Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 353 teost Hiroshige meie kataloogis
Lühidalt
Galleriist vaadatuna on Hiroshige kõige kuulsam teos Early Department from a Daimyo, mille originaal ripub Nakagawa-machi Bato Hiroshige muuseum-is, Nagasaki. The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) ja Hakone (1834) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Hiroshige 353 teose põhjal esitleb galeriis allpool 100 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
In the delicate dance of lines and muted pigments, Utagawa Hiroshige’s Early Department from a Daimyo invites us to step through a portal into the heart of Edo-period Japan. This exquisite woodblock print captures a moment of vibrant communal life along a bustling riverside, where the rigid structures of social hierarchy melt into the shared leisure of a sunny afternoon. As we gaze upon the scene, we are not merely…
Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona Shrine and Tsugi Bridge,” created in 1857 during a period of significant societal transformation—the waning influence of feudal Japan as Western ideas crept in—stands as a testament to his enduring artistic legacy. More than just a visual record, it’s an embodiment of…
Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock print, part of his renowned series "The Fifty-three Stations of the Tōkaidō," captures a specific moment along the vital trade route connecting Tokyo (then Edo) with Kyoto. However, Hiroshige elevates this seemingly simple depiction of a mountain pass into something profoundly evocative,…
In the delicate interplay of ink and paper, Utagawa Hiroshige’s "Station 36, Goyu; Kyoka Tokaido Series" offers much more than a mere topographical record of a journey. Completed in 1855, this exquisite woodblock print serves as a profound distillation of Edo-period sensibilities, capturing a yearning for tranquility amidst the burgeoning dynamism of a Japan in transition. As the nation stood at a pivotal crossroads between ancient feudal traditions and the…
Fushimi, Station # 51 – A Symphony of Tranquility Amidst Edo’s Urban Pulse Utagawa Hiroshige's "Fushimi Station #51" transcends mere depiction; it embodies the spirit of Edo Japan—a period characterized by refined aesthetics and a deep appreciation for nature interwoven with daily life. Published in 1842 during the reign of Emperor Tokugawa Minhō, this woodblock print captures a fleeting moment along the Tokaido Road, one of Japan’s most important pilgrimage…
The Ichikoku Bridge spans a quiet stretch of water in the Eastern Capital. Beneath its wooden arch, two boats drift through the current. People move across the structure, some carrying backpacks and others clutching small handbags. A mountain rises in the distance, watching over the scene. Trees frame the edges of the view, their leaves casting shadows near the water's edge.
In the soft, burgeoning light of a nineteenth-century morning, Utagawa Hiroshige invites us to witness a moment of profound stillness along the Tōkaidō road. Shinagawa Sunrise is not merely a depiction of a coastal village; it is a masterclass in the art of atmosphere. As the sun begins its ascent, the boundary between the heavens and the earth dissolves into a luminous haze. The water of the bay reflects a…
In the delicate dance of woodblock printing, few masters captured the ephemeral beauty of Japanese life as profoundly as Utagawa Hiroshige. His masterpiece, The Rokugo River Ferry, Kawasaki, serves as a breathtaking window into the Edo period, inviting the viewer to step onto the bustling banks of one of the most vital crossings on the Tokaido road. This evocative scene from his legendary series, The Fifty-three Stations of the Tokaido,…
In the delicate interplay of mist and water, Itsukushima in Aki Province offers more than a mere glimpse of a Japanese landmark; it provides a profound meditation on the ephemeral nature of existence. Created by the legendary ukiyo-e master Ando Hiroshige in 1858, this woodcut print captures the spiritual essence of the Itsukushima shrine area with a poetic sensitivity that remains unparalleled. As one gazes upon the composition, the eye…
The woodblock print depicts a section of the Tenryu River near the station of Mitsuke. In the center of the composition, a large sandbank divides the water into two distinct currents. Several small wooden boats occupy the river, with figures positioned within them to manage the crossing. Some vessels are moored directly against the central sandbank, while others navigate the moving water. The far shore is visible in the distance,…
Kadupuu ja õielised päiküvad1800 · Indianapolis Kunstimuuseum
12
The Pine Woods of Miho in Suruga Province (Suruga Miho no matsubara)1858 · Indianapolis Kunstimuuseum
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62 (55) Komakata Hall and Azuma Bridge1857 · Brooklyn Museum
14
Evening Snow at Kanbara1834 · Los Angeles County Museum of Art
15
Dawn in the licensed quarters1857 · Art Gallery of New South Wales
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Night View of Saruwakacho
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Station 28, Fukuroi1855 · Indianapolis Kunstimuuseum
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Evening Snow at Asakusa or Woman with Umbrella from the series Eight Views of the Environs of Edo1800 · Hill-Stead Museum
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Keishi (Kyoto), Capital1834 · Indianapolis Kunstimuuseum
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Hara: View of Ashitakayama and Fuji1855 · Indianapolis Kunstimuuseum
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Yokkaichi (Station #44)1834 · Indianapolis Kunstimuuseum
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Desolate Wintry Scene, Hamamatsu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
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Noge and Yokohama in Musashi Province (Musashi, Noge, Yokohama)1858 · Indianapolis Kunstimuuseum
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Wild sea breaking on the rocks1856
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Шиомуза шиомидзука зу1833 · Indianapolis Kunstimuuseum
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Mt.Fuji on the Left, Yoshiwara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
27
Tsukuda Offing in the Eastern Capital (Tōto: Tsukuda oki)1858 · Indianapolis Kunstimuuseum
28
Kawachi1853 · Indianapolis Kunstimuuseum
29
The Dye Craft Shops of Arimatsu, Narumi, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige muuseum
30
View of Shiomi Slope, Shirasuka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige muuseum
31
Entrance to Enoshima in Sagami Province (Sagami Enoshima iriguchi)1858 · Indianapolis Kunstimuuseum
32
Morning Mist, Mishima, from the series the Fifty-three Stations of the Tokaido (Hoeido edition )Nakagawa-machi Bato Hiroshige muuseum
33
The Imagire Sea Ferry, Maisaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige muuseum
34
Sukiya Riverbank in the Eastern Capital (Tōto sukiya kaigan)1858 · Indianapolis Kunstimuuseum
35
Satta Pass, Yui, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
36
True View of Imagire, Maisaka, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
37
Clear Winter Morning, Kameyama, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
38
The Tenryu River, Mitsuke, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
39
The Seven-ri Ferry Crossing, Kuwana, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
40
Aronia and Bullfinch
41
Kadaka kohustus jõudnud tüübid1834 · Indianapolis Kunstimuuseum
42
Yugyoji Temple, Fujisawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
43
Travellers and Soliciting Women, Goyu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
44
The Totoumi Bank of the Oi River, Kanaya, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
45
The Suruga Bank of the Oi River, Shimada, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
46
Kyoka Tokaido Series, Kanagawa (Yokohama)Indianapolis Kunstimuuseum
47
Distant View of Miho, Ejiri, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
48
Mt. Fuji in the Morning, Hara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
49
A Horse Fair, Chiriu, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
50
Wakasa1853 · Indianapolis Kunstimuuseum
51
Distant View of Mt.Akiba, Kakegawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
52
The Ichiri-Han Sea Ferry, Arai, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige muuseum
53
Gateway Entrance to the Atsuta Shrine on the Beach, Miya, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige muuseum
54
Akasaka, from the series The Fifty-three Stations of the Tokaido (Gyosho edition)Nakagawa-machi Bato Hiroshige muuseum
55
The Sakawa River, Odawara, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
56
A Footpath between Ricefield, Hiratsuka, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
57
Awa Province: Whirlpool at Naruto1853
58
73 The City Flourishing, the Tanabata Festival1857
59
Sarugababa Plain, Futagawa, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
60
Local Specialty Teahouse, Mariko, from the series the Fifty-three Stations of the Tokaido (Hoeido edition)Nakagawa-machi Bato Hiroshige muuseum
61
SakanoshitaIndianapolis Kunstimuuseum
62
Станция 23, ФуджидаIndianapolis Kunstimuuseum
63
Marsh Grasses and Mandarin Ducks
64
50th station, Minakuchi
65
Sakanoshita: the Throwing Away the Brush Peak1834 · Brooklyn Museum
66
Shibaura Bay of Musashi Province801 · Metropolitan Museum of Art
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Koyurugi Beach of Sagami Province801 · Metropolitan Museum of Art
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Honmoku Bay of Musashi Province801 · Metropolitan Museum of Art
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Untitled (Two Rabbits, Pampas Grass, and Full Moon)1851
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11. Kiyomizu Hall and Shinobazu Pond at Ueno1857
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85. Kinokuni Hill and Distant View of Akasaka and the Tameike Pond1857
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76 Bamboo Quay by Kyōbashi Bridge1857
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58 (52) Sudden Shower over Shin-Ōhashi bridge and Atake1857 · Tokyo Fuji Art Museum
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103. Senju Great Bridge1857
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18. The Ōji Inari Shrine1857
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113. Aoi Slope Outside Toranomon Gate1857
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114. Bikuni Bridge in Snow1857
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70 (60) The Mouth of the Nakagawa River1857
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2. Kasumigaseki1857
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15. Suwa Bluff in Nippori1857
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63 (69) The Ayase River and Kanegafuchi1857
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115. The Takata Riding Grounds1857
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86. Naitō Shinjuku in Yotsuya1857
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16. Flower Park and Dangozaka Slope in Sendagi1857
85
68 (59) Open Garden at the Hachiman Shrine in Fukagawa1857
86
10. Sunrise at Kanda Myōjin Shrine1857
87
Peach and Long-tailed Bird
88
Golden Pheasant in Bracken
89
The Imado Bridge at the Foot of Mount Matsuchi801 · Metropolitan Museum of Art
90
Dog1858 · Indianapolis Kunstimuuseum
91
118. Kitsunebi on New Year's Night Under the Enoki Tree near Ōji1857
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109. Minami Shinagawa and Samezu Coast1857
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Night View of Matsuchiyama and the San1857 · Los Angeles County Museum of Art
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Akasaka, No. 37Indianapolis Kunstimuuseum
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Shiojiri Pass in Shinano Province (Shinano Shiojiritōge)1858 · Indianapolis Kunstimuuseum
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YoshiwaraIndianapolis Kunstimuuseum
97
Fuchu, No. 20Indianapolis Kunstimuuseum
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Woman Walking in the Snow1850 · Metropolitan Museum of Art
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82. Moon Viewing1857
100
Station 27, Kakegawa1855 · Indianapolis Kunstimuuseum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Hiroshige teosid | Selle nimekirja maalid |
|---|---|---|---|
 Nakagawa-machi Bato Hiroshige muuseum |
Nagasaki | 30 | Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition) |
 Indianapolis Kunstimuuseum |
Indianapolis | 35 | Hakone, Station 36, Goyu; Kyoka Tokaido Series, Fushimi Staadion #51 |
 Metropolitan Museum of Art |
New York | 8 | Shibaura Bay of Musashi Province, Koyurugi Beach of Sagami Province, Honmoku Bay of Musashi Province |
 Brooklyn Museum |
Brooklyn | 4 | Itsukushima in Aki Province, 62 (55) Komakata Hall and Azuma Bridge, Sakanoshita: the Throwing Away the Brush Peak |
 Hill-Stead Museum |
Farmington | 3 | Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, Evening Snow at Asakusa or Woman with Umbrella from the series Eight Views of the Environs of Edo |
 Los Angeles County Museum of Art |
Los Angeles | 2 | Evening Snow at Kanbara, Night View of Matsuchiyama and the San |
 Van Gogh muuseum |
Amsterdam | 1 | The maple leaves of Mama, Tekona shrine and Tsugi bridge |
 Art Gallery of New South Wales |
Sydney | 1 | Dawn in the licensed quarters |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Utagawa Hiroshige’s “Hakone,” created in 1834, is more than just a landscape; it's a poetic meditation on the beauty and transience of nature within Edo-period Japan. This woodblock print, part of his renowned series "The Fifty-three Stations of the Tōkaidō," captures a specific moment along the vital trade route connecting Tokyo (then Edo) with Kyoto. However, Hiroshige elevates this seemingly simple depiction of a mountain pass into something profoundly evocative,…
Fushimi, Station # 51 – A Symphony of Tranquility Amidst Edo’s Urban Pulse Utagawa Hiroshige's "Fushimi Station #51" transcends mere depiction; it embodies the spirit of Edo Japan—a period characterized by refined aesthetics and a deep appreciation for nature interwoven with daily life. Published in 1842 during the reign of Emperor Tokugawa Minhō, this woodblock print captures a fleeting moment along the Tokaido Road, one of Japan’s most important pilgrimage…
Utagawa Hiroshige (1797-1858), arguably the last titan of *ukiyo-e*, didn't merely depict landscapes; he crafted them into meditations on beauty and impermanence. “The Maple Leaves of Mama, Tekona Shrine and Tsugi Bridge,” created in 1857 during a period of significant societal transformation—the waning influence of feudal Japan as Western ideas crept in—stands as a testament to his enduring artistic legacy. More than just a visual record, it’s an embodiment of…
Early Department from a Daimyo, Nakagawa-machi Bato Hiroshige muuseum, Nagasaki. Järgnevad The maple leaves of Mama, Tekona shrine and Tsugi bridge (1857) ja Hakone (1834).
Early Department from a Daimyo, The maple leaves of Mama, Tekona shrine and Tsugi bridge, Hakone, Station 36, Goyu; Kyoka Tokaido Series, Fushimi Staadion #51, Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi), Shinagawa Sunrise from the series Fifty-three Stations on the Tokaido Road, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ), Itsukushima in Aki Province ja Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 353 teost kunstnikult Hiroshige, mis on pärinevad ajastust 1833 kuni 1858.
Peamiselt Nakagawa-machi Bato Hiroshige muuseum (Nagasaki), Indianapolis Kunstimuuseum (Indianapolis) ja Metropolitan Museum of Art (New York) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1850s: 44 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül The maple leaves of Mama, Tekona shrine and Tsugi bridge.
Sellel lehel on kõige vanem teos Шиомуза шиомидзука зу (1833) ja kõige värskeim Ichikoku Bridge in the Eastern Capital (Tōto: Ichikoku bashi) (1858).
Landscape (33), Edo period (31) ja Japanese landscape (27), kogu selle lehekülje 100 teose kohta.
Woodblock Print, 62 teoseks 100 töödelt sellel lehel.
Ukiyo-e, seda lähtudes selle lehe originaalteostest.
Early Department from a Daimyo, The Rokugo River Ferry, Kawasaki, from the series the Fifty-three Stations of the Tokaido (Hoeido edition ) ja Tenryu River Ferry Crossing, Mitsuke, from the series The Fifty-three Stations of the Tokaido (Gyosho Edition): Nakagawa-machi Bato Hiroshige muuseum, Nagasaki säilitab 29 selle lehel olevat teost.
