Kuulsad kunstnikud New Gallery: originaalteoste meistrid

1829–1910 Sündinud Wiesbaden, Saksamaa Realism 2 originaalid New Gallery muuseumis

Saksa žanripintingu ja Düsseldorfi kooli meister Ludwig Knaus vangutas maaseelu tähenduslikud hetked. Avastage tema realistsete teoste sügav inimlik ilu. Kuid tema kunstiline hing läbis põhjaliku metamorfoosi, kui ta 1852. aastal Pariisi avastas.

Originaalid New Gallery muuseumis

• Peasant in Hessian costume (1852)
• Interior with green ceramic stove (1852)

Ludwig Knaus: elu ja 51 originaalteosed

1781–1864 Sündinud Ballenstedt, Germany 3 originaalid New Gallery muuseumis

In the quiet corners of Ballenstedt, Anhalt-Bernburg, a girl named Caroline Bardua began a life that would defy the common expectations of her era. Born to the valet of a Duke and a woman named Sophie Sabine Kirchner, she did not possess the inherited wealth often required for an artistic career, yet she possessed a drive that led her toward the brush.

Originaalid New Gallery muuseumis

• Portrait of Dorothee van Herzeele (1817)
• Portrait of Pieter van Herzeele (1817)
• Portrait of Oskar van Herzeele as a Boy (1817)

Caroline Bardua: elu ja 7 originaalteosed

1780–1862 Sündinud Kassel, Germany 6 originaalid New Gallery muuseumis

Born on December 2, 1780, in Kassel, his early years were rooted in the tactile reality of manual labor; as the son of a master carpenter, he initially learned the precision of the woodworking trade. His formal artistic odyssey began at the Kassel Academy, where from 1799 to 1804, he honed the technical foundations that would support a lifetime of exploration.

Originaalid New Gallery muuseumis

• Self-portrait (1819)
• Portrait of Countess Louise Bose as a Child (1820)
• Portrait of Wilhelmine Caroline von Hessen-Kassel (1818)
• Girl holding a child under a blossoming apple tree (1837)

August von der Embde: elu ja 7 originaalteosed

1811–1897 Sündinud Bischhausen (Waldkappel), Germany 4 originaalid New Gallery muuseumis

To understand Ferdinand Tellgmann is to witness the intersection of traditional oil painting and the emerging mechanical eye of early photography. While his hands were skilled in the delicate application of oil on paper and canvas, his vision was equally shaped by the chemical processes of early light-capture. In works like Still Life from 1833, there is a clear commitment to the physical properties of objects.

Originaalid New Gallery muuseumis

• Portrait of a Porcelain painter (1837)
• Portrait of a Copperplate engraver (1834)
• In the Studio (1834)
• Still Life (1833)

Ferdinand Tellgmann: elu ja 4 originaalteosed

1760–1836 Sündinud Bruchsal, Germany 3 originaalid New Gallery muuseumis

Sebastian Weygandt enters the historical record in 1760, born in Bruchsal. The early years of Weygandt's career are marked by movement. Among those who study under his guidance is Johann Wilhelm Nahl, a pupil who would eventually go on to produce his own portrait of the master.

Originaalid New Gallery muuseumis

• Portrait of Victor Amadeus Landgraf zu Hessen-Rotenburg (1820)
• Portrait of Friedrich Wilhelm Carl Ludwig von Hessen-Philippsthal-Barchfeld (1830)
• Portrait of Wilhelmine Luise Christiane von Hessen-Philippsthal-Barchfeld (1825)

Sebastian Weygandt: elu ja 3 originaalteosed

1796–1882 Sündinud Kassel, Germany 2 originaalid New Gallery muuseumis

Born in Kassel on 9 November 1796, Karl Christian Aubel began his path toward the brush within the walls of the Kassel Art Academy. Between 1819 and 1823, he sought further refinement in Paris, where he studied at the École des Beaux-Arts. On 16 October 1831, he married Wilhelmine Goltz, a union that would see the growth of a family deeply connected to the arts.

Originaalid New Gallery muuseumis

• The Italian (Maria di Sora) (1826)
• Portrait of Franziska Schier (1835)

Karl Christian Aubel: elu ja 3 originaalteosed

1780–1852 Sündinud Lippstadt, Germany 2 originaalid New Gallery muuseumis

By approximately 1795, his presence was felt in the courts of Arolsen and Waldeck, where he worked as a court artist. Maul’s hands were accustomed to the textures of oil on canvas and the soft, dusty touch of pastel. A gentleman in a tailcoat, painted in 1837.

Originaalid New Gallery muuseumis

• Portrait of Christine Wilhelmine Gräfin von Waldeck-Bergheim (1812)

Friedrich Wilhelm Maul: elu ja 2 originaalteosed