Portrait of Newell Convers Wyeth

The 100 Most Famous Newell Convers Wyeth Paintings, Each One of a Kind

Updated oktoober 2026 · ranked by our popularity score (searches, visits and orders for each work) · 280 works by Newell Convers Wyeth in our catalogue

In short

The Giant is the Newell Convers Wyeth painting that draws the most eyes. After it, the eye goes to The Governor, Infuriated by the Attack Upon Him, Thundered Stand Where You Are, or, on My Oath, My Men Shall Cut You Down (1929) and heidi (1940). Among the 280 works of Newell Convers Wyeth in our catalog, these 100 are the most famous, each a unique original presented with its year, its museum and the reason it endures.

1882 – 1945, Needham Regionalism Most works: Brandywine Museum of Art

Top 10 paintings by Newell Convers Wyeth, through the gallery's eye

1
The Giant by Newell Convers Wyeth

The Giant

Oil

The painting The Giant is a masterpiece created by the renowned American artist, N.C Wyeth. Born in 1882, N.C Wyeth was an illustrator and painter who gained fame for his works depicting scenes from classic literature and historical events. His style is characterized by vivid colors, dramatic lighting, and strong narrative quality. The Artist's Background N.C Wyeth was a prominent figure in the American art scene during the early 20th…

2
The Governor, Infuriated by the Attack Upon Him, Thundered Stand Where You Are, or, on My Oath, My Men Shall Cut You Down (1929) by Newell Convers Wyeth

The Governor, Infuriated by the Attack Upon Him, Thundered Stand Where You Are, or, on My Oath, My Men Shall Cut You Down

1929 · Oil On Canvas

The air in the room feels heavy, thick with the scent of old wood and the metallic tang of unsheathed steel. A long dining table stretches across the center, a wooden stage for a sudden eruption of fury. Figures crowd the space, their bodies leaning into a storm of words and gestures. Shadows stretch long and deep across the stone walls, cast by the flickering light of overhead chandeliers. Every…

4
We Must Be in The Dungeons, Dick Remarked (1916) by Newell Convers Wyeth

We Must Be in The Dungeons, Dick Remarked

1916 · Oil On Canvas

We Must Be in The Dungeons, Dick Remarked is an oil on canvas work by N.C. Wyeth, executed in 1916. This piece functions as a narrative illustration for the novel The Black Arrow: A Tale of the Two Roses. The composition captures a specific moment of tension as Dick Shelton descends into a dungeon via a steep set of stone steps.

5
In the Council Lodge (1919) by Newell Convers Wyeth

In the Council Lodge

1919 · Oil

The scene unfolds within the quiet, shadowed confines of a gathering space in 1919. In this work, titled In the Council Lodge, N.C. Wyeth captures a moment of profound stillness and communal purpose. The air seems to hold the weight of unspoken words as Native American men occupy the lodge, their presence filling the space with a sense of gravity and tradition.

Newell Convers Wyeth's famous paintings, numbers 11 to 100

11Mending Traps, Martinsville, Maine (1934) by Newell Convers WyethMending Traps, Martinsville, Maine1934 12Thanksgiving with Indians (1940) by Newell Convers WyethThanksgiving with Indians1940 · Brandywine Museum of Art 13I had met my equal by Newell Convers WyethI had met my equal 14Beginning of the American Union Washington Salutes the Flag as He Takes Command of the Continental Army at Cambridge, 1775 by Newell Convers WyethBeginning of the American Union Washington Salutes the Flag as He Takes Command of the Continental Army at Cambridge, 1775 15The Great Blue Heron by Newell Convers WyethThe Great Blue Heron 16The Dance Of The Whooping Cranes by Newell Convers WyethThe Dance Of The Whooping Cranes 17Come, Live With Us, For I Think Thou Art Chosen by Newell Convers WyethCome, Live With Us, For I Think Thou Art Chosen 18Moving Camp (1908) by Newell Convers WyethMoving Camp1908 · Museum of Fine Arts 19"The eight miners followed the treacherous trail cautiously, the wind whipping the red and blue into their faces." (1906) by Newell Convers Wyeth"The eight miners followed the treacherous trail cautiously, the wind whipping the red and blue into their faces."1906 · Brandywine Museum of Art 20And Sarched For 'em Far And Near by Newell Convers WyethAnd Sarched For 'em Far And Near 21Attack On The Stockade by Newell Convers WyethAttack On The Stockade 22Think What Might Happen If It Was Not Protected By Those Hills by Newell Convers WyethThink What Might Happen If It Was Not Protected By Those Hills 23Illustration For Drums by Newell Convers WyethIllustration For Drums 24untitled (4813) by Newell Convers Wyethuntitled (4813) 25untitled (996) by Newell Convers Wyethuntitled (996) 26untitled (6365) by Newell Convers Wyethuntitled (6365) 27untitled (8618) by Newell Convers Wyethuntitled (8618) 28untitled (7516) by Newell Convers Wyethuntitled (7516) 29untitled (1699) by Newell Convers Wyethuntitled (1699) 30untitled (4393) by Newell Convers Wyethuntitled (4393) 31untitled (6855) by Newell Convers Wyethuntitled (6855) 32The Duck Hunt by Newell Convers WyethThe Duck Hunt 33Gavotte by Newell Convers WyethGavotte 34untitled (3048) by Newell Convers Wyethuntitled (3048) 35untitled (2963) by Newell Convers Wyethuntitled (2963) 36Rubber From The Jungle To The World by Newell Convers WyethRubber From The Jungle To The World 37The Youth. Master by Newell Convers WyethThe Youth. Master 38The Frontiersman by Newell Convers WyethThe Frontiersman 39The Husking Bee by Newell Convers WyethThe Husking Bee 40At First, For Some Time, I Was Not Able To Answer Him One Word by Newell Convers WyethAt First, For Some Time, I Was Not Able To Answer Him One Word 41And Thus I Every Now And Then Took A Little Voyage Upon The Sea by Newell Convers WyethAnd Thus I Every Now And Then Took A Little Voyage Upon The Sea 42I Thank Him For The Knowledge That- I Shall Not Tell by Newell Convers WyethI Thank Him For The Knowledge That- I Shall Not Tell 430 by Newell Convers Wyeth0 44sir launcelot by Newell Convers Wyethsir launcelot 45untitled (2201) by Newell Convers Wyethuntitled (2201) 46Ringing Out Liberty by Newell Convers WyethRinging Out Liberty 47untitled (9924) by Newell Convers Wyethuntitled (9924) 48Carvers Of The Sphinx by Newell Convers WyethCarvers Of The Sphinx 49untitled (2876) by Newell Convers Wyethuntitled (2876) 50And Then He Kneeled Down Again, Kissed The Ground, And Taking Me By The Foot, Set My Foot Upon His Head by Newell Convers WyethAnd Then He Kneeled Down Again, Kissed The Ground, And Taking Me By The Foot, Set My Foot Upon His Head 51One January Afternoon by Newell Convers WyethOne January Afternoon 52It Was Such A Warm Little House, There,' Said She, Huskily by Newell Convers WyethIt Was Such A Warm Little House, There,' Said She, Huskily 53The Moose Hunters by Newell Convers WyethThe Moose Hunters 54The Cowboy's Life by Newell Convers WyethThe Cowboy's Life 55Adventurers by Newell Convers WyethAdventurers 56Dawn Of The Open Season by Newell Convers WyethDawn Of The Open Season 57I Reaped It My Way, For I Cut Nothing Off But The Ears, And Carried It Away In A Great Basket Which I Had Made by Newell Convers WyethI Reaped It My Way, For I Cut Nothing Off But The Ears, And Carried It Away In A Great Basket Which I Had Made 58We're On Our Way by Newell Convers WyethWe're On Our Way 59Sure, It's Professor Grid To The Life! by Newell Convers WyethSure, It's Professor Grid To The Life! 60the white company by Newell Convers Wyeththe white company 61Odysseus And Calypso by Newell Convers WyethOdysseus And Calypso 62Sweet Land Of Liberty by Newell Convers WyethSweet Land Of Liberty 63They Took Their Wives With Them On Their Cruises by Newell Convers WyethThey Took Their Wives With Them On Their Cruises 64The Story Of Salt by Newell Convers WyethThe Story Of Salt 65Louise Loved To Climb To The Summit On One Of The Barren Hills Flanking The River, And Stand There While The Wind Blew by Newell Convers WyethLouise Loved To Climb To The Summit On One Of The Barren Hills Flanking The River, And Stand There While The Wind Blew 66Gathering Maple Sap by Newell Convers WyethGathering Maple Sap 67Pioneers - The Opening Of The Prairies by Newell Convers WyethPioneers - The Opening Of The Prairies 68Lumber by Newell Convers WyethLumber 69The Man of Wales by Newell Convers WyethThe Man of Wales 70Captain Smollet Defies the Mutineers (1911) by Newell Convers WyethCaptain Smollet Defies the Mutineers1911 71two knights dueling (1917) by Newell Convers Wyethtwo knights dueling1917 72The Boy Columbus on the Wharf at Genoa (The Vision of Columbus) (1917) by Newell Convers WyethThe Boy Columbus on the Wharf at Genoa (The Vision of Columbus)1917 73The Deacon and Parson Skeeters In the tail of a game of Draw (Draw Poker The Poker Players) (1912) by Newell Convers WyethThe Deacon and Parson Skeeters In the tail of a game of Draw (Draw Poker The Poker Players)1912 74pyles barn (1921) by Newell Convers Wyethpyles barn1921 75Elizabeth and Essex, untitled headpiece illustration (1928) by Newell Convers WyethElizabeth and Essex, untitled headpiece illustration1928 · Brandywine Museum of Art 76untitled (6592) by Newell Convers Wyethuntitled (6592) 77The Savage Gave the Yell (1927) by Newell Convers WyethThe Savage Gave the Yell1927 78The Hurricane (1935) by Newell Convers WyethThe Hurricane1935 79River of Sleep (1937) by Newell Convers WyethRiver of Sleep1937 80Ramona (Ramona and Alessandro on the narrow trail) (1939) by Newell Convers WyethRamona (Ramona and Alessandro on the narrow trail)1939 81The Lobsterman (The Doryman) (1944) by Newell Convers WyethThe Lobsterman (The Doryman)1944 · Metropolitan Museum of Art 82buttonwood farm (1920) by Newell Convers Wyethbuttonwood farm1920 · Reading Public Museum 83Black Spruce Ledge by Newell Convers WyethBlack Spruce Ledge 84Indian Love Call by Newell Convers WyethIndian Love Call 85Life Mask Of John Keats by Newell Convers WyethLife Mask Of John Keats 86Smokey Face by Newell Convers WyethSmokey FaceBrigham Young University Museum of Art 87untitled (4675) by Newell Convers Wyethuntitled (4675) 88untitled (2617) by Newell Convers Wyethuntitled (2617) 89untitled (1164) by Newell Convers Wyethuntitled (1164) 90untitled (6464) by Newell Convers Wyethuntitled (6464) 91untitled (4059) by Newell Convers Wyethuntitled (4059) 92untitled (1855) by Newell Convers Wyethuntitled (1855) 93untitled (1734) by Newell Convers Wyethuntitled (1734) 94The Moose Call by Newell Convers WyethThe Moose Call 95untitled (5364) by Newell Convers Wyethuntitled (5364) 96untitled (8870) by Newell Convers Wyethuntitled (8870) 97untitled (3858) by Newell Convers Wyethuntitled (3858) 98untitled (6808) by Newell Convers Wyethuntitled (6808) 99untitled (894) by Newell Convers Wyethuntitled (894) 100untitled (8195) by Newell Convers Wyethuntitled (8195)

The subjects that held Newell Convers Wyeth's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Newell Convers Wyeth's originals

The 6 museums that hold the most of the paintings on this page.

Museum City Works by Newell Convers Wyeth Paintings from this list
Brandywine Museum of Art, Delaware CountyBrandywine Museum of Art Delaware County 3 Thanksgiving with Indians, "The eight miners followed the treacherous trail cautiously, the wind whipping the red and blue into their faces.", Elizabeth and Essex, untitled headpiece illustration
Museum of Fine Arts, HoustonMuseum of Fine Arts Houston 2 Sheep Herder, Moving Camp
Delaware Art MuseumDelaware Art Museum 1 Stand away from that girl!
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 The Lobsterman (The Doryman)
Reading Public Museum, ReadingReading Public Museum Reading 1 buttonwood farm
Brigham Young University Museum of Art, ProvoBrigham Young University Museum of Art Provo 1 Smokey Face

Newell Convers Wyeth across the decades: one unique original for each

Works per decade

Pick a decade to see the original that defines it.

Newell Convers Wyeth's paintings: questions for the gallery

What is the single most famous work of Newell Convers Wyeth?Reveal the answer

The Giant. The Governor, Infuriated by the Attack Upon Him, Thundered Stand Where You Are, or, on My Oath, My Men Shall Cut You Down (1929) and heidi (1940) come next.

Which ten paintings by Newell Convers Wyeth are the most famous?Reveal the answer

The Giant, The Governor, Infuriated by the Attack Upon Him, Thundered Stand Where You Are, or, on My Oath, My Men Shall Cut You Down, heidi, We Must Be in The Dungeons, Dick Remarked, In the Council Lodge, The Cowboy's Life, Roping Horses in the Corral, Sheep Herder, Stand away from that girl! and Ayrton's Fight With The Pirates. The ranking above gives each one's year and museum.

How many works by Newell Convers Wyeth are known?Reveal the answer

Our catalog holds 280 works by Newell Convers Wyeth, dated from 1904 to 1944.

Where can the most famous Newell Convers Wyeth originals be seen?Reveal the answer

Mostly in Brandywine Museum of Art (Delaware County), Museum of Fine Arts (Houston) and Delaware Art Museum. The museum table above lists them all.

During which period did Newell Convers Wyeth create the best-known paintings?Reveal the answer

In 1910s: 8 of the 100 works on this page were made then, We Must Be in The Dungeons, Dick Remarked among them.

Which famous Newell Convers Wyeth painting is the earliest, and which the latest?Reveal the answer

On this page, the earliest is Roping Horses in the Corral (1904) and the latest The Lobsterman (The Doryman) (1944).

What subjects did Newell Convers Wyeth favour?Reveal the answer

Landscape (6), American west (5) and American art (5), across the 100 works on this page.

What materials did Newell Convers Wyeth paint with most?Reveal the answer

Oil On Canvas, for 3 of the 100 works on this page.

Which movement does the work of Newell Convers Wyeth belong to?Reveal the answer

Regionalism and Contemporary realism, judging by the originals on this page.

What Newell Convers Wyeth originals can I see at the Brandywine Museum of Art?Reveal the answer

Thanksgiving with Indians, "The eight miners followed the treacherous trail cautiously, the wind whipping the red and blue into their faces." and Elizabeth and Essex, untitled headpiece illustration: the Brandywine Museum of Art, Delaware County holds 3 of the works on this page.

Where can I order a hand-painted Newell Convers Wyeth reproduction?Reveal the answer

Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.

Newell Convers Wyeth: a portrait of the artist

Ameerika Realismi Pärand: N.C. Wyethi Elu ja Kunst

Newell Convers Wyeth, sündinud 22. oktoobril 1882. aastal Massachusettsi osariigis Needhamis, kerkis esile Ameerika illustratsiooni kuldajastul. Tema lugu ei ole pelgalt kunstilise andekuse oma, vaid sügava seose maa ja loodusega, narratiivi austamise ning järjekindla pühendumise jäädvustamise vaimule Ameerikas kiire muutuste perioodil. Alates varasest lapsepõlvest perekonna farmis arendas Wyeth teravat tähelepanuvõimet ja armastust loodusmaailma vastu – omadused, mis sügavalt mõjutaksid tema kunstilist visiooni. Kuigi isa julgustas teda praktilisemaid tegevusi tegema, oli ema see, kes kasvatas tema õitsvat talenti, tunnistades sisemise kingituse, mis nõudis väljendust. See varajane toetus osutus otsustavaks, viies ta formaalsele koolitusele Mechanics Arts Schoolis ja hiljem Massachusetts Normal Art Schoolis, kus talle soovitati omandada illustratsiooni teed. Tema järgnevad õpingud Howard Pyle'i juures, narratiivse kunsti meistri juures, osutusid muutmaks, tugevdades tema tehnilisi oskusi ja kinnistades pühendumust lugude jutustamisele läbi kujundite.

Õpipoisiaeg Pyle’i Juures ja Kuulsuse Tipp

Wyethi saabumine Howard Pyle'i kooli Wilmingtonis Delawares oli murranguline hetk. Pyle ei olnud pelgalt õpetaja; ta oli mentor, kes rõhutas esmase kogemuse tähtsust autentsete kunstiteoste alusena. See filosoofia kõlas Wyethile sügavalt resonantsi, viies ta immersiivsetele reisidele Ameerika Läänesse – maastikule, mis oleks saanud sünonüümiks tema nimega. Need ei olnud pelgalt vaatamisreisid; need olid ekspeditsioonid, mille eesmärk oli neelata atmosfääri, uurida inimesi ja mõista elurütme, mis erinevad tohutult tema Uus-Inglismaa kasvatusest. Ta ratsutas kauboidega, elas Navajo hõimulaste seas ja talus raskusi nende kõrval, kelle lugusid ta otsis jutustada. See pühendumine autentsusele on tajutav tema töödes, andes sellele terava realismi tunde, mis eristas teda teistest. Tema esimene suurem läbimurre saabus 1903. aastal esikaane illustratsiooniga ajakirjale The Saturday Evening Post, kujutades ärevust pakkuvat bronkot – dünaamiline pilt, mis koheselt köitis rahva tähelepanu piirialade lugudest vaimastunud riigis. See edu käivitas viljaka karjääri ja Wyethist sai kiiresti ihaldatud illustraator juhtivate ajakirjade jaoks nagu Century, Harper’s Monthly ja Scribner's.

Narratiivi Valdamine: Illustratsioonid ja Muud Teosed

Wyethi kunstiline osavus ei piirdunud Lääne kujutamisega. Tal oli tähelepanuväärne mitmekülgsus, sujuv üleminek žanrite ja teemade vahel. Tema illustratsioonid klassikalisele kirjandusele – eriti tema töö Robert Louis Stevenson’i Aarete saare üle – peetakse visuaalse jutustamise meistriteosteks. Need ei olnud pelgalt teksti lisandid; need olid tõlgendused, mis puhusid uut elu armastatud tegelastele ja stseenidele. Nende maalide suurus ja dramaatiline intensiivsus tõstsid illustratsiooni kunstivormiks, demonstreerides Wyethi võimet tabada mitte ainult loo otse sündmusi, vaid ka selle emotsionaalset südamikku. Lisaks ajakirjatöödele ja raamatute illustratsioonidele tegi Wyeth arvukalt reklaamitellimusi, tuues oma kunstilist sära kampaaniatele selliste brändide jaoks nagu Cream-of-Wheat, Coca-Cola ja Steinway & Sons. Ta lähenes nende projektidele sama detaili ja narratiivi pühendusega kui oma isiklikumatele töödele, muutes kaubandusliku kunsti veenva visuaalse kogemuse.

Kunstnike Perekond: Pärand ja Mõju

N.C. Wyethi pärandi üks kestvamaid aspekte on tema rajatud kunstiline dünastia. Ta ei olnud mitte ainult ise kunstnik; ta oli isa, kes kasvatas oma lastes armastust kunsti vastu, toites nende andekust ja julgustades neid otsima oma loovate radu. Tema poeg Andrew Wyethist sai üks Ameerika tuntuim realistlik maalikunstnik, tuntud oma kummitusliku Pennsylvania maapiirkonna kujutiste poolest. Ka tema noorem poeg Jamie Wyeth saavutas olulise tunnustuse kunstnikuna. N.C. Wyethi mõju ulatub kaugemale tema vahetu perekonnast; ta inspireeris põlvkondi illustraatoreid ja kunstnikke oma tehnilise oskusega, narratiivse visiooniga ja järjekindla pühendumisega autentsusele. Tema töö jätkab resonantsi tänapäeval, meenutades aega, mil illustratsiooni peeti oluliseks kunstivormiks – vormiks, mis on võimeline köitma kujutlusvõimet ja kujundama meie arusaama ümbritsevast maailmast. Ta jättis maha üle 3000 maali ja illustreeris 112 raamatut, tunnistuseks tema väsimatule pühendumisele ja kestvale kunstilisele visioonile.

All 280 works by Newell Convers Wyeth →