Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 105 teost Willem Maris meie kataloogis
Lühidalt
Eenden, Willem Maris, c. 1880 - c. 1904 (1904) on Willem Maris maalide kõige silmapaistvam teos; originaal kuulub museumi Rijksmuseum, Amsterdam. Pärast seda suunatakse pilk The calves (1863) ja Bulls on a Rocky Coast (1864) suunas. Meie kataloogis olevatest Willem Maris 105 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
The scene unfolds in a soft, damp corner of the Dutch landscape, where the boundary between water and earth feels perpetually moist. Two ducks move through the tall grass, their presence grounding the composition in a moment of natural stillness. Nearby, small chicks navigate the greenery, their tiny forms adding a sense of life and movement to the tranquil setting. A single bird perches on a branch at the center,…
The air feels heavy with moisture, a damp stillness that clings to the grass and settles over the landscape. In this pastoral scene, two calves occupy the center of the frame, their black and white forms providing a sharp contrast against the muted, earthy tones of the countryside. They stand amidst a landscape of weathered textures, where the coarse hair of the animals meets the rough, irregular bark of nearby…
The scene unfolds in Bulls on a Rocky Coast, a work painted by Willem Maris around 1864. This landscape captures a rugged moment along a sandy coastline, where the heavy presence of animals meets the vastness of the sky. The composition rests upon the quiet strength of the subjects as they navigate the uneven terrain of the shore.
In "Donkeys on the beach" by Willem Maris, a horizontally oriented landscape unfolds to reveal a quiet moment of rural coastal life. The scene begins in the foreground, where a grassy dune area dominates the view. Here, several donkeys gather, their forms grounding the composition amidst the undulating shapes of the dunes. The arrangement of these animals creates an immediate sense of presence, as if the viewer has just stumbled…
We are looking at Boys herding donkeys, a work by the Dutch painter Willem Maris. This piece dates to 1865, a period when the artist was refining his ability to capture the specific atmosphere of the Low Countries. It is a substantial canvas, measuring 90.3 x 138.0cm.
The air feels heavy with moisture, a silver-grey veil that clings to the meadow and softens the very edges of existence. In this quiet, rural moment, a figure tends to the cattle, their forms emerging from a soft, atmospheric background. The light does not merely strike the scene; it seems to seep through a thick, Atlantic cloud cover, casting a gentle radiance upon the backs of the animals. Everything is…
A single cow occupies the center of this landscape, its front legs submerged in the shallow, dark water of a ditch. In the background, the quiet labor of a second cow being milked suggests a rhythmic, pastoral existence. The scene is defined by the dampness of the Dutch countryside, where the boundary between earth and water is blurred by moisture and light. The composition relies on organic lines and the…
The air feels heavy with moisture, a damp stillness that clings to the grass and the heavy coats of the cattle. In this meadow, the light does not simply shine; it filters through a thick, overcast sky, casting a soft, silvery glow over the landscape. A single white cow stands in profile, its form partially swallowed by the deep shadows of dense foliage and dark trees that crowd the right…
The scene opens on a damp polder, where the earth meets the sky in a soft, silvered blur. Several cows are scattered across the meadow, their heavy bodies anchored in the lush, green grass. Some graze in the foreground, their forms solid and tactile, while others recede into the distance, becoming mere shapes against the horizon. A single horse stands toward the right, a quiet addition to the pastoral rhythm.…
The scene unfolds in Ducks Alighting On A Pool, a work that captures a fleeting moment of movement and stillness. Here, the artist Willem Maris invites us to witness the quiet rhythm of nature as waterfowl descend toward the water's surface. The composition centers on these birds, their wings perhaps still catching the light as they settle into the tranquil environment of the woods.
The ferry1859 · Dordrechts Museum
12
Study after nature1863 · The Mesdag Collection
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White cow at the ditch1877 · Amsterdam Museum
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Ducks at the edge of the ditch1877 · Rijksmuseum
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Landscape with Cows1884 · Rijksmuseum Twenthe
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Meadow Landscape1884 · Groninger Museum
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Farmer's Wife with Cattle near a Small River (Summer Day)1880 · Museum Boijmans Van Beuningen
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Under the willows1884 · Amsterdam Museum
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Ducks bear the water1884 · Amsterdam Museum
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Cows at evening1884 · Kunstmuseum Den Haag
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Duck heaven1885 · Kunstmuseum Den Haag
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Cattle at a watering place1885 · Museum Boijmans Van Beuningen
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Rowboat in a ditch.1882 · Rijksmuseum
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Early morning1883 · Museum Boijmans Van Beuningen
25
Cow1887
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Cows at a Pond1891 · Dordrechts Museum
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Ducks in the Grass near a Ditch1890 · Museum Boijmans Van Beuningen
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Summer1897 · Dordrechts Museum
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Meadow with cows1895 · Rijksmuseum
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Cow at water's edge1895 · Rijksmuseum
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Landscape with ditch and cattle1900 · Centraal Museum
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Cows in a Soggy Meadow, Willem Maris, 1860 - 19001900 · Rijksmuseum
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Koeien, Willem Maris, 1880 - 19041904 · Rijksmuseum
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Landscape With Cattle
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A Summer Day At A Canal Near The Hague
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Eendjes, Willem Maris, c. 1880 - c. 19071907 · Rijksmuseum
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Witte eend met kiekens, Willem Maris, 1880 - 19101910 · Rijksmuseum
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White Cow, Willem Maris, c. 1880 - c. 19101910 · Rijksmuseum
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A Farmer's Wife With Grazing Cows
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A Family Of Ducks
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Winterlandschap, Willem Maris, c. 18751875 · Rijksmuseum
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Milking TimeSaint Louis Art Museum
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Cows at a Watering PlaceMuseum of Fine Arts Ghent (MSK)
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River Landscape with CattleMuseum of Fine Arts
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Cattle By The River
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Cows Watering In A Polder Landscape
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Dutch Landscape
48
Cows In A Dutch Polder Landscape
49
A Dutch River Scene With Sailing Boats
50
Calves at a PondKunstmuseum Den Haag
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Cows In A Pasture With Two Windmills
52
A View Of A Dutch Canal
53
Cows Near The Waterfront
54
Cattle Grazing
55
The View
56
Cows By The Waters' Edge
57
A Watering Cow
58
Ducks, Spring
59
Cows At Pasture
60
Cows In The Summer Sun
61
Watering Cows In A Polder Landscape
62
A Dutch Landscape
63
Cattle Grazing at the Water's EdgeMinneapolis Institute of Art
64
Cows In A Polder Landscape
65
Cows Grazing On The Waterfront
66
A Summer Landscape With Cattle And Windmills
67
Watering The Cows
68
Ducks And Their Ducklings
69
Ducks And Ducklings On A Riverbank
70
Copy After P. Potter
71
Portrait Of A Woman
72
Cows In Dutch Polder Landscape
73
Company Of Fishermen
74
A Cow At Pasture
75
Ducks In A Meadow
76
Watering Cows
77
Tending The Cows
78
A Cow Near The Waterfront
79
Ducks By A Ditch
80
The Water's Edge
81
Landscape With Cattle
82
Cows In A Wooded Landscape
83
Cattle
84
Ducks
85
Chicken In A Stable
86
Ducks In A Pond
87
A Herdboy With Donkeys On Scheveningen Beach
88
Young Girl In A Landscape
89
Ducks On The Waterfront
90
Cattle In A Sunlit Glade
91
A Polder Landscape
92
Landscape With Cattle And WindmillsTe Whare O Rehua Sarjeant Gallery
93
Boy With A Pike
94
Milking Time
95
Portrait Of A Girl
96
Ducks In The Grass
97
Dead Bird
98
A Calf Drinking From A Pond
99
A Family Of Ducks By The Water
100
A Silver StreamScottish National Gallery
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Willem Maris teosid | Selle nimekirja maalid |
|---|---|---|---|
 Rijksmuseum |
Amsterdam | 14 | Eenden, Willem Maris, c. 1880 - c. 1904, Cow beside a Ditch, Willem Maris, c. 1885 - c. 1895, Meadow with Cows |
 Kunstmuseum Den Haag |
Haag | 5 | Donkeys on the beach, Boys herding donkeys, Cows at evening |
 Amsterdam Museum |
Amsterdam | 4 | Feeding of the Calves, White cow at the ditch, Under the willows |
 Museum Boijmans Van Beuningen |
Rotterdam | 4 | Farmer's Wife with Cattle near a Small River (Summer Day), Cattle at a watering place, Early morning |
 Dordrechts Museum |
Dordrecht | 3 | The ferry, Cows at a Pond, Summer |
 The Mesdag Collection |
Haag | 2 | The calves, Study after nature |
 Groninger Museum |
Groningen | 2 | Bulls on a Rocky Coast, Meadow Landscape |
 National Gallery |
London | 1 | Ducks Alighting On A Pool |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The air feels heavy with moisture, a damp stillness that clings to the grass and settles over the landscape. In this pastoral scene, two calves occupy the center of the frame, their black and white forms providing a sharp contrast against the muted, earthy tones of the countryside. They stand amidst a landscape of weathered textures, where the coarse hair of the animals meets the rough, irregular bark of nearby…
The air feels heavy with moisture, a silver-grey veil that clings to the meadow and softens the very edges of existence. In this quiet, rural moment, a figure tends to the cattle, their forms emerging from a soft, atmospheric background. The light does not merely strike the scene; it seems to seep through a thick, Atlantic cloud cover, casting a gentle radiance upon the backs of the animals. Everything is…
A single cow occupies the center of this landscape, its front legs submerged in the shallow, dark water of a ditch. In the background, the quiet labor of a second cow being milked suggests a rhythmic, pastoral existence. The scene is defined by the dampness of the Dutch countryside, where the boundary between earth and water is blurred by moisture and light. The composition relies on organic lines and the…
The scene unfolds in a soft, damp corner of the Dutch landscape, where the boundary between water and earth feels perpetually moist. Two ducks move through the tall grass, their presence grounding the composition in a moment of natural stillness. Nearby, small chicks navigate the greenery, their tiny forms adding a sense of life and movement to the tranquil setting. A single bird perches on a branch at the center,…
A white duck with seven chicks by the ditch side.
Eenden, Willem Maris, c. 1880 - c. 1904 (1904), Rijksmuseum, Amsterdam. Järgnevad The calves (1863) ja Bulls on a Rocky Coast (1864).
60 aastat vanus: teos Eenden, Willem Maris, c. 1880 - c. 1904 on pärinev aastast 1904 ning Willem Maris sündis aastal 1844.
Eenden, Willem Maris, c. 1880 - c. 1904, The calves, Bulls on a Rocky Coast, Donkeys on the beach, Boys herding donkeys, Feeding of the Calves, Cow beside a Ditch, Willem Maris, c. 1885 - c. 1895, Meadow with Cows, Cows On The Water's Edge In A Polderscape ja Ducks Alighting On A Pool. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 105 teost kunstnikult Willem Maris, mis on pärinevad ajastust 1859 kuni 1910.
Peamiselt Rijksmuseum (Amsterdam), Kunstmuseum Den Haag (Haag) ja Amsterdam Museum (Amsterdam) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 12 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Feeding of the Calves.
Sellel lehel on kõige vanem teos The ferry (1859) ja kõige värskeim Witte eend met kiekens, Willem Maris, 1880 - 1910 (1910).
Animals (24), Landscape (15) ja Dutch countryside (9), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 8 teoseks 100 töödelt sellel lehel.
Hague school ja Impressionism, seda lähtudes selle lehe originaalteostest.
Eenden, Willem Maris, c. 1880 - c. 1904, Cow beside a Ditch, Willem Maris, c. 1885 - c. 1895 ja Meadow with Cows: Rijksmuseum, Amsterdam säilitab 13 selle lehel olevat teost.
Willem Marisi maalisest maastikku astuda on nagu siseneda maailma, kus õhu enda on kaal, niiskus ja sügav vaikuse tunne. Haagis sündinud 18. veebruaril 1844 sai Maris lõpuks ühe Haagi koolkonnad nurgakiviks – suunatud luminösust ja lõputule tundlikkusele atmosfääri tingimuste vastu. Kuigi paljud tema kaasajad püüdisid dokumenteerida Hollandi maastiku ranget täpsust, otsis Maris midagi palju lennukamat. Ta kuulustas oma kunstilist moottot: „Ma ei maali lehmasid, vaid valguse efekte.“ See ainulaadne filosoofia muutsid tema linate tekstuurid – leitvad karjakud, niisked niidud ja nutavajad – jumalalikuks, säravaks valgusest täidetud vasikuteks.
Marisi side loodusega ei olnud pelgalt akadeemiline; see oli sügavalt isiklik ja juurdunud tema varaseimates mälestustes. Enne kui ta meistritas pintslit, veetas ta kordamatuid tunde jälgides niidu rütme, istudes karja kõrval nii enne kui pärast koolitunde. See intiimne tuttavus loomade käitumise ja anatomiaga andis talle instinktiivse aluse, mis hiljem tema töö määras. Tema kunstiline teekond oli veelgi rikkustatud peretraditsiooniga, kuna ka tema vennad, Jacob ja Matthaijs Maris, olid kogenud maalijad. See ühine armastus maastiku vastu lois uurimise ja ühise juhendamise keskkonna, mis aitas kujundada Haagi koolkonda omasenda esteetikat.
Marisi tehnika areng peegeldab visiooni sügavat küpsust, liikudes kirjalikust kirjanduslikuni. Tema karjääri algusfaassis oli töö iseloomulik rangale keskendumisele ümbritsevuse täpsele reproduktsioonile. Sel perioodil rakendas ta Haagi Kunstiakadeemia akadeemilist treeningut, et uurida loomade anatomiat hoolikalt, tagades, et iga kumerus ja lihas oleks täpselt kujutatud. Seda täpsust täis realismia erasid märkimisväärselt mõjutas tema mentor, karjakujutaja Pieter Stortenbeker, kes pakkus Marisele vajalikke tellimusi, võimaldades tal oma oskusi õues harjutada ja täiendada võimet tabada Hollandi polderite puhtat reaalsust.
Kuna tema meisterlikkus meediumis kasvas, hakkas Maris ületama peldaavat esitust. Ta lahutas end eelnevate kunstikoolide rangetest traditsioonidest, omakups julgemad värvipalette ja kasutades pehmeid üleminekuid, et edastada valguse muutuvat nüanssi – üleminek, mis liitis teda surevaima impressionismi vaimuga. Umbes 1980. aastaks läbis tema stiil viimase, hingust võtva transformatsiooni. Tema pintstrajad muutusid vabama ja ekspressiivsemaks, kasutades impasto tehnikat, et luua tekstuurilt rikkalikke linate. Nendes hilisemas$， murduvad piirid maa ja taeva vahel sageli ühtlaseks, hõbedaseks uduseks, kus valgus ei lange lihtsalt maastikule, vaid näib emaneerivaks selle seest.
Willem Marisi ajalooline olulisus peitub tema võimes leida sublime tavaavast. Ta oli meistral, keda kirjeldatakse sageli kui "halli valguse" kunstnikku – selle nüanssitud, monokromaatse hõbedase, hellepärlamustise ja liitse spektri meistri, mis määrab Hollandi atmosfääri. Tema läbi tõsteti Hollandi niisked ja uduse piirkonnad poetilisse suurenduslikkusesse. Tema maalid ei dokumenteri pelgalt vaadet; nad tõlgendavad madalmaid mustamaadid kangile, tabades viisi, kuidas valgus filtreerub läbi raske Atlanti pilvikatte, valgustades märja niitu või vaikset kanalit.
Lõplikult mõõdetakse Marisi panust kunstilo historys tema võitlusega tekitada emotsioone atmosfääri kaudu. Tema pärand on etgendatud viisis, kuidas me tajume pilvist taevast ja maapiigi rahulikku väärikust. Tema silmade läbi näeme me, et:
