Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 83 teost Pietro Lorenzetti meie kataloogis
Lühidalt
Galleriist vaadatuna on Pietro Lorenzetti kõige kuulsam teos Madonna Enthroned with Angels (1340), mille originaal ripub Galleria degli Uffizi-is, Firenze. The Apostles Saint Andrew and Saint James the Lesser, with a Prophet (1328) ja Saint Mary Magdalene, with an Angel [left panel] (1340) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Pietro Lorenzetti 83 teose põhjal esitleb galeriis allpool 82 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
Pietro Lorenzetti's Madonna Enthroned with Angels, painted around 1340 in Siena, isn’t merely a depiction of the Virgin Mary and Child; it’s a profound meditation on faith, divine grace, and the nascent embrace of humanism within the heart of medieval Italy. This magnificent panel, now housed within the Uffizi Gallery in Florence, offers a captivating glimpse into the artistic landscape of its time – a period poised between the rigid…
Gold leaf forms a luminous, patterned sky behind the figures, its surface textured by delicate punchwork. This 14th-century tempera work on wood panel creates a shallow, sacred space. Two pointed arches, supported by a central pillar, frame the holy figures like windows into a celestial realm. At the summit, a smaller, elevated niche holds the bust of a Prophet, whose white scroll unfurls through the air. The light does not…
![Saint Mary Magdalene, with an Angel [left panel] (1340) autor Pietro Lorenzetti](/media/artworks/images-full/66/47/66478c5653f734a8328f140aaa90e075.jpg)
This tempera on wood panel, dating to 1340, presents a vertical composition within a pointed arch. The figure of Saint Mary Magdalene occupies the primary space, her presence defined by heavy, sculptural drapery and a steady, frontal gaze. Above her, a smaller angelic figure emerges from the apex of the arch, creating a hierarchical arrangement typical of the Sienese Gothic tradition. The use of gold leaf creates a luminous, non-spatial…
The composition unfolds within a tightly structured, compartmentalized architectural space. Arches and walls frame a central, intimate scene of religious vigil. A figure lies upon a bed, the focal point of the arrangement, surrounded by attendants who offer prayers and support. The scene is rendered with a degree of realism, capturing the heavy drapery of garments and the solemnity of the moment. Earthy tones of ochre, brown, and red dominate…
A Crowned Female Figure (Saint Elizabeth of Hungary?) is a work by Pietro Lorenzetti, dated 1334. This fragment of a fresco, once part of the border decoration in the chapter house of San Francesco in Siena, presents a solitary female figure. The subject is identified in various records as a female saint, with some interpretations suggesting the Annunciate Virgin or one of the Marys. The specific identity of Saint Elizabeth…
This fresco fragment, dating to 1334, presents the upper torso and head of a female figure, likely a saint, rendered in a style characteristic of the Sienese school. The subject is positioned diagonally across the irregular, broken edges of the plaster. A muted palette of ochre, beige, cream, and soft browns defines the composition, with subtle traces of pale blue or grey appearing in the folds of the drapery. The…
The Virgin Mary sits upon an ornate, patterned cushion, her presence anchored by the weight of deep ultramarine blue. She holds the Christ Child, a small figure of divine gravity amidst a sea of gold leaf. Around them, the air is thick with the presence of the sacred. Angels lean in with rhythmic folds of drapery, their forms caught in a shallow, tiered arrangement that suggests a heaven pressing close…
To stand before Pietro Lorenzetti’s depiction of Beata Umiltà Transports Bricks to the Monastery is to step directly across the threshold into the profound spiritual atmosphere of 14th-century Siena. This painting is not merely a record of an event; it is a meditation on piety, humility, and the quiet dignity found in service. The composition immediately draws the eye into a narrative unfolding within a modest, yet architecturally defined, urban…
The air feels heavy with a sacred, suspended tension as the scene unfolds against a shimmering expanse of gold leaf. At the center of this celestial stage, the figure of Christ hangs upon the cross, his body slumped in the heavy, visceral reality of suffering. The light does not fall from a sun, but seems to emanate from the very background, casting a symbolic glow over the unfolding tragedy. Around…
To stand before this depiction of The Approval of the New Carmelite Habit by Pope Honorius IV is to step directly into the vibrant, deeply spiritual atmosphere of early Quattrocento Siena. Pietro Lorenzetti masterfully captures a moment charged with both solemn ritual and profound communal affirmation. The scene unfolds within an interior space, richly populated by figures whose collective presence speaks volumes about devotion and institutional growth. One can almost…
The Miracle of the Ice1341 · Berliini Riigimuseumid
12
Predella panel: The Pope Issues a Bull to a Carmelite Delegation1328 · Pinacoteca Nazionale
13
Madonna and Child (detail of a polyptych)1320 · Pieve di Santa Maria
14
The Capture of Christ (detail)1320
15
Crucifix1320 · Museo Diocesano
16
Crucifix (detail)1320 · Museo Diocesano
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Crucifix (detail)1320 · Museo Diocesano
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Crucifix (detail)1320 · Museo Diocesano
19![Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels [entire triptych] (1340) autor Pietro Lorenzetti](/media/artworks/images-thumb/3d/b2/3db2db25071f0fe2d52a1cd83eb9e8ff.jpg)
Madonna and Child with the Blessing Christ, and Saints Mary Magdalene and Catherine of Alexandria with Angels [entire triptych]1340
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Shaped Cross1325 · Museo Diocesano
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Predella panel: St Albert Presents the Rule to the Carmelites1328 · Pinacoteca Nazionale
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Predella panel: The Annunciation to Sobac1328 · Pinacoteca Nazionale
23
Predella panel: Hermits at the Fountain of Elijah1328 · Pinacoteca Nazionale
24![Madonna and Child, with the Blessing Christ [middle panel] (1340) autor Pietro Lorenzetti](/media/artworks/images-thumb/77/88/7788e6d9fa683a3079c17a71c8d4ef6c.jpg)
Madonna and Child, with the Blessing Christ [middle panel]1340 · National Gallery of Art
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The Birth of Mary1342 · Museo dell'Opera del Duomo
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Madonna with Angels between St Nicholas and Prophet Elijah1328 · Pinacoteca Nazionale
27
Virgin and Child1340 · Lindenau-Museum
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View of the south transept1320
29
Man of Sorrow1340 · Lindenau-Museum
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The Adoration of the Magi
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Assisi crucifixion Crucifixion
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Saint Sabinus before the Governor of TuscanyNational Gallery
33![Saint Catherine of Alexandria, with an Angel [right panel] autor Pietro Lorenzetti](/media/artworks/images-thumb/94/49/944909e210d0e046b6efe42c94e5fb63.jpg)
Saint Catherine of Alexandria, with an Angel [right panel]National Gallery of Art
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Man of Sorrow1330 · Lindenau-Museum
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A Female Saint (Fragment)Harvard Art Museums
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A Female Saint (Fragment)Harvard Art Museums
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Virgin and Child Enthroned and Donor, AngelsPhiladelphia Museum of Art
38
Elisha's well
39
Deposition
40
Assisi-arch-Deposition of Christ from the Tomb
41
Assisi-crucifixion-Crucifixion (detail)4
42
Assisi-vault-Entry of Christ into Jerusalem (detail)2
43
Assisi-vault-Flagellation of Christ (detail)
44
Assisi-crucifixion-Crucifixion (detail)2
45
AssisiPanoramic view of the frescoes
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Assisi-vault-Entry of Christ into Jerusalem (detail)
47
Assisi-arch-Stigmata of St Francis (detail)
48
Assisi-crucifixion-Crucifixion (detail)
49
Assisi-crucifixion-Madonna with St Francis and St John the Evangelist
50
Assisi-vault-The Road to Calvary (detail)
51
St. Sabinus Before the Governor, detail, -
52
Assisi-crucifixion-Crucifixion (detail)3
53
Assisi-crucifixion-Crucifixion (detail)5
54
The CrucifixionMetropolitan Museum of Art
55
Annunciation
56
Saint Margaret or Agatha1315 · Musée de Tessé
57
Madonna and Child
58
The birth of Mary, 1342, Museo dell'OperaMuseo dell'Opera della Metropolitana
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Monticchiello Altarpiece1315 · Musée de Tessé
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Madonna di Monticchiello1315
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Mary with child and saints1327 · Pinacoteca Nazionale
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Virgin Enthroned with Child and Four Angels1320 · Museo Diocesano
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Three Saints1315 · Museo Horne
64
Judas hanged1310
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Crucifixion of Christ1336
66
Risen Christ1336 · Museo dell'Opera della Metropolitana
67
Madonna Col Bambino Fra Otto Angeli
68
Assisi arch Resurrection
69
Assisi-arch-Descent into Limbo
70
Saint Catherine of AlexandriaMetropolitan Museum of Art
71
Assisi-vault-The Washing of the Feet
72
Assisi-vault-The Road to Calvary
73
Assisi-arch-Painted architecture
74
Assisi arch Entombment
75
Assisi-vault-Entry of Christ into Jerusalem
76
Assisi-arch-Madonna and Child with St Francis and St John the Baptist
77
Assisi-vault-The Last Supper
78
Assisi-arch-Stigmata of St Francis
79
Assisi-vault-Flagellation of Christ
80
Deposition of Christ from the Cross 1
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Assisi-vault-The Capture of Christ
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Adoration of the Magi1340 · Louvre'i muuseum
#2 The Apostles Saint Andrew and Saint James the Lesser, with a Prophet
![Saint Mary Magdalene, with an Angel [left panel] (1340), Pietro Lorenzetti](/media/artworks/images-thumb/56/70/567081333697abce62276a169dde6184.jpg)
#3 Saint Mary Magdalene, with an Angel [left panel]
#5 A Crowned Female Figure (Saint Elizabeth of Hungary?)
#6 A Female Saint in Yellow
#7 Enthroned Mary with the Child, Adoring Angels and the Saints Paul, John the Evangelist, John the Baptist and Peter
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Pietro Lorenzetti teosid | Selle nimekirja maalid |
|---|---|---|---|
 Pinacoteca Nazionale |
Siena | 7 | Predella panel: The Approval of the New Carmelite Habit by Pope Honorius IV, Predella panel: The Pope Issues a Bull to a Carmelite Delegation, Predella panel: St Albert Presents the Rule to the Carmelites |
 Museo Diocesano |
Cortona | 6 | Crucifix, Crucifix (detail), Crucifix (detail) |
 National Gallery of Art |
Washington | 3 | Saint Mary Magdalene, with an Angel [left panel], Madonna and Child, with the Blessing Christ [middle panel], Saint Catherine of Alexandria, with an Angel [right panel] |
 National Gallery |
London | 3 | A Crowned Female Figure (Saint Elizabeth of Hungary?), A Female Saint in Yellow, Saint Sabinus before the Governor of Tuscany |
 Harvard Art Museums |
Cambridge | 3 | Christ on the Cross with the Virgin and Saints Clare, John the Evangelist, and Francis, A Female Saint (Fragment), A Female Saint (Fragment) |
 Lindenau-Museum |
Altengau | 3 | Virgin and Child, Man of Sorrow, Man of Sorrow |
 Galleria degli Uffizi |
Firenze | 2 | Madonna Enthroned with Angels, Beata Umiltà Transports Bricks to the Monastery |
 Berliini Riigimuseumid |
Berliin | 2 | Beata Umiltà Heals a Sick Nun, The Miracle of the Ice |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Gold leaf forms a luminous, patterned sky behind the figures, its surface textured by delicate punchwork. This 14th-century tempera work on wood panel creates a shallow, sacred space. Two pointed arches, supported by a central pillar, frame the holy figures like windows into a celestial realm. At the summit, a smaller, elevated niche holds the bust of a Prophet, whose white scroll unfurls through the air. The light does not…
A Crowned Female Figure (Saint Elizabeth of Hungary?) is a work by Pietro Lorenzetti, dated 1334. This fragment of a fresco, once part of the border decoration in the chapter house of San Francesco in Siena, presents a solitary female figure. The subject is identified in various records as a female saint, with some interpretations suggesting the Annunciate Virgin or one of the Marys. The specific identity of Saint Elizabeth…
Pietro Lorenzetti's Madonna Enthroned with Angels, painted around 1340 in Siena, isn’t merely a depiction of the Virgin Mary and Child; it’s a profound meditation on faith, divine grace, and the nascent embrace of humanism within the heart of medieval Italy. This magnificent panel, now housed within the Uffizi Gallery in Florence, offers a captivating glimpse into the artistic landscape of its time – a period poised between the rigid…
Madonna Enthroned with Angels (1340), Galleria degli Uffizi, Firenze. Järgnevad The Apostles Saint Andrew and Saint James the Lesser, with a Prophet (1328) ja Saint Mary Magdalene, with an Angel [left panel] (1340).
60 aastat vanus: teos Madonna Enthroned with Angels on pärinev aastast 1340 ning Pietro Lorenzetti sündis aastal 1280.
Madonna Enthroned with Angels, The Apostles Saint Andrew and Saint James the Lesser, with a Prophet, Saint Mary Magdalene, with an Angel [left panel], Beata Umiltà Heals a Sick Nun, A Crowned Female Figure (Saint Elizabeth of Hungary?), A Female Saint in Yellow, Enthroned Mary with the Child, Adoring Angels and the Saints Paul, John the Evangelist, John the Baptist and Peter, Beata Umiltà Transports Bricks to the Monastery, Christ on the Cross with the Virgin and Saints Clare, John the Evangelist, and Francis ja Predella panel: The Approval of the New Carmelite Habit by Pope Honorius IV. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 83 teost kunstnikult Pietro Lorenzetti, mis on pärinevad ajastust 1310 kuni 1345.
Peamiselt Pinacoteca Nazionale (Siena), Museo Diocesano (Cortona) ja National Gallery of Art (Washington) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1320s: 18 82 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The Apostles Saint Andrew and Saint James the Lesser, with a Prophet.
Sellel lehel on kõige vanem teos Judas hanged (1310) ja kõige värskeim Enthroned Mary with the Child, Adoring Angels and the Saints Paul, John the Evangelist, John the Baptist and Peter (1345).
Buildings (15), Woman (13) ja Gold background (9), kogu selle lehekülje 82 teose kohta.
Tempera On Panel, 16 teoseks 82 töödelt sellel lehel.
Proto-renaissance, seda lähtudes selle lehe originaalteostest.
Predella panel: The Approval of the New Carmelite Habit by Pope Honorius IV, Predella panel: The Pope Issues a Bull to a Carmelite Delegation ja Predella panel: St Albert Presents the Rule to the Carmelites: Pinacoteca Nazionale, Siena säilitab 7 selle lehel olevat teost.
Pietro Lorenzetti (u 1280 – 1348) seisab Sienese kunsti võtmetegelaskuna, tähistades sügavat üleminekut gootiline formalismist varajase renessanssi kasvavate humanistlike idealideni. Sündides umbes 1280. aastal Sienas, avardus Lorenzetti kunstiline teekond Toskaana olulise intellektule ja kunstilise transformatsiooni ajastul. Kuigi biograafilised üksikasjad on ebenso hämarad kui varjud hämardavas freskos – mis on oma ajastu kunstnike puhul tavaline probleem –, viitab akadeemiline konsensus Duccio di Buoninsegna, Siense tunnustatud meistri, ning Simone Martini vormistavatele mõjudele. Viimastri peen stiil kujundas sügavalt Lorenzetti esteetilist tundlikkust ning tõendid viitavad, et ta arendas oma meisterlikkust koos Martini, omastades tähelepanu detailidele ja ekspressiivse värvikasutuse, mis kujunes tema täiskasvanud loovtöö kaubamärgiks.
Lorenzetti kunstiline stiil eristub märkimisväärse kolmi维度 ruumilise paigutuse omadusega, olles omakui ette teatis Giotto di Bondone sarnasate kunstnike murdilistele uuendustele. Erinevalt keskiaja kõrgetest dekoratiivsetest ja tasalistatud traditsioonidest püüdis Lorenzetti vaatajat pühese loo sisse tõmbada. Tema maalid kasutasid sageli luminööset värvipaletti, eelistades naturalismist ja edastades sügavat emotsionaalset tähendust. See lähenemine keskendus inimkoguemuse olemuse ääris täpsusega, peegeldades humanistlikku vaimu, mis levis üle Euroopa. Infuseerides religioosset ikonograafiat materiaalse kaalukuse ja psühholoogilise kohalolu tunnetega, lõi ta sild jumaliku ja maalisteva vahel.
Lorenzetti teoselup laius paljastab kunstniku, kes suudab olla nii intiimne kui ka monumentaalne. Tema kujutused Neitsist ja Lapsest toimivad rahustavate meditaatitudena äitlikkusest ja jumalalikust armust, kasutades sooja värvipaletti vaikse püehävuslikkuse loomiseks. Nendes teostes on Maarja ja Jeesuse side kujutatud pehmelt ja inimlikult lähedalt, kutsumates uskliku isiklikku imetlushetki sisse. Vastupidi, tema võime hallata skalaari ja dramaatikat on selgelt nähtav palju traagilamatest teemadest. Tema Ristilüümituse koled ja kujutlused nagu Kurb inimene pakuvad teravat ja viskeraalset kannatuse ning ohvriandesuse portreeda, kasutades teravaid kontraste ja emotiivseid žeste, et vaataja hinge liigutada.
Lisaks üksikutele kujunditele ernevalt, teastas Lorenzetti keerulistes narratiivsetes kompositsioonides, kus arhitektiline sügavus teenis teoloogiliste lugude jutustamist. Tema Magid imetlevad Neitsit on klassikaline proto-renessanssi meistriteos, mis näitab biblise austuse kirevat stseenit, täidetuna hämmastavate detailide ja rikkate juveliirilaadsete värvidega. Lisaks sellele on tema monumentaalsed freskod, nagu Viimane pagutus, võimsalt teadlikud keerukatest teoloogilistest kontseptsioonidest läbi dramaatilise visuaalse jutustamise, kasutades meediumi laadust, et ülevaldada ja inspireerida vaatajat jumaliku õigluse suurepärasusega.
Pietro Lorenzetti ajaloolist tähtsust ei saa ümarate sõnadega väljendada. Ta ei olnud pelgalt Siense meistrite järglane, vaid renessantsi revolutsiooni eelseis. Tema hoolikas looduse observatsioon koos areneva arusaamaga inimemotioonidest ja ruumilisest sügavusest kinnitas teda kui Siense kunstipärandi nurgakiviks. Tema mõju ulatus kaugele Sienese mullide taha, inspireerides järgmisi kunstnikugeneratsioone pursuitima maailma loomulikumat ja psühholoogiliselt keerukamat esitust.
Tema töö kaudu on meile nähtavad järgmised püsivad panused kunstilo history:
