Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 68 teost Richard Gerstl meie kataloogis
Lühidalt
Self-Portrait Laughing (1907) on Richard Gerstl maalide kõige rohkem tähelepanu pälva teos. Pärast seda suunatakse pilk Grinzing (1906) ja Mathilde Schoenberg in Garden (1908) suunas. Meie kataloogis olevatest Richard Gerstl 68 teosest on need 68 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
The canvas holds a moment of intense, unbridled emotion in Richard Gerstl's 1907 work, Self-Portrait Laughing. This oil on canvas captures the artist himself, presenting a face that seems to break free from the constraints of traditional likeness. It is a piece that belongs firmly to the Expressionism movement, where the internal state of the individual takes precedence over the mere imitation of the physical world. The man stares out,…
The painting presents a rural landscape characterized by rolling hills covered in dense green vegetation. In the foreground, trees bearing white blossoms suggest a springtime setting. A dirt road winds through the lower portion of the composition, leading the eye toward a small village situated in a valley. This settlement contains several structures, including a building with a prominent steeple. The color palette is dominated by various shades of green…
The scene unfolds in Mathilde Schoenberg in Garden, a work that captures a fleeting moment of presence within a lush, sun-drenched setting. Painted by Richard Gerstl, the image places Mathilde Schoenberg at the center of a quiet, outdoor world. She exists here in a moment of stillness, her figure turned away from the viewer as she stands near a bright yellow wall. The air feels heavy with the weight of…
Small Self-Portrait by Richard Gerstl, created about 1906, presents a close-up study of a single male figure. The subject is positioned slightly off-center, focusing the viewer's attention on the head and upper shoulders. He looks directly toward the viewer, his gaze meeting the observer with a melancholic and introspective expression.
Created in 1907, this portrait emerged during a period of significant shift in Austrian art. The artist, Richard Gerstl, moved away from the academic traditions of the Vienna Academy of Fine Arts, opting instead for a raw and psychological approach to portraiture. The composition conveys a somber and melancholic tone. The combination of the dark, muted tones and the heavy, agitated texture of the paint contributes to an introspective atmosphere.…
The artwork titled Self-Portrait is a work by the artist Richard Gerstl. Created in 1907, this piece presents a close-up view of the artist's own face. The subject matter is a self-portrait, focusing on the head and shoulders of the man. The composition is cropped tightly, centering the gaze of the subject within the frame.
Self-Portrait is a work by the Austrian artist Richard Gerstl. Created in 1908, this piece represents a moment in the final year of the artist's life. Gerstl was born in Vienna, Austria, in 1883 and remained in Vienna until his death in 1908.
In this 1907 self-portrait, we are invited into a space of profound psychological immediacy. The work is a monochromatic study, rendered in what appears to be charcoal or graphite on paper, where the artist confronts the viewer through a tightly cropped, intense gaze. There is a certain agitation in the way the face is constructed; rather than smooth transitions of light and shadow, we see a dense, chaotic layering of…
The Self-Portrait by Richard Gerstl captures a moment of intense, singular focus. This work, dated about 1908, presents a close-up study of the artist's own features. The subject's gaze is fixed and heavy, pressing against the surface of the paper. It is a quiet confrontation between the creator and the charcoal.
is a work by the Austrian painter Richard Gerstl. Created in 1907, the piece captures the artist during a period of intense stylistic development in Vienna, Austria. Gerstl, born in Vienna in 1883, was a central figure in the early development of Expressionism, a movement that prioritized the subjective experience of the individual over traditional representation.
Fragment of a Self-Portrait1908
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Self-Portrait1908
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Alexander von Zemlinsky1908 · Kunsthaus Zug
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Self-Portrait with Palette1907
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Seated Woman in green dress1908
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Portrait of a Gentleman1907
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Portrait of Mother, Maria Gerstl, unfinished1908 · Kunsthaus Zug
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Small street (Nußdorferstraße)1908
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Anna Baumer1902
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Fragment of a smiling self-portrait at full length1904
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The Fey Sisters (Karoline ^ Pauline)1905
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Waldemar Unger I1903
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Fragment of a smiling self-portrait at full length, detail1904
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Self-portrait in front of blue background1905 · Leopold Museum
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Waldemar Unger II1903
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Carl Zentzytzki1902
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Lakeside Road near Gmunden1907 · Leopold Museum
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Flower Meadow with Trees1907 · Kunsthaus Zug
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Room1908
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Mathilde in the studio1908
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Liechtenstein Palace1907
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Ernst Diez I1906
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Tree on Lake Traun1907 · Kunsthaus Zug
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Seated Female Nude1908
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View of the park1908 · Leopold Museum
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Portrait of Arnold Schonberg1906
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Tree with Ladder1907 · Kunsthaus Zug
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Smaragda Berg1907
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Portrait of Henryka Cohn1908 · Leopold Museum
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Fruit Tree1907
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Portrait of a Young Woman with Feather Hat1906
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Mathilde Schoenberg II1907
43
The road (theme from Nussdorf)1907
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Small Traunsee Landscape1907
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Meadow with Houses in Background1907
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Half-length portrait of Mathilde Schoenberg1908
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Woman with Feathered Hat1907
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Emile Gerstl (father)1906 · Leopold Museum
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Self-portrait with Blue Spotted Background1907
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Tree in the garden1907
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Mother and Daughter1906
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On the Danube Canal1907 · Leopold Museum
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Portrait of a seated man1908
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Study of tree1907 · Leopold Museum
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Orchard1907
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Double Portrait (green background)1908
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Portrait of a Lieutenant (Alois Gerstl)1906 · Leopold Museum
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Double portrait of Matilda and Gertrude Schonberg1906
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Nude in Garden1908
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Railway to the Kahlenberg1907
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Portrait of a gentleman (green background)1908
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Landscape study1907
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Group portrait with Schönberg1908 · Kunsthaus Zug
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Flowering Meadow with Trees1907
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Sunny meadow with fruit trees1908 · Leopold Museum
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Lake Traunsee with the Schlafende Griechin mountain1907 · Leopold Museum
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Self Portrait (Nude in a full figure)Leopold Museum
68
Schonberg Family1908
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 2 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Richard Gerstl teosid | Selle nimekirja maalid |
|---|---|---|---|
 Leopold Museum |
Viin | 11 | Self-portrait in front of blue background, Lakeside Road near Gmunden, View of the park |
 Kunsthaus Zug |
Zug | 7 | Small Self-Portrait, Alexander von Zemlinsky, Portrait of Mother, Maria Gerstl, unfinished |
Aastate 1902 ja 1908 vahel, kokku 7 aastat, on Richard Gerstl loonud kõik siin näidatud dateeritud originaalteosed: lühike periood, aasta-aastal.
Vali aasta, et näha originaale.
Veel 1904 teoseid
The painting presents a rural landscape characterized by rolling hills covered in dense green vegetation. In the foreground, trees bearing white blossoms suggest a springtime setting. A dirt road winds through the lower portion of the composition, leading the eye toward a small village situated in a valley. This settlement contains several structures, including a building with a prominent steeple. The color palette is dominated by various shades of green…
Veel 1906 teoseid
The canvas holds a moment of intense, unbridled emotion in Richard Gerstl's 1907 work, Self-Portrait Laughing. This oil on canvas captures the artist himself, presenting a face that seems to break free from the constraints of traditional likeness. It is a piece that belongs firmly to the Expressionism movement, where the internal state of the individual takes precedence over the mere imitation of the physical world. The man stares out,…
Veel 1907 teoseid
The scene unfolds in Mathilde Schoenberg in Garden, a work that captures a fleeting moment of presence within a lush, sun-drenched setting. Painted by Richard Gerstl, the image places Mathilde Schoenberg at the center of a quiet, outdoor world. She exists here in a moment of stillness, her figure turned away from the viewer as she stands near a bright yellow wall. The air feels heavy with the weight of…
Veel 1908 teoseid
Self-Portrait Laughing (1907). Järgnevad Grinzing (1906) ja Mathilde Schoenberg in Garden (1908).
24 aastat vanus: teos Self-Portrait Laughing on pärinev aastast 1907 ning Richard Gerstl sündis aastal 1883.
Self-Portrait Laughing, Grinzing, Mathilde Schoenberg in Garden, Small Self-Portrait, Self-Portrait with Palette, Self-Portrait, Self-Portrait, Self-Portrait, Self-Portrait ja Self-Portrait. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 68 teost kunstnikult Richard Gerstl, mis on pärinevad ajastust 1902 kuni 1908.
Peamiselt Leopold Museum (Viin) ja Kunsthaus Zug (Zug) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1907: 28 68 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Self-Portrait Laughing.
Sellel lehel on kõige vanem teos Anna Baumer (1902) ja kõige värskeim Mathilde Schoenberg in Garden (1908).
Portraits (14), Man (11) ja Forests (9), kogu selle lehekülje 68 teose kohta.
Oil On Canvas, 10 teoseks 68 töödelt sellel lehel.
Expressionism, seda lähtudes selle lehe originaalteostest.
Self-portrait in front of blue background, Lakeside Road near Gmunden ja View of the park: Leopold Museum, Viin säilitab 11 selle lehel olevat teost.
Richard Gerstl oli austria maalija ja joonistaja, kelle lühike, kuid intensiivne karjäär tõi ta varajase ekspressionismi esiliiti. Kuigi tema panused jäid tema elupaiga ajal vähese tunnustusega, peetakse teda tänapäeval viinlase modernismi võtmetegelaseks. Ta tuntuses psühholoogiliselt sügavate portreede ja maastikudega, mis ennustasid hilisemaid arendusi saksa ekspressionismis. Tema elu lõppes tragiliselt enesetapu kaudu pärast skandaalset romantiikat – sündmus, mis avaldas sügavat mõju tema kaasaeglale Arnold Schoenbergile.
Sündides jõuka juudi kaupmeesperesse võttis Gerstli varajane elu ootamatut pöördet, kui ta kuulutas välja oma taheta kunstnikuks muutumise. See otsus kohtas isese poole poolt eelduvat ei-tekitavat vastuvõttu, tekitades perel pingeid. Pärast raskusi traditsioonilisel Viini Piaristengymnasiumil ja disiplinaarkaristuse tõttu koolist välja viskamist, jätkas Gerstl oma kunstilisi ambitsioone eraõpetajate juures. 1998. aastal, viielte}, astus ta Viini Kunstakadeemiasse rangete nõudmistega Christian Griepenkerli õppetundele. Gerstl sattus kiiresti lahtilaarmunud asjaoludesse seoses akadeemilise stiili ja Viini Secessiooni valitsevate suundadega, provokatsioneerides Griepenkerli tekitama teravat kritikat.
Pärast Akadeemiast lahkumist alustas Gerstl iseseisvat õppeperioodi. Suved Simon Hollósy juures Nagybányas avas talle uusi, liberaalsemaid kunstilisi lähenemisi. Kuid uued kokkupõrsmed autoriteetidega, sealhulgas kebus osaleda keiserlikus protsessioonis, viisid ka tema Hollósy stuudiost välja viskamiseni. Gerstli stiili iseloomustas råalus intensiivsus ja psühholoogiline sügavus, mis eristas teda teistest. Ta lükkas tagasi Secessiooni dekoratiivse esteetika, eelistades selle asemel julgeid värve, moonutatud vorme ja ekspressiivset pintooni. Tema portreed paljastavad eriti terava arusaamatuse inimpsühholoogiast, tabades mitte ainult füüsilist sarnasu, vaid ka sügavale peituvad emotsionaalsed seisundid. Kuigi mõjud on nähtavad ka varasematel meistritel, arendas Gerstl välja ainulaadse isikupärase stiili, mis ettekuulutas ekspressionismi keskendumist subjektiivsele kogemusele.
Umbes 1907. aastal sai Gerstl seotuks heliloojatega Arnold Schoenberg ja Alexander von Zemlinsky, kes elasid samas hoonet. Gerstli ja Schoenbergini vahel arenes lähedane sõprus, kus Gerstl toimis arusaatavalt ka kunstipettina. See periood nägi Gerstlil loodud portreidest koostuvat sarja Schoenbergist, tema perest ja sõpradest, sealhulgas mitmeid silmapaistvaid kujutusi Schoenbergini naist Mathildest. Gerstli ja Mathilde vahel puhkes kirelik armastus, mis lõppes 1908. aasta suvel Mathilde lahkumisega Schoenbergist. Olemasolevas kadunutsuses, isolatsioonis ja kunstilise tunnustuse puudumises, hävitas Gerstl oma isiklikud dokumendid ja teosed loovutusaktina. Seejärel tegistis ta endale peegli ees enesetapu, tekitades endale ka tapetava haav.
Gerstli enesetapul oli sügav mõju Schoenbergile, inspireerides tema muusikadrame Die glückliche Hand (Õnnelik käsi). Paljud aastad pärast tema surma jäid Gerstli töud suurelt tuntematuks. Alles 1930. või 1931. aastal korraldas kunstikaupmees Otto Kallir Viini Neue Galeris tema maalidide postumuse näituse. Vaatamata väljakutsetele, mida tõusnud natsism Austria territooriumil tekitas, kasvas Gerstli maine järkvalt ning tema tähtsus ekspressionismi eelkäija arvedena sai üha suuremat tunnustust. Täna atribuuteks on kirjas ligikaudu kuksikrapu maalid ja kaheks joonistust. Tema tööd tähistatakse tänapäeval innovaatilise portreetöö ja maalistuse eest ning tema tragiline elu jätkub kunstihuvilisi ja ajaloolaste arvedes võlustama. Gerstli pärand peitub tema pioneerlikus vaimus ja panuses uue kunstikeele loomises, mis eelistas emotsionaalset avaldust traditsioonilistest esteetikatest.
