Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 73 teost William Mulready meie kataloogis
Lühidalt
Carghill and Touchwood (1831) on William Mulready maalide kõige silmapaistvam teos; originaal kuulub museumi Yale Center for British Art, New Haven. Pärast seda suunatakse pilk The Mall, Kensington Gravel Pits (1812) ja The Rattle (1808) suunas. Meie kataloogis olevatest William Mulready 73 teosest on need 73 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
The work before us is titled Carghill and Touchwood, a significant genre painting by the Irish artist William Mulready. Created in 1831, this oil on panel captures a specific moment of human interaction, moving away from the landscapes that occupied much of the artist's earlier output. It belongs to a period when Mulready was establishing his reputation within the Royal Academy, focusing his attention on the nuances of domestic and…
In "The Mall, Kensington Gravel Pits" by William Mulready, we find ourselves observing a quiet moment from an urban or suburban setting in the early 19th century. The composition is centered around a gravel pit area, a space that anchors the viewer's attention within the landscape. To the left, a cluster of buildings provides a sense of structure and habitation, while a fence runs along the left edge of the…
In a quiet corner of a domestic interior, a man and a young girl share a fleeting moment of connection. The air feels still, held in the soft light that pours through a large window in the background. This scene, titled The Rattle, captures a simple interaction between an adult and a child, a quiet slice of everyday life frozen in time. The man holds a bird, its presence adding…
The Wolf and the Lamb is an oil on canvas work by the Irish artist William Mulready. Created about 1819, this piece reflects the early development of a painter who would eventually become a central figure in Victorian genre painting. The work measures 60.0 x 51.1cm, a scale that allows for an intimate encounter with the scene it depicts.
The Convalescent from Waterloo is an oil painting on canvas by the artist William Mulready. This work was produced about 1822. The piece depicts a wounded soldier and his family in a field hospital setting following the Battle of Waterloo. The composition centers on the soldier, who is seated alongside a woman and a young child. Two additional children are positioned further in the background, tending to objects on the…
This oil painting, titled Study for 'The Careless Messenger Detected', offers a glimpse into the preparatory process of William Mulready. Created in 1821, the work captures a moment of intense human interaction. It reflects the artist's ability to translate social tension into a visual narrative, a skill that would define his reputation within the Victorian era.
In 1828, William Mulready painted The Interior of an English Cottage. The scene captures a solitary woman seated within the rustic confines of a cottage. She sits amidst a dense collection of domestic objects, her presence a quiet anchor within the cramped, lived-in space. Through a window, the sky offers a glimpse of light, contrasting with the heavy shadows of the room.
In John Sheepshanks (1787–1863), the artist William Mulready turns his gaze toward a single, quiet presence. The composition centers tightly on the head and shoulders of an older man, captured in profile. This is a portrait intended to represent an individual, stripping away the distractions of a wider world to focus on the weight of a life lived. The perspective remains shallow, offering a frontal view that provides minimal depth…
Interior with John Sheepshanks (1787–1863) by William Mulready depicts an intimate scene within a richly decorated room. The composition centers on the interaction between two figures: a gentleman and a young woman. The gentleman is dressed in attire that suggests wealth and high social status, while the woman wears simple clothing indicative of a lower social standing. This arrangement suggests a moment of service or patronage occurring within a private…
A woman leans into the quiet space of a child's world. She is a pillar of orange fabric against the deep, earthy browns of a wooded landscape. The light filters through a canopy of trees, casting a soft, diffused glow over the scene. It is a moment of instruction, caught in the stillness of a forest. A small dog rests nearby, its fur rendered with a tactile softness. The air…
The Sonnet1839 · Victoria and Albert Museum
12
Ira Aldridge in the Role of Shakespeare1826 · The Walters Art Museum
13
A Gypsy Encampment1810 · National Gallery of Ireland
14
Lock gate1810 · Yale Center for British Art
15
Hampstead Heath with Cows1806
16
Sketch for 'Punch'1812
17
An Old Cottage, St Albans1806
18
Near the Mall, Kensington Gravel Pits1812
19
Suffolk Landscape with Mill1810 · Government Art Collection
20
Hampstead Heath1806
21
The Rattle (study)1807
22
Landscape with Cottages1812
23
John Varley1814 · National Portrait Gallery
24
Cottages on the Coast1806
25
The Wedding Morning1822
26
The Fight Interrupted1816
27
The Butt Shooting a Cherry1822
28
The Village Buffoon1816
29
The Watering Hole1825
30
An Old Gable1830 · Yale Center for British Art
31
Study for 'Interior of an English Cottage'1828
32
A Dog of Two Minds1830
33
A Sailing Match1831
34
Mary Wright, the Carpenter's Daughter1828
35
The Monopolist1843 · The Dick Institute
36
William Mulready1835 · National Portrait Gallery
37
Brother and Sister1836
38
Teal1835
39
Giving a Bite1834
40
The Toy Seller1835
41
First Love1839
42
The First Voyage1833
43
Open Your Mouth and Shut Your Eyes1838
44
The Seven Ages of Man (from William Shakespeare's 'As You Like It', Act II, Scene 7)1838 · Victoria and Albert Museum
45
Head of a Woman1840
46
The Intercepted Billet1844
47
An Interior1842
48
Blackheath Park1852
49
The Pool1850
50
The Lesson ('Just as the Twig Is Bent, the Tree's Inclined')1859
51
The Young Brother1857
52
The Artist's FatherNational Gallery of Ireland
53
A Squire in a TavernNational Gallery of Ireland
54
A Sea Shore
55
The Organ Grinder
56
Horses Baiting1816 · The Whitworth
57
The Farrier's Shop1820 · Fitzwilliam College
58
Crossing the FordNational Trust
59
Cupping the BeesNational Gallery of Ireland
60
Joseph Pitt (1759–1842)
61
Farmhouse with a White Horse
62
The Cottage
63
The Dead Canary
64
Landscape A Cottage with Trees and Two Children
65
Landscape with Figures
66
Rustic Charity
67
See Saw
68
Bathers Surprised1852 · National Gallery of Ireland
69
The Toy-seller1860 · National Gallery of Ireland
70
Fair Time ('Returning from the Ale House')
71
The Last In1835
72
Choosing the Wedding Gown1845 · Victoria and Albert Museum
73
The Ford ('Crossing the Ford')1842
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | William Mulready teosid | Selle nimekirja maalid |
|---|---|---|---|
 National Gallery of Ireland |
Dublin | 6 | A Gypsy Encampment, The Artist's Father, A Squire in a Tavern |
 Yale Center for British Art |
New Haven | 3 | Carghill and Touchwood, Lock gate, An Old Gable |
 Victoria and Albert Museum |
London | 3 | The Sonnet, The Seven Ages of Man (from William Shakespeare's 'As You Like It', Act II, Scene 7), Choosing the Wedding Gown |
 Royal Collection |
London | 2 | The Wolf and the Lamb, The Interior of an English Cottage |
 National Portrait Gallery |
London | 2 | John Varley, William Mulready |
 The Walters Art Museum |
Baltimore | 1 | Ira Aldridge in the Role of Shakespeare |
 Government Art Collection |
London | 1 | Suffolk Landscape with Mill |
 The Dick Institute |
Kilmarnock | 1 | The Monopolist |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In a quiet corner of a domestic interior, a man and a young girl share a fleeting moment of connection. The air feels still, held in the soft light that pours through a large window in the background. This scene, titled The Rattle, captures a simple interaction between an adult and a child, a quiet slice of everyday life frozen in time. The man holds a bird, its presence adding…
In "The Mall, Kensington Gravel Pits" by William Mulready, we find ourselves observing a quiet moment from an urban or suburban setting in the early 19th century. The composition is centered around a gravel pit area, a space that anchors the viewer's attention within the landscape. To the left, a cluster of buildings provides a sense of structure and habitation, while a fence runs along the left edge of the…
The Convalescent from Waterloo is an oil painting on canvas by the artist William Mulready. This work was produced about 1822. The piece depicts a wounded soldier and his family in a field hospital setting following the Battle of Waterloo. The composition centers on the soldier, who is seated alongside a woman and a young child. Two additional children are positioned further in the background, tending to objects on the…
The work before us is titled Carghill and Touchwood, a significant genre painting by the Irish artist William Mulready. Created in 1831, this oil on panel captures a specific moment of human interaction, moving away from the landscapes that occupied much of the artist's earlier output. It belongs to a period when Mulready was establishing his reputation within the Royal Academy, focusing his attention on the nuances of domestic and…
A woman leans into the quiet space of a child's world. She is a pillar of orange fabric against the deep, earthy browns of a wooded landscape. The light filters through a canopy of trees, casting a soft, diffused glow over the scene. It is a moment of instruction, caught in the stillness of a forest. A small dog rests nearby, its fur rendered with a tactile softness. The air…
Carghill and Touchwood (1831), Yale Center for British Art, New Haven. Järgnevad The Mall, Kensington Gravel Pits (1812) ja The Rattle (1808).
45 aastat vanus: teos Carghill and Touchwood on pärinev aastast 1831 ning William Mulready sündis aastal 1786.
Carghill and Touchwood, The Mall, Kensington Gravel Pits, The Rattle, The Wolf and the Lamb, The Convalescent from Waterloo, Study for 'The Careless Messenger Detected', The Interior of an English Cottage, John Sheepshanks (1787–1863), Interior with John Sheepshanks (1787–1863) ja Instruct the Child. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 73 teost kunstnikult William Mulready, mis on pärinevad ajastust 1806 kuni 1860.
Peamiselt National Gallery of Ireland (Dublin), Yale Center for British Art (New Haven) ja Victoria and Albert Museum (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1830s: 17 73 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Carghill and Touchwood.
Sellel lehel on kõige vanem teos Hampstead Heath with Cows (1806) ja kõige värskeim The Toy-seller (1860).
Landscape (6), Cottages (6) ja Interior (4), kogu selle lehekülje 73 teose kohta.
Oil On Canvas, 9 teoseks 73 töödelt sellel lehel.
Romanticism ja Victorian genre painting, seda lähtudes selle lehe originaalteostest.
A Gypsy Encampment, The Artist's Father ja A Squire in a Tavern: National Gallery of Ireland, Dublin säilitab 6 selle lehel olevat teost.
