Gallery -museossa on?Paljasta vastaus
Lake Nemi with Pontine Marshes in the Background ja Scottish Loch With Mountains: Birmingham Museum and Art Gallery, Birmingham -ssä on 2 tämän sivun teoksista.
Copley Fielding: taiteilija
The Visionary Brush of Anthony Vandyke Copley Fielding
In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.
Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.
A Mastery of Landscape and Marine Subjects
The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.
His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.
Legacy and Historical Significance
The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.
Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.








