Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 33 teost William Roos meie kataloogis
Lühidalt
Kõigist William Roos jäetud originaalteostest on kõige kuulsam John Thomas (1847), mis kuulub Llyfrgell Genedlaethol Cymru / The National Library of Wales kogele linnas Aberystwyth. Järgnevad sellest Christmas Evans (1820) ja Hugh Thomas (1783–1848) (1847). Meie kataloogist löytyb 33 teost kunstnikult William Roos; galeriist on säilitatud 33 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
In this circular portrait from 1847, we encounter a young man whose gaze meets ours with a calm, steady composure. He is rendered with a soft realism that favors character over artifice. His dark hair is parted to the side, framing a face marked by a light beard and a subtle, almost imperceptible smile. There is a stillness here, a sense of a moment caught in the quietude of a…
In this portrait, William Roos captures the likeness of Christmas Evans, a man whose voice once commanded the attention of Great Britain. The subject is a Welsh nonconformist minister and a prominent Nonconformist leader. He was a figure of significant spiritual weight, described by some as the greatest preacher the Baptists have ever had in Great Britain. The painting, created about 1820, focuses on the man behind the pulpit.
A formal portrait of Hugh Thomas, rendered in oil on canvas, captures the subject from the waist up. He is positioned in a three-quarter view, facing slightly toward the viewer’s left. The composition is centered, utilizing a dark, indistinct background to isolate the figure and direct all attention to the man's presence. His expression is calm and reserved, conveying a sense of social respectability through a steady, composed demeanor.
The portrait centers on the face of an elderly man, positioned in the upper portion of the canvas. His features are rendered through thick, textured impasto strokes that create a physical relief on the surface. The skin appears aged, marked by deep lines and a heavy application of paint. Dark tones dominate the color palette, establishing a somber atmosphere. Around the central figure, the background consists of a chaotic arrangement…
This formal, somber oil portrait presents a bust-length view of an elderly man, positioned centrally against a near-black, indistinct background. The composition is characterized by a highly restrained color palette, dominated by deep blacks and dark browns, which contrast with the warm flesh tones of the subject's face and the bright white of his cravat. The man is depicted wearing a dark coat and a prominent gold chain featuring two…
In Dic Aberdaron, William Roos presents a portrait of Richard Robert Jones, a man known to history by his nickname. A native of the parish of Aberdaron, Jones was the third of four children born to Robert Jones and Margret. His early life was defined by manual labor; the son of a carpenter, he attempted to follow his father's trade but proved a failed apprentice in boat building.
This portrait presents a gentleman in formal attire, captured in a moment of quiet, direct engagement. The subject faces the viewer with a steady gaze, his expression conveying a sense of composure and social standing. He is dressed in a dark suit jacket, accented by a chain from which circular medallions hang, signaling a position of importance or achievement. The composition is centered and tight, focusing entirely on the head…
In this 1865 oil portrait, we encounter Rev R S Williams of Dowlais, a man whose presence is felt through a careful study of light and shadow. The composition is a bust-length study, centering the viewer's attention on the subject's face and upper torso. There is a certain gravity in his expression, a somberness that suggests a life of significant responsibility. The lighting, directed from the upper left, carves his…
In this 1845 oil on canvas, William Roos captures a man defined by a quiet, composed presence. The subject, John Cox, is rendered with a focus on the subtle interplay of light and shadow across his features. A beard and mustache frame a face marked by a gentle smile, suggesting a temperament of warmth and stability. He is dressed in the formal attire of the mid-19th century, wearing a suit…
John Elias (1774–1841)1839
12
Reverend Christmas Evans (1766–1838)1835
13
Christmas Evans (1766–1838)1835 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
14
Half Length Portrait of a Woman1840 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
15
Still Life with Partridges1841
16
Benjamin Roos of Parys1841 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
17
R. W. Price1845 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
18
Hugh Derfel Hughes (1816–1890)1844 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
19
Margaret Mary Thomas (d.1872)1847 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
20
Thomas Charles of Bala (1755–1814)1840 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
21
William Thomas (1825–1862)1847 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
22
Reverend John Jones of Tremadog1850 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
23
John Jones (Talhaiarn) (1810–1869)1851 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
24
Dic Aberdaron (Richard Robert Jones) (1780–1843)1850 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
25
Portrait of an Unidentified Cleric1850 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
26
Reverend William Morris (1783–1861)1849 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
27
Thomas Edwards (Twm o'r Nant) (1739–1810)1850 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
28
Mrs Elen Edwards1859 · Seiont ii Maritime Trust
29
Portrait of an Unidentified Man1859 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
30
Reverend R. S. Williams of Dowlais (1833–1900)1865 · Llyfrgell Genedlaethol Cymru / The National Library of Wales
31
Rev. Simon Lloyd of Plasyndre, BalaNational Library of Wales
32
John DaviesNational Library of Wales
33
David Owen, Dewi Wyn o Eifion (1784–1841)
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 3 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | William Roos teosid | Selle nimekirja maalid |
|---|---|---|---|
 Llyfrgell Genedlaethol Cymru / The National Library of Wales |
Aberystwyth | 22 | John Thomas, Hugh Thomas (1783–1848), Dewi Wyn o Eifion (Dafydd Owen) (1784–1841) |
 National Library of Wales |
Aberystwyth | 6 | Christmas Evans, Gutyn Peris, Dic Aberdaron |
 Seiont ii Maritime Trust |
Carnarvon | 1 | Mrs Elen Edwards |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this portrait, William Roos captures the likeness of Christmas Evans, a man whose voice once commanded the attention of Great Britain. The subject is a Welsh nonconformist minister and a prominent Nonconformist leader. He was a figure of significant spiritual weight, described by some as the greatest preacher the Baptists have ever had in Great Britain. The painting, created about 1820, focuses on the man behind the pulpit.
A portrait of John Elias, rendered in 1839, captures the likeness of a man central to the Welsh Methodist revival. Set against a dark, indeterminate background, the subject is illuminated to emphasize the contours of his face and the formal attire of his era. He wears a suit and tie, presenting an image of dignity and intellectual gravity. His gaze is fixed, directed toward the viewer or perhaps toward a…
In this circular portrait from 1847, we encounter a young man whose gaze meets ours with a calm, steady composure. He is rendered with a soft realism that favors character over artifice. His dark hair is parted to the side, framing a face marked by a light beard and a subtle, almost imperceptible smile. There is a stillness here, a sense of a moment caught in the quietude of a…
This formal, somber oil portrait presents a bust-length view of an elderly man, positioned centrally against a near-black, indistinct background. The composition is characterized by a highly restrained color palette, dominated by deep blacks and dark browns, which contrast with the warm flesh tones of the subject's face and the bright white of his cravat. The man is depicted wearing a dark coat and a prominent gold chain featuring two…
In this 1865 oil portrait, we encounter Rev R S Williams of Dowlais, a man whose presence is felt through a careful study of light and shadow. The composition is a bust-length study, centering the viewer's attention on the subject's face and upper torso. There is a certain gravity in his expression, a somberness that suggests a life of significant responsibility. The lighting, directed from the upper left, carves his…
John Thomas (1847), Llyfrgell Genedlaethol Cymru / The National Library of Wales, Aberystwyth. Järgnevad Christmas Evans (1820) ja Hugh Thomas (1783–1848) (1847).
39 aastat vanus: teos John Thomas on pärinev aastast 1847 ning William Roos sündis aastal 1808.
John Thomas, Christmas Evans, Hugh Thomas (1783–1848), Dewi Wyn o Eifion (Dafydd Owen) (1784–1841), Gutyn Peris, Dic Aberdaron, Gutyn Peris (Griffith Williams) (1769–1838), Rev R S Williams (Dowlais), 1833-1900, John Cox (1800 –1870) ja Reverend John Williams 'Yr Hen Syr' (1745–1818). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 33 teost kunstnikult William Roos, mis on pärinevad ajastust 1820 kuni 1865.
Peamiselt Llyfrgell Genedlaethol Cymru / The National Library of Wales (Aberystwyth), National Library of Wales (Aberystwyth) ja Seiont ii Maritime Trust (Carnarvon) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1840s: 13 33 sellel lehel olevat teost on sellel perioodil loodud, მათart közül John Thomas.
Sellel lehel on kõige vanem teos Christmas Evans (1820) ja kõige värskeim Rev R S Williams (Dowlais), 1833-1900 (1865).
Man (17), Portrait (9) ja Beard (9), kogu selle lehekülje 33 teose kohta.
Oil, 13 teoseks 33 töödelt sellel lehel.
Romanticism, seda lähtudes selle lehe originaalteostest.
John Thomas, Hugh Thomas (1783–1848) ja Dewi Wyn o Eifion (Dafydd Owen) (1784–1841): Llyfrgell Genedlaethol Cymru / The National Library of Wales, Aberystwyth säilitab 22 selle lehel olevat teost.
Maalide kõrval oli Roos erakordselt viljakas ka etsatustööklust ehk koori ja joonistustööd, kus tema oskused kandsid ning nõudsid täpsust, kannatlikkust ja sügava mõistmist toonide üleminekust. Tema koorid, mis olid sageli täis hämmastavat detailrikkust, toimisid visuaalse lisana kirjandustekstidele ning aitasid oluliselt laiendada Walesi kultuuri Briti saartel ja kogu Euroopas. Roos joonistustehnika, mida iseloomustas uudne ja täpne šragaad ja ristsuunad, võimaldas tal saavutada tekstuuride ja pindade uskumatult realistilise esituse – see on olnud tema kunstilise stiili üks selgemad tunnusmärke. Ta kasutas oskuslikult etsatuse tehnikaid, et luua peen koloriidide ja toonide vahelisi üleminekuid, mis püüdisid kinni maastike atmosfäärilisi kvaliteete ning edastasid portreetide emotsionaalset intensiivsust võõrustamatul finesseeritud viisil.
