Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 10 teost William Millar meie kataloogis
Lühidalt
Miss Copland (1767) on William Millar maalide kõige silmapaistvam teos; originaal kuulub museumi Dumfries Museum And Camera Obscura, Dumfries. Pärast seda suunatakse pilk Diana, Wife of Sir Walter Scott (1758) ja Dr Rutherford, Maternal Grandfather of Sir Walter Scott (1761) suunas. Meie kataloogis olevatest William Millar 10 teosest on need 10 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
A woman sits in the quietude of 1767, her presence defined by the soft intersection of light and fabric. She is positioned in a three-quarter view, her head and shoulders emerging from a dark, indistinct background that offers no distraction from her composure. The palette is a gentle arrangement of pale pinks, peaches, and creams, punctuated by the subtle warmth of gold and brown. Her expression remains composed, a study…
In this half-length portrait, we encounter a woman of quiet dignity, captured in a moment of serene stillness. She is presented from the waist up, her presence commanding the space against a muted, dark background of blues and grays. The lighting is soft, falling across her features to create a gentle chiaroscuro that defines the contours of her face and the delicate structure of her neck. Her dark hair is…
In this 1761 portrait, we encounter Dr. Rutherford, a man whose presence is defined by a quiet, scholarly authority. He is depicted in a moment of stillness, his gaze meeting the viewer with a directness that suggests a life spent in contemplation or perhaps the rigorous application of law. He wears a dark robe accented by a crisp white trim, a garment that speaks to his professional standing and the…
The oil painting depicts a man positioned in a three-quarter view, facing the viewer. He possesses a grey beard and hair, with a gaze directed forward. His attire consists of a dark suit jacket worn over a white shirt and a tie. The lighting originates from the side, casting soft shadows across the contours of his face and the folds of his clothing. The background remains dark and indistinct, focusing…
The man stares directly from the canvas, his eyes meeting the viewer with a stern, unyielding intensity. He possesses a thick, well-groomed beard and dark hair that frames a face etched with the weight of conviction. His attire, a formal suit and tie, speaks of a bygone era, grounding him firmly in the mid-1700s. There is a stillness to his posture, a quiet gravity that suggests a man accustomed to…
The room holds a stillness that feels heavy with thought. Thomas Trotter sits anchored in his chair, a man caught in a private moment of study. He wears the formal attire of a bygone era, his neck wrapped in a crisp tie and his head adorned with a powdered wig that speaks of status and the rigid social structures of the mid-eighteenth century. His glasses catch the light, partially obscuring…
The oil on canvas painting titled Ann Gordon of Earlston (b.c.1716) is a portrait created by William Millar in 1767. The subject is a woman with brown hair, depicted wearing a white shirt and a black dress. She is adorned with a pearl necklace around her neck and is positioned looking toward the viewer.
The portrait depicts Alexander Copland of Colliston, a man positioned against a dark, indistinct background. He is shown from the chest up, facing the viewer directly. He wears a white wig, a common fashion of the mid-eighteenth century, which frames a face characterized by a mustache. His attire consists of a red coat, detailed with gold buttons that catch the light. The lighting is concentrated on the subject's face and…
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 5 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | William Millar teosid | Selle nimekirja maalid |
|---|---|---|---|
 Dumfries Museum And Camera Obscura |
Dumfries | 4 | Miss Copland, Ann Gordon of Earlston (b.c.1716), Alexander Copland of Colliston (1701–1774) |
 Abbotsford House |
Malvern | 1 | Dr Rutherford, Maternal Grandfather of Sir Walter Scott |
 Šoti Rahvusportreegalerii |
Edinburgh | 1 | Reverend John Home (1722–1808), Historian and Author of 'Douglas' |
 Scottish National Gallery |
Edinburgh | 1 | Thomas Trotter (d.1767) |
 The Hunterian Museum and Art Gallery |
Glasgow | 1 | Reverend William Leechman (1706–1785), Professor of Divinity and Principal at the University of Glasgow |
Miss Copland (1767), Dumfries Museum And Camera Obscura, Dumfries. Järgnevad Diana, Wife of Sir Walter Scott (1758) ja Dr Rutherford, Maternal Grandfather of Sir Walter Scott (1761).
Miss Copland, Diana, Wife of Sir Walter Scott, Dr Rutherford, Maternal Grandfather of Sir Walter Scott, Reverend John Home (1722–1808), Historian and Author of 'Douglas', John Glas (1695–1773), Thomas Trotter (d.1767), Ann Gordon of Earlston (b.c.1716), Alexander Copland of Colliston (1701–1774), Reverend William Leechman (1706–1785), Professor of Divinity and Principal at the University of Glasgow ja Portrait of a Young Woman. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leibab 10 teost kunstnikult William Millar.
Peamiselt Dumfries Museum And Camera Obscura (Dumfries), Abbotsford House (Malvern) ja Šoti Rahvusportreegalerii (Edinburgh) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Man (5), Portrait (4) ja Wig (3), kogu selle lehekülje 10 teose kohta.
Oil, 6 teoseks 10 töödelt sellel lehel.
Academic art, seda lähtudes selle lehe originaalteostest.
Miss Copland, Ann Gordon of Earlston (b.c.1716) ja Alexander Copland of Colliston (1701–1774): Dumfries Museum And Camera Obscura, Dumfries säilitab 4 selle lehel olevat teost.
