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1 kulubumatamatum Wilhelm Haller maali, galeriiselektsioon
Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 1 teost Wilhelm Haller meie kataloogis
Lühidalt
Kõigist Wilhelm Haller jäetud originaalteostest on kõige kuulsam Mother with Child (1913), mis kuulub Augustiner Museum kogele linnas Freiburg. Meie kataloogist löytyb 1 teost kunstnikult Wilhelm Haller; galeriist on säilitatud 1 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
1873 – 1950, Freiburg im Breisgau
Enamama teoseid: Augustiner Museum
Wilhelm Haller top 10 maalist: galeriis valitud teosed
Muuseumid, kus on säilitatud Wilhelm Haller originaalteosed
Muuseum, milles on kõige rohkem sellel lehel esitatud maaleid.
| Muuseumid | Linn | Wilhelm Haller teosid | Selle nimekirja maalid |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Mother with Child |
Wilhelm Haller aasta-aastaga: originaalteosed, mis defineerivad iga perioodi
Kõik selles valikus olevad dateeritud Wilhelm Haller teosed on aastatest 1913 kuni; siin on need kubusena, kululäku järjekorras.
Teosed aasta kaupa
Vali aasta, et näha originaale.
Sammlajate küsimused Wilhelm Haller maalide kohta
Millise teosega on Wilhelm Haller kõige kuulsam?Paljasta vastus
Mother with Child (1913)
Kui vana oli Wilhelm Haller, kui teos Mother with Child loodi?Paljasta vastus
40 aastat vanus: teos Mother with Child on pärinev aastast 1913 ning Wilhelm Haller sündis aastal 1873.
Kui palju maali Wilhelm Haller jäeti?Paljasta vastus
Meie kataloogist leibab 1 teost kunstnikult Wilhelm Haller.
Mitteks muuseumides rihangavad Wilhelm Haller meistriteosed?Paljasta vastus
Peamiselt Augustiner Museum (Freiburg) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Wilhelm Haller: elu ja looming
Early Life and Education in Freiburg
Born on May 28, 1873, in Freiburg im Breisgau, Germany, Wilhelm Haller entered a world where the brush was already a familiar presence. He was the son of Konrad Haller, a man who earned his living as a decorative painter. This early exposure to the craft meant that the language of color and form was part of the household atmosphere from his earliest years. Even as a child and throughout his youth, he found himself deeply preoccupied with the act of painting, a passion that seemed to reside within him long before he sought formal training.
His path through the educational institutions of Freiburg was steady. He attended the local Volksschule before moving on to the Berthold-Gymnasium. It was there, in 1892, that he completed his Abitur. While his academic training suggested a different trajectory, the pull of the visual arts remained a constant, quiet influence on his developing mind.
Following his graduation, Wilhelm Haller enrolled at the University of Freiburg. He initially turned his attention toward the study of political science, pursuing the complexities of statecraft and social structures. However, the academic rigor of the university could not entirely suppress his innate inclination toward art. By 1897, he made the definitive choice to abandon his studies of political science to devote himself entirely to the life of a painter.
Notable Works and Subjects
The artist’s hand often turned toward the intimate and the domestic, capturing the quiet presence of life in a way that felt deeply personal. In 1909, he painted a portrait of a small boy accompanied by a monkey, a work that shows his early engagement with character and companionship. This interest in the human form extended to more tender subjects, such as his 1919 composition titled Mother and Child. Through these studies, he explored the subtle connections between people and the animals that shared their world.
Beyond the human figure, the landscapes of his home region frequently occupied his thoughts. He sought to translate the ruggedness of the terrain onto his supports, whether using oil or tempera. In 1923, he rendered a river landscape featuring a castle perched upon limestone rocks. This fascination with the natural architecture of the land continued into his later years; by 1944, he had produced a view of the Black Forest, capturing the essence of the wooded hills that defined the landscape of his life.