Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 10 teosta taiteilijalta Anthon van Rappard luettelossamme
Lyhyesti
Gallerian silmissä Anthon van Rappard's tunnetuin maalaus on Weaver (1884), jonka alkuperäinen teos on esillä Van Gogh -museo -museossa, kaupungissa Amsterdam. Portrait of a Girl (1884) ja Woman at the Spinning Wheel (1891) täydentävät kolmikon, jonka jokainen silmä tunnistaa. Galleria esittelee Anthon van Rappard teoksista 10 tunnetuimmat 10 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Anthon van Rappard, born in Zeist, Netherlands, captured the quietude of a life lived in observation. In his work Old Drenthe Woman, the artist turns his gaze toward the weathered reality of the human form. This oil portrait focuses on an elderly subject, presenting a face marked by the passage of time. The subject sits in a moment of stillness, her presence anchored by the weight of her years and…
Tämän sivun teoksista eniten sisältävät 3 museota.
| Museo | Kaupunki | Anthon van Rappard teokset | Tämän listan maalaukset |
|---|---|---|---|
 Museum Boijmans Van Beuningen |
Rotterdam | 5 | Portrait of a Girl, Woman at the Spinning Wheel, Landing-stage with boats |
 Centraal Museum |
Utrecht | 3 | Two Female Workers, Tile Painters, Washing strands of Cotton |
 Van Gogh -museo |
Amsterdam | 2 | Weaver, Old Drenthe Woman |
Noin kymmenen vuotta, 1882 ja 1891 välillä, riittivät Anthon van Rappard: galleria kulkee niiden läpi vuosi vuodelta, yksi kuuluisa alkuperäisteos toisensa jälkeen.
Valitse vuosi nähdäksesi alkuperäisteokset.
In 1884, Anthon van Rappard turned his gaze toward the quiet, heavy shadows of Drenthe. The painting, Weaver, captures a man caught in the rhythmic, solitary labor of his craft. He sits within a small, dark house, dwarfed by the imposing wooden structure of a loom. The space is cramped and dim, a setting where the air feels thick with the dust of industry and the weight of poverty. It…
Lisää teoksia 1884
Weaver (1884), Van Gogh -museo, Amsterdam. Seuraavina ovat Portrait of a Girl (1884) ja Woman at the Spinning Wheel (1891).
26 vuotta vanha: Weaver on peräisin vuodelta 1884, ja Anthon van Rappard on syntynyt vuonna 1858.
Weaver, Portrait of a Girl, Woman at the Spinning Wheel, Old Drenthe Woman, Two Female Workers, Tile Painters, Landing-stage with boats, Laborer in a brickworks, Cotton Weaver near his Machine ja Washing strands of Cotton. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 10 teosta taiteilijalta Anthon van Rappard, aikaväliltä 1882–1891.
Pääasiassa Museum Boijmans Van Beuningen (Rotterdam), Centraal Museum (Utrecht) ja Van Gogh -museo (Amsterdam). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1884: 3 sivun 10 teoksista on tehty silloin, joista Weaver.
Tällä sivulla vanhin on Tile Painters (1882) ja uusin Woman at the Spinning Wheel (1891).
Portrait of a Girl, Woman at the Spinning Wheel ja Landing-stage with boats: Museum Boijmans Van Beuningen, Rotterdam -ssä on 5 tämän sivun teoksista.
Anthon van Rappard lived through a period of quiet observation in the Netherlands. His life was closely tied to the city of Utrecht, where he found moments of deep connection with his surroundings. During the first half of the 1880s, he maintained a friendship and an exchange of letters with Vincent van Gogh. This connection placed him within a circle of individuals who were deeply engaged with the realities of their time.
His work often turned toward the lived experiences of those in his community. He spent time sketching at the Institute for the Blind in Utrecht, a place dedicated to teaching people how to earn a living through manual labor. In the autumn of 1882 and again around 1890, he returned to this setting to capture the steady rhythm of daily tasks.
Van Rappard had a way of looking at the small, focused movements of people at work. In his 1891 pastel, he documented three men engaged in the delicate process of making brushes. He watched as they fitted plant fibers into wooden handles with precise care. The scene included the simple tools of their trade, such as hammers and rolls of metal wire, laid out on a table.
There was a specific stillness in how he approached his subjects. In the same work, he depicted a bookkeeper at a tall desk, turned away from the craftsmen. This figure, wearing a faded black frock coat and spectacles, provided a quiet contrast to the physical labor occurring nearby. Through these sketches, Van Rappard recorded the atmosphere of an institution where people worked to find their place in society.
