Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 117 teost William Mctaggart meie kataloogis
Lühidalt
Kõigist William Mctaggart jäetud originaalteostest on kõige kuulsam Tormpilv. Järgnevad sellest A Study of Two Female Nude Models (1858) ja A Ground Swell, Carradale, Argyll (1886). Meie kataloogist löytyb 117 teost kunstnikult William Mctaggart; galeriist on säilitatud 100 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
William McTaggarti teos “Storm Cloud” on vapustav uuring looduse tooresel energial ja emotsionaalsel intensiivsusel. See teos ei ole tormi otsetõudeline kujundus, vaid pigem abstraktset ekspressionistlik interpretatsioon, mis eelistab tunde edastamist täpse esitlus versus. See kutsub vaatajat ühenduma maailma algupäraste jõududega, mis toimivad nii looduses kui ka inimese enda sügavustes.
In the soft, amber-hued light of a mid-nineteenth-century studio, two women exist in a moment of stillness. One figure stands tall on the left, her back turned to us in a three-quarter view, her form defined by the gentle play of light against skin. To her right, a second woman rests, seated and leaning against a large, terracotta vessel that anchors the composition. The air feels heavy with the scent…
In this 1886 work, we find ourselves looking out over the waters near Carradale, Argyll. The scene is defined by a sense of movement, specifically the restless energy of a ground swell moving through the sea. Several boats are scattered across the composition, some drifting near the shoreline while others appear smaller and more distant as they navigate the expanse. A single figure stands near the center, a small presence…
The oil on canvas work titled A Study of Oak Leaves in Autumn (Self-portrait) was executed by the Scottish artist William McTaggart. Dated 1892, this painting presents a self-portrait of the artist. The subject is depicted as a man with a prominent, well-groomed beard and mustache, wearing a dark hat and a heavy, textured coat. He is positioned in a bust-length composition, looking toward the viewer from a slightly off-center…
The painting depicts a naked man standing in front of a red curtain. The man has his back turned towards the viewer and appears to be looking at something behind him. He is positioned as if holding onto a pole or rod, which may be used for support while posing. The red curtain serves as the background for the scene, providing depth and color.
A Life Study of a Standing Female Nude is an oil study by the artist William McTaggart. This work, dated 1850, focuses on the human form through a study of a standing female nude. The composition centers on a single figure positioned vertically within the frame.
In "Life Study of a Seated Male Nude Holding a Staff" by William McTaggart, a single nude male subject occupies the center of the frame. He is positioned in a three-quarter profile, facing toward the right. A long, diagonal staff cuts across the composition, providing a sharp structural element that breaks the stillness of the figure. This wooden line anchors the subject within a shallow space. The background is a…
The oil on canvas painting titled The Pleasures of Hope was executed by the artist William McTaggart. This work dates to 1860. The artist, who lived from 1835 to 1910, was born in Argyll and Bute, United Kingdom.
The oil painting titled The Past and the Present was executed by the artist William McTaggart. Created in 1860, this work represents an early period in the artist's career. The piece demonstrates McTaggart's developing skill in capturing light and color through a delicate touch.
The Old Net is a painting by William McTaggart, created about 1869. This work emerged during a period when the artist was refining his ability to translate the atmospheric qualities of the Scottish coast onto canvas. It captures a quiet, grounded moment on a shoreline, focusing on the interaction between figures and their environment.
Halfway Home1869 · Scottish National Gallery
12
The Young Fishers1876 · Scottish National Gallery
13
Through Wind and Rain1875
14
The Bait Gatherers1879 · Scottish National Gallery
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By Summer Seas1890 · Scottish National Gallery
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Mist Clearing off Mull of Kintyre1890
17
Spring1864 · Scottish National Gallery
18
'The Belle' (The Artist's Daughter, Jean Isobel McTaggart, 1880 - 1955)1885 · Scottish National Gallery
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Life Study of a Female Nude Model with her Left Arm Raised1859 · Scottish National Gallery
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The Artist's Mother (Barbara Brodie or Brolochan, Mrs Dugald McTaggart, died 1884)Scottish National Gallery
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A Sprig Of Heather -
22
The Past And Present
23
Molly, Mary Gavin1874 · Scottish National Gallery
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When Summer Is In The Prime
25
The Sailing of the Emigrant Ship1895 · Scottish National Gallery
26
Life Study of a Female Nude Model Seated on White Drapery1854 · Scottish National Gallery
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Life Study Reclining Female Nude1855 · Scottish National Gallery
28
Sketch of a church door1860 · Scottish National Gallery
29
My Boy Tammie1861
30
Life Study of a Seated Nude Male Model1859 · Scottish National Gallery
31
Helping Granny1863
32
Fish from the Boat1868 · McManus: Dundee's Art Galleries And Museums
33
Dora1869
34
Grandmother's Pet1864
35
Do Doggies Gang tae Heaven1867
36
Lucy's Flitting1873
37
A Fresh Breeze1876 · McManus: Dundee's Art Galleries And Museums
38
Jeannie (Miss Jean Halley)1873 · McManus: Dundee's Art Galleries And Museums
39
Mrs Leiper1872 · Scottish National Gallery
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Summer Sundown - Tir-nan-og1880
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A Message from the Sea1883 · Dundee Art Gallery And Museum
42
Flotsam and Jetsam1883 · City Art Centre
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In a Ground Swell1883
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Mrs William Lawrie1881 · Scottish National Gallery
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Snow in April1892 · Scottish National Gallery
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Cornfield, Sandy Dean1891 · Scottish National Gallery
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A Breezy Day off Campbeltown1886 · The Hunterian Museum and Art Gallery
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In the Rock Pools1887
49
The Harvest Moon1889
50
Fisher's Landing1887
51
Hayfield, Broomieknowe1889
52
The Emigrants1889
53
Mrs (James Guthrie) Orchar1886 · McManus: Dundee's Art Galleries And Museums
54
Happy Days1886
55
Father is at the Helm1889
56
Jeannie1887 · McManus: Dundee's Art Galleries And Museums
57
The Coming of Saint Columba1895 · Scottish National Gallery
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Autumn Day, Midlothian1898
59
Sound of Jura1894 · The Hunterian Museum and Art Gallery
60
End of the Links1893
61
The Lilies1896
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Landscape Sketch, Howgate1895
63
Joseph Henderson1894
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Harvest at Broomieknowe1896 · Scottish National Gallery
65
Emigrants Leaving the Hebrides1898
66
Golden Grain (also known as Harvester)1894
67
Kinloch Rannoch1893
68
Autumn Evening, Broomieknowe1905 · Scottish National Gallery
69
The White Calm - Ailsa Craig from Port an Righ1901
70
A June Day Crab Catching1903
71
Left in Charge1902
72
Harvest Moon1899 · Scottish National Gallery
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Lobster Fishers, Machrihanish Bay1901 · University of Dundee
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Portrait Study of a LadyScottish National Gallery
75
The Silver Sea1907 · The Hunterian Museum and Art Gallery
76
Glenramskill1908
77
Snow in April
78
Running For Shelter
79
Father is at the Helm
80
Mist and Rain, Macrihanish1907
81
Machrihanish Bay1878 · Scottish National Gallery
82
The Sailor's YarnScottish National Gallery
83
Quiet Sunset, MachrihanishScottish National Gallery
84
Winter Wheat
85
A Deserted Rocky Shore
86
And All The Choral Waters Sang
87
On loch fyne
88
Preaching Of St. Columba
89
Flotsam And Jetsam
90
Noontide, Jovie's Neuk
91
And All The Choral Waters Sang -
92
Flotsam And Jetsam -
93
Cauldron Rocks
94
The Fisher Boy
95
The Adventure
96
Fisher Children
97
Storm Cloud
98
Sweet william
99
Jeanni Deans
100
The Old Pump Well
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 7 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | William Mctaggart teosid | Selle nimekirja maalid |
|---|---|---|---|
 Scottish National Gallery |
Edinburgh | 32 | A Study of Two Female Nude Models, A Study of Oak Leaves in Autumn (Self-portrait), Life Study of a Standing Nude Male Model |
 McManus: Dundee's Art Galleries And Museums |
Dundee | 5 | Fish from the Boat, A Fresh Breeze, Jeannie (Miss Jean Halley) |
 The Hunterian Museum and Art Gallery |
Glasgow | 3 | A Breezy Day off Campbeltown, Sound of Jura, The Silver Sea |
 Polesden Lacey |
1 | The Pleasures of Hope | |
 Dundee Art Gallery And Museum |
Dundee | 1 | A Message from the Sea |
 City Art Centre |
Edinburgh | 1 | Flotsam and Jetsam |
 University of Dundee |
Dundee | 1 | Lobster Fishers, Machrihanish Bay |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In the soft, amber-hued light of a mid-nineteenth-century studio, two women exist in a moment of stillness. One figure stands tall on the left, her back turned to us in a three-quarter view, her form defined by the gentle play of light against skin. To her right, a second woman rests, seated and leaning against a large, terracotta vessel that anchors the composition. The air feels heavy with the scent…
The oil on canvas painting titled The Pleasures of Hope was executed by the artist William McTaggart. This work dates to 1860. The artist, who lived from 1835 to 1910, was born in Argyll and Bute, United Kingdom.
The Young Fishers is an oil on canvas painting by the artist William McTaggart. This work was created about 1876. The physical dimensions of the piece are 72.4 x 108.0cm.
In this 1886 work, we find ourselves looking out over the waters near Carradale, Argyll. The scene is defined by a sense of movement, specifically the restless energy of a ground swell moving through the sea. Several boats are scattered across the composition, some drifting near the shoreline while others appear smaller and more distant as they navigate the expanse. A single figure stands near the center, a small presence…
The oil on canvas work titled A Study of Oak Leaves in Autumn (Self-portrait) was executed by the Scottish artist William McTaggart. Dated 1892, this painting presents a self-portrait of the artist. The subject is depicted as a man with a prominent, well-groomed beard and mustache, wearing a dark hat and a heavy, textured coat. He is positioned in a bust-length composition, looking toward the viewer from a slightly off-center…
Tormpilv. Järgnevad A Study of Two Female Nude Models (1858) ja A Ground Swell, Carradale, Argyll (1886).
Tormpilv, A Study of Two Female Nude Models, A Ground Swell, Carradale, Argyll, A Study of Oak Leaves in Autumn (Self-portrait), Life Study of a Standing Nude Male Model, A Life Study of a Standing Female Nude, Life Study of a Seated Male Nude Holding a Staff, The Pleasures of Hope, The Past and the Present ja The Old Net. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 117 teost kunstnikult William Mctaggart, mis on pärinevad ajastust 1850 kuni 1908.
Peamiselt Scottish National Gallery (Edinburgh), McManus: Dundee's Art Galleries And Museums (Dundee) ja The Hunterian Museum and Art Gallery (Glasgow) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1890s: 18 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül A Study of Oak Leaves in Autumn (Self-portrait).
Sellel lehel on kõige vanem teos A Life Study of a Standing Female Nude (1850) ja kõige värskeim Glenramskill (1908).
Sea (8), Sky (8) ja Children (7), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 16 teoseks 100 töödelt sellel lehel.
Scottish impressionism, seda lähtudes selle lehe originaalteostest.
A Study of Two Female Nude Models, A Study of Oak Leaves in Autumn (Self-portrait) ja Life Study of a Standing Nude Male Model: Scottish National Gallery, Edinburgh säilitab 32 selle lehel olevat teost.
William McTaggart (1835–1910) on 19. sajandi lõpus ja 20. sajandi alguses Šotaalia kunstis asuv võtmefigure, maalari, kes suutis suurepäraselt navigeerida impresjonismi muutuvates vooludes, säilitades samal ajal sügavalt juurdunud sideme oma kodumaa maastikuga. Sündinud Šotaalia tuulises Kintyre poolsaals, Atlandi lõputute lainete kulptuuritud piirkonnas, on McTaggarti looming enam kui pelgalt kujundus; see on valguse, atmosfääri ja inimkonna ning looduse sügavate suhete intiimne uuring. Tema pärand peitub mitte ainult tema maalide ilu, vaid ka tema julgeses ürituses ühendada tähelepanek ja tunne – eesmärk, mis määris suure osa tema kunstilisest teekonnast.
McTaggarti varajane elu oli kujundatud maaelu karmistest reaalsustest. Ta sündis talupoegade perre – põllumeestesse, kes kultiveerisid väikeseid maaosi – ning nägi otsekoheselt ilmapiiri ja valguse drastilisi muutusi mööda karge rannikut. See kujundav kogemus sisaldas temasse teravat tundlikkust loodusmaailda vastu, olaub, mis hiljem tema kunstis kukkus korda. Algul tõmbas teda ligi portreemaalimine, mõjutatuna Daniel MacNee juhendusest Edinburghis, kuid McTaggarti fookus liikus ajapikku üles Šotaalia maastiku olemuse tabamise suunas. Ta lahutas end puhtalt esitluslikust lähenemisest, omakindlustades impresjonistlikku *plein air* tehnikat – töötades otse õues, et tabada valguse ja värviไหม lennukaid hetki.
Tema kunstiline areng oli lahutumalt seotud tema isikliku eluga. Tema naise, Marjory, surm 1884. aastal mõjutas McTaggarti tööd sügavalt, suunates teda intressiivsemma stiili poole. Pärast naise surma koliendas ta Edinburghi lähedale Lasswade'ile, kus leidis lohutust ja inspiratsiooni Moorfoot Hillsi kumeratest kukkestest. See periood märkis olulist pöördet tema kunstilises fookuses, tuues suurema rõhu valguse ja värvi peenikele nüanssidele neis tuttavates maastikudes. Tema sellel ajal loodud maalide iseloomulik on hämmastav atmosfäär – rahu ja mõtlemise tunne, mis kutsub vaatajat end selles stseenis kaotama.
McTaggarti tehnika oli nii distsiplineeritud kui ka intuitiivselt ekspressiivne. Ta jälgis hoolikalt valguse mõju veele, tabades selle säravat peegeldust ja ajutisi meeleolu suurepäraselt oskuslikult. Tema pintoonimist on lahtine, kuid kontrollitud, edastades liikumise ja vahetu kogemuse tunnet. Ta kasutas vibrantset paletti, kasutades sageli komplementaarväre, et tõsta oma stseenide intensiivsust. Kuigi on vaieldamatult mõjutatud impresjonismist – eriti Constable'i ja Turner'i töödest – ei omaks McTaggart kunagi täielikult selle lahtist objektiivsust. Selle asemel infuseeris ta oma maastikud emotsionaalse sügavusega, mis eristas teda paljudest tema kaaslaskunstnikest. Tema maalid ei ole lihtsalt kohtade esitlus; need on sügavalt tundetud sideme avaldused loodusmaailmaga.
Lisaks oma tehnilisele meistriteleg on McTaggarti tööl suur ajalooline tähendus. Ta oli üks esimest Šotaalia kunstnikke, kes omakasutas täielikult impresjonismi, kohandades selle Šotaalia maastiku unikaalsele iselolekule. Tema maalid aitasid luua selgelt eristuvat Šotaalia häält laiemas Euroopa kunstiliikumuses. Tema pühendumus valguse ja atmosfääri ajutuste tabamisele teavastas te пути tulevatele Šotaalia maastikumaalide põlvkondadele. Täna jätkub William McTaggarti töö vaatajates kõlama, pakkudes tõelisena meeldetuletust looduse maailma püsivast ilust ja vägedest.
McTaggarti kunstiline teekond oli kujundatud mitmekaugelest mõjutist. Tema varajane kokkupuude portreetide maalimisele Daniel MacNee juures jättis temasse tugeva tähelepanekute ja tehnilise oskuse tunne. Impressionistlikud maalari, eriti Constable ja Turner, pakkusid talle raamist, mille raames tabada valguse ja värvi lennukaid efekte. Ta kogus inspiratsiooni ka Šotaalia maastikumaalaritelt nagu George Washington Henderson, kelle tööd uurisid sarnaseid teemasid maaelu ja looduse kohta.
Tema side Kunstituleklaasiga (Royal Academy) oli oluline, võimaldades talle ligipääsu näitustele ja professionaalsete arengu võimalusi. Kuid McTaggarti kunstiline visioon lahendas akadeemilise traditsiooni piiridest. Ta püüdis luua unikaalset Šotaalia stiili – ühte, mis tabaks oma kodumaa vaimu aususega ja emotsionaalse sügavusega.
William McTaggarti panus Šotaalia kunstile on vaieldamatu. Ta oli pioneer impresjonismi kohandamisel Šotaalia maastiku spetsiifilistele omadustele, luues selgelt eristuvat Šotaalia häält laiemas Euroopa kunstiliikumuses. Tema maale tähistatakse nende atmosfäärilise kvaliteedi, emotsionaalse sügavuse ja tehnilise meistripaldi eest.
Lisaks oma kunstilistele saavutustele pakub McTaggarti töö väärtuslikku vaadet inimkonna ja looduse vahelisele suhtele. Tema maalid kutsuvad vaatajat mõttelaima looduse ilu ja meie kohta selles maailmas. Ta on jäänud Šotaalia kunstihikul armastatud kujundiks, mida austatakse tema oskuse, tundlikkuse ja vankumatut pühendumuse eest Šotaalia maastiku olemuse tabamisele.
