1
Xavier Sigalon maalid: 9 kuulsumat teost galeriin läbi
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 9 teost Xavier Sigalon meie kataloogis
Lühidalt
Galleriile on Xavier Sigalon kõige kuulsam teos Pentecost (1817). Portrait of the Artist (1825) ja Antonio Pacini (1778-1866) (1823) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Xavier Sigalon 9 teose põhjal esitleb galeriis allpool 9 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
1787 – 1837, Uzès
Enamama teoseid: Musée des Beaux-Arts
Galeria 10 parimat Xavier Sigalon maali
2
3
4
5
6
7
8
9
Muuseumid, kus on säilitatud Xavier Sigalon originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Xavier Sigalon teosid | Selle nimekirja maalid |
|---|---|---|---|
 Musée des Beaux-Arts |
Nîmes | 4 | Adolphe Cartroux, Mrs Eugene Foulc, born Irma Nègre, Mr Eugene Foulc |
Xavier Sigalon, iga kümnendiga üks signatuurpilt
Teosed aastakate kaupa
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Xavier Sigalon maalid: galerii vastused
Milline Xavier Sigalon maal on kõige kuulsam?Paljasta vastus
Pentecost (1817). Järgnevad Portrait of the Artist (1825) ja Antonio Pacini (1778-1866) (1823).
Kui vana Xavier Sigalon oli teose Pentecost valmimisel?Paljasta vastus
30 aastat vanus: teos Pentecost on pärinev aastast 1817 ning Xavier Sigalon sündis aastal 1787.
Kui palju teoseid Xavier Sigalon lõi?Paljasta vastus
Meie kataloogist leiate 9 teost kunstnikult Xavier Sigalon, mis on pärinevad ajastust 1817 kuni 1833.
Kust leiad Xavier Sigalon kõige kuulsamad originaalteosed?Paljasta vastus
Peamiselt Musée des Beaux-Arts (Nîmes) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Millal lõi Xavier Sigalon oma kuulsamad maalid?Paljasta vastus
Ajal 1830s: 4 9 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Adolphe Cartroux.
Millised on Xavier Sigalon varased ja hilised kuulsad teosed?Paljasta vastus
Sellel lehel on kõige vanem teos Pentecost (1817) ja kõige värskeim Mrs Eugene Foulc, born Irma Nègre (1833).
Milliseid Xavier Sigalon originaalte Musée des Beaux-Arts kogumuses on?Paljasta vastus
Adolphe Cartroux, Mrs Eugene Foulc, born Irma Nègre ja Mr Eugene Foulc: Musée des Beaux-Arts, Nîmes säilitab 4 selle lehel olevat teost.
Xavier Sigalon: kunstnik
The Form of a Romantic
Uzès holds the memory of a boy born to a poor rural schoolmaster in 1787. Xavier Sigalon moves toward Paris with difficulty, eventually finding his way into the studio of Pierre-Narcisse Guérin. The formal instruction provided there fails to satisfy him. Instead, he turns to the galleries of the Louvre, teaching himself by studying the Italian masters. This self-directed path shapes a painter who prioritizes the treatment of form over the use of color.
The year 1822 marks a sudden shift in his trajectory. He exhibits The Young Courtesan, a work that immediately attracts attention and is purchased for the Luxembourg. This success brings him into the spotlight of the Salon, yet his path remains marked by a tension between technical power and commercial appeal. His compositions, such as Locusta in 1824 and Athaliahs Massacre in 1827, possess an incontestable strength, even when they fail to find buyers.
The Weight of the Task
By 1831, Sigalon receives the cross of the Legion of Honour. His paintings are powerful in drawing and composition, but a lack of color prevents them from selling well. He finds himself forced into the humble labor of portrait painting to sustain his living. A significant change arrives in 1833 when Adolphe Thiers, then minister of the interior, recalls him to Paris for a monumental assignment.
Sigalon is entrusted with copying the Sistine fresco The Last Judgement for a hall in the Palace of the Fine Arts. The scale of the work is immense. He works alongside assistants, first François Souchon, whose departure follows a dispute, and later Numa Boucoiran. In Rome, at the Baths of Diocletian, he exhibits this gigantic work. The presence of Gregory XVI, visiting him in state, underscores the gravity of his achievement.
The Final Act
The end comes with suddenness. After carrying his copy of the fresco back to Paris in February 1837, Sigalon returns to Rome to attempt the pendants of the Sistine Chapel. He does not complete the task. An attack of cholera claims him on 18 August 1837.
- Key Works:
- The Young Courtesan (1821/1822)
- Locusta (1824)
- Athaliahs Massacre (1827)
- Vision of St Jerôme (1831)
- Crucifixion