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Opiskelijoiden teosopas

Absalom's Feast

Nimi Luokka Päivämäärä

Mattia Preti, Absalom's Feast (1653), Capodimonten palatsi. Tekijänoikeusvapaa. Näe tämä kangas liikkuvan valon alla: piirros, lakan alta paljastuva todellinen väri ja puhdas pigmentti

Faktat

Taiteilija
Mattia Preti originaluniqueart.com/fi/artists/mattia-preti_fi/
Taiteilijan elinvuodet
1613 – 1699
Maalaus
1653
Tekniikka ja materiaali
Oil On Canvas
Alkuperäinen koko
202 x 297 cm
Taidesuuntaus
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Pidetään paikassa
Capodimonten palatsi originaluniqueart.com/fi/museums/capodimonten-palatsi-napoli_fi/
Artistic style
Dynamic, dramatic
Influences
Caravaggio, Veronese
Notable elements
Dramatic scene, betrayal
Subject or theme
Banquet of Absalom

Kontekstissa

Absalom's Feast — Mattia Preti

Kuinka suuri teos on?

Alkuperäinen koko on 202 × 297 cm (korkeus × leveys), esitetty tässä keskipitkän aikuisen rinnalla. Teosta ei voida esittää oikeassa mittakaavassa tällä sivulla sen koon vuoksi.

Milloin teos on maalattu?

  1. 1610
  2. 1620
  3. 1630
  4. 1640
  5. 1650
  6. 1660
  7. 1670
  8. 1680
  9. 1690

Ylempi rivi: vuodet. Alempi rivi: taiteilijan ikä kunkin ajanjakson alussa ja lopussa — 0 syntyessä, 86 kuollessa.

Maalattu taiteilijan ollessa 40-vuotias. Taiteilija eli 86-vuotiaaksi. 10 tästä taiteilijasta luettelossamme olevista 31 päivätyöstä on tehty aiemmin.

Varjostettu: Mattia Preti elämäntyö (1613–1699) ▲ tämä teos, 1653 jokainen päivätty maalaus, vuosikymmen kerrallaan

Ensimmäiset teokset: vuoteen 1649 asti Keskeiset työvuodet: 1649–1663 Myöhäistuotanto: vuodesta 1663 alkaen

Nämä kolme vyöhykettä jakavat tämän luettelon päivätyt teokset ensimmäiseen neljännekseen, keskimmäiseen puolikkaaseen ja viimeiseen neljännekseen. Ne eivät muodosta taiteilijan koko tuotantoa: ohut jakso voi olla aukko historiassa pikemminkin kuin hiljainen kausi. Samat vuodet, joiden varrelle taiteilijan elämä on piirtynyt

Vertaa teoksia

Valitse yllä oleva teos: nimeä kaksi asiaa, jotka siinä on yhteistä tämän kanssa, sekä yksi eroavaisuus.

Lisää teoksia, jotka sopivat tämän rinnalle: originaluniqueart.com/fi/art/similar/mattia-preti-absalom-s-feast-8Y3FVM-en/

Värit

Kuvan perusteella määritetty

    Pääväri

    Phthalo Green #241b1c

    Luetteloidut värit

    • #241B1C
    • #905B41
    • #52342B
    • #CCA379

    Nämä värit osana taiteilijan koko palettia Etsi muita maalauksia värin perusteella

    Väripaletti
    Earthy Kuvan hallitseva väriperhe.
    Päävärin nimi
    Phthalo Green
    Intensiteetti
    Monochromatic Värien kylläisyys ja vaihtelu ulottuvat yksittäisestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Gentle Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Strong Color Unity Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Deep_shadow Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Muted Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Missä päin maailmaa tätä maalausta katsotaan?

    • alle 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ja yli
    Tässä teoksessa on liian vähän rekisteröityjä vierailijoita kartoitettavaksi, joten levyssä näkyvät kaikki Mattia Preti:n teokset viimeisen kahdentoista kuukauden ajalta — yhteensä 6 maata. Mistä nämä luvut ovat peräisin

    Kymmenen johtavaa maata

    1. 1 Kiina 73,9%
    2. 2 Yhdysvallat 8,7%
    3. 3 Brasilia 4,3%
    4. 4 Espanja 4,3%
    5. 5 Hongkong 4,3%
    6. 6 Alankomaat 4,3%

    Etsi kartalta kolme tumminta maata. Sijaitseeko tätä maalausta säilyttävä museo jossakin näistä maista? Kirjoita yksi syy, miksi kaukana asuvat ihmiset saattaisivat katsoa sitä.

    Mattia Preti katsotuimmat 20 teosta

    1. 1 Concert, 1630 12,9%
    2. 2 The Adoration of the Shepherds, 1699 6,5%
    3. 3 The Madonna of Costantinople, 1656 6,5%
    4. 4 Beheading of St. Catherine 6,5%
    5. 5 Concert (detail), 1630 6,5%
    6. 6 The Banquet Of Baldassare 6,5%
    7. 7 Saint John the Baptist Preaching, 1650 3,2%
    8. 8 Wedding at Cana, 1655 3,2%
    9. 9 Holy martyr (Saint Stephan?) 3,2%
    10. 10 Käynti (The Visitation), 1649 3,2%
    11. 11 Sophonisba vastaanottaa maljan, 1670 3,2%
    12. 12 St. John the Baptist Preaching 3,2%
    13. 13 Christ and the Money Changers, 1600 3,2%
    14. 14 The Raising of Lazarus, 1650 3,2%
    15. 15 The Baptism of Christ, 1661 3,2%
    16. 16 The Release of St Peter from Prison 3,2%
    17. 17 St John the Baptist before Herod, 1665 3,2%
    18. 18 A Mother Entrusting Her Sons to Christ 3,2%
    19. 19 St Sebastian, 1660 3,2%
    20. — Absalom's Feast, 1653 tämä teos 0,0%

    Yhdessä nämä teokset muodostavat 87,0% kaikesta huomiosta, jonka tämän taiteilijan maalaukset ovat saaneet viimeisen kahdentoista kuukauden aikana. Luettelossa on 53 tämän taiteilijan teosta, joista 23 on katsottu vähintään kerran. Tätä teosta ei ole vielä katsottu kyseisellä ajanjaksolla — se sulkee listan ilman sijoitusta. Sama laskutapa kuukausittain

    Palkit mittaavat huomiota, eivät laatua. Valitse ylin teos ja vastaa seuraavaan: nimeä yksi asia, joka voisi tehdä maalauksesta kuuluisan muutenkin kuin sen teknisen taituruuden perusteella.

    Tietoja teoksesta

    Absalom's Feast — Mattia Preti

    The Genesis of a Dramatic Scene

    Mattia Preti's "Absalom’s Feast," completed in 1653, isn’t merely a painting; it’s a meticulously constructed tableau of betrayal and despair, born from the heart of the Italian Baroque. This monumental oil on canvas, measuring an impressive 202 x 297 cm and currently residing within the Museo Nazionale di Capodimonte in Naples, immediately commands attention with its dramatic composition and intensely emotive palette. Preti, a Calabrian Knight known as “Il Cavalier Calabrese,” masterfully synthesizes influences from Caravaggio’s stark realism, the vibrant colorism of Venetian masters like Titian and Veronese, and the dynamic energy of Emilian artists like Guercino and Lanfranco – creating a uniquely powerful visual narrative. The painting's origins lie in a commission for the Palazzo Doria-Pamphili in Rome, reflecting the prevailing trends of neo-Venetianism that were shaping artistic sensibilities at the time.

    A Symphony of Darkness and Light

    The scene unfolds within a lavishly rendered architectural setting – a grand hall overflowing with opulent details, hinting at the extravagance of King Baldassarre’s ill-fated banquet. Preti employs his signature technique of dramatic chiaroscuro, utilizing pools of deep shadow to heighten the sense of tension and mystery, while strategically placed splashes of red draw the eye to key elements: the fallen head of Absalom resting on a table, a sword held aloft by a figure caught in the act of betrayal, and the ominous inscription scrawled across the wall. This masterful manipulation of light isn’t simply decorative; it serves to amplify the emotional weight of the scene, conveying a sense of impending doom and irreversible tragedy. The brushwork itself is remarkably energetic, reflecting Preti's commitment to capturing movement and dynamism – a hallmark of Baroque art.

    Symbolism Woven into the Narrative

    Beyond its immediate visual impact, "Absalom’s Feast" is rich in symbolic meaning. The story depicted—the downfall of King Baldassarre due to his own hubris and the judgment of God—resonates with themes of power, corruption, and divine retribution. Absalom's posture – head resting on a table, suggesting defeat and vulnerability – speaks volumes about the consequences of transgression. The figures surrounding him are not merely observers; they represent the various facets of betrayal: shock, anger, complicity, and despair. Even the architectural details—the grand hall, the overflowing tables—contribute to the overall sense of excess and impending collapse. Preti’s ability to imbue a historical narrative with such potent symbolism elevates the painting beyond a simple depiction of an event; it becomes a meditation on human nature and the inescapable consequences of our actions.

    A Legacy of Baroque Drama

    Mattia Preti's "Absalom’s Feast" stands as a testament to his artistic genius and a prime example of the dramatic intensity that characterized the Italian Baroque. His work, particularly during his time in Malta, significantly influenced subsequent generations of artists. The painting’s enduring appeal lies not only in its technical brilliance but also in its ability to evoke a profound emotional response from viewers. Reproductions of this powerful masterpiece offer a captivating glimpse into a pivotal moment in art history—a scene brimming with intrigue, betrayal, and the inescapable weight of fate. Further research can be found at https://AllPaintingsStore.com and https://AllPaintingsStore.com, as well as on Wikipedia.

    Taiteilija ja museo

    Taiteilija

    Mattia Preti

    Syntynyt Taverna, Italia

    Mattia Preti (1613 – 1699): The Calabrian Knight of the Baroque

    Mattia Preti, known as Il Cavalier Calabrese – the Calabrian Knight – stands as a monumental figure in 17th-century Italian Baroque painting. Born in Taverna, Calabria, on February 24, 1613, his artistic journey was one of remarkable transformation and evolution, absorbing diverse influences and culminating in a uniquely expressive style that profoundly impacted the art world, particularly in Malta where he spent much of his later life. Preti’s early training began under Giovanni Battista Caracciolo, a painter deeply rooted in the Caravaggist movement – a lineage that would forever shape his artistic vision. This foundational exposure instilled within him an acute understanding of dramatic chiaroscuro – the intense interplay of light and shadow – and a commitment to realistic depiction that remained central to his work throughout his career.

    Before 1630, he joined his brother Gregorio in Rome, immersing himself completely in the vibrant artistic atmosphere of the city. Here, he studied under the masters who defined the era: Caravaggio, Guercino, Rubens, Guido Reni, and Giovanni Lanfranco. This period wasn’t merely about imitation; it was a crucial process of synthesis, where Preti absorbed the techniques and philosophies of these giants, gradually forging his own distinctive voice.

    Forging a Dynamic Style: Beyond Caravaggism

    Preti's artistic development wasn't simply a mimicry of his predecessors; it was a masterful integration of diverse influences into a style uniquely his own. While initially deeply influenced by Caravaggism, he skillfully moved beyond its strict confines, embracing the dynamism and emotional intensity that characterized the High Baroque. His time in Naples further refined this evolution, exposing him to the vibrant work of Luca Giordano – a painter known for his exuberant color palettes and dramatic compositions.

    This period saw Preti’s canvases swell with energetic movement, complex compositions, and a heightened sense of drama. He masterfully employed dramatic contrasts of light and shadow, inherited from Caravaggio, not simply as a technical device but as a means of intensifying emotional impact and guiding the viewer's eye. His figures are imbued with palpable emotion – piety, anguish, ecstasy – conveyed through expressive faces and dynamic body language. This ability to evoke powerful feelings became a defining characteristic of his oeuvre. He wasn’t content merely to depict scenes; he sought to animate them, breathing life into biblical narratives and religious iconography.

    Major Commissions and Artistic Achievements

    Mattia Preti's exceptional talent quickly garnered recognition, leading to a series of significant commissions throughout Italy. Early in his career, he created impressive fresco cycles for Roman churches like Sant’Andrea della Valle and San Carlo ai Catinari, demonstrating an aptitude for large-scale decorative painting. His work at the church of San Biagio in Modena showcased his ability to adapt his style to different architectural settings.

    However, some of his most ambitious – though sadly lost – works were the frescoes he painted on seven city gates in Naples depicting the Virgin or saints delivering people from the plague. Though only sketches remain today, they testify to the scale and impact of these monumental creations. These commissions weren’t simply about fulfilling a patron's request; they were opportunities for Preti to engage with the religious and cultural life of the communities he served, imbuing his art with meaning and purpose.

    The Maltese Zenith: St. John’s Co-Cathedral

    It was in Malta, however, that Mattia Preti reached the pinnacle of his artistic achievement. Appointed a Knight of the Order of Saint John in 1660, he embarked on a transformative project: the complete redecoration of the interior of St. John’s Co-Cathedral in Valletta. This undertaking – arguably his most significant legacy – involved an astonishing series of paintings depicting the life and martyrdom of Saint John the Baptist.

    The sheer scale of the project is breathtaking; Preti essentially created a visual narrative that enveloped the viewer, immersing them in the story of the saint. The opulent Baroque setting provided the perfect canvas for his dramatic style, and the resulting artwork cemented his reputation as one of Europe’s leading painters. His work at St. John's wasn’t merely decorative; it was an act of devotion, a testament to his faith, and a powerful expression of the Order’s religious identity.

    A Lasting Legacy

    Mattia Preti continued to receive commissions from across Europe following his success in Malta, solidifying his position as a leading figure in Italian Baroque art. He died in 1699, leaving behind a rich artistic legacy that continues to inspire and captivate audiences today. His masterful use of light and shadow, dynamic compositions, and ability to convey intense emotion remain hallmarks of his style. His contributions are preserved in museums such as the Capodimonte Museum in Naples, and through reproductions made available by platforms like AllPaintingsStore.com, ensuring that his art continues to reach new generations. The enduring impact of Preti’s work is perhaps most vividly felt within the walls of St. John's Co-Cathedral, a breathtaking testament to his artistic genius and unwavering dedication to the Baroque aesthetic.

    Museo

    Capodimonten palatsi

    Näytteillä paikassa Napoli, Italia

    A Regal Ascent: Unveiling the Palace of Capodimonte

    Perched dramatically atop Naples’ volcanic Capodimonte hill, the Royal Palace of Capodimonte isn't merely a museum; it’s a living chronicle of Italy’s artistic and royal evolution. Initially conceived as a modest hunting lodge by King Charles VII in 1738, this opulent residence blossomed into one of Europe’s most significant repositories of art and architectural grandeur – a testament to the enduring power of patronage and the vibrant spirit of Neapolitan creativity. Stepping through its grand doors is akin to traversing centuries, immersing oneself within the evolving tastes and ambitions of Neapolitan royalty, reflecting both the city's artistic heritage and its complex political narrative.

    The palace’s extraordinary collection stems from two interwoven legacies: the illustrious Farnese Collection and the distinctive artistic voice cultivated within Naples itself. The Farnese legacy, bequeathed by Elisabetta Farnese, Charles VII’s mother, brought with it a breathtaking array of classical sculptures – Roman relics that formed the foundation for the palace’s burgeoning art holdings. These ancient stones, imbued with the echoes of empires past, provided a grounding in classical ideals, shaping the palace's aesthetic direction. Simultaneously, Naples nurtured its own school of painting, producing artists who developed a uniquely dramatic and emotionally charged style. Figures like Caravaggio, whose revolutionary use of light and shadow profoundly influenced generations of painters, Titian, renowned for his opulent color palettes and masterful compositions, and Luca Giordano, the leading figure of the Neapolitan Baroque, all contributed to this distinctive artistic identity. The palace’s walls resonate with their genius, offering a tangible connection to Italy's most celebrated masters.

    A Symphony of Styles: Architecture and Decorative Arts

    Architecturally, Capodimonte is a captivating story in itself – a harmonious blend of Neoclassical elegance interwoven with Baroque grandeur. Designed by Giovanni Antonio Medrano and Antonio Canevari, the palace’s façade reflects this duality, projecting an image of power and sophistication while retaining echoes of the dramatic flair characteristic of the Baroque period. Beyond the magnificent salons lies a world of exquisite detail: royal apartments adorned with opulent stucco work depicting scenes from mythology and history, lavishly decorated with gilded mirrors, intricate tapestries, and richly colored marble floors. The sheer scale of these embellishments speaks to the immense wealth and ambition of the Bourbon court.

    Particular attention is given to the palace’s porcelain collections – a dazzling display of European craftsmanship spanning from delicate Meissen figurines, showcasing the influence of German artistry, to elaborate Sèvres dinner services, reflecting the refined taste and international connections of the Bourbon court. These collections offer a glimpse into the meticulous attention to detail and the pursuit of luxury that defined aristocratic life in 18th-century Italy. The palace’s gardens, too, are a masterpiece of landscape design, meticulously crafted to complement the architectural splendor within – a verdant expanse designed for both royal leisure and grand public spectacles.

    A Gallery of Giants: Collection Highlights

    Within Capodimonte's walls reside masterpieces that demand reverence. The collection highlights include Caravaggio’s intensely dramatic “Madonna and Child with St. Anthony and St. Roch,” a work brimming with emotional intensity and masterful use of chiaroscuro; Titian’s “Glad to Be Back,” a vibrant depiction of the Venetian Doge, showcasing his signature opulent color palettes and masterful compositions; and Luca Giordano’s breathtaking frescoes adorning the Royal Apartments – swirling narratives of mythological grandeur that exemplify the exuberance of the Neapolitan Baroque. Furthermore, Artemisia Gentileschi's powerful depictions—often challenging conventional narratives of female roles—stand as a courageous assertion of female strength and resilience within a historically restrictive art world, offering a vital perspective on the era.

    The palace also houses an impressive collection of paintings by Marco de Gregorio, a Neapolitan painter known for his historical and mythological works. His style blends Italian pride with avant-garde influences, creating captivating scenes that reflect the spirit of Naples. Don't miss the opportunity to admire Francesco Netti’s captivating oil paintings of gladiators & ancient scenes – a testament to the enduring fascination with Roman history within Neapolitan art.

    A Living Legacy: Exhibitions and Beyond

    The Palace of Capodimonte transcends its role as a museum; it embodies Naples's artistic soul. Its unique blend of royal residence, expansive parkland, and unparalleled art collection creates an immersive experience that captivates visitors long after they depart. Today, the palace hosts seasonal exhibitions showcasing both classical masterpieces and cutting-edge contemporary art within its impressive galleries – ensuring that this historic landmark remains a vibrant center for cultural engagement.

    The Real Bosco, originally established as a royal hunting preserve, continues to flourish as a public space, hosting open-air concerts featuring classical music, seasonal exhibitions showcasing contemporary art, and theatrical performances. Wandering through its ancient trees—oaks, chestnut trees, pines, and cypresses—one appreciates the enduring connection between art, architecture, and nature – a visual metaphor for Naples’s rich cultural heritage, reflecting the harmonious balance sought by the Bourbon rulers. A visit to Capodimonte is not merely an artistic pilgrimage; it's a journey through the heart of Italian history and creativity.

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    QR-koodi, joka linkittää Absalom's Feast lataussivulle

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    Viittaa tämä teos

    MLA
    Preti, Mattia. Absalom's Feast. 1653, Capodimonten palatsi. https://originaluniqueart.com/fi/art/mattia-preti-absalom-s-feast-8Y3FVM-en/
    APA
    Preti, Mattia (1653). Absalom's Feast [Painting]. Capodimonten palatsi. https://originaluniqueart.com/fi/art/mattia-preti-absalom-s-feast-8Y3FVM-en/
    Chicago
    Mattia Preti. Absalom's Feast. 1653. Capodimonten palatsi. https://originaluniqueart.com/fi/art/mattia-preti-absalom-s-feast-8Y3FVM-en/
    Harvard
    Preti, Mattia (1653) Absalom's Feast. Capodimonten palatsi. Available at: https://originaluniqueart.com/fi/art/mattia-preti-absalom-s-feast-8Y3FVM-en/

    Katso tarkemmin

    Absalom's Feast — Mattia Preti

    Katso tarkemmin

    Vastaa omilla sanoillasi. Tässä ei ole vääriä vastauksia – on vain vastauksia, jotka pystyt perustelemaan.

    1. Mikä kiinnittää huomiosi ensimmäisenä ja miksi?
    2. Mitkä värit tai muodot luovat tunnelman – ja mikä se tunnelma on?
    3. Luettelomme on luokitellut tämän teoksen seuraaviin aiheisiin: betrayal and deceit, religious drama, baroque tragedy. Oletko samaa mieltä? Mitä lisäisit tai poistaisit?
    4. Katso takaisin aiemmin tässä oppaassa esiteltyyn teokseen St. John the Baptist Preaching. Nimeä kaksi asiaa, jotka se jakaa tämän teoksen kanssa, sekä yksi eroavaisuus.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Mistä tässä teoksessa sen voi havaita?

    Vastauksesi

    Kirjoita lyhyt kappale tästä teoksesta. Hyödynnä tämän oppaan aiempia osioita sekä yllä antamiasi vastauksia.

    Taidevisat

    Absalom's Feast — Mattia Preti

    Kuinka hyvin tunnet tämän teoksen?

    Valitse yksi vastaus jokaisesta alla olevasta 5 kysymyksestä. Jokaisessa on täsmälleen yksi oikea vastaus.

    1. 1. What is the primary subject depicted in Mattia Preti’s ‘Absalom’s Feast’?

      • A A lavish wedding celebration
      • B A dramatic scene of betrayal and death during a banquet
      • C A peaceful gathering of philosophers
    2. 2. In what year was ‘Absalom’s Feast’ painted?

      • A 1623
      • B 1653
      • C 1700
    3. 3. Which Italian Baroque painter is most closely associated with the style and techniques evident in ‘Absalom’s Feast’?

      • A Leonardo da Vinci
      • B Michelangelo
      • C Mattia Preti
    4. 4. The painting utilizes a dramatic use of light and shadow. What artistic movement is most closely linked to this technique?

      • A Impressionism
      • B Caravaggism
      • C Rococo
    5. 5. Where can ‘Absalom’s Feast’ be found today?

      • A The Louvre Museum, Paris
      • B The Museo Nazionale di Capodimonte in Naples
      • C The National Gallery of Canada in Ottawa

    Oma tulokseni: ____ / 5

    Vastausavain — opettajalle

    Tämä tulostuu omalle sivulleen, joten se voidaan jättää pois kopioista.

    1A · 2A · 3B · 4A · 5C

    Tarkista vastaukset vertaamalla niitä tämän maalauksen luettelotietueeseen

    Kysymykset ja vastaukset

    Minkä tunteen välittämä teos "Absalom's Feast" on?

    "Absalom's Feast" välittää Melancholic tunnelman. Emotionaalinen sävy kuvaa teoksen antamaa vaikutelmaa.

    Mikä on "Absalom's Feast" hallitseva sävy?

    Amber to Saffron sävy läpi koko teoksen Mattia Preti:n "Absalom's Feast".

    Kuka on teoksen "Absalom's Feast" tekijä ja mihin taidesuuntaukseen se kuuluu?

    Teoksen "Absalom's Feast" takana ovat Mattia Preti ja Baroque-suuntaus.