Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 67 teost Wilhelm Leibl meie kataloogis
Lühidalt
Kõigist Wilhelm Leibl jäetud originaalteostest on kõige kuulsam Kolm naist kirikus, mis kuulub Hamburger Kunsthalle kogele linnas Hamburg. Järgnevad sellest Interior (1897) ja Portrait of a boy with a large ruff (1869). Meie kataloogist löytyb 67 teost kunstnikult Wilhelm Leibl; galeriist on säilitatud 67 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
See suurepärane maal tabab vaikset ja mõtteliku hetke, kus kolm naist on süvenenud lugemisse rahulikus kirikiruumis. Teos kiirgab püüdlust pühendumuse ja enesearutluse vastu, kutsumates vaatajat mõtlema igapäevase elu sügavale lihtsustale ja vaimsele pühendumisele. Kunstnik on suurepäraselt portretteerinud naiste ilmeid ja žeste, rõhutades nende sisemaailma ning ühist vaikset ükssanda.
A heavy, somber stillness settles over the room, where the air feels thick with the scent of old wood and damp earth. To the right, a woman stands partially swallowed by deep, velvety shadows, her presence felt more through the sudden brightness of her white apron than through any sharp detail of her features. She exists in a moment of profound solitude, a solitary figure caught in the dimness of…
In this oil on canvas, titled Portrait of a boy with a large ruff, the artist Wilhelm Leibl presents a quiet study of youth. Created about 1869, the work captures a specific moment of stillness through a careful application of paint. The scale of the piece, measuring 75.8 x 61.0cm, allows for an intimate encounter with the subject, inviting a close observation of the textures present on the surface.
Women from Dachau (Girl with a black headscarf) is a portrait executed by Wilhelm Leibl in 1879. The work originated in Berbling, located in the Voralpenland region. Leibl produced this piece during a period of intense creative focus, capturing a subject who was the daughter of a local resident living near the artist's own residence.
A formal, realistic portrait of a man, rendered in a traditional academic style. The subject is positioned slightly off-center, facing towards the viewer's right while his gaze is directed forward. A dark, somber background and clothing provide a stark contrast to the warm, natural flesh tones of the face. The composition is a bust-length portrait, capturing the subject with a direct, eye-level perspective that establishes an immediate connection.
A somber, three-quarter view portrait emerges from a dark, indistinct background, focusing on the head and upper torso of a middle-aged man. The composition relies heavily on chiaroscuro, with light entering from the upper left to strike the subject's forehead and hands, leaving the remainder of the figure in deep shadow. This directional lighting creates a profound sense of three-dimensional volume, carving the man's features out of the gloom. He…
The painting titled Dachau Woman and Child is a significant work by the German realist Wilhelm Leibl. Created around 1873 or 1874, this oil on panel work captures a quiet, intimate moment from the Bavarian countryside. The subjects are not anonymous figures of a generic scene, but rather the miller’s wife of Plon, depicted with a directness that defines the artist's approach to his subjects.
In this intimate portrait titled Farmboy, the artist Wilhelm Leibl presents a quiet, unadorned moment from the late 19th century. Created about 1876, the work captures a sense of stillness that feels both immediate and deeply personal. The subject is a shy boy, appearing somewhat awkward and vulnerable as he slouches in a chair that seems slightly too large for his frame. There is a certain heaviness to his posture,…
In "Man in a Top Hat" by Wilhelm Leibl, a middle-aged or elderly man meets the viewer's gaze from an eye-level perspective. The subject's head and shoulders fill most of the frame in a close-up bust portrait, creating an immediate sense of presence. He wears a top hat that casts a soft shadow over his features, while a full beard covers his weathered face. His expression remains somber and contemplative,…
The artwork is titled Portrait Study of a Young Bearded Man, a monochrome portrait study by the German artist Wilhelm Leibl. Created about 1870, the piece captures a singular moment of observation. It focuses on the face of a young man, rendered in a palette of black, grey, and bright white highlights.
The Critics1868
12
Head Portrait of a Young Man1866
13
Portrait of a Lady in Black Dress with White Ruff1870 · Staatliche Kunsthalle Karlsruhe
14
Portrait of Lina Kirchdorffer1871 · Bavaria riiklikud maalidema kogumikud
15
The Painter Sattler with dogge1870 · Bavaria riiklikud maalidema kogumikud
16
Pastoral Scene (after Rubens)1870 · Bavaria riiklikud maalidema kogumikud
17
Portrait of Mrs Gedon1869 · Bavaria riiklikud maalidema kogumikud
18
Portrait of Johann Heinrich Pallenberg1871 · Wallraf-Richartz-Museum
19
The Painter Victor Müller1870 · Wallraf-Richartz-Museum
20
Young Parisian woman1869 · Wallraf-Richartz-Museum
21
Rosine Fischler, Countess Treuberg1877
22
The painter Johann Sperl1872 · Wallraf-Richartz-Museum
23
Portrait of Freiherr Max von Perfall auf Greifenstein (1814-1877)1877 · Bavaria riiklikud maalidema kogumikud
24
The painter Jean Paul Selinger1880 · Bavaria riiklikud maalidema kogumikud
25
a Farmer couple1879
26
Head of a youth1879
27
Head of a Man1879 · Harvard Art Museums
28
The Newspaper Reader1891
29
Peasant Boy1888
30
In a farmhouse interior1890 · Bavaria riiklikud maalidema kogumikud
31
Julius Mayr1890 · Neue Pinakothek
32
Boy's Head1896 · Lenbachhaus
33
Portrait of a Young Man with Hat on Green Background1896
34
Head of peasant girl1897
35
Girl standing at a window1899 · Wallraf-Richartz-Museum
36
Portrait of the Artist's Sister, Katharina (later Frau Kirchdorffer)Staatliche Kunsthalle Karlsruhe
37
Left Hand1867 · Staatliche Kunsthalle Karlsruhe
38
Head of a Blind ManLenbachhaus
39
The Chemist J JaisNationalmuseum
40
The Painter Fritz Paulsen1870 · Alte Nationalgalerie
41
Death's-head Hawkmoth with Mushroom on White Cloth1868 · Staatliche Kunsthalle Karlsruhe
42
Skull with Shroud1868 · Staatliche Kunsthalle Karlsruhe
43
Portrait of the Painter Louis Eysen1870 · Städel Museum
44
Left Hand of the "Girl with the Carnation"1880 · Staatliche Kunsthalle Karlsruhe
45
Right Hand of the "Girl with the Carnation"1880 · Staatliche Kunsthalle Karlsruhe
46
Peasant Girl with a White Headcloth1885 · Metropolitan Museum of Art
47
Two Hands with Red Cloth on Blue Apron1890
48
Frauenportr.
49
Portrait of a boy
50
head of a girl
51
Friedrich rauert
52
early spring (study)
53
Big Portrait Privy Councillor Seeger
54
Savoyard boy sleepingHermitage muuseum
55
Portrait Of Mrs Helene Auspitz
56
Die Spinnerin
57
Countess Rosine Treuberg
58
Portrait of Carl SchuchBavaria riiklikud maalidema kogumikud
59
The Old Farmer
60
Girl With A White HeadscarfBavaria riiklikud maalidema kogumikud
61
The Village Politicians
62
Kopf eines BauernmaedchensStaatliche Kunstsammlungen Dresden
63
The Dissimilar CoupleStädel Museum
64
Portrait of Pal Szinyei MerseSzépművészeti Múzeum
65
The Veterinarian Dr. Reindl in an ArborLenbachhaus
66
Head of a Peasant Girl
67
The spinner
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Wilhelm Leibl teosid | Selle nimekirja maalid |
|---|---|---|---|
 Bavaria riiklikud maalidema kogumikud |
München | 11 | Interior, Portrait Study of a Young Bearded Man, Portrait of Lina Kirchdorffer |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 8 | Portrait of Ernst Schoenlin (?), Portrait of a Lady in Black Dress with White Ruff, Portrait of the Artist's Sister, Katharina (later Frau Kirchdorffer) |
 Wallraf-Richartz-Museum |
Köln | 5 | Portrait of Johann Heinrich Pallenberg, The Painter Victor Müller, Young Parisian woman |
 Alte Nationalgalerie |
Berliin | 4 | Women from Dachau (Girl with a black headscarf), Dachau Woman and Child, Farmboy |
 Lenbachhaus |
München | 4 | The Painter Julius Bodenstein, Boy's Head, Head of a Blind Man |
 Städel Museum |
Frankfurt | 2 | Portrait of the Painter Louis Eysen, The Dissimilar Couple |
 Hamburger Kunsthalle |
Hamburg | 1 | Kolm naist kirikus |
 Germanisches Nationalmuseum |
Nürnberg | 1 | Portrait of a boy with a large ruff |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this oil on canvas, titled Portrait of a boy with a large ruff, the artist Wilhelm Leibl presents a quiet study of youth. Created about 1869, the work captures a specific moment of stillness through a careful application of paint. The scale of the piece, measuring 75.8 x 61.0cm, allows for an intimate encounter with the subject, inviting a close observation of the textures present on the surface.
Women from Dachau (Girl with a black headscarf) is a portrait executed by Wilhelm Leibl in 1879. The work originated in Berbling, located in the Voralpenland region. Leibl produced this piece during a period of intense creative focus, capturing a subject who was the daughter of a local resident living near the artist's own residence.
The gaze of the viewer meets the quiet presence of The painter Jean Paul Selinger, a work that captures a specific moment of stillness. This oil on canvas portrait presents the artist Jean Paul Selinger, rendered with a directness that feels immediate. The subject sits in a moment of introspection, his features defined by the steady hand of the painter Wilhelm Leibl. One senses the weight of the man's presence…
A heavy, somber stillness settles over the room, where the air feels thick with the scent of old wood and damp earth. To the right, a woman stands partially swallowed by deep, velvety shadows, her presence felt more through the sudden brightness of her white apron than through any sharp detail of her features. She exists in a moment of profound solitude, a solitary figure caught in the dimness of…
Kolm naist kirikus, Hamburger Kunsthalle, Hamburg. Järgnevad Interior (1897) ja Portrait of a boy with a large ruff (1869).
Kolm naist kirikus, Interior, Portrait of a boy with a large ruff, Women from Dachau (Girl with a black headscarf), The Painter Julius Bodenstein, Portrait of Ernst Schoenlin (?), Dachau Woman and Child, Farmboy, Man in a Top Hat ja Portrait Study of a Young Bearded Man. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 67 teost kunstnikult Wilhelm Leibl, mis on pärinevad ajastust 1866 kuni 1899.
Peamiselt Bavaria riiklikud maalidema kogumikud (München), Staatliche Kunsthalle Karlsruhe (Karlsruhe) ja Wallraf-Richartz-Museum (Köln) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1870s: 20 67 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Women from Dachau (Girl with a black headscarf).
Sellel lehel on kõige vanem teos Portrait of Ernst Schoenlin (?) (1866) ja kõige värskeim Girl standing at a window (1899).
Man (23), Portrait (20) ja Woman (15), kogu selle lehekülje 67 teose kohta.
Oil On Canvas, 27 teoseks 67 töödelt sellel lehel.
Realism, seda lähtudes selle lehe originaalteostest.
Interior, Portrait Study of a Young Bearded Man ja Portrait of Lina Kirchdorffer: Bavaria riiklikud maalidema kogumikud, München säilitab 11 selle lehel olevat teost.
Gustave Cournet’i näitused ja tema demonstratsioonid alla prima maaliarmist – töötades otse loodusega, kasutades julgeid ja vahetuume pintsaote – jätsid sügava jälje Leibli ja teavs uue põlvkonna saksa kunstnikeid. See lähenemismoodus vabustas nad tollal domineerivast täpiks akademilisest stiilist, tehes ning pakkudes sügavamat, viskeraalset seost nende teemade ja objekttide vahel. Leibli senine imetlus hollandi vanade meistrite vastu, eriti nende valgus- ja karaktermeisterliku käsitluse üle, leidis uue väljenduse Cournet’i mõjul. Tema maalid hakkasid stiilis laiemaks muutuma, kasutades paksemat värvikihti tumedat vastu, et püüda kinni hetkeid ühestupulise vahetuse ja täpsusega. Lühike viibjakas asuminemine Pariisis 1969. aastal, mis sai alguse Cournet’i soovituse tõttu, tutvustas Leibl’i Édouard Manet’ga, laiendades veelgi tema kunstilisi horisontsone. Siiski sundis Prantsus-Prantsia sõja puhkeMine 1870. aastal teda külastust Saksamaale kiirelt lõpetama, piirates nii võimaliku pikema Pariisi kunstilise süvenemise perioodi.
1873. aastal tõmbus Wilhelm Leibl tahtlikult Müncheni kunstikeskusest, otsides üksust ja autentsust isoleeritud Baari maastikust. See märkis tema karjääri murdepunkti. Ta pühendus kohalike talupojade elu kirjeldamisele, kuid mitte romantiseeritud ideaalseeritud viisil, vaid väärtushindamatult reaalsetest tõgedest koos. Ta vältis sentimentaalsust ja anekdootilist lugemisviisi, keskendudes selle asemel nende igapäevase eksistentsi kaasnenud väärikkusele ja raskendustele. Tema varasemate teoste skissiline olemus asendus suurema täpsuse ja hoolika joonistuslik tähelepanekuga. Elades Berblingis aastatel 1878 kuni 1882, lõi ta mõnda oma kuulsamat maali, sealhulgas teose Kolm naist kirikus, mis on täna Kunsthalle Hamburgis. See meistriteos on näide tema intensiivsest realistlikust stiilist, mis meenutab Hans Holbeini selgust ja psühholoogilist sügavust.
