Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 241 teost Mabuse meie kataloogis
Lühidalt
Galleriist vaadatuna on Mabuse kõige kuulsam teos Adam and Eve (1525), mille originaal ripub Rhode Island School of Design Museum of Art-is, Providence. Portrait of a man (1528) ja Man of Sorrow (1525) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Mabuse 241 teose põhjal esitleb galeriis allpool 100 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
The gaze of the subject in Portrait of a man by Jan Gossaert meets the viewer with a steady, unwavering presence. Created about 1530, this work captures a man seated within a space that feels both cramped and cozy, a private nook where the tools of a specific life reside. The artist, Jan Gossaert, who is also known by the moniker Mabuse, renders the figure with a profound sense of…
The body of Christ hangs heavy, a pale anchor in a sea of deep reds and shadows. Every muscle is rendered with a sharp, anatomical clarity that feels almost tactile, as if the skin might still hold warmth despite the stillness of death. Light strikes the torso from a single direction, carving out the hollows of the ribs and the tension in the limbs. Around this central suffering, figures gather…
Step closer and observe the stillness of this young man. He is presented in a bust-length view, framed within a gentle oval that focuses our attention entirely on his psychological state. There is a certain gravity in his gaze, a stoic and thoughtful expression that suggests a life of intellectual depth and high social standing. He does not perform for us; he simply exists in a moment of quiet contemplation.…
The heavy wooden panels of the triptych stand partially open, revealing a world caught in a moment of sacred stillness. These two exterior wings, crafted in 1521, act as a threshold between the mundane and the divine. On one side, a woman holds a book, her gaze steady and quiet; on the other, an angel appears, bringing a celestial presence to the earthly realm. They exist within a framework of…
To gaze upon Jan Gossaert’s Virgin and Child Enthroned is to step directly into the luminous, deeply spiritual atmosphere of the Northern Renaissance. This masterpiece, painted in 1527, transcends mere portraiture; it is a profound theological statement rendered with breathtaking technical skill. At its heart sits the Virgin Mary, regal and serene, enthroned as she cradles the infant Jesus. The immediate visual impact is drawn to the vibrant sweep of…
A middle-aged man is captured in a bust-length composition, his gaze directed toward the left of the frame. He wears a dark, beret-style hat and a black doublet over a white undershirt, with a single gold ring featuring a gemstone visible on his hand. The lighting is directional, descending from the upper left to cast soft shadows across the right side of his face and neck. This chiaroscuro effect provides…
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
The Triptych of the Holy Family is a religious oil on panel painting dating to 1501. This work is presented in a classic triptych format, housed within an ornate, carved wooden frame featuring scalloped tops. The central panel is the largest and most complex, depicting the Holy Family—the Virgin Mary, Saint Joseph, and the Christ Child—arranged in a pyramidal composition and surrounded by an angelic host within a lush landscape.…
The Virgin preparing the bath of the Child1500 · Bob Jones University Museum and Gallery
12
Madonna with the Child1500 · Hämeenlinna Art Museum
13
Virgin and child in the veil1500 · Belgia Kuninglikud Fine Artsi muuseumid
14
Madonna with child1495
15
Portrait of Isabella of Austria1514
16
Floris van Egmond, Count of Buren1510 · Brighton Museum & Art Gallery
17
Saint Jerome1512 · Statens Museum For Kunst
18
Christ on the Mount of Olives1507 · Gemäldegalerie
19
Portrait of a Man1515 · Pushkini riiklik kunstimuuseum
20
The Beheading of St John the Baptist1510 · École Nationale Supérieure des Beaux-Arts
21![Saint Jerome Penitent [right panel] (1512) autor Mabuse](/media/artworks/images-thumb/95/ad/95ada119db2ef8e277bc791f8836200f.jpg)
Saint Jerome Penitent [right panel]1512 · National Gallery of Art
22![Saint Jerome Penitent [left panel] (1512) autor Mabuse](/media/artworks/images-thumb/d3/f3/d3f3c45e9279abe486979f615cf3518c.jpg)
Saint Jerome Penitent [left panel]1512 · National Gallery of Art
23
The Malvagna Altarpiece (centre panel, detail)1513
24
Agony in the Garden1510
25
Holy Family with Coats of Arms of Charles...1528 · Saint Louis Art Museum
26
Virgin and Child in a Landscape1531 · Cleveland Museum of Art
27
Self-portrait1525 · Currier Gallery of Art
28
Madonna and Child1529 · Rijksmuseum Twenthe
29
Christ on Mount Olive1525 · Bavaria riiklikud maalidema kogumikud
30
The Holy Family1520 · Museum of Fine Arts
31
Portrait of Henry III, Count of Nassau1530 · Museu Nacional d'Art de Catalunya
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Christ sitting on the Cold Stone1531 · Royal Museum of Fine Arts Antwerp
33
Virgin and Child with a Patron1530 · Statens Museum For Kunst
34
Portrait of Anna de Bergh, Marquise de Veere1530 · McNay Art Museum
35
Saint Luke painting the Virgin1520 · Rahvuslik Galerii Praha
36
Portrait of a Man1524
37
Madonna with Child Jesus1531 · Varssavi Rahvusmuuseum
38
Christus rust na de geseling1527 · Staatliche Kunsthalle Karlsruhe
39
Madonna and Child1532
40
Madonna and Child playing with the veil1530
41
Cain Killing Abel1525
42
Portrait of a Man1524
43
Scenes from the Life of St Giles1520 · Statens Museum For Kunst
44
The Martyrdom of St Cyriacus and His Companions1520 · Statens Museum For Kunst
45
Virgin Mary, Christ Blessing, and St John the Baptist (Deesis)1525
46
Abbot Johann Ingenray1535 · Detroit Institute of Arts
47
The Adoration of the Kings1510 · National Gallery
48
Wings of the Norfolk Triptych1525 · Musées Royaux des Beaux-Arts
49
Virgin and Child1525 · Art Institute of Chicago
50
Adam and Eve1510 · Thyssen-Bornemisza Museum
51
Danaë (detail)1527 · Alte Pinakothek
52
The Carondelet Diptych: Jean Carondelet (left panel), Virgin and Child (right panel)1517 · Louvre'i muuseum
53
Danaë1527 · Alte Pinakothek
54
Two Kings and a Woman Leaving a Palace1510
55
Madonna and Child1527 · Museo del Prado
56
The Adoration of the Kings (detail)1500
57
Holy Family with St. Catherine and St. Barbara1515
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St Jerome Penitent1510
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Hercules and Deianira1517 · Barber Institute of Fine Arts
60
Hercules of the Forum Boarium1509
61
Neptune and Amphitrite1516
62
Virgin and Child with Musical Angels1510
63
A Reliquary1510 · Pierpont Morgani raamatukogu ja muuseum
64
The Agony in the Garden1510
65
Standing Warrior in Fantastic Armour1509
66
The Carondelet Diptych left wing, Jean Carondelet1517
67
St John the Evangelist on Patmos1515
68
The Holy Family Seated at the Foot of a Tree1510
69
Apollo Citharoedus of the Casa Sassi1509
70
Neptune and Amphitrite (detail)1516
71
The Malvagna Altarpiece (right wing, detail)1513
72
Jean Carondelet1503 · Toledo Museum of Art
73
The Adoration of the Magi1515
74
Agony in the Garden (detail)1510
75
Bust of a Warrior in Fantastic Armour1509
76
Study after the Spinario (detail)1509 · Universiteitsbibliotheek
77
The Doria Pamphilj Diptych (right wing)1510 · Galleria Doria Pamphilj
78
Carondelet Diptych (left wing)1517
79
Study after the Spinario (recto)1509 · Universiteitsbibliotheek
80
The Malvagna Altarpiece (exterior wings)1513
81
The Mystic Marriage of St Catherine1503 · Statens Museum For Kunst
82
Carondelet Diptych (right wing)1517
83
Emperor Augustus and the Tiburtine Sibyl1503
84
Carondelet Diptych1517
85
The Malvagna Altarpiece (side wings)1513
86
View of the Colosseum Seen from the West1509
87
Carondelet Diptych (verso)1517
88
The Malvagna Altarpiece (centre panel)1513
89
Portrait of a Man, possibly Jan Snoeck1530 · National Gallery of Art
90
The Mocking of Christ or the Man of Sorrows1525
91
King Christian II of Denmark1525
92
Virgin and Child Seated at the Foot of a Tree1522
93
The children of King Christian II of Denmark, Norway and Sweden1526
94
Portrait of a Merchant, National1530
95
Adam and Eve in Paradise1525
96
The Adoration of the Shepherds1520
97
Portrait of a Man1520 · Metropolitan Museum of Art
98
The Presentation in the Temple1520
99
Christ Carrying the Cross1520 · Metropolitan Museum of Art
100
The Norfolk Triptych (left wing)1525 · Musées Royaux des Beaux-Arts
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Mabuse teosid | Selle nimekirja maalid |
|---|---|---|---|
 Statens Museum For Kunst |
Kooberemaa | 5 | Saint Jerome, Virgin and Child with a Patron, Scenes from the Life of St Giles |
 National Gallery of Art |
Washington | 4 | Saint Jerome Penitent [right panel], Saint Jerome Penitent [left panel], Portrait of a Man, possibly Jan Snoeck |
 Musées Royaux des Beaux-Arts |
Brüsseli | 7 | Wings of the Norfolk Triptych, The Norfolk Triptych (left wing) |
 Royal Museum of Fine Arts Antwerp |
Antverp | 4 | Portrait of a Man, Christ sitting on the Cold Stone |
 Belgia Kuninglikud Fine Artsi muuseumid |
Brüssel | 3 | Portrait of a man, Virgin and child in the veil |
 Kunsthistorisches Museum |
Viin | 3 | Virgin and child enthroned, Portrait of a man |
 Alte Pinakothek |
München | 2 | Danaë (detail), Danaë |
 Universiteitsbibliotheek |
Leiden | 2 | Study after the Spinario (detail), Study after the Spinario (recto) |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The artwork titled Madonna with child is a painting by the artist Jan Gossaert. This work depicts the Virgin Mary and the infant Jesus. It is a product of the Northern Renaissance, a period characterized by a focus on detailed realism and the technical precision of the Low Countries.
The Holy Family is a painting by Jan Gossaert, executed in 1507. This oil on panel work captures a quiet, domestic moment within a grander architectural framework. The Virgin Mary occupies the center of the scene, her hands cradling the Christ Child. Their presence forms the heart of the composition, anchored by the weight of their figures against the stone and sky.
Two figures sit locked in a quiet, muscular embrace. Hercules and Deianeira occupy a marble-paneled niche, their limbs entwined in a way that feels both heavy and strangely delicate. The man’s skin carries the sculptural weight of antiquity, his form defined by the tension of bone and muscle. Beside him, Deianeira rests, her pose a study in soft curves and sudden stillness. They do not look at the viewer; they…
In the profound stillness of Jan Gossaert’s 1525 masterpiece, Adam and Eve, we are invited into a moment of primordial intimacy that transcends the boundaries of time. This breathtaking oil painting serves as a cornerstone of Northern Renaissance artistry, capturing the very dawn of humanity with a level of anatomical precision and dramatic flair that was revolutionary for its era. The composition centers on the tender, almost vulnerable embrace of…
Jan Gossaert executed Virgin and Child in a Landscape in 1531. The work belongs to the Northern Renaissance and Romanist movements, reflecting a period of stylistic transition in the Low Countries. Through the depiction of the Madonna and Christ Child, the artist explores themes of maternal love and protection.
Adam and Eve (1525), Rhode Island School of Design Museum of Art, Providence. Järgnevad Portrait of a man (1528) ja Man of Sorrow (1525).
47 aastat vanus: teos Adam and Eve on pärinev aastast 1525 ning Mabuse sündis aastal 1478.
Adam and Eve, Portrait of a man, Man of Sorrow, Portrait of a Man, Two Wings from a Triptych (exterior), Virgin and child enthroned, Portrait of a man, The Holy Family, Hercules and Deianeira ja Triptych of the Holy Family. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 241 teost kunstnikult Mabuse, mis on pärinevad ajastust 1495 kuni 1532.
Peamiselt Statens Museum For Kunst (Kooberemaa), National Gallery of Art (Washington) ja Musées Royaux des Beaux-Arts (Brüsseli) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1510s: 36 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Hercules and Deianeira.
Sellel lehel on kõige vanem teos Madonna with child (1495) ja kõige värskeim Madonna and Child (1532).
Woman (25), Man (24) ja Child (15), kogu selle lehekülje 100 teose kohta.
Oil On Panel, 38 teoseks 100 töödelt sellel lehel.
Põhjarenessanss, seda lähtudes selle lehe originaalteostest.
Saint Jerome, Virgin and Child with a Patron ja Scenes from the Life of St Giles: Statens Museum For Kunst, Kooberemaa säilitab 5 selle lehel olevat teost.
XVI sajandi alguse muutliku maastiku keskel ei olnud vähe kunstnikke, kes suutsid nii meisterlikult ühendada Põhja põhjalikud traditsioonid ja lõuna kasvava humanismi, kui Jan Gossaert. Ajalukku jäänud kütkestava nime Mabuse all tuntud visjonärlik maalari tõus Prantsusmaa Maubeugest sai romanismi liikumingu nurgakivi. Tema elu looming on sügav metamorfoos neerlandistlikus kunstis, kus flaamlaste meistrite terav ja füüsiline realism kohtas Itaalia renessanssi suurepärset, skulptuurset elegantsi. Gossaerti uurimine on kui silmitlemine täpselt selle hetkega, mil keskaegne hing hakkas omastama antikva klassikalist valgust.
Kuigi tema varajase koolituse täpsed detailid on ajaloohirmus kadunud, oli Gossaerti kunstiline DNA sügavalt juurdunud Madensõidumaade traditsioonidesse. Arvatakse, et tema kujunendus aastad veetsin absorbeerides Rogier van der Weydeni ja Hugo van der Goesi nagu tehnilist täpsust ja rangust. Nendelt eelkäijaid päris temalt võrratu pühendumus detailidele – viis tekstuuride, kangaste ja valguse kujundamiseks, mis tundus vaatajale peaaegu kättesaadav. Gossaert polnud aga pelgalt mineviku imitator; temas elas vastuastamatu uudishimu, suunates pilgu lõunasse, et integreerida Itaalia renessanssi anatomiline täpsus ja arhitektiline suurepärasus oma kodandlikku stiili.
Mabuse true genius peitub tema võimes harmoniseerida kahte näibuse järgi eraldi maailma. Tema areng kui romanistliku maalari märkis lahkumist puhtast gootika tundlikkusest, mis oli kau lâu domineerinud Põhja-Euroopas. Seal, kus varajased kunstnikud keskendusid sümbolilisele sügavusele ja vaimulikule ikonograafiale, tõid Gossaert kaasa füüsilise massi ja klassikalise proportsiooni tunnet. Ta uuris inimvormi uue, teadusliku jõuga, võimaldades oma figuuridel olla ruumis olemas suurepärase skulptuurse esiga, mis oli tema ajast revolutsionaalne.
See stiililine evolutsioon on kõige selgemalt nähtav tema valguse ja atmosfääri käsitluses. Tema kätes ei valgusta valgus pelgalt stseenit, vaid see seda skulptureerib. Ta kasutas atmosfäärset perspektiivi, et luua laia ja uputavat maastikku, mis tunduvad lõputult kaugusse vajuvad, pakkudes oma teemade jaoks dramaatilist lavat.
Gossaerti viljakat karjääri toetas prestiižne patroonide võrgustik, mis ulatus rikkate kaupmeestest kuni kõrgetest vaimulikest ja mõrgust kuni. Tema looming oli märkimisväärselt mitmekesine, hõludes nii monumentaalseid altarpide, mis ankurdisid katedraali siseosad, kui ka intiimseid portreete, mis tabasid oma istujate psühholoogilist olemust. Mõned tema püsivaimsemad panused on:
Jan Gossaerti ajaloolist tähtsust ei saa ümarate sõnadega väljendada. Ta toimis kui elutähtis kanal, transportides Itaalia klassikalisi ideaale üle Alpid ja istutades need kindlalt Madensõidumaade viljakasse mulda. Segades flaamlase traditsiooni täiusliku käsitöö oskuse Rooma renessanssi struktuursete uuendustega, teavastas ta teed tulevatele Põhja-Euroopa kunstnike põlvkondadele. Tema pärand on etmintatud kunstiloo kanga, esindades kultuurilise sünkroonimise ja kunstilise taassündimise triumfaalset ajastut.
