Rev. dr Robert Walker (1755–1808) Duddingston Lochi jääl skating
Õhk on terav ja külm, kui üksliktõlg liigub üle Duddingston Lochi külma ja laia ulatust.
Lühidalt
Kõigist Henry Raeburn jäetud originaalteostest on kõige kuulsam Rev. dr Robert Walker (1755–1808) Duddingston Lochi jääl skating (1795), mis kuulub Scottish National Gallery kogele linnas Edinburgh. Järgnevad sellest Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) (1810) ja Young Girl Holding Flowers (1798). Meie kataloogist löytyb 438 teost kunstnikult Henry Raeburn; galeriist on säilitatud 100 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
Õhk on terav ja külm, kui üksliktõlg liigub üle Duddingston Lochi külma ja laia ulatust.
To gaze upon this portrait of Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse, is to step directly into the refined atmosphere of the early nineteenth century. Rendered with an exquisite mastery that speaks to the height of Neoclassicism, the painting captures more than just a likeness; it encapsulates an entire era's idealization of feminine dignity and quiet grandeur. The subject is presented in a pose of effortless elegance, seated…
Henry Raeburn's "Young Girl Holding Flowers," painted in 1798 and currently residing within the hallowed halls of the Musée du Louvre, is more than just a charming pastoral scene; it’s a profound meditation on youth, beauty, and the fleeting joys of nature. This exquisite oil-on-canvas work captures a young girl, seemingly lost in contemplation as she cradles a vibrant bouquet of wildflowers. Raeburn's masterful technique—characterized by soft, luminous colors and…
To stand before this portrait is to encounter not merely a likeness, but a carefully curated moment of intellectual gravity. Painted by the master of Scottish realism, Henry Raeburn in 1810, this work captures Henry Mackenzie with an arresting dignity that seems to transcend the passage of time. The composition itself speaks volumes; while the subject occupies a central space, his slight off-centering lends a subtle dynamism, preventing the formality…
To stand before Henry Raeburn’s portrait of Professor Dugald Stewart is to encounter not merely a likeness, but an embodiment of Enlightenment intellect. Painted in 1810, this work transcends simple portraiture; it is a carefully constructed meditation on genius itself. The subject, Professor Dugald Stewart, is presented in a three-quarter view that immediately draws the viewer into a direct, compelling dialogue. Raeburn masterfully isolates him against a background so deep…
To stand before this portrait of Pringle Fraser is to encounter not merely a likeness, but a carefully constructed moment of contemplation. Painted around 1804, this work captures the essence of early nineteenth-century masculine dignity. The subject commands attention through his direct, almost challenging gaze. He is presented in attire that speaks of respectable standing—the crisp white shirt contrasting sharply with the somber black vest and tie. This deliberate contrast…
To stand before Henry Raeburn’s portrait of Allan Maconochie is to encounter not merely a likeness, but a carefully curated study in character and societal standing. Painted in 1814, this work transcends simple portraiture; it is a document of early nineteenth-century British gentry, imbued with the quiet weight of authority. Raeburn, the master chronicler of Scottish life elevated to national prominence, captures Maconochie—the 1st Lord Meadowbank and Judge—with an unflinching…
This captivating portrait captures John Balmanno, MD, in a moment of considered repose. The sitter is presented with an air of profound accomplishment and quiet authority, hallmarks of the distinguished professional of the early nineteenth century. Dressed in the sober elegance expected of a man of his standing—a tailored suit and tie speak to a life navigated within academic and civic circles—he occupies a space that feels both intimate and…
To stand before this portrait of George Malcolm is to step directly into the refined drawing rooms of the late eighteenth century. Painted around 1790, this oil on canvas captures more than just a likeness; it arrests a moment of profound contemplation. The subject, depicted as a gentleman in his prime with distinguished white hair, meets the viewer's gaze with an intensity that is both direct and deeply thoughtful. His…
This meticulously rendered portrait of John James Audubon, executed in shades of gray, black, and white, offers a profound glimpse into the mind and character of one of history’s most celebrated ornithologists. Attributed to the masterful hand of Sir Henry Raeburn, a Scottish painter renowned for his realism and ability to capture the essence of his subjects, this artwork transcends a simple likeness; it's an embodiment of dedication, intellect, and…
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Henry Raeburn teosid | Selle nimekirja maalid |
|---|---|---|---|
| Edinburgh | 29 | Professor Dugald Stewart (1753–1828), Philosopher, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge, Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician | |
| Edinburgh | 37 | Rev. dr Robert Walker (1755–1808) Duddingston Lochi jääl skating, Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814), William Stuart Forbes, elder son of Sir William Forbes of Pitsligo, 1802–1826 | |
| London | 8 | Pringle Fraser, A Young Lady, Mrs Downey | |
| Detroit | 5 | Sir James Montgomery, Second Baronet of Stanhope, Mrs. Alexander Campbell of Possil, Alexander Murray, 8th Baron Elibank | |
| Chicago | 4 | Adam Rolland of Gask II, Robert Brown of Newhall, Eleanor Margaret Gibson-Carmichael | |
| San Francisco | 3 | Sir William Napier, Sir Duncan Campbell of Barcaldine, John Tait of Harviestoun | |
| Minneapolis | 3 | Portrait of John Baillie (1772-1833), Portrait of Mrs. George Bell, Portrait of Sir Patrick Inglis, Baronet of Sunnyside | |
| Turriff | 6 | Charles Gordon of Buthlaw, Lonmay and Cairness (1747–1797), Professor James Gregory (1753–1821) |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
In this 1776 portrait, we encounter James Veitch, Lord Eliock, seated in a manner that suggests both the weight of his station and the quietude of a life dedicated to thought. The composition follows a classic pyramidal structure, anchoring the subject within a space that feels both intimate and profoundly dignified. He is positioned beside a table laden with books, a detail that speaks to his intellect and perhaps his…
Henry Raeburn's “Mrs Downey,” completed around 1787-90, stands as a cornerstone of Scottish portraiture and exemplifies the refined sensibilities of the late Enlightenment. Held proudly within the Tate Gallery’s collection—easily accessible at Tate Britain—this oil on canvas masterpiece transcends mere likeness, offering a glimpse into the social and artistic currents of its time.
Õhk on terav ja külm, kui üksliktõlg liigub üle Duddingston Lochi külma ja laia ulatust.
To stand before this portrait of Pringle Fraser is to encounter not merely a likeness, but a carefully constructed moment of contemplation. Painted around 1804, this work captures the essence of early nineteenth-century masculine dignity. The subject commands attention through his direct, almost challenging gaze. He is presented in attire that speaks of respectable standing—the crisp white shirt contrasting sharply with the somber black vest and tie. This deliberate contrast…
To gaze upon this portrait of Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse, is to step directly into the refined atmosphere of the early nineteenth century. Rendered with an exquisite mastery that speaks to the height of Neoclassicism, the painting captures more than just a likeness; it encapsulates an entire era's idealization of feminine dignity and quiet grandeur. The subject is presented in a pose of effortless elegance, seated…
This captivating portrait captures John Balmanno, MD, in a moment of considered repose. The sitter is presented with an air of profound accomplishment and quiet authority, hallmarks of the distinguished professional of the early nineteenth century. Dressed in the sober elegance expected of a man of his standing—a tailored suit and tie speak to a life navigated within academic and civic circles—he occupies a space that feels both intimate and…
Rev. dr Robert Walker (1755–1808) Duddingston Lochi jääl skating (1795), Scottish National Gallery, Edinburgh. Järgnevad Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814) (1810) ja Young Girl Holding Flowers (1798).
39 aastat vanus: teos Rev. dr Robert Walker (1755–1808) Duddingston Lochi jääl skating on pärinev aastast 1795 ning Henry Raeburn sündis aastal 1756.
Rev. dr Robert Walker (1755–1808) Duddingston Lochi jääl skating, Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814), Young Girl Holding Flowers, Henry Mackenzie, Professor Dugald Stewart (1753–1828), Philosopher, Pringle Fraser, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge, John Balmanno, MD, President, FPSG (1800–1802, 1806–1808, 1818–1820 1826–1828), George Malcolm ja John James Audubon (1785–1851). Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 438 teost kunstnikult Henry Raeburn, mis on pärinevad ajastust 1776 kuni 1823.
Peamiselt Šoti Rahvusportreegalerii (Edinburgh), Scottish National Gallery (Edinburgh) ja Tate Gallery (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1810s: 34 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Justina Camilla Wynne, Mrs Alexander Finlay of Glencorse (1785 1814).
Sellel lehel on kõige vanem teos Portrait of James Veitch, Lord Eliock (1776) ja kõige värskeim Portrait of David Cowan (1823).
Portrait (43), Man (39) ja Dark background (28), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 90 teoseks 100 töödelt sellel lehel.
Scottish neoclassicism ja Romantism, seda lähtudes selle lehe originaalteostest.
Professor Dugald Stewart (1753–1828), Philosopher, Allan Maconochie (1748–1816), 1st Lord Meadowbank, Judge ja Robert Cunninghame Graham of Gartmore, d. 1797. Poet and politician: Šoti Rahvusportreegalerii, Edinburgh säilitab 7 selle lehel olevat teost.