Portrait of Sofonisba Anguissola

Sofonisba Anguissola Paintings: The 45 Most Famous, Through a Gallery's Eye

Updated oktoober 2026 · ranked by our popularity score (searches, visits and orders for each work) · 46 works by Sofonisba Anguissola in our catalogue

In short

To the gallery's eye, Sofonisba Anguissola's most famous painting is Portrait of the Artist's Sisters Playing Chess (1555), whose original hangs in the Muzeum Narodowe w Pozaniu, Poznań. Three children with dog (1590) and Self-portrait aged 78 (1610) complete the trio every eye recognises. Of the 46 works by Sofonisba Anguissola in our catalog, the gallery presents the 45 most famous below, each original with its year, its museum and what makes it unique.

1532 – 1625, Cremona Renaissance Most works: Museo del Prado

The gallery's top 10 Sofonisba Anguissola paintings

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Three children with dog (1590) by Sofonisba Anguissola

Three children with dog

1590 · Oil On Canvas · Corsham Court, Corsham

Three children with dog is a portrait group by Sofonisba Anguissola. Dating to about 1590, the work functions as a family portrait. The composition centers on three children accompanied by a small dog, a common theme for Renaissance commissions intended to commemorate lineage.

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Self-portrait aged 78 (1610) by Sofonisba Anguissola

Self-portrait aged 78

1610 · Acrylic On Canvas · Gottfried Keller Foundation, Winterthur

Sofonisba Anguissola’s *Self-portrait Aged 78*, completed in 1610, stands as a testament to the extraordinary achievements of a woman artist during the Renaissance—a period fiercely resistant to female participation in intellectual pursuits and artistic creation. More than just a likeness of the artist herself, this painting embodies the spirit of humanist ideals prevalent at the time, presenting Anguissola not merely as an individual but as a symbol of feminine resilience…

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A Man with his Daughter (1580) by Sofonisba Anguissola

A Man with his Daughter

1580 · Oil · Rahvusmuuseum Varssavis, Varssavi

In this intimate portrait, titled A Man with his Daughter, Sofonisba Anguissola captures a quiet moment of familial connection. The composition focuses on a man and his young daughter, presenting a study of a father and child in a close, vertical arrangement. There is a sense of stillness in the way the figures are positioned against a dark, indistinct background, which directs all attention to the subjects themselves.

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Portrait of Diane d'Andouins and her daughter (1565) by Sofonisba Anguissola

Portrait of Diane d'Andouins and her daughter

1565 · Oil On Canvas · Basque Museum, Bayonne

In this 1565 portrait, Sofonisba Anguissola brings together two figures in a quiet, dignified moment. Titled Portrait of Diane d'Andouins and her daughter, the work captures a sense of familial connection through the presence of a mother and her child. The painting belongs to the portrait genre, focusing intently on the likeness and presence of these two individuals. It resides within the Basque Museum in Bayonne, France, where it remains…

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Virgin and Child (1570) by Sofonisba Anguissola

Virgin and Child

1570 · Oil · Statens Museum For Kunst, Kooberemaa

In this monochrome portrait, Sofonisba Anguissola presents the "Virgin and Child" with a profound sense of intimacy. The composition is a close-up, centering the viewer's attention entirely on the two figures. Through an eye-level perspective, we are brought directly into the private, quiet space shared by the subjects. The religious subject matter is handled with a gentle touch, portraying the Virgin Mary as she looks down lovingly at the sleeping…

Sofonisba Anguissola paintings, ranked 11 to 45

11Portrait of a Couple (1570) by Sofonisba AnguissolaPortrait of a Couple1570 · Galleria Doria Pamphilj 12Infantin Isabella Clara Eugenia (1573) by Sofonisba AnguissolaInfantin Isabella Clara Eugenia1573 13Young Man (1600) by Sofonisba AnguissolaYoung Man1600 · Detroit Institute of Arts 14Portrait of a Young Lady (1580) by Sofonisba AnguissolaPortrait of a Young Lady1580 · Museo Lázaro Galdiano 15Portrait of Giuliano II Cesarini aged 14 (1586) by Sofonisba AnguissolaPortrait of Giuliano II Cesarini aged 141586 16Madonna Suckling the Infant Christ (1598) by Sofonisba AnguissolaMadonna Suckling the Infant Christ1598 · Szépművészeti Múzeum 17Portrait of Francesco Maria II della Rovere, Duke of Urbino (1549–1631) (1600) by Sofonisba AnguissolaPortrait of Francesco Maria II della Rovere, Duke of Urbino (1549–1631)1600 18Elisabeth of Valois (1565) by Sofonisba AnguissolaElisabeth of Valois1565 · Museo del Prado 19Portrait of a Boy at the Spanish Court (1570) by Sofonisba AnguissolaPortrait of a Boy at the Spanish Court1570 · San Diego Museumi kunst 20Self-Portrait (1550) by Sofonisba AnguissolaSelf-Portrait1550 · Museo Poldi Pezzoli 21Self-Portrait Playing the Spinet (1556) by Sofonisba AnguissolaSelf-Portrait Playing the Spinet1556 · Museo di Capodimonte 22The Artist (1564) by Sofonisba AnguissolaThe Artist1564 23Asdrubale Bitten by a Crawfish (1554) by Sofonisba AnguissolaAsdrubale Bitten by a Crawfish1554 · Museo di Capodimonte 24Bernardino Campi Painting Sofonisba Anguissola (1559) by Sofonisba AnguissolaBernardino Campi Painting Sofonisba Anguissola1559 · Pinacoteca Nazionale 25Self-Portrait (1554) by Sofonisba AnguissolaSelf-Portrait1554 · Kunsthistorisches Museum 26Old Woman Studying the Alphabet with a Laughing Girl (1550) by Sofonisba AnguissolaOld Woman Studying the Alphabet with a Laughing Girl1550 · Galleria degli Uffizi 27Family Portrait, Minerva, Amilcare and Asdrubale Anguissola (1557) by Sofonisba AnguissolaFamily Portrait, Minerva, Amilcare and Asdrubale Anguissola1557 · Nivaagaards Malerisamling 28Portrait of a Canon of the Lateran by Sofonisba AnguissolaPortrait of a Canon of the LateranFondazione Brescia Musei 29Profile Portrait of a Young Woman by Sofonisba AnguissolaProfile Portrait of a Young WomanHermitage muuseum 30Self-Portrait (1556) by Sofonisba AnguissolaSelf-Portrait1556 · Museum of Fine Arts 31Self-Portrait at the Easel (1556) by Sofonisba AnguissolaSelf-Portrait at the Easel1556 · Muzeum-Zamek 32Portrait of Giovanni Battista Caselli (1557) by Sofonisba AnguissolaPortrait of Giovanni Battista Caselli1557 · Museo del Prado 33A portrait of a young Alessandro Farnese, the future Duke of Parma (1562) by Sofonisba AnguissolaA portrait of a young Alessandro Farnese, the future Duke of Parma1562 · National Gallery of Ireland 34Portrait of the Infanta Isabella Clara Eugenia (1599) by Sofonisba AnguissolaPortrait of the Infanta Isabella Clara Eugenia1599 35Portrait of Bianca Ponzoni Anguissola, the artist's mother (1557) by Sofonisba AnguissolaPortrait of Bianca Ponzoni Anguissola, the artist's mother1557 · Gemäldegalerie 36Portrait of Massimiliano Stampa (1557) by Sofonisba AnguissolaPortrait of Massimiliano Stampa1557 · Walters Art Museum 37Portrait of a Nun (1551) by Sofonisba AnguissolaPortrait of a Nun1551 · City Art Gallery 38Portrait of Philipp II of Spain (1570) by Sofonisba AnguissolaPortrait of Philipp II of Spain1570 · Museo del Prado 39Portrait of Minerva Anguissola by Sofonisba AnguissolaPortrait of Minerva AnguissolaPinacoteca di Brera 40Infantas Isabella Clara Eugenia and Catalina Micaela (1570) by Sofonisba AnguissolaInfantas Isabella Clara Eugenia and Catalina Micaela1570 · Royal Collection 41Portrait of Juana of Austria with a Young Girl (1561) by Sofonisba AnguissolaPortrait of Juana of Austria with a Young Girl1561 · Isabella Stewart Gardneri muuseum 42Portrait of Anna of Austria (1549-1580) (1573) by Sofonisba AnguissolaPortrait of Anna of Austria (1549-1580)1573 · Museo del Prado 43Self-portrait (1552) by Sofonisba AnguissolaSelf-portrait1552 44Self-portrait (1558) by Sofonisba AnguissolaSelf-portrait1558 · Fondation Custodia 45Self-Portrait (1560) by Sofonisba AnguissolaSelf-Portrait1560 · Musée Condé

Sofonisba Anguissola's famous paintings, period by period

The subjects that held Sofonisba Anguissola's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Sofonisba Anguissola's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Sofonisba Anguissola Paintings from this list
Museo del Prado, MadridMuseo del Prado Madrid 4 Elisabeth of Valois, Portrait of Giovanni Battista Caselli, Portrait of Philipp II of Spain
Kunsthistorisches Museum, ViinKunsthistorisches Museum Viin 2 Portrait of Queen Elisabeth of Spain, Self-Portrait
Museo di Capodimonte, NeapelMuseo di Capodimonte Neapel 2 Self-Portrait Playing the Spinet, Asdrubale Bitten by a Crawfish
Muzeum Narodowe w Pozaniu, PoznańMuzeum Narodowe w Pozaniu Poznań 1 Portrait of the Artist's Sisters Playing Chess
Corsham Court, CorshamCorsham Court Corsham 1 Three children with dog
Gottfried Keller Foundation, WinterthurGottfried Keller Foundation Winterthur 1 Self-portrait aged 78
Rahvusmuuseum Varssavis, VarssaviRahvusmuuseum Varssavis Varssavi 1 A Man with his Daughter
Basque Museum, BayonneBasque Museum Bayonne 1 Portrait of Diane d'Andouins and her daughter

Sofonisba Anguissola, one signature painting per decade

Works per decade

Pick a decade to see the original that defines it.

Sofonisba Anguissola's paintings: the gallery answers

Which Sofonisba Anguissola painting is the most famous of all?Reveal the answer

Portrait of the Artist's Sisters Playing Chess (1555), Muzeum Narodowe w Pozaniu, Poznań. Three children with dog (1590) and Self-portrait aged 78 (1610) come next.

How old was Sofonisba Anguissola on completing Portrait of the Artist's Sisters Playing Chess?Reveal the answer

23 years old: Portrait of the Artist's Sisters Playing Chess dates from 1555, and Sofonisba Anguissola was born in 1532.

Which are Sofonisba Anguissola's top 10 paintings?Reveal the answer

Portrait of the Artist's Sisters Playing Chess, Three children with dog, Self-portrait aged 78, Portrait of Queen Elisabeth of Spain, A Man with his Daughter, Portrait of Diane d'Andouins and her daughter, Virgin and Child, Portrait of a Monk, Portrait of Joanna of Austria and Self-portrait. The ranking above gives each one's year and museum.

How many works did Sofonisba Anguissola create?Reveal the answer

Our catalog holds 46 works by Sofonisba Anguissola, dated from 1550 to 1610.

Where do Sofonisba Anguissola's most famous originals hang?Reveal the answer

Mostly in Museo del Prado (Madrid), Kunsthistorisches Museum (Viin) and Museo di Capodimonte (Neapel). The museum table above lists them all.

When did Sofonisba Anguissola create the most famous paintings?Reveal the answer

In 1550s: 18 of the 45 works on this page were made then, Portrait of the Artist's Sisters Playing Chess among them.

Which are Sofonisba Anguissola's earliest and latest famous works?Reveal the answer

On this page, the earliest is Self-Portrait (1550) and the latest Self-portrait aged 78 (1610).

Which subjects did Sofonisba Anguissola return to most?Reveal the answer

Portraiture (7), Child (5) and Portrait (5), across the 45 works on this page.

Which medium did Sofonisba Anguissola work in most?Reveal the answer

Oil On Canvas, for 16 of the 45 works on this page.

Which movement is Sofonisba Anguissola associated with?Reveal the answer

Renaissance and Mannerism, judging by the originals on this page.

Which Sofonisba Anguissola originals does the Museo del Prado hold?Reveal the answer

Elisabeth of Valois, Portrait of Giovanni Battista Caselli and Portrait of Philipp II of Spain: the Museo del Prado, Madrid holds 4 of the works on this page.

Can I have a Sofonisba Anguissola painting reproduced by hand?Reveal the answer

Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.

Sofonisba Anguissola: the artist

Renessanssi valgus: Sofonisba Anguissola elu ja kunst

Sofonisba Anguissola astus 16. sajandi Itaalia vibrantsele kunstimaastrikult esile kui tõeline pioneer, ulatudes vastu sotsiaalsetele normidele ja kinnistades end kui üks Renessanssi kuulsimaid naismaalareid. Sündinud umbes 1532. aastal Cremonas, Amilcare Anguissola ja Bianca Ponzoni lapsedena, nautis ta oma ajast naisel ebatavaliselt progressiivset kasvatust. Tema isa, tunnustades oma tütarde – Sofonisba, Elena, Lucia ja Europa – erakordset kunstitalenti, murdis ta konventsioone, pakkudes neile humanistilist haridust, mis hõlmas ladina keelt, muusikat ja olulisemat – joonistamist. See pühendumus nende intellektuaalsele ja loovale arengule oli revolutsiooniline, luues aluse Sofonisba hämmastavale kareerile. Anguissola perekond, kuigi mõlemalt pärit, ei olnud rikkas; Amilcare uskois oma tütarde talentide arendamisele vahendina sotsiaalseks eduks ja isiklikuks täitmiseks – see oli radikaalne mõte, mis muuts genetsidest edasipealevate naisartistide võimalusi. aastal 1546 alustasid Sofonisba ja Elena ametlikku õpetust koos lugudatud kohaliku maalari Bernardino Campiga, mida järgnes umbes 1550. aasta lõpus õpingud Bernardino Gattiga (Il Sajarolo) – õpilaskastid, mis olid enda olemuselt murdilised, avades uksed, mis olid varem naistele, kes tahtsid saavutada kunstilist meistripositsiooni, olnud suletud.

Intiimsus ja innovatsioon: Kunstiline hääl kujunedes

Anguissola varajased teosed on iseloomulikud suurepäraselt intiimsel ja psühholoogilisel sügavusel, mis on eriti ilmne tema pereloomulikes portreettides. Need ei olnud pelgalt sarnasuse harjutused; need olid nälgivad uurimised isikupäraga ja peresuhtedega. Teosed nagu "Kunstniku õded malja mängimas" (umbik. 1555) on selle võimekuse meisterlikud demonstratsioonid, tabades siira hetke koos nüansseeritud avalduste ja žestidega. Kompositsioon tundub üllatavalt loomulik, vältides selle ajastu portreettidele omas riidakku ja jäika formalismi. Tema stiil pidas alguses algust Lombardia mannerismist, kuid arenes Hispaanias viibitud aja jooksud peenemaks lähenemiseks, mis vastas õigesti õukonnakunstile. Tal oli erakordne talent realistlike joonte kujundamiseks pehmete värvitoonidega ja emotsioonide edastamiseks peenelt penslite käiguga. Eneseportreedit sai tema karjääri korduvaks teemaks, serveerides mitte ainult oskuste näitamist, vaid ka võimsana oma identiteedi kinnitusena naisartistina mehe domineeritud maailmas. "Eneseportret šeeleidja juures" (1556) on eriti ikooniline, esitledes Sofonisbat enesekindlalt oma töös, kutsudes vaatajat tunnustama tema kunstilist autoriteeti.

Õukonnatellimus: Elu ja töö Hispaanias

1559. aastal saabus pöördumispunkt, mil Anguissola kutsuti Hispaaniasse kuninganna Elizabeth de Valois pool, kes oli kuningas Filips II naine. See kutse ei olnud pelgalt tööpakkumine; see oli tunnustus tema erakordsele talentile ja tõend kuninganna enda kunstiline enough. Sofonisba teenis õukonnakonna dame rollis ja maalimise õpetajana, muutudes ametlikuks õukonnamalariks – positsiooniks, mis oli sellel ajal naisel peaaegu unheard of. Ta loovitas portrette kuningeluost ja Hispaania väelistest, kohandades oma stiili õukonnakunstile sobivaks, kuid säilitades samas oma tundlikkuse isikupära vastu. Tema kohalolu õukonnas oli märkimisväärne; teda ei tolerдуnud naiskunstina, vaid teda väärtustati aktiivselt tema oskuste ja seltsikluse eest. Pärast kuninganna Elizabethi varajast surma 1568. aastal hõivustas Filips II Sofonisba abielu Fabrizio Moncadaga, sicilialase mõrgusega aadlusmehega, võimaldades tal jätkata maalamist, säilitades samal ajal aadlusesta. See kokkulepe näitas kuningu austust tema kunstivõimekuse vastu ja tema soovi tagada naise edasine heaolu. Pärast Moncada surma dynast armastus jätkus, ja ta joonistas kogu oma elu.

Pioneeri pärand: Mõju ja ajalooline tähtsus

Sofonisba Anguudissala saavutused ulatusid kaugele Hispaania õukonna piiridest. Tema töö challenged konventsionaalseid kunstiline norme ja avas teed tulevatele naiskunstnike põlvkondadele. Ta tõi esile, et naised ei suuda mitte ainult kunstides silma paistma, vaid saavutada ka rahvusvahelist tunnust ja toetust. Tema mõju on nähtav hilisemate naismaalarite teostes, kes järgnesid tema näitele, murdes barjääre ja vastu seades ühiskondlikke ootusi. Anguissola peamised mõjud sisaldasid Lombardia maalekooli, eriti Bernardino Campi ja Bernardino Gatti töud, kuid lõpuks koostas ta oma unikaalse stiili, mida iseloomustavad realism, intiimsus ja psühholoogiline selgus. Tema eneseportreedit on jännavad naiskunstilise autonoomia sümbolid, inspireerides kunstnikke ja teadlasi kuni tänapäevani.

Püitiv tunnustus

Tänapäeval tunnustatakse Sofonisba Anguissolat õiglast kui üht Renessanssi kõige olulisemat tegelast. Tema maalid on säilitatud prestiižsetes kogumikes üle maailma, sealhulgas Madridi Museo del Prado, Florentsi Uffizi Galeriis ja Bostoni Isabella Stewart Gardneri muuseumis. Tema lugu jätkub publikut kõnetamas, meelestades meid kunstile, millel on võime ületada sotsiaalseid piire, ning naise püsivale pärandile, kes julges vastu seada ootusi ja oma kirest kinnistada. Tema võime tabada mitte ainult välimust, vaid ka teema sisemaailma, tagab, et tema töö on aastasaastade pärastgi lummav ja asjakohane.
  • Tema maalid on nähtavad Bostonis (Isabella Stewart Gardneri muuseum), Milwaukees (Milwaukee Art Museum), Bergamos, Brescias, Budapestis, Madridis (Museo del Prado), Naapolis ja Sienas.
  • Giorgio Vasari kiitis tema võimekust joonistada, värvida, loodusest maalida, suurepäraselt koopia teha ning luua ilusaid maale.

All 46 works by Sofonisba Anguissola →