Uuendatud oktoober 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 233 teost George Dawe meie kataloogis
Lühidalt
Galleriist vaadatuna on George Dawe kõige kuulsam teos Portrait of Emperor Alexander I (1824), mille originaal ripub Hermitage muuseum-is, Stiiitlinburg. Portrait of Admiral Alexander S. Shishkov (1754-1841) (1826) ja Portrait of Arseny A. Zakrevsky (1783-1865) (1820) täidavad kolmikut, mille iga silm tunnistab. Kunstnii George Dawe 233 teose põhjal esitleb galeriis allpool 100 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
The Portrait of Emperor Alexander I is a significant work by the English portraitist George Dawe. Created about 1824, this full-length portrait captures the Russian Emperor, Alexander I, in a moment of formal repose. The painting offers a direct encounter with the sovereign, presented in his capacity as a military leader.
A heavy silence settles in the room where the Admiral sits. He is an old man now, his face a map of weathered authority, etched with the fine lines of a life spent navigating both salt spray and political currents. His gaze is direct, meeting the observer with a steady, unblinking clarity that demands respect. The navy blue of his uniform is deep and somber, a stark contrast to the…
Arseny A. Zakrevsky is rendered in a bust-length composition, his gaze directed slightly to the viewer's left with a stoic, composed expression. The portrait captures a man of high-ranking military status, defined by the rigid structure of his nineteenth-century uniform. Dark hair is combed back from a forehead marked by a serious, authoritative countenance. Light enters from the upper left, casting soft shadows across the right side of the face…
Nikolai Sipyagin sits in a moment of quiet dignity, his body angled in a three-quarter view that suggests a man caught between duty and contemplation. He looks upward and toward the left, his eyes fixed on a point beyond the frame, as if scanning a distant battlefield or a future yet to unfold. The light catches the pale contours of his face, carving out the structure of his features against…
A single, steady gaze meets the viewer from a three-quarter view. The Grand Duke Nikolai Pavlovich is rendered in a dark military uniform, the fabric a deep navy or black that absorbs the light. Against this somberness, gold epaulettes and a crimson sash cut through the darkness. He holds a helmet in his left hand, the metal catching a glint of light. The silhouette is sharp, defined by the precision…
A single man occupies the center of this oil on canvas, his presence defined by a quiet, aristocratic composure. He sits in a bust-length pose, turned slightly toward the left, yet his eyes remain fixed upon the observer. The light enters from the upper left, carving the contours of his face with a soft, directional glow. This illumination casts gentle shadows across his features, lending a three-dimensional depth to his…
A single figure dominates the canvas, anchored by the rigid geometry of a military tunic. Count Alexey Arakcheyev meets the viewer's gaze with a steady, unyielding presence. The navy blue fabric of his uniform absorbs the light, while the gold of his epaulettes catches it, casting a sharp, metallic glint against the muted landscape. He is a man of structure. His posture is a vertical line of discipline, cutting through…
A single figure occupies the space, leaning with a heavy, practiced grace against the cold cylinder of a bronze cannon. Edward, Duke of Kent, is rendered in the sharp clarity of the Neoclassical tradition, his silhouette defined by the stark contrast of a scarlet military jacket against the dim, atmospheric air. The light falls from the upper left, carving the planes of his face and catching the fine, white feathers…
The gaze of history settles upon the Portrait of Grand Duchess Alexandra Fiodorovna with Children, a work by the English portraitist George Dawe. Within this frame, the Empress Alexandra Feodorovna of Russia, born Princess Charlotte of Prussia, sits in a moment of quiet, regal presence. She is not alone in this assembly; her two eldest children, Alexander and Maria Nikolaevna, are gathered by her side, anchoring the scene in a…
George Dawe painted Portrait of Empress Maria Feodorovna in Mourning about 1825. The subject is Empress Maria Feodorovna, originally born Duchess Sophie Dorothea of Württemberg. She held the position of Empress of Russia as the second wife of Emperor Paul I, following his assassination in 1801.
Portrait of Piotr Konovnitsyn (1764-1822)1821 · Hermitage muuseum
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Portrait of Ivan F. Paskevich (1782-1856)1823 · Hermitage muuseum
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Portrait of Piotr Zheltukhin (1777-1829)1823 · Hermitage muuseum
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Portrait of Fabian Gottlieb von der Osten-Sacken (1752-1837)1822 · Hermitage muuseum
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Karl von Pirch1821 · Hermitage muuseum
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Portrait of Alexander S. Menshikov (1787-1869)1825 · Hermitage muuseum
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Portrait of the Empress Dowager Maria Feodorovna1824 · Hermitage muuseum
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Naomi and her Daughters1804
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Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis1803 · Museum of New Zealand Te Papa Tongarewa
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Portrait of Princess Charlotte of Wales1817 · Museum of New Zealand Te Papa Tongarewa
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Charlotte (Alexandra Feodorovna), Empress of Russia, with her eldest children, Alexander and Maria1821 · Royal Collection
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Leopold, Prince of Saxe-Coburg-Saalfeld, later Leopold I, King of the Belgians (1790-1865)1816 · Royal Collection
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Alexander I, Emperor of Russia (1777-1825)1817 · Royal Collection
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Edward, Duke of Kent (1767-1820)1818 · Royal Collection
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Ernst I (1784-1844), Duke of Saxe-Coburg-Gotah1818 · Buckinghami palee
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Princess Feodora of Leiningen (1807-1872)1818 · Royal Collection
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Alexander I, Emperor of Russia (1777-1825)1821 · Royal Collection
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Victoria, Duchess of Kent (1786-1861)1818 · Royal Collection
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Princess Charlotte (1796-1817)1817 · Royal Collection
30
Portrait of Piotr Meller-Zakomelsky (1755-1823)1823 · Hermitage muuseum
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Portrait of Grand Duchess Maria Pavlovna1822 · Hermitage muuseum
32
Portrait of Charlotte von Lieven (1742/43-1828)1827 · Hermitage muuseum
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Portrait of Miguel Ricardo de Alava1818 · Hermitage muuseum
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Portrait of Emperor Alexander IHermitage muuseum
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Portrait of Alexander P. Kutuzov1825 · Hermitage muuseum
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Elizabeth, Empress of Russia (1779-1826)Royal Collection
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A self portrait“
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Alexander I in Dawe's workshop in the Winter palace
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Group portrait including the artist George Dawe and a self portrait
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Portrait of Sergey G. Volkonsky (1788-1865)1823 · Hermitage muuseum
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Portrait of Leonty L. Bennigsen (Levin) (1745-1826)1822 · Hermitage muuseum
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Portrait of Ivan N. Durnovo (1784-1850)1822 · Hermitage muuseum
43
Portrait of Ivan F. Paskevich (1782-1856) (replica of the 1823 portrait)1824 · Hermitage muuseum
44
Portrait of Andrey V. Bogdanovsky (1780-1864)1832 · Hermitage muuseum
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Portrait of Karl G. Stahl (1777-1853)1822 · Hermitage muuseum
46
Portrait of Mikhail N. Ryleyev (1771-1831) (1st)1824 · Hermitage muuseum
47
Portrait of Andrey P. Zass (1753-1816) (1st))1824 · Hermitage muuseum
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Portrait of Karl I. Bistrom (1770-1838) (1st)1822 · Hermitage muuseum
49
Portrait of Alexander A. Bibikov (1765-1822)1828 · Hermitage muuseum
50
Portrait of Alexander, Prince of Wurttemberg (1771-1833)1825 · Hermitage muuseum
51
Portrait of Andrey I. Gudovich (1782-1867)1822 · Hermitage muuseum
52
Portrait of Fyodor F. Leviz (1767-1824)1822 · Hermitage muuseum
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Portrait of Nikolai M. Sipyagin (1785-1828)1822 · Hermitage muuseum
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Portrait of Yeremey Ya. Savoini (1766-1836)1824 · Hermitage muuseum
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Portrait of Gavriil A. Lukovkin (1772 - after 1849)1824 · Hermitage muuseum
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Portrait of Ilya I. Alexeyev (1772-1830)1825 · Hermitage muuseum
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Portrait of Alexei P. Yermolov (1772/77-1861)1824 · Hermitage muuseum
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Portrait of Alexander K. Riedinger (1782-1825)1822 · Hermitage muuseum
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Portrait of Ivan Z. Yershov (1777/78-1852)1822 · Hermitage muuseum
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Portrait of Gerasim A. Shostakov (1756-1837)1824 · Hermitage muuseum
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Portrait of Anton A. Skalon (1767-1812)1822 · Hermitage muuseum
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Portrait of Pyotr P. Schroeder (1770-1824)1822 · Hermitage muuseum
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Portrait of Fyodor V. (Dietrich Jacob) Tijl van Seraskerken (1771-1826)1824 · Hermitage muuseum
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Portrait of Pavel P. Pahlen (1775-1834) (2nd)1821 · Hermitage muuseum
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Portrait of Alexander I. Talyzin (1777-1849) (2nd)1823 · Hermitage muuseum
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Portrait of Nikolai I. Depreradovich (1767-1843)1822 · Hermitage muuseum
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Portrait of Mikhail N. Matsnev (1785-1842)1824 · Hermitage muuseum
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Portrait of Ilya F. Chernozubov (1765-1821)1824 · Hermitage muuseum
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Portrait of Alexander F. Langeron (1763-1831)1822 · Hermitage muuseum
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Portrait of Nikolai D. Olsufyev (1779-1817) (3rd)1826 · Hermitage muuseum
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Portrait of Dmitry M. Mordvinov (1773-1848)1820 · Hermitage muuseum
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Portrait of Fyodor V. Zvarykin (1765-1826)1823 · Hermitage muuseum
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Portrait of Ivan V. Argamakov (1763-1834) (1st)1824 · Hermitage muuseum
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Portrait of Fyodor F. (Theodore) d'Auvray (1764/66-1846)1827 · Hermitage muuseum
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Portrait of Mikhail M. Volkov (1776-1820)1822 · Hermitage muuseum
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Portrait of Anton S. Chalikov (1754-1821)1829 · Hermitage muuseum
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Portrait of Maxim F. Stavitsky (1778-1841)1822 · Hermitage muuseum
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Portrait of Faddei F. Steingel (1762-1831)1822 · Hermitage muuseum
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Portrait of Alexey G. Shcherbatov (1776-1848)1822 · Hermitage muuseum
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Portrait of Nikolai N. Rayevsky (1771-1829)1825 · Hermitage muuseum
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Portrait of Mikhail S. Vorontsov (1782-1856)1822 · Hermitage muuseum
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Portrait of Ivan T. Kozlyaninov (1781-1834)1823 · Hermitage muuseum
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Portrait of Matvey I. von der Pahlen (1779-1863)1822 · Hermitage muuseum
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Portrait of Fyodor F. (Friedrich Otto) Rosen (1767-1851) (3rd)1822 · Hermitage muuseum
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Portrait of Pyotr A. Kosen (1776-1853)1823 · Hermitage muuseum
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Portrait of Grigory G. Engelhardt (1759-1834)1822 · Hermitage muuseum
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Portrait of Yevgeny I. Markov (1769-1828) (1st)1823 · Hermitage muuseum
88
Portrait of Alexander E. Pyker (1776-1834)1823 · Hermitage muuseum
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Portrait of Yegor I. Meller-Zakomelsky (1767-1830)1823 · Hermitage muuseum
90
Portrait of Matvey I. Platov (1753-1818) (copy after the 1814 original made in Britain ?)1822 · Hermitage muuseum
91
Portrait of Boris Kh. Richter (1782-1832)1822 · Hermitage muuseum
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Portrait of Pyotr K. Essen (1772-1844)1822 · Hermitage muuseum
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Portrait of Konstantin Kh. von Benckendorf (1785-1828) (2nd)1823 · Hermitage muuseum
94
Portrait of Grand Prince Konstantin Pavlovich (1779-1831)1834 · Hermitage muuseum
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Portrait of Vasily Lavrentyev (?-1843)1828 · Hermitage muuseum
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Portrait of Illarion V. Vasilchikov (1775/76-1847) (1st)1822 · Hermitage muuseum
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Portrait of Nikolai N. Khovansky (1777-1837)1822 · Hermitage muuseum
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Portrait of Ivan F. Udom (1769-1821) (1st)1822 · Hermitage muuseum
99
Portrait of Mikhail A. Shkapsky (1754-1815)1822 · Hermitage muuseum
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Portrait of Alexander Ya. Patton (1762-1815)1823 · Hermitage muuseum
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 4 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | George Dawe teosid | Selle nimekirja maalid |
|---|---|---|---|
 Hermitage muuseum |
Stiiitlinburg | 213 | Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841), Portrait of Arseny A. Zakrevsky (1783-1865) |
 Royal Collection |
London | 9 | Charlotte (Alexandra Feodorovna), Empress of Russia, with her eldest children, Alexander and Maria, Leopold, Prince of Saxe-Coburg-Saalfeld, later Leopold I, King of the Belgians (1790-1865), Alexander I, Emperor of Russia (1777-1825) |
 Buckinghami palee |
London | 2 | Edward, Duke of Kent (1767-1820), Ernst I (1784-1844), Duke of Saxe-Coburg-Gotah |
 Museum of New Zealand Te Papa Tongarewa |
Wellington | 2 | Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis, Portrait of Princess Charlotte of Wales |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
A single figure occupies the space, leaning with a heavy, practiced grace against the cold cylinder of a bronze cannon. Edward, Duke of Kent, is rendered in the sharp clarity of the Neoclassical tradition, his silhouette defined by the stark contrast of a scarlet military jacket against the dim, atmospheric air. The light falls from the upper left, carving the planes of his face and catching the fine, white feathers…
The Portrait of Emperor Alexander I is a significant work by the English portraitist George Dawe. Created about 1824, this full-length portrait captures the Russian Emperor, Alexander I, in a moment of formal repose. The painting offers a direct encounter with the sovereign, presented in his capacity as a military leader.
Portrait of Emperor Alexander I (1824), Hermitage muuseum, Stiiitlinburg. Järgnevad Portrait of Admiral Alexander S. Shishkov (1754-1841) (1826) ja Portrait of Arseny A. Zakrevsky (1783-1865) (1820).
43 aastat vanus: teos Portrait of Emperor Alexander I on pärinev aastast 1824 ning George Dawe sündis aastal 1781.
Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841), Portrait of Arseny A. Zakrevsky (1783-1865), Portrait of Nikolai Sipyagin (1785-1828), Portrait of Grand Duke Nikolai Pavlovich, Portrait of Kirill A. Naryshkin (1786-1838), Portrait of Count Alexey Arakcheyev, Edward, Duke of Kent (1767-1820), Portrait of Grand Duchess Alexandra Fiodorovna with Children ja Portrait of Empress Maria Feodorovna in Mourning. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 233 teost kunstnikult George Dawe, mis on pärinevad ajastust 1803 kuni 1829.
Peamiselt Hermitage muuseum (Stiiitlinburg), Royal Collection (London) ja Buckinghami palee (London) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1820s: 81 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Portrait of Emperor Alexander I.
Sellel lehel on kõige vanem teos Achilles frantic for the loss of Patroclus, rejecting the consolation of Thetis (1803) ja kõige värskeim Portrait of Anton S. Chalikov (1754-1821) (1829).
Man (78), Military uniform (78) ja Medals (59), kogu selle lehekülje 100 teose kohta.
Oil On Canvas, 78 teoseks 100 töödelt sellel lehel.
Neoclassicism, seda lähtudes selle lehe originaalteostest.
Portrait of Emperor Alexander I, Portrait of Admiral Alexander S. Shishkov (1754-1841) ja Portrait of Arseny A. Zakrevsky (1783-1865): Hermitage muuseum, Stiiitlinburg säilitab 83 selle lehel olevat teost.
Jah, reproduktsioonina: originaal jääb oma museumi, kuid mis tahes selle lehe maal võib olla teie jaoks käsitsi maaldav, tellustööna valmistatud üksik teos, mida saab tellida maali oma lehel.
George Dawe seisab üheks üheks kõige olulisemaks sajand nineteenth aastas inglise portretistiks – meheks, kelle pint on tabanud Napoleonikaageda konfliktide ja keiserliku hiilguse ajastu olemust. Sündinud Ühendkuningriigis, St James's, uppus Dawe kunstimaailma juba varajastest aastatest. Ta oli kuulus mezzotint-graveer Philip Dawe poeg ning kasvupidi ümbritsetud perekonnaga, kus kunstiline talent oli ühine pärand. Tema esimene koolitus algas isa pilgule all, teritades graveerioskusi enne, kui tema ambitsioonid laiunesid suurema ja valgusrikkama õliimitide vastu. See täpne jooneline töö ja toonide sügavus kujundasid hiljem põhjaliku detailikäsitluse tema kõige kuulsamate linate põhjal.
Tema teekond akadeemilises maailmas oli märkimist vääriv. Pärast õpinguid Kunsti Akadeemias, kus ta pälvis prestiižse Royal Academy Schools kuldmedali, hakkas Dawe maine tõusma. Ta sai lõpuks Kunsti Akadeemia assotsieeritud liikmeks ja hiljem täiskujuliseks akadeemikuks, mis tähistas tema sagedust Briti kunstielu eliidi seas. Kuid hoopis mitte Londoni salongides saavutas Dawe oma kõige püsivama ajaloolise mõju, vaid Venemaa südames.
1819. aastal relocateerus Dawe Sõvastile – see samm muuts fundamentaalselt nii tema karjääri kui ka kunstilugu. Selles vibreerivas keiserlikus pealinning leidis ta end monumentaalsete ettevõtmuse keskpunktist: Talvepalatsi Sõjalendise loomisest. Selle ambitsiooskuse tulemusena maalas Dawe välja erakordse 3eks¯29 portreedi Venemaa generaalidest, kes olid olnud aktiivsed Napoleonika Venemaale siviidlikus invasiooni ajal. Need teosed ei olnud pelgalt nägude dokumenteerimine; Dawe kinnitas dokumentina rahva kaitsmise kangelastundlikkust ja psühholoogilist raskust.
Tema aeg Venemaal kohtas sügavat tunnustust. Ta sai tunnustatud isik Venemaa kunstielus, saades kiitust, mis jõudis isegi legendaarse poeti Pushkini kõrvu. Tema võime ühendada portretistiku formaalseid nõudeid sügava emotiivse resonanssiga võimaldas tal tabada sõjalise eliidi keerulisi isikuid. Olgu see siis Dmitry V. Golitsyni autoriteetne olek või Mikhail Kutuzovi introspektiivne, peaaegu kummitav pilk, Dawe töö teenis kui ajastu mõjuaimate inimeste elav ajalooline dokument.
Dawe kunstiline stiil oli kogenud kanga, mis oli kudud erinevatest mõjudest. Tema varajane meistriklASS graveerimisel andis talle võrratu arusaam valgusest, varjust ja vormist, mida ta suutis suurepäraselt oma õliimitides rakendada. Palgupunktidest võib tema tööd vaadata nii neoklassitsimi kui ka romantika prisma läbi:
Lõplikult peitub George Dawegi tähtsuses võime ületada lihtne sarnasus. Ta oli kunstnik, kes suutis ühe, hoolikalt kujundatud pilgu kaudu tabada nii generaali õladel restsiv vastuutuskoormus kui ka au lenduv olemus. Tema elu ja töö jäävad sillaks inglise akadeemia disiplineeritud traditsioonide ja keiserlike Venemaa eepilise, turbulentse ajalugu vahel.
