Taiteilija
Early Life and Influences (1919 – 1930s)
Evelyn De Morgan, a name often overshadowed by the more celebrated figures of her era, emerged as a remarkably independent and profoundly original artist in early 20th-century Britain. Born Evelyn Pickering in London in 1855, she was the daughter of Percival Pickering Q.C., a prominent barrister, and Anna Maria Spencer Stanhope, a woman of considerable social standing and artistic inclination herself. This lineage provided her with an unusual combination of privilege and exposure to both the world of law and the potential for artistic appreciation – though not necessarily encouragement. Her upbringing within a family steeped in tradition and social expectations presented immediate challenges to any aspirations she might harbor towards a career in art. Despite her mother’s initial reservations, Evelyn's uncle, John Roddham Spencer Stanhope, an artist himself, fostered her early interest through travel and exposure to the artistic traditions of France and Italy – experiences that would profoundly shape her developing style.
Evelyn’s education was deliberately broad, encompassing Latin, Greek, French, German, and Italian alongside classical literature and science—subjects typically reserved for boys at the time. This intellectual foundation, coupled with a deep engagement with poetry, particularly works reflecting socialist, spiritualist, and feminist ideals, fueled her artistic vision long before she formally began to paint. Her diaries reveal a restless spirit, a desire to challenge societal norms, and a burgeoning sense of social consciousness—themes that would become central to her oeuvre. The early years were marked by a quiet rebellion against the prescribed roles for women of her class, a subtle yet persistent assertion of her own agency within a restrictive environment. Her father’s support, documented in his diaries at The De Morgan Foundation Archive, proved crucial, enabling her private drawing lessons and travel – vital steps toward realizing her artistic ambitions.
The Development of Style (1930s - 1960s)
Following a period of relative obscurity, Evelyn began to gain recognition in the 1930s, largely through exhibitions at the New Gallery in London, a space championed by the influential art critic and dealer Nina von Kant. Her work quickly established itself as distinctively feminine—characterized by lush color palettes, exquisitely draped figures, and an atmosphere of quiet contemplation. Unlike many of her contemporaries who focused on capturing fleeting moments or dramatic scenes, Evelyn’s paintings often depicted intimate interiors filled with symbolic objects and a sense of timelessness. She was particularly drawn to the female form, portraying women in states of repose, meditation, or engaged in domestic activities—subjects rarely explored with such sensitivity and grace during that period.
Her style evolved significantly over time, influenced by both Old Master painters – particularly those she studied in Italy – and the emerging currents of Symbolism and Art Nouveau. She skillfully blended classical composition with a distinctly modern sensibility, creating works that are simultaneously rooted in tradition and strikingly original. Evelyn’s use of color was masterful—she employed rich, saturated hues to evoke mood and atmosphere, often layering colors to create luminous effects. Her brushwork was loose and expressive, conveying both the tactile quality of fabrics and the emotional intensity of her subjects. Notably, she rejected the prevailing academic standards of the time, prioritizing personal expression and a deeply felt connection to her subject matter.
Themes and Symbolism
Evelyn De Morgan’s paintings are rich in symbolism, reflecting her complex intellectual and spiritual beliefs. Her work frequently explores themes of femininity, spirituality, social justice, and the relationship between art and life. The recurring presence of female figures—often depicted in states of quiet contemplation or engaged in domestic activities—suggests a celebration of womanhood and a critique of patriarchal society. Objects within her paintings—such as flowers, fruits, musical instruments, and religious icons—carry symbolic weight, adding layers of meaning to the compositions.
Her interest in spiritualism is evident in many of her works, which often depict ethereal figures bathed in soft light, evoking a sense of otherworldly beauty. She was also deeply concerned with social justice, and her paintings frequently address issues of poverty, inequality, and the plight of marginalized communities. The use of color plays a crucial role in conveying these themes—warm, vibrant hues evoke feelings of hope and compassion, while cooler tones suggest melancholy or contemplation. Evelyn’s ability to imbue her paintings with both beauty and meaning has ensured their enduring appeal and critical recognition.
Legacy and Historical Significance
Despite facing significant obstacles throughout her career – including societal prejudice against women artists and limited opportunities for professional advancement – Evelyn De Morgan left a lasting legacy as one of the most distinctive and compelling figures in British art of the early 20th century. Her work, largely overlooked during her lifetime, has been increasingly recognized for its originality, emotional depth, and symbolic richness. Today, her paintings are housed primarily at The De Morgan Foundation in London, where they continue to captivate viewers with their beauty and profound insights into the human condition. Evelyn De Morgan’s story is a testament to the power of artistic vision and the enduring importance of challenging societal norms—a reminder that even in the face of adversity, creativity can flourish and leave an indelible mark on history. Her work stands as a powerful example of female artistry during a period when women were often excluded from the art world, and her unique style continues to inspire artists today.
Museo
Näytteillä kohteessa Barcelona, Spain
A University’s Embrace of Art: Discovering UPF Art Track
Nestled within the vibrant heart of Barcelona, at the prestigious Universitat Pompeu Fabra (UPF), lies a truly singular institution – UPF Art Track. More than simply a museum, it's an embodiment of the belief that artistic expression is inextricably linked to intellectual exploration and societal progress. Inaugurated in 2016 as part of the university’s 25th-anniversary celebrations, this remarkable space isn’t confined by traditional museum walls; instead, it thrives within a carefully curated selection of historic buildings, transforming them into dynamic hubs where art, architecture, and academia converge. The very essence of UPF Art Track is rooted in a profound desire to share the university's artistic heritage with the wider community, fostering a deeper appreciation for contemporary art and its transformative power.
The journey begins within the Dipòsit de les Aigües, a former water reservoir ingeniously reimagined as an exhibition space. This architectural marvel, conceived with the visionary input of Antoni Gaudí, immediately captivates visitors. The building’s hypostyle hall – a breathtaking forest of 100 soaring pillars supporting a labyrinthine network of arches – creates an atmosphere that is both profoundly historical and strikingly modern. It's a space designed to evoke contemplation, mirroring the complex interplay between past and present that defines UPF Art Track’s core mission. Adjacent to this architectural masterpiece resides Espai Tàpies, dedicated entirely to the profound work of Antoni Tàpies, one of Catalonia’s most celebrated artists. Here, visitors encounter his textured symbolism – paintings that seem to pulse with layered meaning and a deep connection to Catalan identity.
A Tapestry of Contemporary Voices
The collection itself is a testament to generosity and vision, boasting an impressive array of works by internationally acclaimed figures alongside emerging talents. You’ll be immediately drawn to the monumental sculptures of Jaume Plensa, whose pieces seem to breathe with life, inviting intimate contemplation. The canvases of Miquel Barceló explode with vibrant energy, while Eduardo Chillida's abstract forms challenge perception and invite deeper understanding. Beyond these cornerstones, a diverse selection of artists – Susana Solano, Roy Lichtenstein, Frederic Amat, Josep Guinovart, Albert Ràfols-Casamada, and Antonio Saura – contribute to the museum’s rich tapestry of contemporary artistic thought, each piece adding a unique thread to the narrative.
The selection isn't merely about showcasing individual masterpieces; it’s about creating a dialogue between artists and eras. The juxtaposition of Tàpies’ layered symbolism with Lichtenstein’s pop art references, for example, sparks intriguing conversations about artistic influence and cultural context. Furthermore, the inclusion of Catalan artists like Josep Guinovart and Albert Ràfols-Casamada ensures that the museum reflects the region's rich artistic tradition while simultaneously embracing a global perspective.
Architecture as Art: A Symbiotic Relationship
What truly distinguishes UPF Art Track is its seamless integration with university life. It’s not an isolated addition; it’s a vital component, fostering dialogue between students, faculty, and the broader community. The museum serves as a catalyst for interdisciplinary exploration, inspiring new perspectives and encouraging critical thinking. The very architecture of the campus – buildings like the Roger de Llúria building, once military barracks, now housing not only art but also spaces dedicated to democratic memory and intellectual exchange – reinforces this symbiotic relationship.
This blending of history, art, and academia creates an atmosphere that is both intellectually stimulating and emotionally resonant. The museum’s presence on campus encourages a constant interaction between artistic creation and scholarly inquiry, enriching the educational experience for all who engage with it. The commitment to accessibility extends beyond physical access; UPF Art Track has embraced digital platforms, forging a partnership with Google Arts & Culture that allows art enthusiasts worldwide to explore its collections through virtual tours and online exhibitions.
A Legacy of Openness and Innovation
The story of UPF Art Track is one born from a desire to share and celebrate. The initiative arose from a vision to open the university’s artistic heritage to the public, transforming spaces previously reserved for academic pursuits into accessible cultural hubs. This spirit of openness extends beyond physical access; the museum has embraced digital platforms, forging a partnership with Google Arts & Culture that allows art enthusiasts worldwide to explore its collections through virtual tours and online exhibitions. The very inauguration on International Museum Day speaks volumes about the institution's ethos – a belief that art is not confined to hallowed halls but should be an integral part of everyday life, enriching both individual experience and collective consciousness.
UPF Art Track stands as a powerful testament to the transformative potential of art within an academic setting. It’s a place where history, creativity, and intellectual inquiry converge, offering visitors a truly unique and inspiring experience. A visit here is not merely a viewing of artworks; it's an immersion in a vibrant ecosystem of ideas, fostering a deeper appreciation for the power of artistic expression to shape our understanding of the world.
