Pompeo Batoni portree

100 kulubumatamatumat Pompeo Batoni maalist, millist on vaid üks

Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 164 teost Pompeo Batoni meie kataloogis

Lühidalt

Hercules at the Crossroads (detail) (1748) on Pompeo Batoni maalide kõige silmapaistvam teos; originaal kuulub museumi Liechtenstein Museum, Vienna. Pärast seda suunatakse pilk A Knight in Rome: Charles Cecil Roberts (1778) ja Gaetano II Sforza Cesarini, Duke of Segni (1768) suunas. Meie kataloogis olevatest Pompeo Batoni 164 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.

1708 – 1787, Lucca Neoclassicism Enamama teoseid: Uppark

Pompeo Batoni top 10 maalist galeriist vaatenurgast

1
Hercules at the Crossroads (detail) (1748) autor Pompeo Batoni

Hercules at the Crossroads (detail)

1748 · Oil On Canvas · Liechtenstein Museum, Vienna

To stand before a depiction such as Pompeo Batoni’s Hercules at the Crossroads is to be invited into a profound moment of human reckoning. This painting, dating from 1748, transcends mere portraiture or mythological illustration; it captures the very essence of decision-making—that fraught, beautiful space where potential futures diverge. The central figure, Hercules, is rendered not in the throes of battle, but in deep, almost agonizing contemplation. His posture, with…

2
A Knight in Rome: Charles Cecil Roberts (1778) autor Pompeo Batoni

A Knight in Rome: Charles Cecil Roberts

1778 · Oil On Canvas · Museo del Prado, Madrid

Pompeo Batoni’s “A Knight in Rome: Charles Cecil Roberts” stands as a quintessential embodiment of the Rococo artistic movement, capturing not merely a portrait but an entire atmosphere of refined grandeur and intellectual contemplation. Painted in 1778, this monumental canvas—measuring 221 x 157 cm—currently resides within the hallowed halls of the Museo del Prado in Madrid, Spain, ensuring its legacy continues to inspire awe and admiration.

3
Gaetano II Sforza Cesarini, Duke of Segni (1768) autor Pompeo Batoni

Gaetano II Sforza Cesarini, Duke of Segni

1768 · Oil On Canvas · National Gallery of Victoria, Melbourne

The gaze of Gaetano II Sforza Cesarini, Duke of Segni, meets the observer through this 1768 portrait by Pompeo Batoni. The sitter carries the weight of a significant lineage, appearing as the second son to survive to adulthood of Giuseppe Sforza. His presence in the frame reflects the prominence he held as a Papal politician throughout the 1750s and 1760s. Every detail of his bearing suggests a man deeply embedded…

4
Time Unveiling Truth (1742) autor Pompeo Batoni

Time Unveiling Truth

1742 · Oil · Art Institute of Chicago, Chicago

A Celestial Ascent of Allegory The air feels thick with the movement of a cosmic drama, a swirling ascent where the terrestrial and the divine collide. In this 1742 oil painting, figures rise through a luminous sky, their bodies caught in a rhythmic, upward surge that defies gravity. Drapery flows in heavy, silken waves, catching a light that seems to pour from the upper left, casting soft shadows across porcelain…

6
Alexander Gordon, 4th Duke of Gordon (1743 - 1827) (1764) autor Pompeo Batoni

Alexander Gordon, 4th Duke of Gordon (1743 - 1827)

1764 · Oil On Canvas · Scottish National Gallery, Edinburgh

Alexander Gordon, 4th Duke of Gordon, is presented in a formal grand manner portrait that emphasizes his status and connection to the natural world. He is positioned centrally within a landscape, his presence anchored by a large brown horse to his left and hunting dogs at his feet. The composition is vertical, drawing the eye from the upward gesture of his arm toward the sky. A saturated red frock coat…

7
John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile (1761) autor Pompeo Batoni

John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile

1761 · Oil On Canvas · Šoti Rahvusportreegalerii, Edinburgh

The Duke of Roxburghe occupies the center of the frame, a figure of quiet authority amidst a setting of classical grandeur. He sits with an upright, stately posture, his presence commanding the space through a combination of velvet and light. A heavy crimson cloak, deep and saturated, drapes around him, its texture suggesting the weight of fine velvet. The ermine fur at his collar provides a sharp, creamy contrast to…

8
Portrait of John Woodyeare (1750) autor Pompeo Batoni

Portrait of John Woodyeare

1750 · Oil On Canvas · Minneapolis Institute of Art, Minneapolis

The young man occupies the space with a quiet, commanding poise, his body turned slightly to create a sense of movement within the stillness. He is draped in the heavy, luxurious textures of the mid-eighteenth century, where deep forest green and crimson red collide against a dark, atmospheric background. Light falls across his features with a dramatic chiaroscuro effect, catching the soft sheen of his silk attire and the delicate,…

9
Peter Beckford (1740-1811), godsejer, Dorset. (1766) autor Pompeo Batoni

Peter Beckford (1740-1811), godsejer, Dorset.

1766 · Oil On Canvas · Statens Museum For Kunst, Kooberemaa

A full-length figure of Peter Beckford occupies the center-right of this vertical composition. He is depicted standing in a landscape, wearing a red frock coat with silver applications, paired with breeches and stockings. His pose is elegant, with one hand holding a paper and the other a walking stick. At his feet sits a small dog. To the left, a large stone pedestal provides a vertical counterweight to the subject.…

10
The Rotterdam tobacco trader Pieter Caarten (1778) autor Pompeo Batoni

The Rotterdam tobacco trader Pieter Caarten

1778 · Oil On Canvas · Museum Boijmans Van Beuningen, Rotterdam

Pieter Caarten, a thirty-seven-year-old tobacco merchant from Rotterdam, sits for this formal portrait in Rome in 1778. Captured in a three-quarter view, the subject gazes directly at the viewer with a reserved, serious expression. He is presented from the chest up, a composition that emphasizes his dignified posture and the material markers of his success. A powdered white wig frames a face rendered with smooth, precise transitions, while a subtle…

Pompeo Batoni kuulsad maalid, numbrid 11 kuni 100

11Hercules at the Crossroads (1748) autor Pompeo BatoniHercules at the Crossroads1748 · Liechtenstein Museum 12Hercules at the Crossroads (1742) autor Pompeo BatoniHercules at the Crossroads1742 · Palazzo Pitti 13Hercules at the Crossroads (1765) autor Pompeo BatoniHercules at the Crossroads1765 · Hermitage muuseum 14Sir Sampson Gideon and an unidentified companion (1767) autor Pompeo BatoniSir Sampson Gideon and an unidentified companion1767 · National Gallery of Victoria 15Peace and War (1776) autor Pompeo BatoniPeace and War1776 · Art Institute of Chicago 16Portrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831) (1780) autor Pompeo BatoniPortrait of Aleksandra née Lubomirska, Wife of Stanisław Potocki (1758–1831)1780 · Krakovi Riiklik Muuseum 17James Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont) (1753) autor Pompeo BatoniJames Caulfeild, fourth Viscount Charlemont (Later first Earl of Charlemont)1753 · Yale Center for British Art 18Peace and Justice (1745) autor Pompeo BatoniPeace and Justice1745 · Montreal Museum of Fine Arts 19The infant Hercules strangling serpents in his cradle (1743) autor Pompeo BatoniThe infant Hercules strangling serpents in his cradle1743 · Palazzo Pitti 20Samson and Delilah (1766) autor Pompeo BatoniSamson and Delilah1766 · Detroit Institute of Arts 21Atis and Galathea (1761) autor Pompeo BatoniAtis and Galathea1761 · Nationalmuseum 22Philip Metcalfe (1766) autor Pompeo BatoniPhilip Metcalfe1766 · National Portrait Gallery 23Portrait of John Rolle Walter, MP and landowner, Exeter (1753) autor Pompeo BatoniPortrait of John Rolle Walter, MP and landowner, Exeter1753 · Statens Museum For Kunst 24Saint Andrew (1741) autor Pompeo BatoniSaint Andrew1741 · Art Institute of Chicago 25Portrait of Duchess Sforza Cesarini  (d.1765) (1768) autor Pompeo BatoniPortrait of Duchess Sforza Cesarini (d.1765)1768 · Birmingham Museum and Art Gallery 26Portrait of Prince B. Kurakin (1782) autor Pompeo BatoniPortrait of Prince B. Kurakin1782 · Hermitage muuseum 27Allegory of the Arts (1740) autor Pompeo BatoniAllegory of the Arts1740 · Städel Museum 28Portrait of Cardinal Prospero Colonna di Sciarra (1750) autor Pompeo BatoniPortrait of Cardinal Prospero Colonna di Sciarra1750 · Walters Art Museum 29Portrait of Cardinal Jean-François Joseph de Rochechouart (1762) autor Pompeo BatoniPortrait of Cardinal Jean-François Joseph de Rochechouart1762 · Saint Louis Art Museum 30Portrait of Joseph Henry of Straffan (1750) autor Pompeo BatoniPortrait of Joseph Henry of Straffan1750 · Walters Art Museum 31Venus Presenting Aeneas with Armour Forged by Vulcan (1748) autor Pompeo BatoniVenus Presenting Aeneas with Armour Forged by Vulcan1748 · Liechtenstein Museum 32James Bruce of Kinnaird, 1730 - 1794. African explorer (1762) autor Pompeo BatoniJames Bruce of Kinnaird, 1730 - 1794. African explorer1762 · Šoti Rahvusportreegalerii 33George Legge, Viscount Lewisham (1778) autor Pompeo BatoniGeorge Legge, Viscount Lewisham1778 · Museo del Prado 34Thomas William Coke (1773) autor Pompeo BatoniThomas William Coke1773 · Holkham Hall 35Portrait of John Talbot, later 1st Earl Talbot (1773) autor Pompeo BatoniPortrait of John Talbot, later 1st Earl Talbot1773 · J. Paul Getty muuseum 36Christ in Glory with Saints Celsus, Julian, Marcionilla and Basilissa (1736) autor Pompeo BatoniChrist in Glory with Saints Celsus, Julian, Marcionilla and Basilissa1736 · J. Paul Getty muuseum 37Portrait of a man (1733) autor Pompeo BatoniPortrait of a man1733 38Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783) (1744) autor Pompeo BatoniPortrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783)1744 · National Gallery of Ireland 39Time Revealing Truth (1742) autor Pompeo BatoniTime Revealing Truth1742 · Rhode Island School of Design Museum of Art 40Christ Appearing to St. Ampelius (1742) autor Pompeo BatoniChrist Appearing to St. Ampelius1742 · Rhode Island School of Design Museum of Art 41Saint John the Evangelist (1741) autor Pompeo BatoniSaint John the Evangelist1741 · Basildon Park 42Saint Paul (1741) autor Pompeo BatoniSaint Paul1741 · Basildon Park 43God the Father and the Holy Spirit (1741) autor Pompeo BatoniGod the Father and the Holy Spirit1741 · Basildon Park 44Saint James the Less (1741) autor Pompeo BatoniSaint James the Less1741 · Basildon Park 45Saint Matthew (1741) autor Pompeo BatoniSaint Matthew1741 · Basildon Park 46Saint Philip (1741) autor Pompeo BatoniSaint Philip1741 · Basildon Park 47Saint Peter (1741) autor Pompeo BatoniSaint Peter1741 · Basildon Park 48Saint Thomas (1741) autor Pompeo BatoniSaint Thomas1741 · Basildon Park 49Maddalena penitente (1742) autor Pompeo BatoniMaddalena penitente1742 · Staatliche Kunstsammlungen Dresden 50Apollo, Euterpe and Urania (1741) autor Pompeo BatoniApollo, Euterpe and Urania1741 · Muzeum Palacu Króla Jana Iii w Wilanowie 51The Virgin of the Annunciation (1741) autor Pompeo BatoniThe Virgin of the Annunciation1741 52Apollon, Euterpe and Urania (1741) autor Pompeo BatoniApollon, Euterpe and Urania1741 53The Ecstasy of St Catherine of Siena (1743) autor Pompeo BatoniThe Ecstasy of St Catherine of Siena1743 · Museo Nazionale di Villa Guinigi 54Elector Carl Theodor of the Palatinate (1747) autor Pompeo BatoniElector Carl Theodor of the Palatinate1747 · Bavaria riiklikud maalidema kogumikud 55Pope Pius VI (1747) autor Pompeo BatoniPope Pius VI1747 · Bavaria riiklikud maalidema kogumikud 56A Lady of the Leeson Family as a Shepherdess (1751) autor Pompeo BatoniA Lady of the Leeson Family as a Shepherdess1751 · National Gallery of Ireland 57Presumed Portrait of the Marchesa Caterina Gabrielli as Diana (1751) autor Pompeo BatoniPresumed Portrait of the Marchesa Caterina Gabrielli as Diana1751 · National Gallery of Ireland 58Joseph Leeson, later 2nd Earl of Milltown (1730-1801) (1751) autor Pompeo BatoniJoseph Leeson, later 2nd Earl of Milltown (1730-1801)1751 · National Gallery of Ireland 59Study for "Antiochus and Stratonice" (1746) autor Pompeo BatoniStudy for "Antiochus and Stratonice"1746 · Cleveland Museum of Art 60Vulcan at his Forge (1750) autor Pompeo BatoniVulcan at his Forge1750 · Kanada Rahvusgalerii 61Purity of Heart (1752) autor Pompeo BatoniPurity of Heart1752 · Uppark 62Meekness (1752) autor Pompeo BatoniMeekness1752 · Uppark 63Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear (1751) autor Pompeo BatoniSarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear1751 · Uppark 64Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn (1751) autor Pompeo BatoniSir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) with Wreaths of Fruit and Corn1751 · Uppark 65Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana (1751) autor Pompeo BatoniSarah Lethieullier, Lady Fetherstonhaugh (1722-1788), as Diana1751 · Uppark 66Benjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears (1752) autor Pompeo BatoniBenjamin Lethieullier MP (1728/9-1797), with two Wild Boar Spears1752 · Uppark 67Sir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear (1751) autor Pompeo BatoniSir Matthew Fetherstonhaugh, 1st Bt, MP (1714-1774) as a Hunter with a Wild Boar Spear1751 · Uppark 68Katherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora (1751) autor Pompeo BatoniKatherine Durnford, later Mrs Utrick Fetherstonhaugh, as Flora1751 · Uppark 69The Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo (1751) autor Pompeo BatoniThe Reverend Utrick Fetherstonhaugh (1717/18-1788) as Apollo1751 · Uppark 70Lascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses (1751) autor Pompeo BatoniLascelles Raymond Iremonger (1718/19–1793) with Wreaths of Corn and Roses1751 · Uppark 71Francis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall) (1747) autor Pompeo BatoniFrancis Hutchinson (d. 1807) (traditionally called John Hatch of Lissen Hall)1747 · Hatchlands Park 72Portrait of Charles Eugene, Duke of Württemberg (1728-1793) (1755) autor Pompeo BatoniPortrait of Charles Eugene, Duke of Württemberg (1728-1793)1755 · Landesmuseum Württemberg 73Hercules at the Crossroads (1753) autor Pompeo BatoniHercules at the Crossroads1753 · Galleria Sabauda 74Vulcan in his Forge (1750) autor Pompeo BatoniVulcan in his Forge1750 75Aeneas fleeing from Troy (1750) autor Pompeo BatoniAeneas fleeing from Troy1750 · Galleria Sabauda 76Truth and Mercy (1745) autor Pompeo BatoniTruth and Mercy1745 · Montreal Museum of Fine Arts 77Portrait of a Gentleman (1762) autor Pompeo BatoniPortrait of a Gentleman1762 · Rhode Island School of Design Museum of Art 78Portrait of William Legge, Second Earl of Dartmouth (1756) autor Pompeo BatoniPortrait of William Legge, Second Earl of Dartmouth1756 · Hood Museum of Art 79Sir Robert Davers, 5th Bt (1729-1763), aged 21 (1756) autor Pompeo BatoniSir Robert Davers, 5th Bt (1729-1763), aged 211756 · Ickworth 80George Lucy (1714 – 1786) (1758) autor Pompeo BatoniGeorge Lucy (1714 – 1786)1758 · Charlecote Park 81Self portrait (1765) autor Pompeo BatoniSelf portrait1765 · Bavaria riiklikud maalidema kogumikud 82William Fermor (1758) autor Pompeo BatoniWilliam Fermor1758 · Museum of Fine Arts 83Edward, Duke of York (1739-67) (1764) autor Pompeo BatoniEdward, Duke of York (1739-67)1764 · Royal Collection 84Pope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul (1757) autor Pompeo BatoniPope Benedict XIV presenting the Encyclical 'Ex Omnibus' to the Comte de Stainville, later Duc de Choiseul1757 · Minneapolis Institute of Art 85The Crucifixion (1762) autor Pompeo BatoniThe Crucifixion1762 · Museum of Fine Arts 86Luigi Boccherini (1764) autor Pompeo BatoniLuigi Boccherini1764 · National Gallery of Victoria 87Portrait of Prince Abbondio Rezzonico as Senator of Rome (1765) autor Pompeo BatoniPortrait of Prince Abbondio Rezzonico as Senator of Rome1765 · Walters Art Museum 88portrait of a cardinal (1758) autor Pompeo Batoniportrait of a cardinal1758 89Academic Nude (1765) autor Pompeo BatoniAcademic Nude1765 90Elector Karl Theodor of the Palatinate (1775) autor Pompeo BatoniElector Karl Theodor of the Palatinate1775 · Bavaria riiklikud maalidema kogumikud 91Portrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799) (1775) autor Pompeo BatoniPortrait of Pope Pius VI, Giovanni Angelo Braschi (1717-1799)1775 · National Gallery of Ireland 92Edward Howard (1744–1767) (1766) autor Pompeo BatoniEdward Howard (1744–1767)1766 · Victoria and Albert Museum 93Bust-length portrait of Pope Clement XIII (1772) autor Pompeo BatoniBust-length portrait of Pope Clement XIII1772 · Gemäldegalerie Alte Meister im Schloss Wilhelmshöhe 94Alexander Stewart of Ards (1746-1791) (1773) autor Pompeo BatoniAlexander Stewart of Ards (1746-1791)1773 · Mount Stewart 95Self-portrait (1770) autor Pompeo BatoniSelf-portrait1770 96Robert Throckmorton (1750-1779) (1772) autor Pompeo BatoniRobert Throckmorton (1750-1779)1772 · Coughton Court 97The Right Hon. Sir John Parnell, 2nd Bt  (1744–1801) (1769) autor Pompeo BatoniThe Right Hon. Sir John Parnell, 2nd Bt (1744–1801)1769 · Castle Ward 98Study for the Portrait of Emperor Joseph II. (1769) autor Pompeo BatoniStudy for the Portrait of Emperor Joseph II.1769 · Slovaki Riiklik Kunstigaleri 99Portrait of John Corbet of Sundorne Castle, Shrewsbury (1773) autor Pompeo BatoniPortrait of John Corbet of Sundorne Castle, Shrewsbury1773 · Worcester Art Museum 100Portrait of Thomas Fortescue (1767) autor Pompeo BatoniPortrait of Thomas Fortescue1767

Pompeo Batoni kuulsaimad maalid ajastult ajastule

Teemad, mis püüdisid Pompeo Batoni pilma

Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.

Muuseumid, kus on säilitatud Pompeo Batoni originaalteosed

Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.

Muuseumid Linn Pompeo Batoni teosid Selle nimekirja maalid
UpparkUppark 11 Purity of Heart, Meekness, Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear
Basildon ParkBasildon Park 9 Saint John the Evangelist, Saint Paul, God the Father and the Holy Spirit
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 5 Portrait of Joseph Leeson, later 1st Earl of Milltown (1711-1783), A Lady of the Leeson Family as a Shepherdess, Presumed Portrait of the Marchesa Caterina Gabrielli as Diana
Bavaria riiklikud maalidema kogumikud, MünchenBavaria riiklikud maalidema kogumikud München 4 Elector Carl Theodor of the Palatinate, Pope Pius VI, Self portrait
Liechtenstein Museum, ViennaLiechtenstein Museum Vienna 4 Hercules at the Crossroads (detail), Hercules at the Crossroads, Venus Presenting Aeneas with Armour Forged by Vulcan
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 4 Time Unveiling Truth, Peace and War, Saint Andrew
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 3 Gaetano II Sforza Cesarini, Duke of Segni, Sir Sampson Gideon and an unidentified companion, Luigi Boccherini
Walters Art Museum, BaltimoreWalters Art Museum Baltimore 3 Portrait of Cardinal Prospero Colonna di Sciarra, Portrait of Joseph Henry of Straffan, Portrait of Prince Abbondio Rezzonico as Senator of Rome

Pompeo Batoni aastakatega: iga aastakannaga üks unikaalne originaal

Teosed aastakate kaupa

Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.

Pompeo Batoni maalid: küsimused galeriile

Mis on Pompeo Batoni kõige kuulsam teos?Paljasta vastus

Hercules at the Crossroads (detail) (1748), Liechtenstein Museum, Vienna. Järgnevad A Knight in Rome: Charles Cecil Roberts (1778) ja Gaetano II Sforza Cesarini, Duke of Segni (1768).

Mis vanuses luunud Pompeo Batoni teos Hercules at the Crossroads (detail)?Paljasta vastus

40 aastat vanus: teos Hercules at the Crossroads (detail) on pärinev aastast 1748 ning Pompeo Batoni sündis aastal 1708.

Millised on Pompeo Batoni kümneks kuulsumat maalatist?Paljasta vastus

Hercules at the Crossroads (detail), A Knight in Rome: Charles Cecil Roberts, Gaetano II Sforza Cesarini, Duke of Segni, Time Unveiling Truth, Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley, Alexander Gordon, 4th Duke of Gordon (1743 - 1827), John Ker, 3rd Duke of Roxburghe, 1740 - 1804. Bibliophile, Portrait of John Woodyeare, Peter Beckford (1740-1811), godsejer, Dorset. ja The Rotterdam tobacco trader Pieter Caarten. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.

Kui palju teoseid kunstniku Pompeo Batoni kohta on teada?Paljasta vastus

Meie kataloogist leiate 164 teost kunstnikult Pompeo Batoni, mis on pärinevad ajastust 1733 kuni 1785.

Kust saab näha kõige kuulsamaid Pompeo Batoni originaalteoseid?Paljasta vastus

Peamiselt Uppark, Basildon Park ja National Gallery of Ireland (Dublin) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.

Mille perioodi jooksul lõi Pompeo Batoni oma tuntumad maalid?Paljasta vastus

Ajal 1740s: 30 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Hercules at the Crossroads (detail).

Milline kuuls Pompeo Batoni maal on kõige varasem ja milline kõige hiljema?Paljasta vastus

Sellel lehel on kõige vanem teos Portrait of a man (1733) ja kõige värskeim Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley (1785).

Millist teemasid Pompeo Batoni eelistas?Paljasta vastus

Man (77), Woman (28) ja Dark background (16), kogu selle lehekülje 100 teose kohta.

Mida Pompeo Batoni kõige rohkem kasutas oma maalide nimiseks?Paljasta vastus

Oil On Canvas, 76 teoseks 100 töödelt sellel lehel.

Millisse toomangu kuulub Pompeo Batoni teos?Paljasta vastus

Neoclassicism, seda lähtudes selle lehe originaalteostest.

Mida Pompeo Batoni originaalte ma näen Uppark muuseumis?Paljasta vastus

Purity of Heart, Meekness ja Sarah Lethieullier, Lady Fetherstonhaugh (1722-1788), with the Branch of a Pear: Uppark säilitab 10 selle lehel olevat teost.

Pompeo Batoni: kunstniku portree

Varase elu ja õppimine

  • Sündinud: Lucca, Itaalia (1708)
  • Surnud: 1787
  • Pompeo Batoni kolis Rooma aastal 1727.
  • Ta õppis õpilasena Agostino Masuccil, Sebastiano Concail ja Francesco Imperialil.
  • Tema esimene iseseisva tellimus tuli pärast aprillikuud, mil Rooma lahkas tugevad vihmad aastal 1ARG32.
  • Maalits "Siena sveta Katariina ekstaas" illustreerib tema akadeemilist täpsust hilispariisi stiilis.

Kunstiline stiil ja mõjud

  • Batoni stiili said inspiratsiooniks klassikaline antiik, Prantsuse rokoko, Boloogna klassitsism ning kunstnikud nagu Nicolas Poussin, Claude Lorrain ja eriti Raphael.
  • Teda peetakse neoklassitsimi esialuseks.
  • Tema teoseid saab leida erinevatest muuseumidest, sealhulgas Itaalias Milanis asuvast Pinacoteca di Brerast.

Olulised teosed ja tellimused

  • Neitsi ja Laps pühadega
  • Rüütel Roomas: Charles Cecil Roberts – kuulus portree Briti reisist, mille taustal on Rooma varemed.
  • Venetsia triumf
  • Lennukad altarmaalid Itaalia kirikutesse, näiteks Sienas asuvasse Duomo muuseumi.
  • Tema portreemipidajate nõudlus oli suur, eriti Briti reisijate seas "Grand Tour" ajal, kes tellitasid portreid antiikses keskkonnas.

Areng ja ajalooline tähendus

  • Batoni sai Roomas väga populaarseks maalari pärast seda, kui tema rivaal Anton Raphael Mengs aastal 1761 Spanyolasse lahkus.
  • Ta sõrmekontaktidees Winckelmanniga ning ta püüdis oma maalides klassitsismi kontrollitud ja tasakaalustatud vormis hoida.
  • Tema portreed tabasid "Grand Tour" ajastu vaimu, peegeldades Euroopa eliidi kummardust klassikalisele antiikile.
  • Batoni võime ühendada barokk-tehnikad koosilmnevad neoklassikalised ideaalid tõi teda Itaalia kunstiajal üles üleminekufiguurina.

Pärand

  • Pompeo Batoni surmas 4. veebruaril 1787 Roomas.
  • Ta jättis endast maha pärandi kui ühe oma aja kuulsaima itaalse maalari.
  • Tema tööd on jätkuvalt imetlust väärivad tehnilise oskuse, elegantsete kompositsioonide ja sügavate iseloomuportreettide poolest, kus isikud on tugevalt seotud oma ajaloolise kontekstiga.