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2 tunnetuinta Alessandro Milesi -maalausta, jokainen ainutlaatuinen
Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 2 teosta taiteilijalta Alessandro Milesi luettelossamme
Lyhyesti
Silent Hours (1893) on se Alessandro Milesi -maalaus, joka herättää eniten huomiota; alkuperäisteos kuuluu museolle Bavarian State Painting Collections, München. Alessandro Milesiin 2 teoksemme joukosta nämä 2 ovat kuuluisimpia; jokainen on ainutlaatuinen alkuperäisteos, joka on esitelty vuosiluvun, museon ja sen syyn kera, miksi teos on säilyttänyt suosionsa.
1856 – 1945, Venice
Eniten teoksia: Bavarian State Painting Collections
Alessandro Milesi -taiteilijan 10 parasta maalausta gallerian silmin
Museot, joissa Alessandro Milesi'n alkuperäisteokset sijaitsevat
Tämän sivun teoksista eniten sisältävät 2 museota.
| Museo | Kaupunki | Alessandro Milesi teokset | Tämän listan maalaukset |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 1 | Silent Hours |
 Brooklyn Museum |
Brooklyn | 1 | Market Scene in Venice |
Alessandro Milesi vuosien varrelta: jokaisen ainutlaatuiset alkuperäisteokset
Jokainen täällä näkyvä päivätty Alessandro Milesi alkuperäisteos on luotu 2 vuoden aikana, vuosien 1893 ja 1894 välillä: vuosi vuodelta, tässä ne ovat.
Teokset vuosittain
Valitse vuosi nähdäksesi alkuperäisteokset.
Alessandro Milesin maalaukset: kysymyksiä gallerialle
Mikä on Alessandro Milesi tunnetuin teos?Paljasta vastaus
Silent Hours (1893)
Missä iässä Alessandro Milesi loi teoksen Silent Hours?Paljasta vastaus
37 vuotta vanha: Silent Hours on peräisin vuodelta 1893, ja Alessandro Milesi on syntynyt vuonna 1856.
Kuinka monta Alessandro Milesi -teosta tunnetaan?Paljasta vastaus
Katalogissamme on 2 teosta taiteilijalta Alessandro Milesi, aikaväliltä 1893–1894.
Missä voi nähdä tunnetuimmat Alessandro Milesi -alkuperäisteokset?Paljasta vastaus
Pääasiassa Bavarian State Painting Collections (München) ja Brooklyn Museum (Brooklyn). Yllä oleva museotaulukko listaa ne kaikki.
Mikä on Alessandro Milesi kuuluisimmista maalauksista varhaisin ja mikä uusin?Paljasta vastaus
Tällä sivulla vanhin on Silent Hours (1893) ja uusin Market Scene in Venice (1894).
Alessandro Milesi: taiteilijan muotokuva
The Venetian Canvas
Venice, 1856. A child is born into the heart of a city defined by water and light. Alessandro Milesi begins his formal training at the Venice Academy of Fine Arts, entering the studio of Napoleone Nani in 1869. The years between 1869 and 1874 are marked by rigorous study under Nani, a period that eventually leads him away from his birthplace to follow his master to Verona. This movement through the Italian landscape shapes his early vision.
In 1876, the path leads back to Venice. The city becomes more than a setting; it becomes the primary subject of his brush. He does not seek the grand historical narratives of the past but focuses instead on the pulse of everyday Venetian life. His work carries the weight of the tradition established by Giacomo Favretto, yet he integrates the fresh perspectives offered by Ettore Tito and Cesare Laurenti.
A Life in Exhibition
The late nineteenth century brings recognition through the national stages of Milan and Venice. In 1881, his presence is felt at the Milan exhibitions, followed by a significant showing in Venice in 1887. The reach of his talent extends far beyond the Adriatic coast. At the Boston International Exhibition of 1890, he receives a gold medal, an achievement that signals his arrival on the international stage.
His career is defined by a long-standing relationship with the Venice Biennale. From 1895 to 1935, Milesi participates in every single edition of this prestigious event. The milestones of his later years include:
- A solo exhibition at the Venice Biennale in 1912.
- An anthological exhibition at the Venice Biennale in 1935.
- Participation in the Milan Triennale.
Portraits and People
As the new century unfolds, Milesi shifts his focus toward the faces of a changing society. He captures the Venetian middle classes with a precision that documents the era. His subjects are not mere figures in a landscape but individuals with specific roles in the city's social fabric. He turns his attention to:
- Writers
- Musicians
- Actors
These portraits provide a window into the cultural life of Venice during his lifetime. Through these depictions, he maintains a connection to the human element of the city, even as the decades pass toward 1945.