Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 22 teost Wang Yuanqi meie kataloogis
Lühidalt
Kõigist Wang Yuanqi jäetud originaalteostest on kõige kuulsam Landscape for Zhanting (1710). Järgnevad sellest Wangchuan Villa (1711) ja Landscape (1678). Meie kataloogist löytyb 22 teost kunstnikult Wang Yuanqi; galeriist on säilitatud 22 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
In Landscape for Zhanting, the artist Wang Yuanqi presents a vast mountain range that stretches across the entire width of the silk. Snow-capped peaks rise against the sky, their white summits catching the light amidst the rugged terrain. These mountains form a heavy, continuous boundary that defines the horizon. The scale of the landscape creates a sense of immense depth, pulling the eye through layers of stone and mist.
The handscroll titled Wangchuan Villa emerges from the brush of Wang Yuanqi, a painter who shaped the landscape traditions of the Qing Dynasty. Born in 1642 in Taicang, Jiangsu province, China, Wang Yuanqi carries the weight of a profound artistic lineage. He moves through the world of ink and color as a leading figure of the Orthodox School. His hand brings life to this specific vision of a mountain community,…
In this vertical and expansive work, Wang Yuanqi organizes a vast, mountainous terrain through a high-distance perspective. The composition directs the eye from foreground rocky outcrops and trees upward through a series of receding mountain ridges. These paths lead toward distant, misty peaks that dissolve into the upper reaches of the frame. Small architectural structures are nestled among the cliffs, providing a sense of scale to the winding paths and…
In Mountainous Landscape after Wang Meng, Wang Yuanqi organizes the vertical space into a series of ascending movements. The composition begins at the base with a detailed foreground of rocky outcrops and tangled trees. From this rugged foundation, the eye travels upward through a sequence of receding mountain ridges. These layers of stone and earth climb toward a towering, central peak that anchors the entire scene. This peak reaches into…
In 1684, Wang Yuanqi captured a classic depiction of nature in Free Spirits Among Streams and Mountains. The ink settles upon the surface to trace a landscape of rolling peaks and dense groves. Water flows through the composition, a calm body reflecting the stillness of the surrounding terrain. It is a vision of the natural world where the mountains do not merely exist but breathe through the mist.
Created in 1695, this hanging scroll reflects the rigorous traditions of the Qing dynasty. Wang Yuanqi, a central figure of the Orthodox School, looks backward to the Yuan dynasty to move forward. Here, the influence of Wu Zhen is palpable, particularly in the way the landscape is constructed through rhythmic, textured movements. The composition centers on a lofty mountain range, its peaks dusted with snow, rising above a verdant landscape…
清 王原祁 倣黃公望高克恭山水圖 軸 Landscape in the Styles of Huang Gongwang and Gao Kegong1705 · Metropolitan Museum of Art
12
清 王原祁 江國垂綸圖 卷 Fishing in River Country at Blossom Time1709 · Metropolitan Museum of Art
13
Mountain and River Landscape1711 · Detroit Institute of Arts
14
Landscape in the Style of Huang Gongwang1712 · Yale University Art Gallery
15
Landscape, after the Four Great Yuan Masters
16
LandscapeYale University Art Gallery
17
Wang Yuanqi's Thatched Cottage Ten RecordsThe Palace Museum
18
The Hundred FlowersMetropolitan Museum of Art
19
AUTUMN LANDSCAPE
20
The Fuchun Mountians1699 · National Gallery of Victoria
21
Portrait of Zhao Zhiqian1871 · Metropolitan Museum of Art
22
Landscape, after the Four Great Yuan Masters
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Wang Yuanqi teosid | Selle nimekirja maalid |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 7 | Wangchuan Villa, 清 王原祁 倣吳鎮山水圖 軸 Landscape after Wu Zhen, Landscape for Zhanting |
 Art Institute of Chicago |
Chicago | 3 | Landscape, Mountainous Landscape after Wang Meng, Landscape after Huang Gongwang |
 Cleveland Museum of Art |
Cleveland | 2 | Landscape after Ni Zan, Green Peaks under Clear Sky: After Huang Gongwang |
 Yale University Art Gallery |
New Haven | 2 | Landscape in the Style of Huang Gongwang, Landscape |
 Walters Art Museum |
Baltimore | 1 | Free Spirits Among Streams and Mountains |
 Detroit Institute of Arts |
Detroit | 1 | Mountain and River Landscape |
 The Palace Museum |
Peking | 1 | Wang Yuanqi's Thatched Cottage Ten Records |
 National Gallery of Victoria |
Melbourne | 1 | The Fuchun Mountians |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this vertical and expansive work, Wang Yuanqi organizes a vast, mountainous terrain through a high-distance perspective. The composition directs the eye from foreground rocky outcrops and trees upward through a series of receding mountain ridges. These paths lead toward distant, misty peaks that dissolve into the upper reaches of the frame. Small architectural structures are nestled among the cliffs, providing a sense of scale to the winding paths and…
In 1684, Wang Yuanqi captured a classic depiction of nature in Free Spirits Among Streams and Mountains. The ink settles upon the surface to trace a landscape of rolling peaks and dense groves. Water flows through the composition, a calm body reflecting the stillness of the surrounding terrain. It is a vision of the natural world where the mountains do not merely exist but breathe through the mist.
Created in 1695, this hanging scroll reflects the rigorous traditions of the Qing dynasty. Wang Yuanqi, a central figure of the Orthodox School, looks backward to the Yuan dynasty to move forward. Here, the influence of Wu Zhen is palpable, particularly in the way the landscape is constructed through rhythmic, textured movements. The composition centers on a lofty mountain range, its peaks dusted with snow, rising above a verdant landscape…
In Landscape for Zhanting, the artist Wang Yuanqi presents a vast mountain range that stretches across the entire width of the silk. Snow-capped peaks rise against the sky, their white summits catching the light amidst the rugged terrain. These mountains form a heavy, continuous boundary that defines the horizon. The scale of the landscape creates a sense of immense depth, pulling the eye through layers of stone and mist.
Landscape for Zhanting (1710). Järgnevad Wangchuan Villa (1711) ja Landscape (1678).
68 aastat vanus: teos Landscape for Zhanting on pärinev aastast 1710 ning Wang Yuanqi sündis aastal 1642.
Landscape for Zhanting, Wangchuan Villa, Landscape, Mountainous Landscape after Wang Meng, Free Spirits Among Streams and Mountains, 清 王原祁 倣吳鎮山水圖 軸 Landscape after Wu Zhen, Landscape for Zhanting, Landscape after Ni Zan, Green Peaks under Clear Sky: After Huang Gongwang ja Landscape after Huang Gongwang. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 22 teost kunstnikult Wang Yuanqi, mis on pärinevad ajastust 1678 kuni 1712.
Peamiselt Metropolitan Museum of Art (New York), Art Institute of Chicago (Chicago) ja Cleveland Museum of Art (Cleveland) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1700s: 5 22 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Landscape after Ni Zan.
Sellel lehel on kõige vanem teos Landscape (1678) ja kõige värskeim Landscape in the Style of Huang Gongwang (1712).
Mountains (7), Trees (6) ja Landscape (3), kogu selle lehekülje 22 teose kohta.
Ink On Paper, 5 teoseks 22 töödelt sellel lehel.
Wangchuan Villa, 清 王原祁 倣吳鎮山水圖 軸 Landscape after Wu Zhen ja Landscape for Zhanting: Metropolitan Museum of Art, New York säilitab 7 selle lehel olevat teost.
