Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 69 teosta taiteilijalta Barnett Newman luettelossamme
Lyhyesti
Musta tuli I (1963) on se Barnett Newman -maalaus, joka herättää eniten huomiota. Sen jälkeen katse siirtyy kohteisiin Vir Heroicus Sublimis (1950) ja Prometheus Bound. Barnett Newmanin 69 teoksemme joukosta nämä 62 ovat kuuluisimpia; jokainen on ainutlaatuinen alkuperäisteos, joka on esitelty vuosiluvun, museon ja sen syyn kera, miksi teos on säilyttänyt suosionsa.
Vuonna 1963 Barnett Newman toi maailmaan teoksen Black Fire I. Tämä 289 x 213 cm kokoinen kangas on massiivinen läsnäolo, joka täyttää huoneen raskaalla ja hiljaisella painolla. Teoksen mittakaava vaatii fyysisen reaktion jokaiselta sen edessä seisovalta. Se syntyi Color Field -maalaustaiteen huipentumana, riisuen näkyvän maailman hälyä löytääkseen jotain paljon perustavanlaatuisempaa.
The canvas of Vir Heroicus Sublimis looms large, a monumental presence that demands immediate attention. Created by the American painter Barnett Newman, this work carries a title that translates from Latin as "Man, Heroic and Sublime." It is a massive expanse, reaching nearly 8 feet in height and stretching 18 feet wide, a scale that envelops the viewer's field of vision. The sheer size of the painting transforms the space…
In the vast, quiet landscape of Abstract Expressionism, few works command the room with such profound, understated authority as Barnett Newman’s "Prometheus Bound." To encounter this painting is to step away from the clamor of the material world and enter a space of pure, meditative stillness. Eschewing the traditional impulse to depict recognizable figures or dramatic narratives, Newman invites the viewer into a realm of Color Field Painting, where the…
In the landscape of twentieth-century modernism, few works possess the quiet, seismic power of Barnett Newman’s Onement I. Completed in 1948, this masterpiece serves as a profound emblem of Abstract Expressionism and stands as a foundational cornerstone for the Color Field movement. To encounter this painting is to witness a pivotal moment in art history where the boundaries of representation were irrevocably dissolved, replaced by an exploration of pure perception.…
The canvas holds a heavy, dark cadmium red. This color occupies the space like the earth itself, unmodulated and thick with presence. A single white stripe, known as a zip, cuts vertically through the center of the field. It is precise and thin. This line acts as a flash of lightning against the saturated background, an instantaneous moment that breaks the stillness of the red expanse.
In the vast landscape of mid-20th-century abstraction, few works command the room with such singular, quiet intensity as Barnett Newman’s Onement, III. Created in 1949, this masterpiece stands as a seminal pillar of the Color Field painting movement, offering much more than a mere arrangement of pigment on canvas. It is an invitation to experience the sublime. The painting presents a breathtaking expanse of deep, dominant red, a field of…
To stand before Be I is to encounter a profound silence that speaks with startling intensity. Created in 1970, the final year of Barnett Newman’s life, this monumental work serves as a definitive statement of the Color Field movement. The painting does not rely on the traditional vocabulary of figures or landscapes; instead, it commands the viewer's attention through a singular, immersive expanse of deep red. This is not merely…
The canvas breathes through a field of orange. It is a hue that does not merely sit upon the surface but seems to vibrate, a steady heat radiating from the center of the frame. This is the world of 1964, where color is stripped of its duty to represent objects and is instead allowed to exist as pure energy. Through the application of pigment, a flat, non-hierarchical space emerges, inviting…
Barnett Newman created Twelfth Station in 1965. This acrylic on canvas exists as a single movement within a larger sequence. It belongs to the series titled The Stations of the Cross / Lema Sabachthani. The work emerged from a period of intense philosophical inquiry, seeking to find a visual language for the silent weight of existence.
Dionysius is a work by Barnett Newman. Created in 1949, this oil on canvas piece belongs to the Color Field style. The artist's approach here focuses on the expansive application of pigment to establish a specific spatial presence.
3. Third Station1960
12
Who’s Afraid of Red, Yellow and Blue II
13
Title Page from 18 Cantos1964
14
Broken Obelisk1969
15
Voice of Fire1967
16
Untitled1946
17
The Song of Orpheus1944
18
Rothko by Newman
19
Untitled1945
20
The Blessing1944
21
Two Edges1948
22
Untitled1945
23
The Wild1950
24
Yellow Painting1949
25
The Name II1950
26
Concord1949
27
Covenant1949
28
Achilles1952
29
Uriel1955
30
Fourth Station1960 · National Gallery of Art
31
Second Station1958 · National Gallery of Art
32
The Station of the Cross - First Station1958 · National Gallery of Art
33
Tenth Station1965 · National Gallery of Art
34
Fourteenth Station1965 · National Gallery of Art
35
Eighth Station1964 · National Gallery of Art
36
Sixth Station1962 · National Gallery of Art
37
Be II1964 · National Gallery of Art
38
Thirteenth Station1966 · National Gallery of Art
39
Canto II1964
40
Canto XII1964
41
Tenth Station1965
42
Eleventh Station1965 · National Gallery of Art
43
Canto IX1963
44
Seventh Station1964 · National Gallery of Art
45
Fifth Station1962 · National Gallery of Art
46
Canto XI1964
47
Canto X1964
48
Canto XVI1964
49
Canto XIV1964
50
The Station1963
51
Canto XV1964
52
Untitled Etching #11969
53
Jericho1969
54
Midnight Blue1970 · Museum Ludwig
55
Pagan Void1946
56
Canto VII1963
57
Onement I
58
Eve
59
Shimmer Bright1968
60
Unfinished painting1970
61
Ulysses1952
62
Black Fire I1961
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Tämän sivun teoksista eniten sisältävät 5 museota.
| Museo | Kaupunki | Barnett Newman teokset | Tämän listan maalaukset |
|---|---|---|---|
 National Gallery of Art |
Washington | 13 | Twelfth Station, Fourth Station, Second Station |
 Museum Folkwang |
Essen | 1 | Prometheus Bound |
 MoMA - Museum of Modern Art |
New York | 1 | Onement I |
 Detroit Institute of Arts |
Detroit | 1 | Be I |
 Museum Ludwig |
Köln | 1 | Midnight Blue |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
In the landscape of twentieth-century modernism, few works possess the quiet, seismic power of Barnett Newman’s Onement I. Completed in 1948, this masterpiece serves as a profound emblem of Abstract Expressionism and stands as a foundational cornerstone for the Color Field movement. To encounter this painting is to witness a pivotal moment in art history where the boundaries of representation were irrevocably dissolved, replaced by an exploration of pure perception.…
The canvas of Vir Heroicus Sublimis looms large, a monumental presence that demands immediate attention. Created by the American painter Barnett Newman, this work carries a title that translates from Latin as "Man, Heroic and Sublime." It is a massive expanse, reaching nearly 8 feet in height and stretching 18 feet wide, a scale that envelops the viewer's field of vision. The sheer size of the painting transforms the space…
Vuonna 1963 Barnett Newman toi maailmaan teoksen Black Fire I. Tämä 289 x 213 cm kokoinen kangas on massiivinen läsnäolo, joka täyttää huoneen raskaalla ja hiljaisella painolla. Teoksen mittakaava vaatii fyysisen reaktion jokaiselta sen edessä seisovalta. Se syntyi Color Field -maalaustaiteen huipentumana, riisuen näkyvän maailman hälyä löytääkseen jotain paljon perustavanlaatuisempaa.
The canvas holds a heavy, dark cadmium red. This color occupies the space like the earth itself, unmodulated and thick with presence. A single white stripe, known as a zip, cuts vertically through the center of the field. It is precise and thin. This line acts as a flash of lightning against the saturated background, an instantaneous moment that breaks the stillness of the red expanse.
Musta tuli I (1963). Seuraavina ovat Vir Heroicus Sublimis (1950) ja Prometheus Bound.
58 vuotta vanha: Musta tuli I on peräisin vuodelta 1963, ja Barnett Newman on syntynyt vuonna 1905.
Musta tuli I, Vir Heroicus Sublimis, Prometheus Bound, Onement I, Be I, Onement, III, Be I, The Third, Twelfth Station ja Dionysius. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 69 teosta taiteilijalta Barnett Newman, aikaväliltä 1944–1970.
Pääasiassa National Gallery of Art (Washington), Museum Folkwang (Essen) ja MoMA - Museum of Modern Art (New York). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1960s: 32 sivun 62 teoksista on tehty silloin, joista Musta tuli I.
Tällä sivulla vanhin on The Song of Orpheus (1944) ja uusin Be I (1970).
Vertical lines (5), Geometric (4) ja Spirituality (2), yhteensä 62 teosta tällä sivulla.
Oil On Canvas, 8 teoksesta sivun 62 teoksesta.
Color field ja Abstract expressionism, tämän sivun alkuperäisteosten perusteella.
Twelfth Station, Fourth Station ja Second Station: National Gallery of Art, Washington -ssä on 13 tämän sivun teoksista.
