Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 106 teost Robert Polhill Bevan meie kataloogis
Lühidalt
Galleriile on Robert Polhill Bevan kõige kuulsam teos From the Artist's Window (1915). Horse Dealers (Sale at Ward's Repository No.1) (1918) ja Devonshire Valley, No. 2 (1913) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Robert Polhill Bevan 106 teose põhjal esitleb galeriis allpool 100 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The city breathes through the narrow canyon of a street, captured from an elevated vantage point that feels intimate yet detached. High above the cobblestones, the world unfolds in a flurry of motion and shadow. Tall buildings line the thoroughfare, their verticality framing a scene of constant transit. Horses pull heavy carriages through the center of the frame, their strength palpable as they navigate the urban flow. A single horse…
Horse Dealers (Sale at Ward's Repository No.1) is a work by the British artist Robert Bevan. Created about 1918, the piece emerged during a period of significant stylistic transition for the artist, who was a key figure in the development of modern British art. Bevan was a founding member of several influential collectives, including the Camden Town Group and the Fitzroy Street group, contributing to the evolution of early twentieth-century…
In the quietude of 1913, just before the world was irrevocably altered by the shadows of the Great War, Robert Polhill Bevan captured a moment of profound serenity in Devonshire Valley, No. 2. This exquisite oil on canvas serves as more than a mere landscape; it is an evocative portal into a lost era of English tranquility. The painting presents a sweeping, panoramic vista of a verdant valley, where rolling…
In the quiet, rhythmic pulse of 1918, Robert Bevan captured a moment of suspended animation in Queen's Grove, St John's Wood. This oil on canvas depicts a street scene where the horse-drawn carriage still shared the cobblestone streets with the whispers of a new century. The composition employs a deliberate flattening of perspective, inviting the viewer to step into a world that feels both intimately familiar and dreamily distant. There…
In the quiet corners of the early twentieth century, there existed a profound beauty in the rhythmic simplicity of village life, a sentiment captured with breathtaking tenderness in Robert Polhill Bevan’s 1906 masterpiece, The Smithy, Szeliwy, No. 2. This evocative oil on canvas serves as more than just a depiction of a landscape; it is a portal into a bygone era of communal harmony and pastoral grace. As the viewer…
A London Church1922
12
Stanislawa Bevan, née de Karlowska1920 · National Portrait Gallery
13
Two Bridges1912
14
The Hay Harvest1916
15
Mare and Foal1917
16
The Caller at the Mill1918 · Yale Center for British Art
17
The Horse Mart (Barbican No. 1)1917 · Yale Center for British Art
18
Town Field, Horsgate1914
19
Self-Portrait1913 · National Portrait Gallery
20
Under the Hammer1914 · Walker Art Gallery
21
Hound at Attention1895
22
Threshing1893
23
The Forge, Pont Aven1894
24
The Carrosse, Poland1903
25
The LIttle Villa1901
26
Polish Tavern1903
27
Morning over the Ploughed Fields1904
28
The Gate at Szeliwy1901
29
The Well at Mydlow, Poland1909 · Auckland Art Gallery Toi o Tāmaki
30
The Turn Rice-Plough, Sussex1909 · Yale Center for British Art
31
The Farmyard Gate, Evening1907
32
Grooming Horse1909
33
Thirsty Cab Horse1910
34
The Yard Gate, Mydlow1907
35
The Cab Yard, Night1910
36
Ploughing on the Downs1907
37
Three Poplars and a Well1908
38
A Small Southdown Farm1906
39
Under the Hammer1914 · Walker Art Gallery
40
The Cab Horse1910
41
Mydlow Village, Poland1907
42
A Sale at Tattersalls1911
43
Woman from Moëlan cutting bread1891 · Musée de Pont-Aven
44
Whisky and Soda1914
45
Hay Carts, Cumberland Market1915 · Yale Center for British Art
46
The Weigh House, Cumberland Market1914 · Yale Center for British Art
47
Parade at Aldridge's1914 · Museum of Fine Arts
48
Under the Hammer1913
49
The Farmhouse1917
50
Horse Sale at the Barbican1912
51
Robert Polhill Bevan1914 · National Portrait Gallery
52
Maples at Cuckfield, Sussex1914
53
Haze over the Valley1913
54
A Street Scene in Belsize Park, a House at Hampstead, London1917
55
Cumberland Market, North Side1912
56
Rosemary la vallée1916
57
The Ford1918 · Yale Center for British Art
58
Adelaide Road, N.W.1922 · Museum of Fine Arts
59
Watering Cattle, Poland1921
60
The Plantation1919
61
Near Hemyock1918
62
Watering Horses, Poland1921
63
Green Devon1919
64
The Well at Mydlow, Poland (No.2)1922 · Scottish National Gallery of Modern Art
65
Aldwych1924 · Yale Center for British Art
66
Village Houses at Szeliwy1903
67
Hay Carts1915
68
Evening in the Culme Valley1912
69
Horse Sale at the Barbican1912 · Tate Gallery
70
Showing at Tattersalls1919 · The Ashmolean Museum of Art And Archaeology
71
Gravelye Farm, Cuckfield1910
72
Under the Hammer1913 · Walker Art Gallery
73
Sale at Tattersall's1911
74
The Green House, St. John/'s Wood1919 · Art Gallery of South Australia
75
Mount Stephen, Devon1924
76
Queen's Road, St. John's Wood1918 · Ashmolean Museum
77
The Chestnut Tree1919 · The Ashmolean Museum of Art And Archaeology
78
Ploughing on the Downs1906
79
A Polish Church, Mydlow1921
80
Crocks1922
81
Brimley Hill, Devon1916 · Herbert Art Gallery - Museum
82
A Devonshire Valley, Number 11913 · Royal Albert Memorial Museum
83
The Well at Mydlow, Poland No. 21922
84
Town Field1914 · Reading Museum - Town Hall
85
The Chestnut Tree1916 · Ashmolean Museum
86
Showing at Tattersall's1919 · Ashmolean Museum
87
Devon Cottage1920
88
The Smithy at Szeliwy, PolandNational Trust
89
The Feathered Hat1915
90
The Horse Mart (Barbican No. 2)1918
91
Cumberland Marker, North Side1915
92
Timber Hauling1918
93
Polish Landscape1901 · New Walk Museum - Art Gallery
94
Polish Tavern1903 · Fitzwilliam Museum
95
Meadows, PolandNational Trust
96
Showing the Paces, Aldridges
97
Farm Landscape
98
Portrait of a Man Wearing Green Shirt and Tie against Striped Wall (Dickie)
99
The Ash Tree
100
Near Applehayes1913
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Robert Polhill Bevan teosid | Selle nimekirja maalid |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 9 | "Quiet with all Road Nuisances", A Morning at Tattersall', The Caller at the Mill |
 The Ashmolean Museum of Art And Archaeology |
Oxford | 4 | Queen's Grove, St John's Wood, Showing at Tattersalls, The Chestnut Tree |
 National Portrait Gallery |
London | 3 | Stanislawa Bevan, née de Karlowska, Self-Portrait, Robert Polhill Bevan |
 Walker Art Gallery |
Liverpool | 3 | Under the Hammer, Under the Hammer, Under the Hammer |
 Ashmolean Museum |
Oxford | 3 | Queen's Road, St. John's Wood, The Chestnut Tree, Showing at Tattersall's |
 Museum of Fine Arts |
Boston | 2 | Parade at Aldridge's, Adelaide Road, N.W. |
 National Trust |
London | 2 | The Smithy at Szeliwy, Poland, Meadows, Poland |
 Alfred East Art Gallery |
Kettering | 1 | Landscape in the Blackdown Hills, Devon |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In the quiet corners of the early twentieth century, there existed a profound beauty in the rhythmic simplicity of village life, a sentiment captured with breathtaking tenderness in Robert Polhill Bevan’s 1906 masterpiece, The Smithy, Szeliwy, No. 2. This evocative oil on canvas serves as more than just a depiction of a landscape; it is a portal into a bygone era of communal harmony and pastoral grace. As the viewer…
The city breathes through the narrow canyon of a street, captured from an elevated vantage point that feels intimate yet detached. High above the cobblestones, the world unfolds in a flurry of motion and shadow. Tall buildings line the thoroughfare, their verticality framing a scene of constant transit. Horses pull heavy carriages through the center of the frame, their strength palpable as they navigate the urban flow. A single horse…
From the Artist's Window (1915). Järgnevad Horse Dealers (Sale at Ward's Repository No.1) (1918) ja Devonshire Valley, No. 2 (1913).
50 aastat vanus: teos From the Artist's Window on pärinev aastast 1915 ning Robert Polhill Bevan sündis aastal 1865.
From the Artist's Window, Horse Dealers (Sale at Ward's Repository No.1), Devonshire Valley, No. 2, Landscape in the Blackdown Hills, Devon, Queen's Grove, St John's Wood, The Smithy, Szeliwy, No. 2, Ploughing, The Ploughing Team, Dawn, "Quiet with all Road Nuisances" ja A Morning at Tattersall'. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 106 teost kunstnikult Robert Polhill Bevan, mis on pärinevad ajastust 1891 kuni 1924.
Peamiselt Yale Center for British Art (New Haven), The Ashmolean Museum of Art And Archaeology (Oxford) ja National Portrait Gallery (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1910s: 56 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül From the Artist's Window.
Sellel lehel on kõige vanem teos Woman from Moëlan cutting bread (1891) ja kõige värskeim Aldwych (1924).
Landscape (15), British art (14) ja Early 20th century (9), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 25 teoseks 100 töödelt sellel lehel.
Fauvism, seda lähtudes selle lehe originaalteostest.
"Quiet with all Road Nuisances", A Morning at Tattersall' ja The Caller at the Mill: Yale Center for British Art, New Haven säilitab 9 selle lehel olevat teost.
Jah, reproduktsioonina: originaal jääb oma museumi, kuid mis tahes selle lehe maal võib olla teie jaoks käsitsi maaldav, tellustööna valmistatud üksik teos, mida saab tellida maali oma lehel.
