Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 122 teost Wilhelm Trübner meie kataloogis
Lühidalt
Galleriist vaadatuna on Wilhelm Trübner kõige kuulsam teos Portrait of Actor Josef Kainz (1879), mille originaal ripub Kunsthalle Bremen-is, Bremen. Studio scene (1888) ja Dog with Plate of Sausages (Caesar at the Rubicon) (1878) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Wilhelm Trübner 122 teose põhjal esitleb galeriis allpool 100 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
In this 1879 portrait, we encounter Josef Kainz not as a public figure of the stage, but as a man caught in a moment of quiet, internal gravity. The composition is a bust-length study where the subject is positioned slightly off-center, his gaze directed toward the right side of the frame. There is a profound stillness here. The lighting, which originates from the upper left, carves his features out of…
In this 1888 oil painting, we find ourselves pulled into the enclosed, cluttered atmosphere of an artist's workspace. The composition is dense, almost heavy with the weight of creative preparation. A male figure sits in the foreground, his back to us, acting as a silent witness to the scene unfolding before him. He faces a seated female model, whose white blouse catches the light, providing a sharp, luminous contrast to…
There is a certain stillness in this scene, a pause in time that captures a singular, domestic focus. A dog sits poised at a table, its gaze fixed upon a plate of sausages. The composition is intimate, drawing the viewer into a private, unhurried moment of hunger and expectation. A cloth covers the table, providing a soft, textured foundation for the subject. The dog’s presence is steady, its expression one…
The portrait titled Boy with ruff is a work by the German realist painter Wilhelm Trübner. Created in 1871, the oil on canvas captures a single human figure in a moment of quietude. The subject is a young boy, presented in a close-up view that focuses on the face and the upper shoulders.
Portrait of an Old Man by Wilhelm Trübner presents a monochromatic, realistic study of an elderly male figure. The composition is a close-up bust portrait, positioning the subject centrally within the frame. He is set against a dark, indistinct background that lacks specific detail, creating a shallow depth of field. This arrangement causes the figure to appear as if he is emerging from a dark, void-like space directly toward the…
The work titled Selbstbildnis is a Selfportrait by the German artist Wilhelm Trübner. It captures the artist's own likeness, a quiet confrontation between the creator and the gaze. This piece emerges from the life of a man born in Heidelberg, Germany, in 1851. The canvas holds a specific moment of a life that concluded in 1917.
In this bust-length portrait, titled Woman from Brussels with Blue Tie, Wilhelm Trübner presents a quiet, intimate study of a young woman. The subject is captured in a profile view, facing toward the right of the frame. Positioned slightly off-center, her presence is anchored by a direct, eye-level perspective that invites a sense of immediate, private observation. The composition relies on a careful balance of form and space, allowing the…
In Blondine with Hat and Fur, Wilhelm Trübner presents a bust-length portrait that invites a quiet, close observation. The subject is positioned slightly off-center, facing the viewer directly with a gaze that feels both immediate and distant. She is dressed in a hat and a garment trimmed with voluminous fur, textures that anchor her presence within the frame. This arrangement creates a sense of intimacy, as if we have interrupted…
Christ in the Tomb II is an oil painting by Wilhelm Trübner. Executed about 1874, the work emerged during a period of significant development for the German realist. Trübner, born in Heidelberg, Germany, brought a precision shaped by his early training as a goldsmith to this somber subject.
Landwehr Officer is an oil portrait executed by the German artist Wilhelm Trübner. The work dates to 1872. This painting depicts a military officer in a bust-length composition, presented in a realistic style that emphasizes the specific details of the subject's appearance and attire.
Portrait of a young man1872 · Bavaria riiklikud maalidema kogumikud
12
Self portrait1877 · Bavaria riiklikud maalidema kogumikud
13
Tirolian girl1876
14
Gustav Mohr1872 · Kurpfälzisches Museum
15
Liebespaar mit Hund1873 · Museum Folkwang
16
Maler Hafenmeister with Model (also known as Adam and Eve in Costume)1873 · Von der Heydt Museum
17
Dog with Sausages (also known as Hail Caesar, We Who are about to Die Salute You)1878 · Alte Nationalgalerie
18
Pair of Centaurs by the Waterfall II1880 · Bavaria riiklikud maalidema kogumikud
19
Romeo and Juliet1879
20
Scene from Danté's Divine Comedy1880 · New Gallery
21
Der Kammersänger Theodor Reichmann1879
22
Pair of centaurs in a forest I.1880
23
Portrait of a Girl with Red hair1884 · Harvard Art Museums
24
The Sculptor Rudolf Thiele1889 · Bavaria riiklikud maalidema kogumikud
25
Battle of the Titans1891
26
Portrait of the Brewer Eisenhart, called "Der Mächer"1890 · Staatliche Kunsthalle Karlsruhe
27
Mars, Venus and the gods1891
28
Karl Trübner, the Artist's Brother1890 · Staatliche Kunsthalle Karlsruhe
29
Leopard Skins1895 · Staatliche Kunsthalle Karlsruhe
30
Portrait of an Unknown Lady1894 · Augustiner Museum
31
Salome1897 · Lentos Art Museum
32
Portrait of a man1900 · Varssavi Rahvusmuuseum
33
Portrait of Fräulein Maria Wüsthoff1901 · Harvard Art Museums
34
Bust of a Young Girl with Loose Red Hair1911
35
Dame in violettem Kleid (Lady in Violet Dress)1911 · Auckland Art Gallery Toi o Tāmaki
36
Half-length Portrait of a Man in Armor1913 · Augustiner Museum
37
Seated Musician (The Old Fiddler)1874 · Bavaria riiklikud maalidema kogumikud
38
In the Church1869 · Staatliche Kunsthalle Karlsruhe
39
Castle Grounds in Lichtenberg in Odenwald1900 · Thyssen-Bornemisza Museum
40
Forest Interior1900 · Augustinermuseum
41
Cellar Window in Heidelberg Schloß1871 · Lenbachhaus
42
Lady in front of a Tapestry1870 · Kurpfälzisches Museum
43
Karl Haberstock1914 · Kunstsammlungen Und Museen Augsburg
44
Linden Tree on Herrenchiemsee1874 · Lenbachhaus
45
Potato Field near Weßling in Upper Bavaria1876 · Lenbachhaus
46
The Painter Carl Schuch1876 · Alte Nationalgalerie
47
Economic Buildings on the Herreninsel in the Chiemsee II1874 · Bavaria riiklikud maalidema kogumikud
48
Forest Interior (Pines)1873 · Bavaria riiklikud maalidema kogumikud
49
At Wesslinger See, with Dogge1876 · Bavaria riiklikud maalidema kogumikud
50
Dismounted Cuirassiers1875
51
Buchenwald with Lovers1876
52
White Horse in Three-Quarter View1876 · Staatliche Kunsthalle Karlsruhe
53
Stubble Field with Ascending Path near Wessling1876 · Städel Museum
54
Sitting Great Dane1877 · Bavaria riiklikud maalidema kogumikud
55
Dog's Head1878
56
Building Site at Wesslingersee1876 · Hamburger Kunsthalle
57
Birch trees on Herreninsel1874 · Staatliche Kunsthalle Karlsruhe
58
Georgine Hoffmeister1873 · Kurpfälzisches Museum
59
In the Bath House1876
60
Moor Smoking1873 · Niedersächsisches Landesmuseum
61
Girl with Folded Hands1878 · Staatliche Kunstsammlungen Dresden
62
Gunner with Hand Mirror1875 · Kurpfälzisches Museum
63
Girl with Folded Hands1878
64
On the Sofa1872 · Alte Nationalgalerie
65
Great Dane on Wessling Lake1876
66
Monastery on Herreninsel1874 · Alte Nationalgalerie
67
In the Studio1872 · Bavaria riiklikud maalidema kogumikud
68
Moor with Peonies1873 · Kurpfälzisches Museum
69
Landing Stage on the Island Herreninsel in the Lake Chiemsee1874 · Staatliche Kunsthalle Karlsruhe
70
Armor1880 · Bavaria riiklikud maalidema kogumikud
71
Caesar at the Rubicon1880 · Staatliche Kunsthalle Karlsruhe
72
Ludgate Hill, London1884
73
Ludgate Hill1884 · Staatliche Kunsthalle Karlsruhe
74
Graf Haupt zu Pappenheim1884 · Kurpfälzisches Museum
75
Landscape near Kloster Seeon with Telegraph Pole1891 · Staatliche Kunsthalle Karlsruhe
76
A view of Frauenchiemsee1891 · Los Angeles County Museum of Art
77
The Gorgon1891
78
Eagle1888 · Kurpfälzisches Museum
79
The Edge of the Woods at Obing1892
80
Mountain Stream in Prien1890
81
The Edge of the Woods1892 · Museum Bautzen
82
The Pub on Fraueninsel1891 · Oskar Reinhart Collection
83
Ermatingen1894 · Bavaria riiklikud maalidema kogumikud
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At Lake Como1897 · Bavaria riiklikud maalidema kogumikud
85
Ermatingen am Bodensee1894
86
Clouds1900 · Berlinische Galerie
87
In the Garden of Love1899
88
Hembsbach im Odenwald1905 · Pomerania riiklik muuseum
89
Kloster Amorbach, Landstraße1899
90
Ida Görz on Horseback1902
91
Marbachtal im Odenwald1902 · Anhaltische Genaldegalerie Dessau
92
Erna von Holzhausen1901 · Kurpfälzisches Museum
93
Mausbachtal bei Stift Neuburg1902 · Kurpfälzisches Museum
94
Einzug Friedrich des Siegreichen in Heidelberg1902 · Kurpfälzisches Museum
95
The Equestrienne Ida Görz1901
96
Donkey with Sack of Flower1905 · Staatliche Kunsthalle Karlsruhe
97
Erna von Holzhausen on Horseback1901 · Bavaria riiklikud maalidema kogumikud
98
Schloss Hemsbach with Cannons1907 · Bavaria riiklikud maalidema kogumikud
99
Portrait of a Nun in a Summer Garden
100
Lake Starnberger1911 · Thyssen-Bornemisza Museum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Wilhelm Trübner teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 17 | Blondine with Hat and Fur, Christ in the Tomb II, Portrait of a young man |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 13 | Portrait of the Brewer Eisenhart, called "Der Mächer", Karl Trübner, the Artist's Brother, Leopard Skins |
 Kurpfälzisches Museum |
Heidelberg | 13 | Gustav Mohr, Lady in front of a Tapestry, Georgine Hoffmeister |
 Lenbachhaus |
München | 4 | Woman from Brussels with Blue Tie, Cellar Window in Heidelberg Schloß, Linden Tree on Herrenchiemsee |
 Alte Nationalgalerie |
Berliin | 4 | Dog with Sausages (also known as Hail Caesar, We Who are about to Die Salute You), The Painter Carl Schuch, On the Sofa |
 Thyssen-Bornemisza Museum |
Madrid | 3 | Castle Grounds in Lichtenberg in Odenwald, Lake Starnberger |
 Harvard Art Museums |
Cambridge | 2 | Portrait of a Girl with Red hair, Portrait of Fräulein Maria Wüsthoff |
 Augustiner Museum |
Freiburg | 2 | Portrait of an Unknown Lady, Half-length Portrait of a Man in Armor |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The oil painting In the Church emerges from the shadows, a quiet encounter between the viewer and two elderly figures caught in a moment of devotion. Wilhelm Trübner, a significant voice within German Realism, captures these subjects with a focus that feels immediate and heavy. The work dates to about 1869, a period when the artist's path was being shaped by the transition from the precision of a goldsmith's training…
In this 1879 portrait, we encounter Josef Kainz not as a public figure of the stage, but as a man caught in a moment of quiet, internal gravity. The composition is a bust-length study where the subject is positioned slightly off-center, his gaze directed toward the right side of the frame. There is a profound stillness here. The lighting, which originates from the upper left, carves his features out of…
In this 1888 oil painting, we find ourselves pulled into the enclosed, cluttered atmosphere of an artist's workspace. The composition is dense, almost heavy with the weight of creative preparation. A male figure sits in the foreground, his back to us, acting as a silent witness to the scene unfolding before him. He faces a seated female model, whose white blouse catches the light, providing a sharp, luminous contrast to…
In the 1891 work titled Battle of the Titans, the artist Wilhelm Trübner presents a scene of intense physical struggle. The subject matter focuses on a conflict between titans or gods, rendered through a series of muscular, nude figures. These figures are intertwined with horses amidst a backdrop of swirling clouds. The depiction centers on a struggle that suggests themes of power, conflict, and primordial chaos.
A quiet gravity fills the room as we encounter this bust-length portrait of a middle-aged man. He sits slightly off-center, his gaze drifting toward the left of the frame as if lost in a private thought. The air around him feels heavy, thick with the muted tones of dark browns, blacks, and deep ochres that define his world. A crisp white collar cuts through the darkness, providing a sharp point…
In "Bust of a Young Girl with Loose Red Hair" by Wilhelm Trübner, the viewer meets a single female figure in a close-up bust view. The composition centers her face within a heavy, undulating mass of flowing hair. This hair, rendered in deep auburn and chestnut tones, frames the subject and anchors the portrait. The perspective remains at eye-level, creating an intimate, direct encounter with the girl. She exists in…
Portrait of Actor Josef Kainz (1879), Kunsthalle Bremen, Bremen. Järgnevad Studio scene (1888) ja Dog with Plate of Sausages (Caesar at the Rubicon) (1878).
28 aastat vanus: teos Portrait of Actor Josef Kainz on pärinev aastast 1879 ning Wilhelm Trübner sündis aastal 1851.
Portrait of Actor Josef Kainz, Studio scene, Dog with Plate of Sausages (Caesar at the Rubicon), Boy with ruff, Portrait of an Old Man, Selfportrait, Woman from Brussels with Blue Tie, Blondine with Hat and Fur, Christ in the Tomb II ja Landwehr Officer. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 122 teost kunstnikult Wilhelm Trübner, mis on pärinevad ajastust 1869 kuni 1914.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), Staatliche Kunsthalle Karlsruhe (Karlsruhe) ja Kurpfälzisches Museum (Heidelberg) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1870s: 47 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Portrait of Actor Josef Kainz.
Sellel lehel on kõige vanem teos In the Church (1869) ja kõige värskeim Karl Haberstock (1914).
Man (20), Portrait (19) ja Woman (13), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 23 teoseks 100 töödelt sellel lehel.
Realism, seda lähtudes selle lehe originaalteostest.
Blondine with Hat and Fur, Christ in the Tomb II ja Portrait of a young man: Bavaria riiklikud maalidema kogumikud, München säilitab 17 selle lehel olevat teost.
Heidelbergis sündinud Wilhelm Trübner tõus esile kui sügav mõttemere hääl saksa realismis. Tema teekond fine arts maailma ei alganud pintsliga, vaid kuldse seapme täpsusega; pärast oma õppimise alustamist Hanaus kohtus ta klassikilise maalaja Anselm Feuerbachiga, kelle julgustus suunas tema tee ule linate ja kanga on. See varajane käsitluskunstide ja klassikalise inspiratsiooni kootkestus pani aluse kareerile, mida iseloomustas tehniline täiuslikkus ja vankumatu pühendumus looduse tõele. Liikudes läbi Karlsruhe Kunstschule'i ja hiljem Müncheni Kunstacademie'i, sai Trübner osaks Euroopa maali ajaloolisest murdmute ajastast, mida mõjutasid nii kohalikud saksa traditsioonid kui ka Prantsuse radikaalsed uuendused.
Trübneri kunstiline identiteet oli sügavalt seotud Leibl'i ringiga, kunstnikurühmaga, kuhu kuulusid sellised tegelased nagu Hans Thoma ja Carl Schuch. See kollektiiv püüdis eemale liiguda ajastu jäika ja sageli stale academicismist, eelistades selle asemel tunnetelematu realismist. Tema arengut katalüüdis märkimisväärselt tutvumine Gustave Courbet'i teostega, kelle alla prima meetod — otse ja kiiresti loodusest luues — pakkus vabadust pakkuvat alternatiivi mineviku vaevastele protsessidele. See mõju, koos spontaalse, kuid kontrollitud vaimuga, mida ta kohtas Maneti kunstis oma Pariisi reiside ajal, võimaldas Trübneril kultiveerida stiili, mis oli nii sügavalt reaalsuses juurdunud kui ka peenelt atmosfääriline.
Trübneri loomingulise töö olemus peitub tema võimes vangutada valguse ajutlikke kvaliteete ja tema subjekti psühholoogilist sügavust. Olgu see siis portööri vaikne väärikus või metsa-maastiku laialdane majastus, tema tehnika rõhutab varjude ja valgustuse vahelist mängu. Oma maastikutes, nagu kütkust teevad Forest Interior, kasutab ta maalist lähenemist, kus värvid saavad hingata, luues kangeluse üle rütmilise liikumise. Tema kuldsete toonide, rabgade ja okraste kasutamine võib panna metsa tunduma, nagu see kiirgaks seestpoolt, muudades lihtsa botaanilise uuringu mediteerivaks kogemuseks aja liikumisest ja looduse suurendusest.
Tema portreidid on samavõrdselt märkimistavad oma võimega edastada sügava rahu ja sisemise mõtlerdamise tunnet. Töödes nagu Karl Haberstock, püüab Trübner vangutada rohkem kui lihtsalt välimust; ta registreerib olemise olekut. Siinlikud pintstõhed ja tekstuuride peen kontroll kutsuvad vaatajat kontemplatiivses leppimuses olevasse hetke, kus subjekti täispere olek ankurdub kompositsioonile. See võime tasakaalustada oma meediumi haptilist rikkust eeterilise, atmosfäärilise ülevõimendusega on tema püsivaimne saavutus, tähistades teda meistrina, kes suutis leida erimust tavalisest.
Trübneri elu jooksul teenis tema kunst sillana 19. sajandi keskpõnese realismi ja järglaste fluidsemate, ekspressiivsemate liikumiste vahel. Tema panus Leibl'i ringi alevitas konkreetset saksa esteetikat, mis väärtustas ausust, tekstuuru ja looduse otsest jälgimist. Tema pärand on leitav järgmistest aspektidest:
Trübneri elu jäi tähistatud ka isiklikud sidemetega kunstimaailmaga, eriti läbi tema abielu saksa kunstnik Alice Trübneriga. Üahas elasid nad vibratil kultuurilises keskkonnas, mis aitas shaping modernise saksa maali suund. Tema töö on tunnistusk ajast, mil intensiivne kunstiline avastus kohtus sügava austusega maailma konkreetse ilu vastu.
