The mocking of Christ
The light fades into the dark.
Lyhyesti
The mocking of Christ (1699) on se Anthoni Schoonjans -maalaus, joka herättää eniten huomiota; alkuperäisteos kuuluu museolle Kunsthistorisches Museum, Wien. Sen jälkeen katse siirtyy kohteisiin The Apple of Eris (1690) ja Portrait of an unknown lady (1690). Anthoni Schoonjansin 15 teoksemme joukosta nämä 15 ovat kuuluisimpia; jokainen on ainutlaatuinen alkuperäisteos, joka on esitelty vuosiluvun, museon ja sen syyn kera, miksi teos on säilyttänyt suosionsa.
Tämän sivun teoksista eniten sisältävät 3 museota.
| Museo | Kaupunki | Anthoni Schoonjans teokset | Tämän listan maalaukset |
|---|---|---|---|
| München | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Wien | 2 | The mocking of Christ, Vestal virgins | |
| Berliini | 1 | Portrait of crown prince Frederick William as David with a sling |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
The light fades into the dark.
The mocking of Christ (1699), Kunsthistorisches Museum, Wien. Seuraavina ovat The Apple of Eris (1690) ja Portrait of an unknown lady (1690).
44 vuotta vanha: The mocking of Christ on peräisin vuodelta 1699, ja Anthoni Schoonjans on syntynyt vuonna 1655.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew ja Elector Johann Wilhelm on Horseback. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 15 teosta taiteilijalta Anthoni Schoonjans, aikaväliltä 1690–1716.
Pääasiassa Bavarian State Painting Collections (München), Kunsthistorisches Museum (Wien) ja Charlottenburgin palatsi (Berliini). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1690s: 10 sivun 15 teoksista on tehty silloin, joista The mocking of Christ.
Tällä sivulla vanhin on The Apple of Eris (1690) ja uusin Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil, 2 teoksesta sivun 15 teoksesta.
The Apple of Eris, Portrait of an unknown lady ja Jacob blames Laban of his deception with Lea (Genesis 29:25-27): Bavarian State Painting Collections, München -ssä on 11 tämän sivun teoksista.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.