Bartolomeo Passarotti muotokuva

56 tunnetuinta Bartolomeo Passarotti -maalausta, gallerian valikoima

Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 59 teosta taiteilijalta Bartolomeo Passarotti luettelossamme

Lyhyesti

Kaikista Bartolomeo Passarotti jättämistä alkuperäisteoksista kuuluisin on Portrait of an old woman (1582), joka kuuluu Kunsthistorisches Museum -kokoelmaan, Wien. Heti perässä tulevat The Anatomy Lesson (1550) ja Family Portrait (1585). Katalogissamme on 59 teosta taiteilijalta Bartolomeo Passarotti; galleria on säilyttänyt 56 maailman ihailluimmista teoksista, ja jokaisesta on esitetty sen päivämäärä, museo sekä tarina.

1529 – 1592, Bologna Renaissance Eniten teoksia: Museo del Prado

Bartolomeo Passarotti -taiteilijan 10 parasta maalausta: gallerian valinnat

2
The Anatomy Lesson (1550) tekijä Bartolomeo Passarotti

The Anatomy Lesson

1550 · Oil · Galleria Borghese, Rooma

The oil painting titled The Anatomy Lesson brings us into a crowded, intense moment of scholarly inquiry. Created by Bartolomeo Passarotti, this work captures a dramatic academic demonstration. The scene centers on an open human body, laid out for study. A professor, dressed in ecclesiastical attire, leads the lesson. He directs the attention of a group of listeners who gather closely to witness the unfolding dissection. The body rests above…

3
Family Portrait (1585) tekijä Bartolomeo Passarotti

Family Portrait

1585 · Oil On Canvas · Kunsthistorisches Museum, Wien

In this vertical composition from around 1585, we find ourselves in the presence of three generations, brought together in a quiet, somber arrangement. The painting depicts an older widow seated with a grown son standing behind her, while a small child stands before them. There is a certain stillness to the grouping, a sense of social hierarchy expressed through their physical placement and stoic expressions. The figures are tightly clustered…

5
Portrait of a Man (1560) tekijä Bartolomeo Passarotti

Portrait of a Man

1560 · Oil · Bavarian State Painting Collections, München

The gaze of the subject in Portrait of a Man meets the viewer with a quiet, steady presence. This work, created by the Bolognese artist Bartolomeo Passarotti, captures a moment of stillness from 1560. The man sits before us, his features defined by a calm and direct look that suggests a life of introspection and dignity.

6
Saint Jerome (1550) tekijä Bartolomeo Passarotti

Saint Jerome

1550 · Oil On Canvas · National Gallery of Ireland, Dublin

A muscular, semi-nude ascetic occupies the center of a rugged landscape. His skin, a stark white against the warm ochre and tan of the earth, catches a sharp light that carves out the heavy anatomy of his torso. He is a figure of monumental presence, positioned vertically to command the space. Deep shadows cling to the contours of his muscles, creating a sense of three-dimensional volume that feels heavy and…

7
The Fishmongers (1550) tekijä Bartolomeo Passarotti

The Fishmongers

1550 · Oil On Canvas

The air in the scene feels heavy with the scent of salt and wet scales. A dense crowd gathers around a bounty of seafood, their bodies pressed close in a crowded, intimate space. An older man with a grey beard anchors the composition, his presence steady amidst the movement. Beside him, a younger man opens his mouth in a wide, theatrical expression, while a child looks upward, eyes searching the…

8
Self-portrait (1560) tekijä Bartolomeo Passarotti

Self-portrait

1560 · Oil On Panel

The oil painting on panel presents a tightly framed view of Bartolomeo Passerotti, focusing on his face and upper torso. The subject is positioned in a one-point perspective, directing the viewer's gaze toward his features. A dark color palette dominates the work, utilizing shades of brown, black, and muted green. Light enters the scene to create strong contrasts, sculpting the musculature of the face and the folds of the garment.…

9
Portrait of a Scribe (1560) tekijä Bartolomeo Passarotti

Portrait of a Scribe

1560 · Oil On Canvas

In this 1560 oil on canvas, we find ourselves in the private, silent world of a scholar. The subject, a man engaged in the act of writing, is seated at a desk, his presence defined by a sense of focused intellectualism. There is a certain stillness here, a moment captured where the only sound is the scratching of a quill against parchment. The composition is centered and formal, drawing the…

10
Three Men with Two Dogs (1550) tekijä Bartolomeo Passarotti

Three Men with Two Dogs

1550 · Oil On Canvas

The composition centers on three men positioned in a tight, intimate arrangement. A central figure holds a glass containing a reddish liquid, acting as the focal point of the group. To his side, another man appears to play a flute, while the third man engages with the others in a shared social moment. Two dogs are integrated into the lower portion of the frame, their forms resting near their human…

Bartolomeo Passarotti-valikoima jatkuu, 11–56

11Portrait of the Physician Carlo Fontana (1570) tekijä Bartolomeo PassarottiPortrait of the Physician Carlo Fontana1570 · Museum of Fine Arts Ghent (MSK) 12Portrait of Pope Pius V (1579) tekijä Bartolomeo PassarottiPortrait of Pope Pius V1579 13Portrait of a Young General (1575) tekijä Bartolomeo PassarottiPortrait of a Young General1575 14Pope Gregory XIII (1580) tekijä Bartolomeo PassarottiPope Gregory XIII1580 · Gemäldegalerie 15Portrait of a Man (1580) tekijä Bartolomeo PassarottiPortrait of a Man1580 · Harvard Art Museums 16Poultry dealer (1580) tekijä Bartolomeo PassarottiPoultry dealer1580 · Fondazione di Studi di Storia dell'Arte Roberto Longhi 17Blood of the Redeemer tekijä Bartolomeo PassarottiBlood of the RedeemerMuseum of Fine Arts 18Portrait of Ignazio Danti (1597) tekijä Bartolomeo PassarottiPortrait of Ignazio Danti1597 · Musée des Beaux-Arts de Brest 19Portrait of a Man Playing a Lute (1576) tekijä Bartolomeo PassarottiPortrait of a Man Playing a Lute1576 · Museum of Fine Arts 20Copy after Michelangelo (1550) tekijä Bartolomeo PassarottiCopy after Michelangelo1550 · Nelson-Atkins Museum of Art 21DIANE CHASSERESSE tekijä Bartolomeo PassarottiDIANE CHASSERESSELouvre 22The Holy Family with St Elizabeth and the Infant St John the Baptist (1572) tekijä Bartolomeo PassarottiThe Holy Family with St Elizabeth and the Infant St John the Baptist1572 23Portrait of a Young Man Holding a Statuette (1575) tekijä Bartolomeo PassarottiPortrait of a Young Man Holding a Statuette1575 24Portrait of a Man with a Dog (detail) (1585) tekijä Bartolomeo PassarottiPortrait of a Man with a Dog (detail)1585 · Pinacoteca Capitolina 25The Fishmonger's Shop (1580) tekijä Bartolomeo PassarottiThe Fishmonger's Shop1580 · Galleria Nazionale d'Arte Antica 26Portrait of a Man with a Dog (1585) tekijä Bartolomeo PassarottiPortrait of a Man with a Dog1585 · Pinacoteca Capitolina 27Study of Male Nudes Fighting (1572) tekijä Bartolomeo PassarottiStudy of Male Nudes Fighting1572 28Perseus frees Andromeda (1575) tekijä Bartolomeo PassarottiPerseus frees Andromeda1575 29Family portrait tekijä Bartolomeo PassarottiFamily portraitGemäldegalerie Alte Meister 30Saint John Baptist, Saint Jerome and Saint Francis of Assisi tekijä Bartolomeo PassarottiSaint John Baptist, Saint Jerome and Saint Francis of AssisiMusée des Beaux-Arts de Strasbourg 31Lute palyer tekijä Bartolomeo PassarottiLute palyer 32Portrait d'homme en armure tekijä Bartolomeo PassarottiPortrait d'homme en armure 33A Butchery (1575) tekijä Bartolomeo PassarottiA Butchery1575 · Galleria Nazionale d'Arte Antica 34Male Nude (1550) tekijä Bartolomeo PassarottiMale Nude1550 · Museo del Prado 35Copy of a Statue with A Female Nude From Back (1550) tekijä Bartolomeo PassarottiCopy of a Statue with A Female Nude From Back1550 · Museo del Prado 36Lucretia's Suicide (1550) tekijä Bartolomeo PassarottiLucretia's Suicide1550 37Portrait of a Botanist (Ulisse Aldrovandi.) (1570) tekijä Bartolomeo PassarottiPortrait of a Botanist (Ulisse Aldrovandi.)1570 · Galleria Spada 38Portrait of Pope Pius V (1566) tekijä Bartolomeo PassarottiPortrait of Pope Pius V1566 · Walters Art Museum 39Portrait of a Lady with a Dog (1569) tekijä Bartolomeo PassarottiPortrait of a Lady with a Dog1569 40Double Portrait of Musicians (1579) tekijä Bartolomeo PassarottiDouble Portrait of Musicians1579 · Capitoline Museums 41Double Dressed Portrait of Circe and Ulysses (1575) tekijä Bartolomeo PassarottiDouble Dressed Portrait of Circe and Ulysses1575 42Copy of the Good Thief, From the Last Judgement of Michelangelo (1570) tekijä Bartolomeo PassarottiCopy of the Good Thief, From the Last Judgement of Michelangelo1570 · Museo del Prado 43The Holy Family Accompained by an Angel and two Saints (1565) tekijä Bartolomeo PassarottiThe Holy Family Accompained by an Angel and two Saints1565 · Museo del Prado 44Portrait of a Gentleman (1580) tekijä Bartolomeo PassarottiPortrait of a Gentleman1580 45Nude Studies (1580) tekijä Bartolomeo PassarottiNude Studies1580 46Portrait of a Cavalier with his Hunting Dogs (1580) tekijä Bartolomeo PassarottiPortrait of a Cavalier with his Hunting Dogs1580 · Rhode Island School of Design Museum of Art 47The Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist (1580) tekijä Bartolomeo PassarottiThe Coronation of the Virgin with Saints Luke, Dominic, and John the Evangelist1580 · Art Gallery of South Australia 48St. Dominicus and the Albigensians (1580) tekijä Bartolomeo PassarottiSt. Dominicus and the Albigensians1580 · Pinacoteca Nazionale di Bologna 49Domenico Giuliani and His Servant tekijä Bartolomeo PassarottiDomenico Giuliani and His Servant 50Portrait of an Old Woman tekijä Bartolomeo PassarottiPortrait of an Old Woman 51A Group of Six Men, Including a Self Portrait tekijä Bartolomeo PassarottiA Group of Six Men, Including a Self Portrait 52Portrait of a lady, head and shoulders tekijä Bartolomeo PassarottiPortrait of a lady, head and shouldersBavarian State Painting Collections 53Portrait of an Unknown Soldier in Armour tekijä Bartolomeo PassarottiPortrait of an Unknown Soldier in ArmourNational Trust 54Holy Family with the Infant St John the Baptist and St Catherine of Alexandria tekijä Bartolomeo PassarottiHoly Family with the Infant St John the Baptist and St Catherine of AlexandriaChristian Museum 55Two market women and a boy with chicken and vegetables tekijä Bartolomeo PassarottiTwo market women and a boy with chicken and vegetablesGemäldegalerie 56The Butcher's Shop (1580) tekijä Bartolomeo PassarottiThe Butcher's Shop1580 · Galleria Nazionale d'Arte Antica

Bartolomeo Passarottin kuuluisat maalaukset aikakausittain

Aiheet, jotka vangitsivat Bartolomeo Passarottiin katseen

Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.

Museot, joissa Bartolomeo Passarotti'n alkuperäisteokset sijaitsevat

Tämän sivun teoksista eniten sisältävät 8 museota.

Museo Kaupunki Bartolomeo Passarotti teokset Tämän listan maalaukset
Museo del Prado, MadridMuseo del Prado Madrid 4 Male Nude, Copy of a Statue with A Female Nude From Back, Copy of the Good Thief, From the Last Judgement of Michelangelo
Kunsthistorisches Museum, WienKunsthistorisches Museum Wien 3 Portrait of an old woman, Family Portrait, Portrait of the physician Carlo Fontana
Galleria Nazionale d'Arte Antica, RoomaGalleria Nazionale d'Arte Antica Rooma 3 The Fishmonger's Shop, A Butchery, The Butcher's Shop
Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 2 Portrait of a Man, Portrait of a lady, head and shoulders
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Blood of the Redeemer, Portrait of a Man Playing a Lute
Pinacoteca Capitolina, RoomaPinacoteca Capitolina Rooma 2 Portrait of a Man with a Dog (detail), Portrait of a Man with a Dog
Galleria Borghese, RoomaGalleria Borghese Rooma 1 The Anatomy Lesson
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 1 Saint Jerome

Bartolomeo Passarotti vuosikymmenittäin: jokaisen aikakauden määrittänyt alkuperäisteos

Teokset vuosikymmenittäin

Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.

Keräilijöiden kysymyksiä Bartolomeo Passarotti -taiteilijan maalauksista

Mistä teoksesta Bartolomeo Passarotti on tunnetuin?Paljasta vastaus

Portrait of an old woman (1582), Kunsthistorisches Museum, Wien. Seuraavina ovat The Anatomy Lesson (1550) ja Family Portrait (1585).

Kuinka vanha Bartolomeo Passarotti oli, kun Portrait of an old woman tehtiin?Paljasta vastaus

53 vuotta vanha: Portrait of an old woman on peräisin vuodelta 1582, ja Bartolomeo Passarotti on syntynyt vuonna 1529.

Mitkä ovat kymmenen kuuluisinta Bartolomeo Passarotti -taideteosta?Paljasta vastaus

Portrait of an old woman, The Anatomy Lesson, Family Portrait, Portrait of the physician Carlo Fontana, Portrait of a Man, Saint Jerome, The Fishmongers, Self-portrait, Portrait of a Scribe ja Three Men with Two Dogs. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.

Kuinka monta maalausta Bartolomeo Passarotti jätti jälkeensä?Paljasta vastaus

Katalogissamme on 59 teosta taiteilijalta Bartolomeo Passarotti, aikaväliltä 1550–1585.

Missä museoissa Bartolomeo Passarotti's mestariteokset sijaitsevat?Paljasta vastaus

Pääasiassa Museo del Prado (Madrid), Kunsthistorisches Museum (Wien) ja Galleria Nazionale d'Arte Antica (Rooma). Yllä oleva museotaulukko listaa ne kaikki.

Minä vuosina Bartolomeo Passarotti maalasi kuuluisimmat teoksensa?Paljasta vastaus

Aikakaudella 1580s: 15 sivun 56 teoksista on tehty silloin, joista Portrait of an old woman.

Mitkä ovat Bartolomeo Passarotti ensimmäinen ja viimeinen tunnettua alkuperäisteosta?Paljasta vastaus

Tällä sivulla vanhin on The Anatomy Lesson (1550) ja uusin Family Portrait (1585).

Mitä aiheita Bartolomeo Passarotti käytti useimmiten?Paljasta vastaus

Man (19), Beard (8) ja Book (6), yhteensä 56 teosta tällä sivulla.

Mitä tekniikkaa Bartolomeo Passarotti käytti eniten?Paljasta vastaus

Oil On Canvas, 17 teoksesta sivun 56 teoksesta.

Mihin taidesuuntaukseen Bartolomeo Passarotti kuuluu?Paljasta vastaus

Renaissance ja Mannerism, tämän sivun alkuperäisteosten perusteella.

Mitä Bartolomeo Passarotti -teoksia Museo del Prado -museossa on esillä?Paljasta vastaus

Male Nude, Copy of a Statue with A Female Nude From Back ja Copy of the Good Thief, From the Last Judgement of Michelangelo: Museo del Prado, Madrid -ssä on 4 tämän sivun teoksista.

Bartolomeo Passarotti: elämä ja tuotanto

The Bolognese Master of Mannerist Splendor

In the vibrant, shifting landscape of the late sixteenth century, few artists captured the transition from the structured elegance of the High Renaissance to the dramatic intensity of the Baroque as skillfully as Bartolomeo Passarotti. Born in Bologna in 1529, Passarotti emerged not merely as a painter, but as a pivotal bridge between eras. His early years were defined by a profound immersion in the Roman art scene, where between 1550 and 1555, he sought the guidance of masters such as Giacomo Barozzi da Vignola and Taddeo Zuccari. This period of Roman training was transformative; it instilled in him a deep reverence for classical antiquity and the humanist principles of anatomical precision and balanced composition, even as he began to experiment with the more elongated and complex forms that would define the Mannerist movement.

Upon his return to his native Bologna, Passarotti did not merely settle into local practice; he established a formidable artistic powerhouse. His studio became a crucible of innovation, attracting a generation of talent that would eventually reshape European art. Among his most notable pupils were Agostino Carracci, Lucio Massari, and Francesco Brizzi—artists who would carry the seeds of his stylistic experimentation into the burgeoning Baroque era. This legacy of mentorship ensured that Passarotti’s influence extended far beyond the walls of his own workshop, as his approach to light, texture, and subject matter permeated the very fabric of the Bolognese school.

A Tapestry of Genre and Drama

Passarotti’s oeuvre is celebrated for its remarkable versatility, ranging from the divine to the deeply terrestrial. He possessed a unique ability to navigate between grand religious altarpiements and intimate, often gritty, genre scenes. His work often features a striking use of chiaroscuro, utilizing stark contrasts between light and shadow to imbue his subjects with a sense of psychological depth and physical presence. This technique, which prefigured the dramatic lighting later perfected by Caravaggio, allowed him to breathe life into both mythological figures and everyday laborers.

In his genre paintings, Passarotti displayed an extraordinary eye for detail and a fascination with the textures of daily existence. Works such as The Butcher's Shop (1580) serve as captivating windows into the late Renaissance world, showcasing a masterful command of warm tones and a realistic depiction of communal life. Similarly, his ability to render the divine is evident in pieces like Diane Chasseresse, where the Roman goddess of the hunt is captured with a dynamic, muscular grace that embodies the very essence of Mannerist energy. Whether depicting the quiet solitude of a Lute Player or the solemnity of religious devotion, his brushwork consistently sought to capture the fleeting tension between the ideal and the real.

Legacy and Historical Significance

While history sometimes overlooks Passarotti in favor of more revolutionary figures like Michelangelo, his importance to the evolution of Italian art is undeniable. He was a master of transition, an artist who understood how to honor the classical past while simultaneously preparing the ground for the emotional turbulence of the next century. His later works, influenced by Tuscan models such as Giorgio Vasari and Prospero Fontana, demonstrate a continuous evolution and an enduring curiosity about the changing tides of aesthetic taste.

The historical significance of Bartolomeo Passarotti lies in his role as a foundational figure for the Carracci Academy and the broader Bolognese tradition. His life’s work—a blend of meticulous anatomical study, dramatic lighting, and a profound interest in the human condition—remains a testament to the enduring power of Mannerism. Through his studio, his pupils, and his evocative canvases, Passarotti ensured that the spirit of Bologna would remain at the heart of the European artistic dialogue for generations to come.