Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 14 teost William Blake Richmond meie kataloogis
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Galleriist vaadatuna on William Blake Richmond kõige kuulsam teos Andrew Lang, 1844 - 1912. Poet and writer (1885), mille originaal ripub Šoti Rahvusportreegalerii-is, Edinburgh. William Holman Hunt (1900) ja Queen Alexandra (1844-1925) when Princess of Wales (1872) täidavad kolmikut, mille iga silm tunnistab. Kunstnii William Blake Richmond 14 teose põhjal esitleb galeriis allpool 14 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The oil painting titled Andrew Lang, 1844 - 1912. Poet and writer captures a man of many disciplines. Created by the artist William Blake Richmond in 1885, the work presents the Scottish subject in a moment of quietude. Lang was a figure of vast intellectual reach, moving between the roles of poet, art critic, and historian. He also functioned as a translator of Homer and an anthropologist, his mind a…
Sir William Blake Richmond painted this portrait of William Holman Hunt in 1900. The work captures the subject during the final decade of his life, presenting a dignified study of the man who co-founded the Pre-Raphaelite Brotherhood. Richmond, a contemporary of the movement, utilizes a realistic approach to document the sitter's presence.
The portrait captures a young woman, the Princess of Wales, in a moment of quiet composure. She is positioned in a three-quarter view, her gaze directed toward the viewer with a sense of steady dignity. A soft light descends from the upper left, tracing the delicate architecture of her face and the fine, intricate patterns of her lace collar. The deep reds of her garment anchor the composition, providing a…
An Audience in Athens During Agamemnon by Aeschylus is a large-scale oil on canvas painted by William Blake Richmond about 1884. The work captures a vast assembly of figures gathered within the tiered stone architecture of an ancient Greek amphitheater. Sunlight washes over the semi-circular rows, illuminating the textures of draped fabric and the pale skin of the spectators. In the distance, the silhouette of an Acropolis-like structure rests against…
In the portrait Rachel Henty, Mrs E. Gleadowe Marshall by William Blake Richmond, the subject is presented in a three-quarter length view. She is positioned slightly off-center within the frame, facing toward the viewer's right. Despite this lateral orientation, her gaze is directed forward to meet the observer. Her greyish-white hair is styled upwards, emerging from the dark tones of her attire. The subject's hands are clasped in front of…
There is a profound stillness in this portrait of Eustace Lyle Gibbs. Captured in 1890, the work presents a young boy in a three-quarter view, his gaze meeting the viewer with an intimacy that feels almost private. The composition is deliberate, positioning him slightly off-center to create a sense of depth within the frame. He wears a dark garment, accented by a light blue sailor-style collar tied in a bow,…
In "The Slave" by William Blake Richmond, painted about 1886, we find ourselves in an intimate, dimly lit space. The composition is vertically oriented, drawing the eye upward toward the central figures. A woman occupies the primary focus, her form draped in a heavy dark cloak that rests over a light-colored gown. She gazes upward, her expression one of quiet longing or deep contemplation. Beside her, a nude toddler clings…
In "The Bath Of Venus" by William Blake Richmond, the scene unfolds within a lush, Mediterranean-style landscape. The composition centers upon a standing nude female figure, likely Venus, who is flanked by three attendants. They occupy the midground of a shallow perspective, their forms anchored against a backdrop of vertical, cypress-like trees. In the foreground, a basin of deep blue water provides a cool weight to the base of the…
We are looking at Hera in the House of Hephaistos, an oil on canvas created by the British artist William Blake Richmond. This particular work dates to 1902, a period when Richmond was already an established figure within the Royal Academy. The painting captures a quiet, mythological moment, rendered with a precision that speaks to his deep familiarity with the Old Masters he studied during his travels in Italy.
The oil portrait depicts an elderly woman, Lady Harriet Sarah Wantage, positioned in a three-quarter view. She gazes slightly away from the viewer, her expression remaining serene and serious. The subject's pale skin on her face and hands provides a sharp contrast to the deep blacks and dark browns of her garments. A white lace cuff is visible at her wrist, and she wears a pearl necklace alongside matching earrings.…
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | William Blake Richmond teosid | Selle nimekirja maalid |
|---|---|---|---|
 National Portrait Gallery |
London | 3 | William Holman Hunt, William Holman Hunt, William Morris |
 Šoti Rahvusportreegalerii |
Edinburgh | 1 | Andrew Lang, 1844 - 1912. Poet and writer |
 Royal Collection |
London | 1 | Queen Alexandra (1844-1925) when Princess of Wales |
 Birmingham Museum and Art Gallery |
Birmingham | 1 | An Audience in Athens During Agamemnon by Aeschylus |
 Ickworth |
Suffolki maakond | 1 | Rachel Henty, Mrs E. Gleadowe Marshall |
 Tyntesfield |
1 | Eustace Lyle Gibbs (1885 -1915) | |
 Indianapolis Kunstimuuseum |
Indianapolis | 1 | Hera in the House of Hephaistos |
 Te Whare O Rehua Sarjeant Gallery |
1 | A Greek Water Carrier in Egypt |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The portrait captures a young woman, the Princess of Wales, in a moment of quiet composure. She is positioned in a three-quarter view, her gaze directed toward the viewer with a sense of steady dignity. A soft light descends from the upper left, tracing the delicate architecture of her face and the fine, intricate patterns of her lace collar. The deep reds of her garment anchor the composition, providing a…
The oil painting titled Andrew Lang, 1844 - 1912. Poet and writer captures a man of many disciplines. Created by the artist William Blake Richmond in 1885, the work presents the Scottish subject in a moment of quietude. Lang was a figure of vast intellectual reach, moving between the roles of poet, art critic, and historian. He also functioned as a translator of Homer and an anthropologist, his mind a…
There is a profound stillness in this portrait of Eustace Lyle Gibbs. Captured in 1890, the work presents a young boy in a three-quarter view, his gaze meeting the viewer with an intimacy that feels almost private. The composition is deliberate, positioning him slightly off-center to create a sense of depth within the frame. He wears a dark garment, accented by a light blue sailor-style collar tied in a bow,…
Sir William Blake Richmond painted this portrait of William Holman Hunt in 1900. The work captures the subject during the final decade of his life, presenting a dignified study of the man who co-founded the Pre-Raphaelite Brotherhood. Richmond, a contemporary of the movement, utilizes a realistic approach to document the sitter's presence.
Andrew Lang, 1844 - 1912. Poet and writer (1885), Šoti Rahvusportreegalerii, Edinburgh. Järgnevad William Holman Hunt (1900) ja Queen Alexandra (1844-1925) when Princess of Wales (1872).
43 aastat vanus: teos Andrew Lang, 1844 - 1912. Poet and writer on pärinev aastast 1885 ning William Blake Richmond sündis aastal 1842.
Andrew Lang, 1844 - 1912. Poet and writer, William Holman Hunt, Queen Alexandra (1844-1925) when Princess of Wales, An Audience in Athens During Agamemnon by Aeschylus, Rachel Henty, Mrs E. Gleadowe Marshall, Eustace Lyle Gibbs (1885 -1915), The Slave, The Bath Of Venus, Hera in the House of Hephaistos ja Portrait of Lady Harriet Sarah Wantage (1837–1920). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 14 teost kunstnikult William Blake Richmond, mis on pärinevad ajastust 1872 kuni 1909.
Peamiselt National Portrait Gallery (London), Šoti Rahvusportreegalerii (Edinburgh) ja Royal Collection (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 5 14 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Andrew Lang, 1844 - 1912. Poet and writer.
Sellel lehel on kõige vanem teos Queen Alexandra (1844-1925) when Princess of Wales (1872) ja kõige värskeim Portrait of Lady Harriet Sarah Wantage (1837–1920) (1909).
Woman (6), Man (5) ja Beard (3), kogu selle lehekülje 14 teose kohta.
Oil On Canvas, 8 teoseks 14 töödelt sellel lehel.
William Holman Hunt, William Holman Hunt ja William Morris: National Portrait Gallery, London säilitab 3 selle lehel olevat teost.
Sir William Blake Richmond oli Briti maalik, skulptuurimeister ning vitraaside ja mozaika disainer. Ütlemata Londonis, Ütliikmesriigis sündinud kunstnik oli portreimaalir George Richmondi ja Julia Tathami poeg. Tema kunstiline teekond sai alguse kodustest privaatsetest õppetundidest, mida järgnes kolm aastat joonistamise ja maali_põhjaliku õppimine Kuninglikus Kunstiakadeemias alates 1858. Tema arengu oluline turningpunkt oli kuue nädalat kestev Itaalia-reis, kus ta põitis vanade meistrite, nagu Michelangelo, Tintoretto ja Giotto, suurepäraseid teoseid.
Richmond saavutas varajase edu portreimaalirina, esitledes oma esimese suurema teose Kuninglikus Akadeemias juba 1861. Tema eriline talent viis ta 1888. aastal Kuningliku Akadeemia assotsiaatiks ja 1895. aastal Kuninglikuks Akadeemikuks. Portreemaalimise kõrval oli ta viljakas monumentaaldekoratsioonide kujundaja, millest kõige märkimistavam on Londoni St Paul'i katedraali koraali ja apsis asuvad mozaikaid.
Tema mozaikad on oma eripärase läbivõiduga iseloomustatud, kasutades õiges nurras et peegeldaks valgust ning kasutades ebakorralikku ja teravat klaasi. See tehnika, mis sai inspiratsiooni põhjastatud ja varajastest kristlusstiilidest, nõudis koostööd klaasimeistrite James Powell and Sons ettevõttega, et arendada välja uusi värve ja materjale. Need uuendused laiendasid Arts and Crafts liikumuse kunstnikute värvipaletti. Tema vitraasid, näiteks St Mary's kirjas Strettonis, kasutasid paksud ja läbipaistvad triibidega klaase, et jäljendada oma mozaikatööde säravat efektid.
Lisaks visuaalsele kunstile oli Richmond skulptuurimeister ja keskkonnakaitsja. Tema märkimistavad skulptuuritööd sisaldavad:
Lisaks sellele oli ta üks esimesi Londri puhta õhu eest seisjaid, asutades 1898. aastal söögitermide vähendamise ühingu (Coal Smoke Abatement Society), et võidelda söövuse aihevanen pimeduse vastu.
