Päivitetty marraskuu 2026 · järjestetty suosituimmuuspisteiden mukaan (jokaisen teoksen haut, vierailut ja tilaukset) · 77 teosta taiteilijalta Abraham Van Strij luettelossamme
Lyhyesti
Gallerian silmissä Abraham Van Strij's tunnetuin maalaus on Man at a Desk (1800), jonka alkuperäinen teos on esillä Philadelphia Museum of Art -museossa, kaupungissa Philadelphia. Crucified Christ (1768) ja Ecce Homo (1768) täydentävät kolmikon, jonka jokainen silmä tunnistaa. Galleria esittelee Abraham Van Strij teoksista 77 tunnetuimmat 76 teosta alla; jokainen on alkuperäisteos, josta kerrotaan vuosi, museo sekä teoksen erityispiirteet.
In the quietude of a dimly lit interior, a solitary figure sits absorbed in his work. This painting, titled Man at a Desk, captures a moment of intense study by the Dutch artist Abraham van Strij. Created about 1800, the scene finds a man deeply engaged with a large ledger, its pages marked by wide spaces between lines of text that demand careful reading. He is a man of business…
A somber, monochromatic oil composition centers on the figure of Jesus Christ upon the cross. The palette is restricted to muted shades of ochre, brown, and tan, creating an atmospheric effect that suggests antiquity. Light emanates from the upper left, casting gentle shadows that define the musculature of the torso and the folds of the loincloth. This chiaroscuro technique provides a sense of depth to the anatomical rendering of the…
The figure emerges from a deep, architectural niche, appearing less like a painting and more like a relief carved from pale marble. Christ stands in the center of the frame, caught in a moment of profound stillness. He wears a crown of thorns, and a slender reed rests in his hand, symbols of a humiliation that feels heavy and immediate. The lighting descends from the upper left, casting long, dramatic…
A formal 18th-century oil portrait captures Hermanus Boet in a three-quarter view, positioned slightly off-center against a dark, warm umber background. The composition relies on a subtle use of light to establish a sense of calm authority. Directional light enters from the upper left, illuminating the subject's face and hand while casting the right side of his body into soft shadow. This chiaroscuro effect provides a three-dimensional modeling that defines…
This black and white photograph captures a high-relief sculpture of the allegorical figure Justitia. The figure is seated within a shallow, arched niche, presented in a vertical and centered composition. She is draped in voluminous robes that fall in deep, rhythmic folds, creating a heavy texture across her form. In her right hand, she holds a set of scales suspended by a crossbar, while her left hand grips a sword.…
This monochromatic relief, dated 1782, presents a group of four winged infants, or putti, arranged in a pyramidal composition. The figures are rendered in high relief, creating a sense of physical depth within a shallow architectural niche. Each chubby form is defined by soft, curvilinear lines that trace the rounded limbs and the folds of flowing drapery. The color palette is restricted to a range of warm, monochromatic tones, including…
A three-quarter length portrait from 1780, this work presents a man of significant presence. He is positioned slightly off-center, a composition that lends a sense of stability to his figure. The subject wears a heavy wool coat in deep blue and grey, contrasted by the delicate texture of a lace cravat at his neck. His dark hat adds a weight to the upper portion of the frame, while his gaze…
The portrait presents a young man in a three-quarter view, captured from the chest up against a dark, neutral backdrop. Executed in 1785, the work utilizes a restrained color palette where the cool light blue of the subject's coat provides a sharp contrast to warm skin tones and white lace. Directional lighting from the upper left defines the bridge of the nose and cheekbones, casting soft shadows that grant the…
The light enters from the upper left, a soft diagonal that carves the shape of a young woman against a dark, atmospheric void. She is Cornelia van Rees, a figure caught in the stillness of 1785. Her skin possesses a luminous, pale quality, almost translucent against the deep shadows of the background. A voluminous, powdered hairstyle frames her face, topped with large, feathery white plumes that catch the light like…
A monochromatic oil painting captures a quiet moment of labor within a rustic cellar. A woman and a young girl are framed by a heavy stone archway, their forms illuminated by a sharp, directional light that cuts through the surrounding gloom. This light catches the textures of the scene: the coarse grain of wooden beams, the uneven surface of stone walls, and the folds of simple clothing. The composition draws…
Summer Landscape with a Stone Gate on a Bridge and Two Figures by the Water1795 · Dordrechts Museum
12
Portrait of Emerentia van Renten (1741-1820)1795
13
Still Life of Flowers and Fruits with a Dog1797 · Dordrechts Museum
14
Cottage Interior with Woman reading, possibly, a Bible (Housekeeper's Room)1799 · Cragside
15
Interior with a Woman Giving a Girl a Drink1811 · Dordrechts Museum
16
Portrait of Lambert Pieter van Tets (1761-1825)1805
17
Cityscape with the Building of the St. Lucasgilde1819 · Dordrechts Museum
18
Horseman Resting near a Village Inn1823 · Museum Boijmans Van Beuningen
19
The Housewife1800 · Rijksmuseum
20
Portrait of mr. Cornelis de Witt (1742-1815)1795 · Kunstmuseum Den Haag
21
The Caldron Scrubber, Abraham van Strij (I), 1808 - 18101810 · Rijksmuseum
22
The Drawing Lesson, Abraham van Strij (I), c. 1790 - c. 18091809 · Rijksmuseum
23
A Cherry Vendor at the Door, Abraham van Strij (I), 18161816 · Rijksmuseum
24
Interior of an Inn1825
25
Portrait of Jan van Emmerik (1718-1800)Dordrechts Museum
26
Portrait of Abraham van Strij jr. (1790-1840)Dordrechts Museum
27
Overdoor Piece with Allegory of the City DordrechtDordrechts Museum
28
Panels and a small panel from a room paintingDordrechts Museum
29
Interior With a Collector and His Wife
30
The foreign trade Sun
31
Wooden rafts pm the Biesbosch Sun
32
Milking time Sun
33
Winterview Spuihaven in Dordrecht Sun
34
Boy and girl looking at drawings Sun
35
Sailing of the Dordrecht Sun
36
View on Bleechingground in Vriesepoort Sun
37
Italian landscape with herdsmen couple Sun
38
Hendrik Weymans and his family Sun
39
Interior with soldier and maid
40
View on flooded Over and Nederwaard Sun
41
Forest landscape Sun
42
Winter landscape Sun
43
Unloading wood at Builenwalenvest Sun
44
Winterlandscape with farm Sun
45
Riverlandscape with mill
46
Italian landscape and ruin Merwede SunDordrechts Museum
47
Landscape with watermill Sun
48
Landscape with mill and cattle Sun
49
Winterlandscape at DrevelDordrechts Museum
50
Landscape with cows Sun
51
Landscape with resting cows Sun
52
Mountainous riverlandscape
53
discovers Achilles Sun
54
Herdsman with resting cattle Sun
55
Sitting boy Sun
56
Landscape in winter Sun
57
Landscape with coast and ruin Sun
58
Two goats in a yard
59
Man with fur hat Sun
60
Landscape with dead tree SunDordrechts Museum
61
Cobbler and his family Sun
62
Contemplation of a drawing SunRijksmuseum Twenthe
63
The artists son Sun
64
Woman and child in basementDordrechts Museum
65
The young draughtsman Sun
66
Fish salesman at woman and chidren Sun
67
Merriment on frozen river Sun
68
The drawinglesson SunDordrechts Museum
69
Winter city view with children Sun
70
Hendrik Weymans and his family SunDordrechts Museum
71
A Winter Scene
72
Interior of wool and sheetshop Sun
73
An Extensive River Landscape
74
Sitting old man waiting in hall Sun
75
Merchant at a table near window Sun
76
Reading old woman at windowDordrechts Museum
Nämä neljä aihetta toistuvat näissä alkuperäisteoksissa useimmin, jokaisesta löytyy hienoin esimerkki.
Tämän sivun teoksista eniten sisältävät 8 museota.
| Museo | Kaupunki | Abraham Van Strij teokset | Tämän listan maalaukset |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 18 | Crucified Christ, Ecce Homo, Portrait of Hermanus Boet (1756-1832) |
 Rijksmuseum |
Amsterdam | 4 | The Housewife, The Caldron Scrubber, Abraham van Strij (I), 1808 - 1810, The Drawing Lesson, Abraham van Strij (I), c. 1790 - c. 1809 |
 Museum Gouda |
Gouda | 2 | Music-making Putti, Portrait of Joseph Mellie |
 Rijksmuseum Twenthe |
Enschede | 2 | Woman and girl getting wine from the cellar, Contemplation of a drawing Sun |
 Philadelphia Museum of Art |
Philadelphia | 1 | Man at a Desk |
 Cragside |
1 | Cottage Interior with Woman reading, possibly, a Bible (Housekeeper's Room) | |
 Museum Boijmans Van Beuningen |
Rotterdam | 1 | Horseman Resting near a Village Inn |
 Kunstmuseum Den Haag |
Haag | 1 | Portrait of mr. Cornelis de Witt (1742-1815) |
Valitse vuosikymmen nähdäksesi sen määrittäneen alkuperäisteoksen.
A somber, monochromatic oil composition centers on the figure of Jesus Christ upon the cross. The palette is restricted to muted shades of ochre, brown, and tan, creating an atmospheric effect that suggests antiquity. Light emanates from the upper left, casting gentle shadows that define the musculature of the torso and the folds of the loincloth. This chiaroscuro technique provides a sense of depth to the anatomical rendering of the…
A formal 18th-century oil portrait captures Hermanus Boet in a three-quarter view, positioned slightly off-center against a dark, warm umber background. The composition relies on a subtle use of light to establish a sense of calm authority. Directional light enters from the upper left, illuminating the subject's face and hand while casting the right side of his body into soft shadow. This chiaroscuro effect provides a three-dimensional modeling that defines…
This black and white photograph captures a high-relief sculpture of the allegorical figure Justitia. The figure is seated within a shallow, arched niche, presented in a vertical and centered composition. She is draped in voluminous robes that fall in deep, rhythmic folds, creating a heavy texture across her form. In her right hand, she holds a set of scales suspended by a crossbar, while her left hand grips a sword.…
In this vertically oriented work, Summer Landscape with a Stone Gate on a Bridge and Two Figures by the Water, Abraham van Strij directs our attention toward the immense scale of the natural world. An expansive, dramatic sky occupies the upper two-thirds of the canvas, filled with heavy, billowing grey and white clouds that seem to press down upon the landscape below. This celestial weight is balanced by the terrestrial…
In the quietude of a dimly lit interior, a solitary figure sits absorbed in his work. This painting, titled Man at a Desk, captures a moment of intense study by the Dutch artist Abraham van Strij. Created about 1800, the scene finds a man deeply engaged with a large ledger, its pages marked by wide spaces between lines of text that demand careful reading. He is a man of business…
Soft, natural light pours through a large window on the left, washing over a rustic scene that feels as though it is breathing in the stillness of a mid-morning pause. Inside this domestic sanctuary, a woman leans forward with gentle intent, pouring liquid from a heavy jug into a cup held by a young girl. The air in the room feels thick with the scent of stone and old wood.…
The composition is framed by the dark, heavy timber beams of a wooden structure in the foreground, creating a natural vignette that directs the eye toward a brightly lit central scene. A white horse occupies the center of the frame, its coat rendered with a slight sheen. A rider sits atop the animal, pausing in a moment of stillness. To the side, a man offers a drink to the traveler,…
Man at a Desk (1800), Philadelphia Museum of Art, Philadelphia. Seuraavina ovat Crucified Christ (1768) ja Ecce Homo (1768).
47 vuotta vanha: Man at a Desk on peräisin vuodelta 1800, ja Abraham Van Strij on syntynyt vuonna 1753.
Man at a Desk, Crucified Christ, Ecce Homo, Portrait of Hermanus Boet (1756-1832), Justitia, Music-making Putti, Portrait of Joseph Mellie, Portrait of Adriaan Johannes van Tets (1764-1792), Portrait of Cornelia van Rees (1765-1788) ja Woman and girl getting wine from the cellar. Yllä oleva sijoitus kertoo kunkin teoksen vuosiluvun ja museon.
Katalogissamme on 77 teosta taiteilijalta Abraham Van Strij, aikaväliltä 1768–1825.
Pääasiassa Dordrechts Museum (Dordrecht), Rijksmuseum (Amsterdam) ja Museum Gouda (Gouda). Yllä oleva museotaulukko listaa ne kaikki.
Aikakaudella 1780s: 5 sivun 76 teoksista on tehty silloin, joista Justitia.
Tällä sivulla vanhin on Crucified Christ (1768) ja uusin Interior of an Inn (1825).
Sky (32), Landscape (12) ja Woman (8), yhteensä 76 teosta tällä sivulla.
Oil On Canvas, 10 teoksesta sivun 76 teoksesta.
Neoclassicism, tämän sivun alkuperäisteosten perusteella.
Crucified Christ, Ecce Homo ja Portrait of Hermanus Boet (1756-1832): Dordrechts Museum, Dordrecht -ssä on 18 tämän sivun teoksista.
Van Strijin elämää muovasi vahva perintö, sillä hän kuului taiteellisesta kyvykkyydestään tunnettuun sukuun, mikä loi pohjan hänen elinikäiselle yhteydellään maalaustaiteeseen. Hänen muodollinen koulutuksensa Ponsen ohjauksessa antoi hänelle korvaamatonta perustietoa, joka valmisteli hänet maisemamaalauksen mestaruuden haasteisiin. Myöhemmin hän vakiinnutti asemansa yhteisössä kiltojen jäsenenä ja johtajana; toimiessaan Dordrechtin Pyhän Luukkaan kiltojen jäsenenä ja myöhemmin sen johtajana, Abraham vaikutti aktiivisesti taiteellisten standardien muovaamiseen ja erinomaisuuden edistämiseen omalla alueellaan.
Hänen työpajastaan tuli taiteellisen kehityksen keskus, joka houkutteli puoleensa lahjakkaita oppilaita jatkamaan suvun perinteitä. Heidän joukossaan olivat muun muassa Pieter Rudolph Kleijn, Johannes van Lexmond, Jacob de Meijer, Johannes Rutten, Johannes Schoenmakers, Johannes Christiaan Schotel ja Gillis Smak Gregoor – yksilöitä, joiden urat saivat valtavasti uutta voimaa Abrahamin mentoroinnin ja asiantuntemuksen ansiosta. Nämä oppilaat omaksuivat tyylillisiä vaikutteita Rembrandtilta ja Cuypilta, heijastaen siten aikansa laajempaa taiteellista virtausta.Abraham Van Strij'n tuotantoa leimaa seesteinen tunnelma, jossa yhdistyvät äärimmäinen yksityiskohtaisuus ja ilmakehän realismi – ominaispiirteet, jotka ovat tyypillisiä hollantilaiselle barokille. Hän taltioi taiturimaisesti Alankomaiden maaseudun kauneutta, erityisesti jokimaisemia ja talvisia näkymiä, osoittaen syvällistä ymmärrystä valon ja värin leikistä. Hänen maalauksensa kuvaavat usein idyllistä maaseutuelämää, mikä heijastaa kultakauden aikana vallinneita humanistisia ihanteita.
Hänen taiteellista tuotantoaan hallitsivat toistuvat teemat, kuten joet, tuulimyllyt ja pastoraaliset maisemat, jotka kertovat syvästä arvostuksesta luonnon maailmaa kohtaan. Käyttämällä öljyvärejä kankaalle äärimmäisellä tarkkuudella, Abraham saavutti teoksissaan hämmästyttäviä tekstuurisia laatuja ja valon leikkiä, jotka ovat barokin mestaruuden huipentuma. Hänen taiteellista visiotaan muovasivat merkittävästi Rembrandtin dramaattinen chiaroscuro-tekniikka sekä Cuypin ilmakehän realismi, jotka toimivat keskeisinä inspiraation lähteinä hänen työlleen.
Jos haluat sukeltaa syvemmälle Abraham Van Strijin taiteellisiin saavutuksiin ja hänen vaikutusvaltaansa taidehistoriassa, suosittelemme vierailemaan Web Gallery of Art -sivustolla (https://www.wga.hu/en/bio/biograph.html?s=strij) tai tutustumaan hänen kuuluisien teostensa jäljennöksiin. Hänen mestarillisia maalauksiaan, kuten ”A Cherry Vendor at the Door” (https://www.wga.hu/en/artworks/cherry-vendor.html?s=strij) ja ”Sailing of the Dordrecht Sun” (https://www.wga.hu/en/artworks/sailing-dordrecht.html?s=strij), on lumoava katsella. Voit myös löytää samankaltaisia taiteellisia tyylejä vierailemalla Museum Boijmans Van Beuningen -museossa (https://www.boijmansvanbeuningen.nl/) sekä Van Gogh -museossa (https://www.vangoghmuseum.nl/).
