Paperikoko

Opiskelijoiden teosopas

Shoe

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Nimi Luokka Päivämäärä
Youssef Abdelke, Shoe (2005), Atassi Foundation for Art and Culture. Kuvattu vain viitteellistä käyttöä varten; kaikki oikeudet pidätetään tekijänoikeuden haltijalla.

Tiedot

Taiteilija
Youssef Abdelke originaluniqueart.com/fi/artists/youssef-abdelke/
Taiteilijan elinvuodet
1951 – ?
Maalaus
2005
Järjestetty paikassa
Atassi Foundation for Art and Culture originaluniqueart.com/fi/museums/atassi-foundation-for-art-and-culture-dubai/

In context

Shoe — Youssef Abdelke

Teos on maalattu milloin?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000

Varjostettu: Youssef Abdelke elämäntyö (1951–?) ▲ tämä teos, 2005

Vertaa seuraaviin

Valitse yllä oleva teos: nimeä kaksi asiaa, jotka siinä on yhteistä tämän kanssa, sekä yksi eroavaisuus.

Lisää teoksia, jotka sopivat tämän rinnalle: originaluniqueart.com/fi/art/similar/youssef-abdelke-shoe-DD2DT5-en/

Värimaailma

Kuvan perusteella määritetty väripaletti

    Pääväri

    Espresso #5e5a5a

    Valittu paletti

    • #5E5A5A
    • #423A39
    • #777476
    • #ABAAA7
    Päävärin nimi
    Espresso
    Voimakkuus
    Monochromatic Kuinka kylläisiä ja vaihtelevia värit ovat, yhdestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Serene Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Discordant Palette Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Balanced Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Muted Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Taiteilija ja museo

    Shoe — Youssef Abdelke

    Taiteilija

    Youssef Abdelke

    Born in Qamishli, Syrian Arab Republic

    A Vision of Violence and Symbolism

    Youssef Abdelke, born in the Syrian city of Qamishli in 1951, is an artist whose very existence and creative output are inextricably linked to the turbulent currents of history. A Syrian-French master of drawing and printmaking, his oeuvre serves as a profound meditation on war, trauma, and the fragile resilience of the human condition. His artistic journey has been shaped by the shadows of political upheaval and the weight of exile, experiences that have forged a visual language both hauntingly beautiful and unflinchingly raw. To encounter an Abdelke work is to step into a space where personal memory meets global tragedy, where the artist’s gaze pierces through the surface of objects to reveal the underlying anxieties of a society in conflict.

    The foundations of his meticulous technique were laid at the Damascus Faculty of Fine Arts, from which he graduated in 1976. This period of formal training instilled in him a rigorous approach to observation, yet it was the political storms of the late 1970s that would truly define his artistic purpose. Following two years of imprisonment for his political activism, Abdelke was forced into exile in France.

    Museo

    Atassi Foundation for Art and Culture

    On show in Dubai, United Arab Emirates

    A Beacon of Syrian Realism: Exploring the Atassi Foundation for Art and Culture in Dubai

    Nestled within the vibrant cultural landscape of Dubai, the Atassi Foundation for Art and Culture stands as a singular institution—a testament to both artistic resilience and the enduring power of realism. Established with a profound commitment to showcasing contemporary Syrian art, particularly through its roots in representational techniques, the foundation offers visitors an immersive experience that transcends mere observation, inviting contemplation on identity, history, and the human condition. More than just a museum, it’s a bridge connecting the echoes of Syria's artistic past with the dynamic present of the United Arab Emirates.

    The Foundation’s core mission is deeply rooted in preserving and promoting modern and contemporary art and archives from Syria. This focus isn’t simply aesthetic; it’s driven by a vital need to safeguard cultural heritage against displacement and conflict. Founded in 2016, the institution carries forward the legacy of the Atassi Gallery, which began as a private art space in Homs in 1986, serving as a crucial hub for Syrian artists and intellectuals before the tumultuous events of recent years.

    Mistä lukea lisää

    Löydä tämä verkosta

    QR-koodi, joka linkittää Shoe lataussivulle

    originaluniqueart.com/fi/art/download/youssef-abdelke-shoe-DD2DT5-en/

    Teoksen lähdeviite

    MLA
    Abdelke, Youssef. Shoe. 2005, Atassi Foundation for Art and Culture. https://originaluniqueart.com/fi/art/youssef-abdelke-shoe-DD2DT5-en/
    APA
    Abdelke, Youssef (2005). Shoe [Painting]. Atassi Foundation for Art and Culture. https://originaluniqueart.com/fi/art/youssef-abdelke-shoe-DD2DT5-en/
    Chicago
    Youssef Abdelke. Shoe. 2005. Atassi Foundation for Art and Culture. https://originaluniqueart.com/fi/art/youssef-abdelke-shoe-DD2DT5-en/
    Harvard
    Abdelke, Youssef (2005) Shoe. Atassi Foundation for Art and Culture. Available at: https://originaluniqueart.com/fi/art/youssef-abdelke-shoe-DD2DT5-en/

    Look closely

    Shoe — Youssef Abdelke

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at People Number 20 (1994), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Youssef Abdelke was about 54 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.