Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 293 teost Félix Ziem meie kataloogis
Lühidalt
Kõigist Félix Ziem jäetud originaalteostest on kõige kuulsam Le vieux port de Marseille et la tour Saint Jean. Järgnevad sellest Portrait of a Young Girl (1846) ja Marseille, marché sur le Cours (1845). Meie kataloogist löytyb 293 teost kunstnikult Félix Ziem; galeriist on säilitatud 100 maailmas kõige imetlustunud teost, millest iga on esitatud koos kuupäeva, museumi ja oma luguga.
This work, titled Le vieux port de Marseille et la tour Saint Jean, was painted by Felix Ziem. It offers a quiet glimpse into the maritime atmosphere of the Mediterranean, captured around 1850. The piece is a modest study in scale, measuring 14 × 21 cm, which invites a close, intimate inspection of its details.
Portrait of a Young Girl by Felix Ziem, created about 1846, presents a close-up bust-length portrait of a single human figure. The subject is positioned slightly off-center against a dark, textured background. This placement creates a sense of depth between the girl and the space behind her. The perspective is direct and at eye-level, establishing a steady connection between the subject and the viewer.
Marseille, marché sur le Cours is a watercolor painting by the French artist Felix Ziem. Created about 1845, the work captures a bustling street scene reminiscent of 19th-century urban life. Although the title references Marseille, the composition focuses on the activity of a Parisian street, documenting the movement of pedestrians and the presence of carriages amidst a backdrop of architectural forms.
A single light source carves a face out of the dark. The subject, a woman, emerges from a deep, umber void, her features caught in a moment of quiet stillness. This is not a portrait of a person, but a study of how light meets skin. The shadows are heavy, swallowing the contours of her neck and the back of her head, leaving only the essential geometry of her gaze…
A single light source strikes the brow and the bridge of the nose, carving a face out of the surrounding gloom. The man is weathered, his beard a thicket of textured strokes that catch the light in uneven patches. He looks downward, eyes lost to the heavy shadows of the sockets. There is a weight to his presence, a quiet gravity that pulls the viewer into his private moment of…
![Study of a Man [The Syndics], copy after Rembrandt (1851) autor Félix Ziem](/media/artworks/images-full/68/a4/68a441f78c6dd45491c676c37504fe4b.jpg)
A single man emerges from a void of deep black. The light strikes the ridge of a nose and the curve of a forehead, leaving the rest of the face to dissolve into shadow. He wears a broad, dark hat that presses down upon the brow, casting a heavy gloom over the eyes. A white collar cuts through the darkness, a sharp, bright line of impasto paint that anchors the…
The air in this room feels heavy, thick with the scent of old rugs and unmoving dust. A woman reclines in the foreground, her body angled toward the left, draped in light, flowing garments that catch a diffused, indirect light. She rests upon a floor layered with cushions and textiles, her form partially dissolving into the soft, blurred contours of the room. Behind her, other figures emerge from the dimness,…
A group of men gathers around a table in a shallow, crowded space, their presence heavy with communal purpose. This 1853 oil painting, a copy after Rembrandt, captures the solemnity of the Syndics of the Drapery Guild. The subjects are arranged in a way that emphasizes their collective dignity, their faces and white collars emerging from an almost impenetrable dark background. The atmosphere is one of quiet importance, a pause…
In this oil portrait, Head of a Man after Rembrandt, Felix Ziem presents a somber study of character. The composition focuses on the head and shoulders of a bearded man, captured in profile. The subject is framed within an oval-like vignette, where the darker edges of the painting allow the central figure to emerge from the shadows. This arrangement directs the eye toward the weathered texture of the skin and…
The work functions as a stylistic homage, bridging the gap between the structured traditions of the 19th century and the dramatic lighting of the Dutch Golden Age. It conveys themes of duty and collective strength through its depiction of a militia in motion. The heavy, textured application of paint suggests a visceral, physical presence, turning a historical subject into a study of light and shadow. The result is a scene…
The Entrance to the Old Port of Marseille1862 · Calouste Gulbenkian Fondatsioon
12
L'Entrée dans le Grand Bassin, Venise
13
Istanboul, soleil couchant Istambul (autre titre) Vue de Constantinople (autre titre)
14
View of Venice1800 · Museo de Arte de Ponce
15
Tobolsk, Siberia1844 · Petit Palais
16
The Storm1846 · Petit Palais
17
Saint Petersburg, Saint Isaac1844 · Petit Palais
18
A Street in Florence1846 · Petit Palais
19
Nude Woman Sitting, Viewed from Behind1846 · Petit Palais
20
The Chariot1843 · Petit Palais
21
The Red Skirt1846 · Petit Palais
22
Panel of Six Cart Studies (on the front); Landscape (on the back)1843 · Petit Palais
23
Parasol Pines near Naples1847 · Petit Palais
24
Festival in a Palace in Naples1847 · Petit Palais
25
Martigues, tartane sur le canal de Caronte1845 · Musee Felix Ziem
26
Marseille, entrée du Port1841 · Musee D'histoire de Marseille
27
Martigues, rives de l'étang de Berre1845 · Musee Felix Ziem
28
Marseille, étude de ciel sur les toits1845 · Musee Felix Ziem
29
The Watering Hole1851 · Dordrechts Museum
30
Landscape with Rainbow (‘Arc en Ciel’)1852 · Museum Gouda
31
River Bend (on front); three studies (on back)1855 · Petit Palais
32
The Cottage1855 · Petit Palais
33
The Pond1855 · Petit Palais
34
Forest Edge (on front), Animated Landscape (on reverse)1855 · Petit Palais
35
Riverside1855 · Petit Palais
36
Twilight1855 · Petit Palais
37
Corner of a Forest1855 · Petit Palais
38
The Seine1855 · Petit Palais
39
Skiff and Sailboats, Sunset. On the reverse: Marine1855 · Petit Palais
40
The Wave1855 · Petit Palais
41
Body of Water, Sunset. On reverse: Two Studies1855 · Petit Palais
42
Environs of Barbizon1855 · Petit Palais
43
The Gust of Wind1855 · Petit Palais
44
The Barge1851 · Petit Palais
45
The Oaks1855 · Petit Palais
46
Sunset1855 · Petit Palais
47
The Forest1855 · Petit Palais
48
The Road1855 · Petit Palais
49
The Turkeys1852 · Petit Palais
50
The Fishing Sloops1852 · Petit Palais
51
Holland, the Mill1853 · Petit Palais
52
Antwerp, seascape1850 · Petit Palais
53
View of İstanbul1850 · Pera Museum
54
The Grand Canal, Venice1850
55
View of İstanbul1850 · Pera Museum
56
Venice - the grand canal1850 · National Museum of Fine Arts
57
Windmill on riverbank1850 · National Museum of Fine Arts
58
Fête de Saint Marc, Venise1850 · Art Institute of Chicago
59
The frigates1855 · Petit Palais
60
Environs de Nice, montagnes enneigées1850 · Musee Felix Ziem
61
Hollande, vieilles chaumières au bord d'un canal1850
62
Saint Mark's Square, Flood of 18631863 · Petit Palais
63
Naples, Parasol Pines1856 · Petit Palais
64
The Waterfall1860 · Petit Palais
65
The Rhône between Arles and Avignon1862 · Petit Palais
66
Still Life with Flask and Pomegranates1862 · Petit Palais
67
Near Algiers1859 · Petit Palais
68
Windmill in Montmartre1857 · National Gallery of Ireland
69
The Bosphorus1856 · Musée des Ursulines
70
Harbor Quay in Marseille1858 · Musée Des Beaux
71
Le Pont Royal, Paris1859
72
A Windmill, Snow Effect1860 · Bowes Museum
73
Égypte Damanhuor1856 · Musee Felix Ziem
74
Banks of the Bosphorus1865 · Musée des Beaux-Arts
75
The Giardini Pubblici in Venice1870 · Bavaria riiklikud maalidema kogumikud
76
Flowers1865 · Amsterdam Museum
77
Venice, Procession of Saint George1870 · Petit Palais
78
The Exit from the Palais des Doges under the Bridge of Sighs1870 · Petit Palais
79
Harbor in Marseilles1864 · Brooklyn Museum
80
Venice, Morning1864 · Walters Art Museum
81
Venice, Midday1868 · Walters Art Museum
82
Venice, Evening1865 · Walters Art Museum
83
Venice, Doge's Palace1867 · Petit Palais
84
The Grand Canal, Venice (Gondola before San Giorgio)1865
85
Venice the Bacino di San Marco with Fishing Boats1865 · Wallace Collection
86
Fontaine de la Sultane Mihrisah, Eaux Douces d'Asie1870
87
Martiques, le retour des Tartanes1865 · Musee Felix Ziem
88
Environs de Marseille, Le Rove1865 · Musee Felix Ziem
89
Environs de Marseille, arbres dans un paysage1865 · Musee Felix Ziem
90
Sailing Ships Leaving the Grand Canal in Venice1875 · Musee Felix Ziem
91
Sailboats at the Entrance of the Grand Canal1875 · Musee Felix Ziem
92
Seascape. Venice, entrance of the Grand Canal, sailboat on the Adriatic.1875 · Musee Felix Ziem
93
Martigues, Twilight Effect1875 · Petit Palais
94
Venice, the Church of the Gesuati1875 · Petit Palais
95
Old Houses1875 · Petit Palais
96
Venice at Sunset1875 · Petit Palais
97
Venice, La Giudecca at Twilight1875 · Petit Palais
98
Venice, la Salute. Morning Effect1875 · Petit Palais
99
The Torrent. Environs of Clermont-Ferrand1875 · Petit Palais
100
Deer in the Forest of Fontainebleau1877 · Petit Palais
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 8 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Félix Ziem teosid | Selle nimekirja maalid |
|---|---|---|---|
 Petit Palais |
Pariis | 115 | Portrait of a Young Girl, Study of a Woman, Copy after Rembrandt, The Drum, Head of a Man after Rembrandt |
 Musee Felix Ziem |
Martigues | 15 | Marseille, marché sur le Cours, Martigues, tartane sur le canal de Caronte, Martigues, rives de l'étang de Berre |
 Walters Art Museum |
Baltimore | 3 | Venice, Morning, Venice, Midday, Venice, Evening |
 Pera Museum |
Istanbul | 3 | View of İstanbul, View of İstanbul |
 National Museum of Fine Arts |
Buenos Aires | 2 | Venice - the grand canal, Windmill on riverbank |
 Musée Des Beaux |
Marsile | 5 | Harbor Quay in Marseille |
 National Gallery of Ireland |
Dublin | 4 | Windmill in Montmartre |
 Musée des Beaux-Arts |
Toulon | 4 | Banks of the Bosphorus |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
Portrait of a Young Girl by Felix Ziem, created about 1846, presents a close-up bust-length portrait of a single human figure. The subject is positioned slightly off-center against a dark, textured background. This placement creates a sense of depth between the girl and the space behind her. The perspective is direct and at eye-level, establishing a steady connection between the subject and the viewer.
A single light source carves a face out of the dark. The subject, a woman, emerges from a deep, umber void, her features caught in a moment of quiet stillness. This is not a portrait of a person, but a study of how light meets skin. The shadows are heavy, swallowing the contours of her neck and the back of her head, leaving only the essential geometry of her gaze…
In his evocative masterpiece, The Entrance to the Old Port of Marseille, Félix Ziem invites the viewer to step into the rhythmic pulse of a nineteenth-century Mediterranean morning. Painted in 1862, this work is far more than a mere maritime study; it is a luminous window into a bygone era of maritime commerce and coastal tranquility. The composition captures the bustling vitality of the harbor, where a fleet of diverse…
Le vieux port de Marseille et la tour Saint Jean. Järgnevad Portrait of a Young Girl (1846) ja Marseille, marché sur le Cours (1845).
Le vieux port de Marseille et la tour Saint Jean, Portrait of a Young Girl, Marseille, marché sur le Cours, Study of a Woman, Copy after Rembrandt, The Drum, Head of a Man after Rembrandt, Study of a Man [The Syndics], copy after Rembrandt, The Harem, The Syndics of the Drapery Guild, copy after Rembrandt, Head of a Man after Rembrandt ja The Night Watch after Rembrandt. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 293 teost kunstnikult Félix Ziem, mis on pärinevad ajastust 1841 kuni 1877.
Peamiselt Petit Palais (Pariis), Musee Felix Ziem (Martigues) ja Walters Art Museum (Baltimore) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1850s: 47 100 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Study of a Woman, Copy after Rembrandt.
Sellel lehel on kõige vanem teos Marseille, entrée du Port (1841) ja kõige värskeim Deer in the Forest of Fontainebleau (1877).
Portrait (4), Person (3) ja Face (3), kogu selle lehekülje 100 teose kohta.
Oil, 6 teoseks 100 töödelt sellel lehel.
Barbizon ja Impressionism, seda lähtudes selle lehe originaalteostest.
Portrait of a Young Girl, Study of a Woman, Copy after Rembrandt ja The Drum, Head of a Man after Rembrandt: Petit Palais, Pariis säilitab 58 selle lehel olevat teost.
Félix Ziem seisab 19. sajandi Prantsuse kunsti mustris lummava entena, kunstnikuna, kelle pintel oli ainulaadne võime ühendada Barbizon-kooli hingekiindunud ja maapõhist traditsiooni orientalismi eksotilise ning päikeselooteeritud võluksusega. Sündinud Félix François Georges Philibert Ziem aastal 1821 ajaloolises Beaune'i linnas Burgundis, oli tema varajane elu tähistatud pingega struktuuri ja vaimu vahel. Kuigi ta jälgi alguses ranget arhitektitee, tõukus lõõts kambda vastu olla vastupandamatu. Seda üleminekut mõjutas sügavalt tema mentorlus Marseille'is Adolphe Monticelliga – side, mis surus Ziemi teostesse igavesti vibratil, peaaegu impressionistlikul lähedusel valgusel ja tekstuuril.
Ziemi kunstiline olemus on kaugeimalt arusaadav läbi tema sügava suhte valgusega. Tema teekond ei olnud pelgalt geograafiline liikumine, vaid emotsionaalne odissee erinevate atmosfääride läbi. Tema arengu määrava hetkena sündis 1841. aastal tehtud visiit Venetsias, linnas, keda sellest saatusest sai tema igavene muus. Veneetsia säravates kanalites ja palatite lagunevas hiilguses leidis Ziem viisi, kuidas tõlkida atmosfäär pigmendiks. Ta ei püüdnud dokumenteerida arhitektuuri akadeemilise rangusega; selle asemel kasutas ta vabad pintstraumid ja luminööne palett, et tabada veepindade peegelduste ülemikulikkust ja Adriatiku hämarduse pehmet, udust sära.
Kui tema karjäär õitsnes Marseille'i ja Pariisi kunstikeskustes, laanes Ziemi visioon kaugele Prantsuse piiridest. Ta sai nii maailma kui ka meelete reisnikuks, dokumenteerides erinevaid maastikeid märkimisväärse värvitundlikkusega. Tema uuringud viisid teda Osmani Impeeriumi südamesse, kus teosed nagu Caiques and Sailboats at the Bosphorus näitavad tema võimet kujundada Türgi vetede vibratil sinist ja moeskude siluettide majestaatilisust. See Orientiga kurmatsus võimaldas tal meistriklas Orientalistlikku stiili, ühendades Konstantinopoli ja Egiptuse eksotilisuse Prantsuse maalimiliga.
Ziemi mitmekülgsus võimaldas tal sujuvalt liikuda erinevate keskkondade vahel, alates Martigues'i rahustavast, mändidega täidetud maastikust teostes nagu Midi, étude de pins, kuni Põhja-Euroopa vaikete jõemaastikudega, nagu tema kujustus Amstel'i jõest. Tema tehnika tugines sageli detailide ja abstraktsiooni õhulisele tasakaalu, kus teema – olgu see rannavaade või tihe liiklumisega sadam – teenis vasemina valguse ja varju vahelise interaktiiooni uurimiseks. See võime tekitada kohatunnet puhtalt valguse kaudu ongi see, mis tõstab tema töö lihtsalt maalistusest sügavaks sensorseks kogemuseks.
Félix Ziemi ajalooline tähendus peitub tema rollis üleminekumeistrina. Ta seisis mitme suunuse ristteel, imeldes Barbizon-maalist naturalismi, samas kui ta etteantnud Impressionismi valguskeskset revolutsiooni. Tema töö toimib elutähtsa sidena 19. sajandi alguse romantisiseeritud maastikude ja järgnenud eksperimentaalsete, atmosfääriliste uuringute vahel. Eelistades emotsionaalset resonanssi ja valguse "tundmist" täpse topograafilise täpsuse asemel, teavastas ta teed subjektiivsemale lähenemisele maalistuses.
Tänapäeval jätkub Ziemi pärand võlustama nii kogujuid kui ka kunst ajaloolisi. Tema võime viia vaataja erinevasse ajasse ja kohta – olgu see siis uduine hommik neerel hollandi jõel või päikeselooteeritud pärastmiddag Mediterraneuma rannal – on jäänud kahanemata. Tema elu töö seisab kui tunnistus tähelepanu jõule ja looduse igavale maagiale, mis on tabatud puhta, puutumatute valguse läbi.
![Study of a Man [The Syndics], copy after Rembrandt (1851), Félix Ziem](/media/artworks/images-thumb/a6/2e/a62e1f67ac7bb827d2e29456c6aff115.jpg)
