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Opiskelijoiden teosopas

Daedalus and Icarus

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Nimi Luokka Päivämäärä
domenico piola, Daedalus and Icarus (1670), Private collection. Vapaasti käytettävissä oleva teos.

Tiedot

Taiteilija
domenico piola originaluniqueart.com/fi/artists/domenico-piola/
Taiteilijan elinvuodet
1627 – 1703
Maalaus
1670
Alkuperäinen koko
136 x 111 cm
Järjestetty paikassa
Private collection originaluniqueart.com/fi/museums/private-collection-genova/

In context

Daedalus and Icarus — domenico piola

How big is it?

The original measures 136 × 111 cm (height × width), drawn here beside an adult of average height.

Teos on maalattu milloin?

  1. 1620
  2. 1630
  3. 1640
  4. 1650
  5. 1660
  6. 1670
  7. 1680
  8. 1690
  9. 1700

Varjostettu: domenico piola elämäntyö (1627–1703) ▲ tämä teos, 1670

Vertaa seuraaviin

Valitse yllä oleva teos: nimeä kaksi asiaa, jotka siinä on yhteistä tämän kanssa, sekä yksi eroavaisuus.

Lisää teoksia, jotka sopivat tämän rinnalle: originaluniqueart.com/fi/art/similar/domenico-piola-daedalus-and-icarus-8Y3FDV-en/

Värimaailma

Kuvan perusteella määritetty väripaletti

    Pääväri

    Clay #ac7562

    Valittu paletti

    • #AC7562
    • #261F20
    • #5E3A38
    • #D9BDAA
    Väripaletti
    Earthy Kuvan hallitseva väriperhe.
    Päävärin nimi
    Clay
    Voimakkuus
    Monochromatic Kuinka kylläisiä ja vaihtelevia värit ovat, yhdestä hillitystä sävystä moniin kirkkaisiin sävyihin.
    Kontrasti
    Statement Kuinka paljon värien valoisuus ja kylläisyys vaihtelevat teoksen eri kohdissa.
    Harmonia
    Strong Color Unity Kuinka hyvin värit toimivat yhdessä, vastakohtaisuudesta täydelliseen yhtenäisyyteen.
    Kirkkaus
    Deep_shadow Kuvan yleinen valoisuus tai tummuusaste, syvistä varjoista kirkkaisiin korostuksiin.
    Kylläisyys
    Subtle Color Värien puhtaus ja voimakkuus vaihtelevat lähes harmaasta täysin eloisaan.

    Taiteilija ja museo

    Daedalus and Icarus — domenico piola

    Taiteilija

    domenico piola

    Born in Genoa, Italy

    The Master of the Genoese Baroque

    In the golden age of the seventeenth century, few names resonated through the grand halls and sacred sanctuaries of Genoa as powerfully as Domenico Piola. A titan of the Baroque period, Piola was not merely a painter but the beating heart of a vast, creative ecosystem known as Casa Piola. Born in Genoa in 1627, his life was inextricably linked to the flourishing maritime republic, where his brushwork helped define the very visual language of the era. His journey began under the tutelage of his brother-in-law, Stefano Camogli, and continued through the guidance of Pellegrino Piola, eventually leading him to study under Giovanni Domenico Cappellino. This rigorous foundation allowed him to emerge as a versatile virtuoso, capable of navigating the complexities of draughtsmanship, printmaking, and design with unparalleled grace.

    The essence of Piola’s artistry lies in his ability to transform architectural spaces into celestial realms. As the leading figure of the Genoese school in the latter half of the 17th century, he specialized in the breathtaking medium of ceiling frescoes. These works were not merely decorations but immersive experiences designed to draw the viewer's gaze upward toward the divine. Working alongside contemporaries like Gregorio De’ Ferrari, Piola executed monumental cycles for prestigious locations such as the Palazzo Rosso.

    Museo

    Private collection

    On show in Genova, Italy

    A Sanctuary of Modernism: Exploring the Villa Croce Museum

    Nestled in the heart of Padua, Italy, the Villa Croce Museum of Contemporary Art stands as a quietly compelling testament to the evolution of modern art and design. More than just a repository of paintings and sculptures, it’s an experience—a journey through the shifting aesthetic landscape of the 20th century, housed within a building that itself embodies a fascinating story of adaptation and preservation. The museum's unassuming exterior belies the richness contained within its walls, offering visitors a rare opportunity to delve into the world of Italian avant-garde movements with an intimate and remarkably personal touch.

    The villa’s origins trace back to the late 19th century, commissioned by the wealthy Croce family. Initially designed as a grand residence reflecting the opulent tastes of the era, it underwent a dramatic transformation in the early 20th century when the family, particularly Count Giovanni Croce, embraced the burgeoning ideals of modernism. This pivotal decision led to a systematic dismantling of the original structure and a subsequent rebuilding process spearheaded by architect Ernesto Cerri.

    Mistä lukea lisää

    • Taiteilija domenico piola originaluniqueart.com/fi/artists/domenico-piola/
    • Museo Private collection originaluniqueart.com/fi/museums/private-collection-genova/
    • Samankaltaisia teoksia Lisää teoksia vertailuun originaluniqueart.com/fi/art/similar/domenico-piola-daedalus-and-icarus-8Y3FDV-en/

    Löydä tämä verkosta

    QR-koodi, joka linkittää Daedalus and Icarus lataussivulle

    originaluniqueart.com/fi/art/download/domenico-piola-daedalus-and-icarus-8Y3FDV-en/

    Teoksen lähdeviite

    MLA
    piola, domenico. Daedalus and Icarus. 1670, Private collection. https://originaluniqueart.com/fi/art/domenico-piola-daedalus-and-icarus-8Y3FDV-en/
    APA
    piola, domenico (1670). Daedalus and Icarus [Painting]. Private collection. https://originaluniqueart.com/fi/art/domenico-piola-daedalus-and-icarus-8Y3FDV-en/
    Chicago
    domenico piola. Daedalus and Icarus. 1670. Private collection. https://originaluniqueart.com/fi/art/domenico-piola-daedalus-and-icarus-8Y3FDV-en/
    Harvard
    piola, domenico (1670) Daedalus and Icarus. Private collection. Available at: https://originaluniqueart.com/fi/art/domenico-piola-daedalus-and-icarus-8Y3FDV-en/

    Look closely

    Daedalus and Icarus — domenico piola

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Job and His Children, earlier in this guide. Name two things it shares with this work, and one that is different.
    4. domenico piola was about 43 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.