Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 65 teost Mary Beale meie kataloogis
Lühidalt
Galleriist vaadatuna on Mary Beale kõige kuulsam teos King Charles II (1675), mille originaal ripub National Portrait Gallery-is, London. Bartholomew Beale (1663) ja Portrait of a lady (1680) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Mary Beale 65 teose põhjal esitleb galeriis allpool 64 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…
A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…
Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the artist's professional output during the late seventeenth century.
In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…
This portrait depicts Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663). The work is a painting by the artist Mary Beale. It dates to 1640. The subject is presented in a bust-length view, positioned within an oval-shaped vignette that focuses the viewer's attention on the sitter's head and shoulders.
In this intimate Baroque oil on paper painting, titled Bartholomew Beale, in Profile, the artist Mary Beale turns her gaze toward a young boy. The work emerges from the year 1660, capturing a fleeting moment of childhood through a side view that emphasizes the soft contours of a small face. This portrait offers a quiet glimpse into the artist's private sphere, as the subject is her own son.
In this 1660 portrait, we encounter a man captured in a moment of profound contemplation. The subject is presented in a three-quarter view, framed by an illusionistic painted oval that lends a sense of depth to the composition. There is a certain gravity to his presence, an intellectual weight that seems to emanate from his calm expression. The lighting is deliberate, employing a chiaroscuro technique that pulls the face and…
The gaze of a single female figure meets the viewer in Portrait of a woman with a black hood, an oil work created by Mary Beale in 1660. This portrait captures a moment of quietude, presenting the subject in a bust-length view that feels immediate and personal. The woman appears framed within an oval-shaped trompe l'oeil effect, a visual device that creates the illusion of a window into her private…
This portrait depicts Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695). The subject is rendered in a bust-length composition, presented within an illusionistic painted oval frame that creates a trompe l'oeil effect. The sitter is shown in military attire, specifically wearing a polished steel cuirass and a white cravat. The work is an oil on canvas painting executed by the artist Mary Beale.
Mary Beale's Self-Portrait Holding a Palette, executed about 1670, presents a formal and dignified three-quarter length portrait. The subject is a woman, identified as the artist herself, seated and turned slightly toward the viewer. She holds an artist's palette in one hand and a fine brush in the other, establishing her professional identity through these symbolic attributes.
Jan Baptist Van Helmont (not Robert Hooke)1674
12
Lady Sadleir1687 · Sutton House
13
Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)1687 · Sutton House
14
Lady Elizabeth Percy, Countess of Ogle, later Duchess of Somerset (1667-1722) and Algernon, later 7th Duke of Somerset (1684 - 1750) as 'Madonna and Child' (after Van Dyck)1685 · Petworth House
15
An Unknown Man1676 · Dunster Castle
16
Possibly Mary Morice, Lady Carew (d. 1698)1687 · Antony House
17
Rachel Carew, Mrs Ambrose Manaton (1669–1705)1684 · Antony House
18
Portrait of a Young Girl1681
19
Charles Beale the Younger1680
20
Self-Portrait1675
21
Portrait of Nell Gwyl1697
22
The Reverend William Cremer (1663/4-1736)1692 · Felbrigg Hall
23
Untitled 2
24
Portrait of a PhysicianDulwichi Pildigalerii
25
Portrait of a Mathematician
26
Mary Wither of Andwell1670 · Art Gallery of South Australia
27
Anna Maria, Countess of Shrewsbury (1642–1702)1659
28
Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)1687 · Osterley Park And House
29
Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)1687 · Osterley Park And House
30
An Unknown Gentleman (believed to be a Member of the Williams Family)Penmaenmawr Museum
31
An Unknown Lady (believed to be a Member of the Williams Family)Penmaenmawr Museum
32
Lady Leake (1657-1709)Rahvuslik Mereväemuuseum
33
Unknown womanNationalmuseum
34
Sir Nicholas Stuart, BartAuckland Art Gallery Toi o Tāmaki
35
Aphra Behn, (Engraving)
36
Head of a man
37
Portrait of a Lady as St Agnes
38
Half-length seated figure of a leather worker
39
Charles II (1630–1685)
40
Figure studies
41
John Wilkins
42
Portrait of a Baby
43
Edward Stillingfleet
44
Aphra Behn
45
Portrait of a YouthDulwichi Pildigalerii
46
Thomas SydenhamNational Portrait Gallery
47
Charles Beale the ElderNational Portrait Gallery
48
Mary BealeNational Portrait Gallery
49
portrait of the King's mistress, the actress Moll Davis
50
Portrait of a young girl
51
John Lake
52
Unknown manNational Portrait Gallery
53
Mary Beale with her family
54
George Savile, 1st Marquess of HalifaxNational Portrait Gallery
55
Portrait of a young boy
56
self portrait
57
Francis Turner
58
William Pierrepont
59
Portrait of an unknown young boy
60
Portrait of a Young Child
61
Portrait of Zachary Cradock
62
Portrait of a Gentleman
63
Portrait of Charles Beale in a Black Hat
64
Portrait of Sir Thomas Isham
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Mary Beale teosid | Selle nimekirja maalid |
|---|---|---|---|
 National Portrait Gallery |
London | 6 | King Charles II, Thomas Sydenham, Charles Beale the Elder |
 Antony House |
3 | Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705) | |
 Sutton House |
2 | Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719) | |
 Dulwichi Pildigalerii |
London | 2 | Portrait of a Physician, Portrait of a Youth |
 Osterley Park And House |
London | 2 | Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713) |
| Penmaenmawr Museum | 2 | An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family) | |
 Yale Center for British Art |
New Haven | 1 | Bartholomew Beale |
 National Gallery of Victoria |
Melbourne | 1 | Portrait of a lady |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…
The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…
Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the artist's professional output during the late seventeenth century.
Portrait of Nell Gwyl is a Baroque oil on canvas painting created by the artist Mary Beale. This work, which dates to about 1697, depicts a single female figure. The subject is presented in a medium close-up composition, positioned slightly off-center. She is shown with her head tilted and her chin resting upon her left hand.
King Charles II (1675), National Portrait Gallery, London. Järgnevad Bartholomew Beale (1663) ja Portrait of a lady (1680).
42 aastat vanus: teos King Charles II on pärinev aastast 1675 ning Mary Beale sündis aastal 1633.
King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) ja Self-Portrait Holding a Palette. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 65 teost kunstnikult Mary Beale, mis on pärinevad ajastust 1659 kuni 1697.
Peamiselt National Portrait Gallery (London), Antony House ja Sutton House muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1680s: 10 64 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Portrait of a lady.
Sellel lehel on kõige vanem teos Anna Maria, Countess of Shrewsbury (1642–1702) (1659) ja kõige värskeim Portrait of Nell Gwyl (1697).
Woman (13), Portraits (13) ja Royalty (11), kogu selle lehekülje 64 teose kohta.
Oil On Canvas, 18 teoseks 64 töödelt sellel lehel.
Baroque, seda lähtudes selle lehe originaalteostest.
King Charles II, Thomas Sydenham ja Charles Beale the Elder: National Portrait Gallery, London säilitab 6 selle lehel olevat teost.
