Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 141 teost Jules Breton meie kataloogis
Lühidalt
The Song of the Lark (1884) on Jules Breton maalide kõige silmapaistvam teos; originaal kuulub museumi Art Institute of Chicago, Chicago. Pärast seda suunatakse pilk The Shepherd's Star (1887) ja Burning Tares in a Wheatfield (1868) suunas. Meie kataloogis olevatest Jules Breton 141 teosest on need 100 kõige kuulsumat, millist igaüks on esitatud koos aasta, muuseumi ja põhjusega, miks teos on püsiv.
In the quietude of a French dawn, Jules Breton captures a moment that transcends the boundaries of mere observation, inviting the viewer into a profound communion with the natural world. The Song of the Lark, painted in 1884, is far more than a pastoral scene; it is a poetic meditation on the sanctity of existence. At the heart of this masterpiece, a young peasant girl stands transfixed within a sun-drenched…
The Shepherd's Star is an oil on canvas painting by the French artist Jules Breton. Executed in 1887, the work depicts a young peasant woman. The subject is shown barefoot, carrying a heavy sack of potatoes on her head as she returns from the fields at twilight. This specific figure is positioned beneath the rising star Capella, which appears over her shoulder.
In this 1868 oil painting, we find ourselves in the midst of a heavy, overcast afternoon in the French countryside. The scene is one of purposeful, gritty labor. A man dominates the foreground, his body leaning into the physical demand of his task as he uses a pitchfork to toss weeds into a growing fire. There is a palpable sense of heat and smoke rising from the field, cutting through…
The quietude of a rustic interior in the Kempen region unfolds within Interior in Kempen. Painted by Jules Breton in 1859, the scene captures a moment of stillness inside a humble cabin. Two men sit together by the warmth of a fireplace, their presence grounding the space in a sense of lived-in reality. The air seems heavy with the soft, dim light of the hearth, casting shadows across the simple…
The First Communicants at Courrières is an oil painting by Jules Breton, executed about 1855. The work captures a solemn religious milestone through its depiction of a procession of young girls. This scene is rooted in the traditions of the artist's native region, reflecting the quiet reverence of a significant communal ritual.
A solitary young woman sits in the lower middle ground of a vast, harvested landscape. She is positioned at eye-level, creating an immediate proximity between the viewer and her seated form. Her clothing consists of a dark, deep black blouse and a long skirt, contrasted by a light-colored apron. The fabric of her garments appears heavy, rendered with thick, textured brushstrokes that suggest weight and coarse material. She rests within…
In this 1855 oil painting, three young women occupy a sunlit wheat field. The composition follows a triangular arrangement, directing the eye from a standing pair on the left toward a seated figure on the right. The landscape is dominated by golden yellows and ochres from the ripe grain, which contrasts with the deep browns and greens of the earth and foliage. The women wear clothing in muted shades of…
The Ruins of Saint Bavo's Abbey in Ghent emerges from the canvas as a quiet meditation on stone and sky. Painted by Jules Breton in 1853, this work captures a specific moment of stillness amidst the crumbling architecture of the abbey. The scene rests within the visual memory of the Belgian landscape, where the remnants of the abbey's towers and arches reach toward an overcast sky. A solitary figure lingers…
The Blessing of the wheat in Artois1857 · Musée d'Orsay
12
Family reunion in Bourron-Marlotte (Théodore de Banville in the forest of Fontainebleau)1857 · Petit Palais
13
Mondays1858
14
Havana. View of the port and the cityFundación Antonio de Nebrija
15
The Bedeau of Kerlaz1868 · Musée des Beaux-Arts de Quimper
16
Head of a Young Breton Woman, Study for the Pardon1868 · Petit Palais
17
Head of Breton, Study for the Pardon1868 · Petit Palais
18
Lightning1865 · Petit Palais
19
Procession of Pardon in Brittany1869 · Kübania Fine Arts Riiklik Muuseum
20
The harvest1865 · The Mesdag Collection
21
Jeanne Calvet1865
22
Pardon of Sainte-Anne-la-Palud1868
23
Trust1864 · Palais des Beaux-Arts de Lille
24
The Gleaner1875 · Aberdeen Art Gallery
25
Fishermen at Menton1878 · Pushkini riiklik kunstimuuseum
26
The Blessing of the Wheat1872 · Chimei Museum
27
Young Woman Knitting1873
28
Self Portrait1883 · Aberdeen Art Gallery
29
Peasants Resting1882 · Arnot Art Museum
30
Study for the Song of the lark1884
31
Last Flowers1890 · Cincinnati Art Museum
32
Study for The Washerwoman from 18901889
33
Self-portrait1895 · Royal Museum of Fine Arts Antwerp
34
Self-portrait, profile to the rightLouvre'i muuseum
35
The milk girl1899
36
Woman with a Taper1873 · Museum of Fine Arts
37
Young girl knitting (version 2)1860
38
The Tired Gleaner1880 · Cleveland Museum of Art
39
the communicants
40
The Grape Harvest at the Chateau-LagrangeJoslyn Art Museum
41
The Colza (Harvesting Rapeseed)1860 · National Gallery of Art
42
Young peasant girl with a hoe1882 · Van Gogh muuseum
43
Summer landscape with peasants and cows1850
44
The Storm1852 · Wadsworth Atheneum
45
Landscape, Courrières, France1854
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Head of a woman1857 · Palais des Beaux-Arts de Lille
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Preparatory study by 'Erecting a Calvary'1858 · Palais des Beaux-Arts de Lille
48
The gleaner1859 · Museum of Fine Arts
49
Gleaners at sunset1863
50
Fire in a Haystack1856
51
Plantation d'un Calvaire1858 · Palais des Beaux-Arts de Lille
52
Girl with a Rake1859 · National Gallery of Ireland
53
The Recall of the Gleaners1859 · Musée d'Orsay
54
Spinner on the Rocks at Douarnenez1870 · Petit Palais
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Woman with umbrella, Douarnenez bay1870 · Petit Palais
56
Young Reaper Sleeping on Sheaves of Wheat1866
57
Breton woman at the pardon1868
58
The Washerwomen of the Breton Coast1870
59
Untitled (D2X6VU)1870 · Metropolitan Museum of Art
60
A Spring by the Sea1866
61
A Party for Grandfather1864
62
The Vintage at Chateau Lagrange1864 · Joslyn Art Museum
63
La Femme A L'ombrelle1871
64
The Close of Day1865 · Walters Art Museum
65
Midsummer Night Dance in Courrières1875 · National Museum of Art, Architecture and Design
66
Woman breast feeding her child, accompanied by another woman1873 · The Baltimore Museum of Art
67
Paysanne au repos1873
68
Setting out for the Fields1873
69
The Feast of Saint John1875 · Philadelphia Museum of Art
70
The Rest of the Haymakers1872
71
The Wounded Sea Gull1878 · Saint Louis Art Museum
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The Flax Spinner1872 · Philbrook Museum of Art
73
Girl Guarding the Cows1872
74
The Tea Break1885 · Dahesh Museum of Art
75
Artist's palette1882 · The Baltimore Museum of Art
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The Communicants1884
77
Rainbow1883
78
Le Matin1888
79
Young Women Going to a Procession1890
80
Evening Call1889
81
Summer1891
82
Le Pardon De Kergoat1891
83
Faneuse au repos1891 · Calouste Gulbenkian Fondatsioon
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Peasant woman picking up a sheaf of carnations1896
85
The Last Gleanings1895 · Henry E. Huntington Library
86
The Gleaner1900
87
Turning Back from the Fields (study)Museum of Fine Arts Ghent (MSK)
88
Poppies (study)Museum of Fine Arts Ghent (MSK)
89
Young Woman in a Field
90
The Gleaner
91
Souvenir de dour Amenez
92
the potato harvest
93
Young Girl Thinking
94
Young Boy at the Foot of a Tree
95
The Water Carrier
96
Woman sitting in a meadow
97
Peasant study (Marguerite Moreau)
98
Two Seated Women in Conversation, One with a StaffThe Baltimore Museum of Art
99
Young musicianThe Baltimore Museum of Art
100
Fin du travail (also known as A travers champs)1886 · Brooklyn Museum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Jules Breton teosid | Selle nimekirja maalid |
|---|---|---|---|
 Petit Palais |
Pariis | 9 | The First Communicants at Courrières, The Man with the Pipe, Family reunion in Bourron-Marlotte (Théodore de Banville in the forest of Fontainebleau) |
 The Baltimore Museum of Art |
Baltimore | 5 | Woman breast feeding her child, accompanied by another woman, Artist's palette, Two Seated Women in Conversation, One with a Staff |
 Palais des Beaux-Arts de Lille |
Lille | 3 | Trust, Head of a woman, Preparatory study by 'Erecting a Calvary' |
 Musée d'Orsay |
Pariis | 3 | The Blessing of the wheat in Artois, The Recall of the Gleaners |
 Museum of Fine Arts Ghent (MSK) |
Gent | 3 | Turning Back from the Fields (study), Poppies (study) |
 Philadelphia Museum of Art |
Philadelphia | 2 | Burning Tares in a Wheatfield, The Feast of Saint John |
 Aberdeen Art Gallery |
2 | The Gleaner, Self Portrait | |
 Joslyn Art Museum |
Omaha | 2 | The Grape Harvest at the Chateau-Lagrange, The Vintage at Chateau Lagrange |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
The quietude of a rustic interior in the Kempen region unfolds within Interior in Kempen. Painted by Jules Breton in 1859, the scene captures a moment of stillness inside a humble cabin. Two men sit together by the warmth of a fireplace, their presence grounding the space in a sense of lived-in reality. The air seems heavy with the soft, dim light of the hearth, casting shadows across the simple…
In this 1868 oil painting, we find ourselves in the midst of a heavy, overcast afternoon in the French countryside. The scene is one of purposeful, gritty labor. A man dominates the foreground, his body leaning into the physical demand of his task as he uses a pitchfork to toss weeds into a growing fire. There is a palpable sense of heat and smoke rising from the field, cutting through…
In the quietude of a French dawn, Jules Breton captures a moment that transcends the boundaries of mere observation, inviting the viewer into a profound communion with the natural world. The Song of the Lark, painted in 1884, is far more than a pastoral scene; it is a poetic meditation on the sanctity of existence. At the heart of this masterpiece, a young peasant girl stands transfixed within a sun-drenched…
The Song of the Lark (1884), Art Institute of Chicago, Chicago. Järgnevad The Shepherd's Star (1887) ja Burning Tares in a Wheatfield (1868).
57 aastat vanus: teos The Song of the Lark on pärinev aastast 1884 ning Jules Breton sündis aastal 1827.
The Song of the Lark, The Shepherd's Star, Burning Tares in a Wheatfield, Interior in Kempen, The First Communicants at Courrières, Small Gleaner Sitting in the Field, Love Tokens, Ruins of Saint Bavo's Abbey in Ghent, The Man with the Pipe ja By the seaside. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 141 teost kunstnikult Jules Breton, mis on pärinevad ajastust 1850 kuni 1900.
Peamiselt Petit Palais (Pariis), The Baltimore Museum of Art (Baltimore) ja Palais des Beaux-Arts de Lille (Lille) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1860s: 20 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Burning Tares in a Wheatfield.
Sellel lehel on kõige vanem teos Summer landscape with peasants and cows (1850) ja kõige värskeim The Gleaner (1900).
Woman (7), Field (4) ja Landscape (4), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 14 teoseks 100 töödelt sellel lehel.
Realism, seda lähtudes selle lehe originaalteostest.
The First Communicants at Courrières, The Man with the Pipe ja Family reunion in Bourron-Marlotte (Théodore de Banville in the forest of Fontainebleau): Petit Palais, Pariis säilitab 8 selle lehel olevat teost.
Jules Breton (1827–1906) seisab kui üks Prantsuse realismi nurgakivid, kunstiliikumine, mis oli pühendatud elu täpsele ja tõelisele esitamisele ilma igasuguse eelseadusliku kaunistamata—missioon, mille ta võttis oma kambda linatele kogu südamega omaks. Sündinud Põhja-Prantsus, Pas-de-Calais regiooni väikeses Courrièresi külas, oli Bretoni varane elu tähistatud vahetute ja lihtsadestoludega, kuid seda kütkestas vankumatu armastus tähelepanule panemise ja esitamise vastu. Tema kasvatus, mis oli sügavalt juurdunud põllulise Artois regiooni maastikusse, installeeris temasse sügava austuse traditsiooni vastu ning armastuse maapinnale, mis püsis tema kunstis kesksetena kogu tema pikka karjääri vältel. Ema kaotus noorelt ja elu isaga, kes valvati rikkama maavarasu maanteed, andis talle intimituse tunne talvise ja maapiirkonna elu rütmidega.
Kuigi paljud tema kaasajad otsisid müütiliste või ajalooliste teemade grandioossusest, pööras Breton oma pilgu tavalise töörahva väärikusele. Tal oli haruldane võime tõsta igapäevasust—koristajaid, korjajaid ja karjakuid—kõrgemale tasemele, koheldes neid akadeemilise elegantsiga, mis oli traditsiooniliselt varatud vaid klassikalistele kujunditele. See ainulaadne süntees võimaldas tal saada üks põhilisi maapiirkonna idyllise visiooni edastajaid, vangistades Prantsuse maastiku ilu läbi nägemusi, mis olid korraga nii sügavalt naturalistilised kui ka sügavalt poeetilised.
Bretoni kunstiline teekond oli kujundatud rangese pühendumusega realismi ja naturalismi põhimõtetele. Tema varajane koolitus, mis sisaldas õpinguid College St. Bertini koolis, juhtis teda lõpuks sügavama suhtlemiseni oma ajastu meistritega. Ta imeles endasse selle liikumise kompromissitut tehnikat, püüdes luua kunsti, mis toimiks peeglina ühiskonnale kogu selle keerukuses. See arenguperiood oli tähistatud sooviga saavutada seda, mida ta nimetas grand style'iks—viis, kuidas lisada maapiirkonna žanrile monumentaalset tähtsust ja ajatust.
Tema tehnika oli iseloomulik täpne detailikäsitlus ja luminöösne väripalett, mida ta kasutas oskuslikult, et edastada looduse tekstuure. Olgu selleks siis karge koidu valgus üle niidu või suvepõllu raske, päikeseloote atmosfäär, Breton kasutas õli kammadil, et saavutada märkimisväärne sügavus. Tema kompositsioonid kutsuvad sageli esile pastoraalset rahu, sisaldades stsène nagu:
Nende teemade kaudu ei dekoratiirinud Breton pelgalt kambda; ta lõi meditaatsioone inimkonna ja mulda vahelise igavesti kestva suhte üle.
Jules Bretoni ajalooline tähendus peitub tema võimes ühendada mineviku akadeemilised traditsioonid 19. sajandi kaasaegse realismiga. Rakendades sofikeetseid, klassikalisi meetodeid talupoegliku elu kujundamisel, andis ta püsivuse ja väärikuse tunnet sotsiaalse riigi klassile, keda kõrgekultuurne kunst sageli üle nägi. Tema töö kõlastas oma ajast avalikkuses sügavalt, saades märkimisväärset tunnustust Pariisi Salongis ning kinnistades tema positsiooni Prantsuse kunsti juhtkina.
Lisaks oma üksikutele kammadidele laiunes Bretoni mõju ka tema perele ja rollile laiemas kunstikummunikus. Tema tütar, Virginie Demont-Breton, sai samuti kuulsaks maalajaks, jätkates sügava tähelepanu ja tehnilise meistripalat pärandit. Täna on Jules Bretoni teosed väärtustatud oma nostalgilise jõu ja võime tõsta vaataja kadunud ajastu Prantsuse pastoraalse elu kätte. Tema maalid toimivad ajatuna aknana 19. sajandi hinge juurde, meeldes meile vaikse ilu kohta, mida leiame eksistentsi kõige lihtsamates hetkedes.
