Lyhyesti
Gallerian silmissä Charles Errard's tunnetuin maalaus on Renaud abandonnant Armide (1640), jonka alkuperäinen teos on esillä Musée du Pays de Hanau -museossa, kaupungissa Bouxwiller. Galleria esittelee Charles Errard teoksista 1 tunnetuimmat 1 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.
Gallerian 10 parasta Charles Errard -maalausta
Museot, joissa Charles Errard'n alkuperäisteokset sijaitsevat
Museo, jossa on eniten tämän sivun maalauksista.
| Museo | Kaupunki | Charles Errard teokset | Tämän listan maalaukset |
|---|---|---|---|
| Bouxwiller | 1 | Renaud abandonnant Armide |
Charles Errard, jokaisen vuoden tunnusomaisimmat teokset
Jokainen tällä sivulla oleva Charles Errard -taiteilijan alkuperäisteos on vuodelta 1640: tässä ne ovat, tunnetuimmat ensin.
Charles Errardn maalaukset: gallerian vastaukset
Mikä Charles Errard -taideteos on kaikkien kuuluisin?Paljasta vastaus
Renaud abandonnant Armide (1640)
Kuinka vanha Charles Errard oli valmistuessaan teos Renaud abandonnant Armide?Paljasta vastaus
34 vuotta vanha: Renaud abandonnant Armide on peräisin vuodelta 1640, ja Charles Errard on syntynyt vuonna 1606.
Kuinka monta teosta Charles Errard loi?Paljasta vastaus
Katalogissamme on 1 teosta taiteilijalta Charles Errard.
Missä Charles Errard'n kuuluisimmat alkuperäisteokset sijaitsevat?Paljasta vastaus
Pääasiassa Musée du Pays de Hanau (Bouxwiller). Yllä oleva museotaulukko listaa ne kaikki.
Charles Errard: taiteilija
A Life of Art and Academy
Charles Errard, also known as Charles Errard the Younger, was a French painter, draughtsman, engraver, and writer. Born in Nantes to Charles Errard the Elder and Jeanne Cremé, his early life involved studying in Rome, where he drew ancient works of art, figures, busts, reliefs, ornament, and Trajan's Column. His career included significant roles within the French art establishment, as he was one of the founders of the Académie Royale de Peinture et de Sculpture and served as its director. He also held the position of Director of the French Academy in Rome during two separate periods.
His professional reach extended to decorating various royal sites, including the Louvre Palace, the Palace of Fontainebleau, Saint-Germain-en-Laye, and Versailles. As an engraver, he produced illustrations for the Vite by Giovanni Pietro Bellori and an anatomical Atlas for the scholars of the French Academy in Rome.
Artistic Contributions and Legacy
Beyond his work as a painter and decorator, Errard was active as a scenery painter for the royal opera. His artistic output included:
- Illustrations after Poussin's sketches to Leonardo da Vinci's Trattato della Pittura.
- Bronze copies of Florentine sculptures, specifically from Michelangelo's sculptures in the Medici Chapel, which were left to Louis XIV and are now held in the Louvre.
Errard's career was marked by his involvement in major institutions and his travels, including an art-collecting trip to Flanders on behalf of the king. He served as the Principal of the Accademia di San Luca and eventually resigned his offices following the death of Colbert. He died in Rome and was buried in Santa Trinità dei Monti.