Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 141 teost Vladimir Makovski meie kataloogis
Lühidalt
Kõigist Vladimir Makovski jäetud originaalteostest on kõige kuulsam I will not! (1892). Järgnevad sellest Verdict (1882) ja Goodbye, Papa (1894). Meie kataloogist löytyb 141 teost kunstnikult Vladimir Makovski; galeriist on säilitatud 100 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
The scene unfolds within the oil painting titled "I will not!", a work that captures a fleeting moment of human interaction. This piece is the creation of Vladimir Makovsky, an artist who brought the realities of his era to the canvas. He lived from 1846 until 1920, leaving behind a body of work that reflects the shifting social landscapes of his time. Born in Moscow, Russia, Makovsky grew up immersed…
The oil painting depicts a group of figures gathered in a room characterized by heavy wooden furniture and architectural lines. A large, dark wooden table occupies the foreground, its surface reflecting a diffused light that illuminates the scene from an unseen source. At the center of the arrangement, a woman holds an infant. She wears garments of blue and white, which contrast against the darker, muted tones of the surrounding…
In this 1894 oil on canvas, a young woman and an older man are positioned in a close, physical connection. The woman wears a white dress and a veil that covers her head and shoulders. She holds the hand of the man, who is dressed in a dark suit. Their bodies are oriented toward one another, creating a central focus of contact amidst a quiet setting. To the left, a…
In this 1886 oil painting, two figures occupy the immediate foreground of a wide landscape. A woman and a young girl stand facing one another, positioned in a way that suggests a private conversation. The woman is dressed in a dark skirt paired with a lighter-colored blouse, while the girl wears a dress made of the same dark fabric as the woman's skirt. Their clothing is characteristic of traditional peasant…
The scene before us is titled From the rain, a work that emerges from the brush of the Russian painter Vladimir Makovsky. Created in 1887, this oil on canvas captures a specific, fleeting moment of life. The artist, born in Moscow, Russia, brings a sense of lived reality to this composition, grounding the viewer in a particular era of his homeland.
The air feels heavy with the scent of damp earth and decaying leaves. Sunlight filters through a dense canopy of intertwining branches, casting long, soft shadows across a forest floor carpeted in moss and fallen foliage. In this quiet, wooded clearing, two figures are caught in a private exchange. A man in a military uniform stands poised, his presence commanding yet still, facing a woman whose long dress flows around…
The canvas presents a study titled Study to ''January 9, 1905 on Vasilyevsky island'', a work that captures a specific, heavy moment in time. Created about 1907, the painting emerges from the hand of Vladimir Makovsky. He approaches the scene with the practiced eye of a man who understands the weight of a single, frozen instant. The brushwork holds a quiet tension, as if the air itself is waiting for…
In this oil painting from 1905-1906, a quiet domestic breakfast is suddenly fractured by an unexpected arrival. The scene unfolds around a dining table draped in a white tablecloth, set with the familiar items of a morning meal. The stillness of the room is broken by the presence of a woman who has just entered, her appearance marking her as a stranger to this well-to-do household. She wears a dark…
In this quiet genre painting, titled Grandma's Instruction, we encounter a private moment of domesticity captured by the Russian artist Vladimir Makovsky. Created in 1869, the work reflects the early period of a career that would eventually define much of the realist movement in Russia. Makovsky was a man of many roles—a painter, a teacher, and an art collector—whose life was deeply embedded in the artistic traditions of Moscow.
The artwork titled Lover of of antiquity was created by the Russian painter Vladimir Makovsky. This piece dates to about 1869, a year marking the conclusion of the artist's formal studies at the Moscow School of Painting, Sculpture, and Architecture. The work emerged during a period when Makovsky was establishing his presence within the Russian art scene, specifically through his involvement with the Association of Travelling Art Exhibitions.
Literary reading1866
12
Buddies1878
13
Study of the Head of an Old Man1883 · Cleveland Museum of Art
14
Maid with children1883 · Jekaterinburgi bildkunste muuseum
15
Ukrainian girl1882
16
The Peddler1880 · Metropolitan Museum of Art
17
The secret1884
18
Two pilgrims1885
19
A letter1883
20
The Prisoner1882
21
A portrait of E. I. Makovsky1880
22
In the hall1884
23
Date1883
24
Portrait of I. E. Tsvetkov1890
25
A portrait of E. S. Sorokin1891
26
Dilettante1896 · Zimmerli Art Museum at Rutgers University
27
Painter's family1893 · National Art Museum of Azerbaijan
28
Jesus Christ1894
29
An optimist and a pessimist1893
30
Arrival of a School Mistress in the Countryside1897
31
In the birch forest.1905 · Varssavi Rahvusmuuseum
32
Ukrainian peasant girl1902
33
A conversation.1910 · Varssavi Rahvusmuuseum
34
Portrait of a boy1908
35
Violinist1908
36
At the sexton1915 · Jekaterinburgi bildkunste muuseum
37
At the kitchen1913
38
At the Boulevard1887
39
Guitar player1879
40
Declaration of Love1891
41
A boy selling brew1861
42
A deacon1871
43
Knuckles1870
44
A gypsy lady1875
45
Waiting1875
46
Dinner (Farmer's Market in Moscow)1875
47
A Private Conversation1878
48
Making Jam1876
49
Making Jam1876
50
Visiting a poor people1874
51
The Meal1875
52
Fans of nightingales1873
53
Congratulations1878
54
A girl with geese1875 · Nizhniy Tagil State Museum of Fine Arts
55
Brew seller1879
56
Fishing1884
57
Moscow types1879
58
Peasant boys1880
59
Reprimand1883
60
Two ukrainians1882
61
Organ grinder1879
62
Fair1882
63
At the village school1883
64
Old man with a pipe1881
65
Politicians1884
66
The Collapse of a Bank (study)1880
67
At Noon1879
68
The Condemned1879
69
The Collapse of a Bank1881
70
In Search of Medicine1884
71
In a Country School1883
72
The Village Children1880
73
Midday Sun1881
74
Sergey Korovin1892 · Varssavi Rahvusmuuseum
75
Old couple1889 · Nikanor Onatsky Regional Art Museum in Sumy
76
Crimean seashore1889
77
Wandering fiddler1886
78
Over the chips1892
79
The first coat1892
80
His First Suit1892
81
Prayer service at the farm in Ukraine1886
82
Miracle at Cana1887
83
Easter Te Deum1888
84
Easter Mass1888
85
The Doss House1889
86
Hunters at Rest1887
87
Fisherwomen1886
88
Don't Go!1892
89
Morning tea1891
90
Portrait of Alexei Ivanovitch Strelkovsky1889
91
Peasant children1890
92
Grandmother and granddaughter1895
93
Summer1896
94
Summer1896
95
Summer1896
96
Summer1896
97
At Volga1897
98
Two sisters1893
99
At the porter's room1893
100
To crown (Farewell)1894
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Vladimir Makovski teosid | Selle nimekirja maalid |
|---|---|---|---|
 Jekaterinburgi bildkunste muuseum |
Jekaterinburg | 3 | Grandma's Instruction, Maid with children, At the sexton |
 Varssavi Rahvusmuuseum |
Varssavi | 3 | In the birch forest., A conversation., Sergey Korovin |
 Cleveland Museum of Art |
Cleveland | 1 | Study of the Head of an Old Man |
 Metropolitan Museum of Art |
New York | 1 | The Peddler |
 Zimmerli Art Museum at Rutgers University |
New Brunswick | 1 | Dilettante |
 National Art Museum of Azerbaijan |
Baku | 1 | Painter's family |
 Nizhniy Tagil State Museum of Fine Arts |
Nizhny Tagil | 1 | A girl with geese |
 Nikanor Onatsky Regional Art Museum in Sumy |
Sumy | 1 | Old couple |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this quiet genre painting, titled Grandma's Instruction, we encounter a private moment of domesticity captured by the Russian artist Vladimir Makovsky. Created in 1869, the work reflects the early period of a career that would eventually define much of the realist movement in Russia. Makovsky was a man of many roles—a painter, a teacher, and an art collector—whose life was deeply embedded in the artistic traditions of Moscow.
The oil painting titled Buddies by Vladimir Makovsky depicts a domestic scene within a modestly furnished room. The work, created about 1878, portrays four men gathered around a table. One man in the group plays an acoustic guitar and sings, while the others sit as his audience. In the background, a young woman stands near an open doorway, observing the interaction from the threshold. The scene captures a moment of…
The oil painting depicts a group of figures gathered in a room characterized by heavy wooden furniture and architectural lines. A large, dark wooden table occupies the foreground, its surface reflecting a diffused light that illuminates the scene from an unseen source. At the center of the arrangement, a woman holds an infant. She wears garments of blue and white, which contrast against the darker, muted tones of the surrounding…
The scene unfolds within the oil painting titled "I will not!", a work that captures a fleeting moment of human interaction. This piece is the creation of Vladimir Makovsky, an artist who brought the realities of his era to the canvas. He lived from 1846 until 1920, leaving behind a body of work that reflects the shifting social landscapes of his time. Born in Moscow, Russia, Makovsky grew up immersed…
The air feels heavy with the scent of damp earth and decaying leaves. Sunlight filters through a dense canopy of intertwining branches, casting long, soft shadows across a forest floor carpeted in moss and fallen foliage. In this quiet, wooded clearing, two figures are caught in a private exchange. A man in a military uniform stands poised, his presence commanding yet still, facing a woman whose long dress flows around…
is an oil painting by the Russian artist Vladimir Makovsky. Created about 1910, the work captures a quiet social interaction within a dimly lit interior. The composition focuses on the intimate dialogue between two seated figures positioned across a small, cloth-covered table.
I will not! (1892). Järgnevad Verdict (1882) ja Goodbye, Papa (1894).
46 aastat vanus: teos I will not! on pärinev aastast 1892 ning Vladimir Makovski sündis aastal 1846.
I will not!, Verdict, Goodbye, Papa, Mother and daughter, From the rain, Before explaining the (Date), Study to ''January 9, 1905 on Vasilyevsky island'', Two mothers. Native mother and stepmother., Grandma's Instruction ja Lover of of antiquity. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 141 teost kunstnikult Vladimir Makovski, mis on pärinevad ajastust 1861 kuni 1915.
Peamiselt Jekaterinburgi bildkunste muuseum (Jekaterinburg), Varssavi Rahvusmuuseum (Varssavi) ja Cleveland Museum of Art (Cleveland) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 40 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Verdict.
Sellel lehel on kõige vanem teos A boy selling brew (1861) ja kõige värskeim At the sexton (1915).
Man (16), Woman (13) ja Children (11), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 29 teoseks 100 töödelt sellel lehel.
Realism, seda lähtudes selle lehe originaalteostest.
Grandma's Instruction, Maid with children ja At the sexton: Jekaterinburgi bildkunste muuseum, Jekaterinburg säilitab 3 selle lehel olevat teost.
Vladimir Jegorovič Makovsky (1846–1920) seisab Venetsia realistliku maaliujuse ajaloos kui murdrumatu jõud, olles Peredvizhniki ehk liikuvate näituste liikumise sügav ja mõistev hääl. Sündinud peres, kus kunst ei olnud pelgalt profession, vaid eluviis, olid tema varajased aastad Moskovas täidetud loovuse traditsioonidega. Olles Moskva Kunstikooli asutaja ja kuulus kollektsionist Jegor Ivanovitš Makovskoje poeg, Vladimir kasvati keskkonnas, kus eelistati kunstilist täiuslikkust ja sotsiaalset vastutust. Koos vendade Nikolai ja Konstantiniga sai ta osaks võimsast kunstipersoonade dynastią, mis muuts Venetsia kunsti maastikku põhjalikult, liikudes akadeemilisest idealismist eemale suunates, et pakkuda tõerõhutatud ja puutumatut pilku tegelikkusele.
Tema professionaalne teekond algas prestiižses Moskva Maali-, Skulptuuri- ja Arhitektuurikoolis, kus tema tehniline meistriklass vormis. Pärast 졸업imist 1869. aastal ei otsinud Makovsky imperiaalseid akadeemiaid tüütuid mugavusi; selle asemel liitus ta Liikuvate Kunstinäituste Assotsiatsiooniga. See otsus oli kujundav, kuna see tõi teda sotsiaalse kuju südamesse – liikumisse, mis pühendus kunsti inimestele toimetamisele ja kasutas lestarit kui peeglit ühiskonna raskustele. Tema tööde iseloomustas kummaline võime ühendada maalist humorist sügava ja sageli kireva sotsiaalse tähelepanuga. Tema silmade kaudu transporteeritakse vaataja 19. sajandi Venetsia intiimsetesse nurgadesse, kandes endaga kaasas nii talupoegade vaikset väärikust kui ka linnaelu peidetud ironiat.
Makovski looming on žanrimaalise õppetund, kus iga pintoon aitab valgustada inimolu. Ta omastas ainulaadset talenti tabada põletamatuid hetki – jagatud pilgu, hetkebelist puhkusust töölt või sotsiaalse kohtumise vaikset pinget. Teostes nagu “Viinimahla müüja” ja “Puuviljade säilitamine” kasutab ta valgusest ja tekstuurist peenust, et tekitada maaelu atmosfäär, sisustades oma stseenid õrna ironiaga, mis hoiab neid kirest puhtast sentimentaalsusest. Tema tehnika võimaldas tal liikuda atmosfääriliste maastikude vajaliku laia ja ekspressiivse tõmbe ning psühholoogilise portreemaalimise vajaliku täpsuse vahel.
Lisaks tema meelelahutuslike stseenide šarmile oli Makovsky sotsiaalse ebavõrdsuse julge kronika. Ta kasutas kunsti võimsana kommentaari vahendina, silmitsi tuues vaatajaga oma ajastu ebamugavad realid. Tema maalid uutsid sageli teemasid nagu:
Vladimir Makovskoje panuse ajaloolist raskust ei saa üksiotsa ületingeldada. Kutsutes end Wanderers ehk liikujate liikumise juhtivaks liikmeks, aitas ta hävitada akadeemilise kunsti monopoli, avades teed demokraatlikumale ja sotsiaalselt kaasavale väljendusvormile. Tema võime kootida kokku igapäevane ja monumentaalne võimaldas tal luua visuaalset keelt, mis kõlastas nii intellektuaalide kui ka rahva seas. Isegi tema isiklikumates töödes, nagu Iseportret, on tunda suurema maailma survet üksikisusele – peegeldus turbulentsetele ajaloolistele muutustele, mis Venetsias tema eluajal toimus.
Tänapäeval elab Makovskoje pärand edasi läbi tema kujundite igavene jõu. Ta jääb "tõelise" pilgu meistriks, meelestades meid, et kunst on oma võimsuses peaks, kui see keeldub kõrval pilgemast elu keerukustest. Tema teosed jätkavad uuringute ja imetlemise objekti mitte ainult tehnilise briljantsuse, vaid ka sügava empaatia ja kadunud ajastu hinge tabamise võimekuse tõttu.
