Uuendatud november 2026 · järjestatud meie populaarsusindeksi järgi (otsingud, külastused ja tellimused igale teosele) · 51 teost Constantin Meunier meie kataloogis
Lühidalt
Galleriist vaadatuna on Constantin Meunier kõige kuulsam teos Holy-Water Font (1854), mille originaal ripub Royal Museum of Fine Arts Antwerp-is, Antverp. Women Working in a Glass Factory (1878) ja Return of the Miners (1850) täidavad kolmikut, mille iga silm tunnistab. Kunstnii Constantin Meunier 51 teose põhjal esitleb galeriis allpool 51 kõige kuulsumat, kus iga originaal on märgitud aastaga, muuseumiga ja kirjeldatud, mis teeb selle unikaalseks.
A solitary woman stands within a dim, quiet interior, her presence defined by the soft light catching the edge of a blue shawl. She is positioned beside a weathered stone holy water font, her hand resting upon its cold surface. The room is a study in shadow, where deep blues and earthy browns recede into a heavy, somber darkness. A checkered floor provides a geometric anchor to the scene, its…
Women Working in a Glass Factory is an oil painting by the Belgian artist Constantin Meunier. Executed in 1878, the work captures a specific moment of industrial labor within a glassworks. The composition focuses on the physical presence of a woman and a worker engaged in their duties.
Return of the Miners by Constantin Meunier presents a group of laborers moving through an industrial landscape. The figures are positioned in the foreground, walking toward the right side of the frame. These workers, specifically miners, are depicted amidst a setting characterized by the presence of distant smokestacks and rooftops. The scene captures the physical reality of the working class during the Industrial Revolution, focusing on the specific lives of…
The Pithead is an oil painting by Constantin Meunier, created about 1850. The work depicts a scene of heavy industrial labor, focusing on the physical toil of the working class. A single male figure occupies the foreground, positioned slightly off-center and moving toward the viewer. His expression is strained, and his heavy clothing reflects the grit of his environment. The composition centers on this individual amidst a setting of industrial…
Constantin Meunier painted Saint Stephen as a Martyr about 1866. The work depicts the martyrdom of Saint Stephen, focusing on the immediate aftermath of the event. The central figure lies horizontally across the lower third of the canvas, a lifeless body dressed in white robes that are stained with crimson blood. His eyes remain open, directed toward the upper edge of the frame. A second figure, draped in dark, heavy…
The oil painting titled Saint Stephen emerges from the shadows of history, a somber creation by the Belgian artist Constantin Meunier. This work, rendered on canvas, captures a moment of profound stillness. It exists as a quiet meditation on sacrifice, appearing to have been produced about 1867. The figure lies caught in a perpetual state of repose, a subject that demands a slow, steady gaze to truly witness.
The canvas holds a heavy, dark air. In the lower left, a group of figures huddles together, their bodies pressed into a tight, desperate knot. They are shadows among shadows. A man’s white shirt catches a stray, pale light, cutting through the gloom like a sharp intake of breath. Above them, the world is breaking. A turbulent landscape stretches toward the upper right, where the sky is bruised and thick…
In this oil painting, Constantin Meunier presents a solitary young man caught in a moment of quiet stillness. The figure sits alone, his posture suggesting a heavy sense of exhaustion or perhaps a deep, inward contemplation. He appears to be an organ grinder, a man whose life is defined by the labor of his trade and the solitude that often accompanies it. The scene feels intimate, pulling the viewer into…
Two women occupy the foreground of this 1883 oil painting, their presence commanding the vertical space of the composition. One figure is draped in a soft pink dress, while the other wears white, creating a visual tension against the warm, earthy tones of the workshop. They stand amidst a bustling environment, their refined silhouettes contrasting with the industrial backdrop of the factory. The lighting, descending from the upper left, catches…
The oil painting titled Tobacco Factory, Seville, was created by the Belgian artist Constantin Meunier in 1883. This work captures a specific moment of industry within a vast, stone-arched space. The canvas holds the heavy atmosphere of a working hall, where light falls upon the figures of women engaged in their daily labor.
The Flood of Leuven in 18911896
12
Whaler1902 · Finnish National Gallery
13
Portrait of the Artist Gustave Poirier1900 · Museum of Fine Arts Ghent (MSK)
14
De buildrager, (1898)
15
Steel Foundry1850 · Royal Museum of Fine Arts Antwerp
16
Unloading a Sailing Ship1878 · Royal Museum of Fine Arts Antwerp
17
The removal of the cracked melting pot1885 · Belgia Kuninglikud Fine Artsi muuseumid
18
Cigar Makers in Sevilla1882 · Royal Museum of Fine Arts Antwerp
19
Mining Area1882 · Royal Museum of Fine Arts Antwerp
20
In the Black Country1893 · Musée d'Orsay
21
Calvary1900 · Museum of Fine Arts Ghent (MSK)
22
Collier with Safety LampRoyal Museum of Fine Arts Antwerp
23
Man at the PressBelgia Kuninglikud Fine Artsi muuseumid
24
The bust of a dockerOldenburg State Museum for Art and Cultural History
25
Buste d'emmanuel chabrier
26
The Porter1887 · Staatliche Kunsthalle Karlsruhe
27
In a Salt Refinery at RupelmondeBelgia Kuninglikud Fine Artsi muuseumid
28
RupelmondeRoyal Museum of Fine Arts Antwerp
29
Pupil in the SnowRoyal Museum of Fine Arts Antwerp
30
An Old BridgeRoyal Museum of Fine Arts Antwerp
31
The Blue TavernRoyal Museum of Fine Arts Antwerp
32
Abandoned shaftBelgia Kuninglikud Fine Artsi muuseumid
33
Black Country – BorinageBelgia Kuninglikud Fine Artsi muuseumid
34
Le faucheur
35
The sower, (1890)
36
Monument Au Travail (Bruxelles)
37
Monument Au Travail (Detail) (2)
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Monument Au Travail (Detail) (7)
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Monument Au Travail (Detail)
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Monument Au Travail (Detail) (5)
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Monument Au Travail (Detail) (3)
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Monument Au Travail (Detail) (4)
43
Der huttenarbeiter, (1890)
44
Der hafenarbeiter (2)
45
Der hafenarbeiter
46
Cheval a L'abreuvoir, (1899)
47
The sower, (2) (1890)
48
Monument Au Travail (Detail) (6)
49
Triptych of the Mine1902 · Belgia Kuninglikud Fine Artsi muuseumid
50
The hiercheuse1887 · Belgia Kuninglikud Fine Artsi muuseumid
51
Removal of a Broken Crucible1884 · Belgia Kuninglikud Fine Artsi muuseumid
Neli teemat, mis esinevad neis originaalkindel kõige sagedamini, ning iga teema parim näide.
Kümne 7 muuseumi kollektsioonid, mis sisaldavad kõige rohkem sellel lehel esitatud teoseid.
| Muuseumid | Linn | Constantin Meunier teosid | Selle nimekirja maalid |
|---|---|---|---|
 Royal Museum of Fine Arts Antwerp |
Antverp | 14 | Holy-Water Font, Return of the Miners, The Pithead |
 Belgia Kuninglikud Fine Artsi muuseumid |
Brüssel | 10 | Women Working in a Glass Factory, Tobacco Factory, Seville, The removal of the cracked melting pot |
 Museum of Fine Arts Ghent (MSK) |
Gent | 4 | Saint Stephen as a Martyr, Episode from the Peasants' Revolt. The Fire of Turnhout (1798-1799), Portrait of the Artist Gustave Poirier |
 Finnish National Gallery |
Tallinn | 1 | Whaler |
 Musée d'Orsay |
Pariis | 1 | In the Black Country |
 Oldenburg State Museum for Art and Cultural History |
Oldenburg | 1 | The bust of a docker |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 1 | The Porter |
Vali vuosakülg, et näha selle ajastu definieerivat originaalteost.
A solitary woman stands within a dim, quiet interior, her presence defined by the soft light catching the edge of a blue shawl. She is positioned beside a weathered stone holy water font, her hand resting upon its cold surface. The room is a study in shadow, where deep blues and earthy browns recede into a heavy, somber darkness. A checkered floor provides a geometric anchor to the scene, its…
Constantin Meunier painted Saint Stephen as a Martyr about 1866. The work depicts the martyrdom of Saint Stephen, focusing on the immediate aftermath of the event. The central figure lies horizontally across the lower third of the canvas, a lifeless body dressed in white robes that are stained with crimson blood. His eyes remain open, directed toward the upper edge of the frame. A second figure, draped in dark, heavy…
Women Working in a Glass Factory is an oil painting by the Belgian artist Constantin Meunier. Executed in 1878, the work captures a specific moment of industrial labor within a glassworks. The composition focuses on the physical presence of a woman and a worker engaged in their duties.
Two women occupy the foreground of this 1883 oil painting, their presence commanding the vertical space of the composition. One figure is draped in a soft pink dress, while the other wears white, creating a visual tension against the warm, earthy tones of the workshop. They stand amidst a bustling environment, their refined silhouettes contrasting with the industrial backdrop of the factory. The lighting, descending from the upper left, catches…
Constantin Meunier painted The Flood of Leuven in 1891 about 1896. The work captures a catastrophic flood in a town, likely Leuven, under a heavy, storm-laden sky. It focuses on the human struggle against nature, documenting the devastating impact of rising waters on a community.
The heavy atmosphere of manual labor settles over the viewer in Whaler, a work by the Belgian artist Constantin Meunier. Created about 1902, the painting captures a moment of intense physical exertion. The subject focuses on the life of a whaler, a figure defined by the grit and strain of a demanding existence. This piece finds its home within the collection of the Finnish National Gallery.
Holy-Water Font (1854), Royal Museum of Fine Arts Antwerp, Antverp. Järgnevad Women Working in a Glass Factory (1878) ja Return of the Miners (1850).
23 aastat vanus: teos Holy-Water Font on pärinev aastast 1854 ning Constantin Meunier sündis aastal 1831.
Holy-Water Font, Women Working in a Glass Factory, Return of the Miners, The Pithead, Saint Stephen as a Martyr, Saint Stephen, Episode from the Peasants' Revolt. The Fire of Turnhout (1798-1799), Organ Grinder, Two women at the Tobacco Factory in Seville ja Tobacco Factory, Seville. Ülemine reiting näitab iga teose puhul aastat ja muuseumi.
Meie kataloogist leiate 51 teost kunstnikult Constantin Meunier, mis on pärinevad ajastust 1850 kuni 1902.
Peamiselt Royal Museum of Fine Arts Antwerp (Antverp), Belgia Kuninglikud Fine Artsi muuseumid (Brüssel) ja Museum of Fine Arts Ghent (MSK) (Gent) muuseumites. Ülalpool olevate muuseumite tabelis on nendest kõik loetletud.
Ajal 1880s: 8 51 sellel lehel olevat teost on sellel perioodil loodud, მათart közül Two women at the Tobacco Factory in Seville.
Sellel lehel on kõige vanem teos Return of the Miners (1850) ja kõige värskeim Whaler (1902).
Man (7), Shadows (6) ja People (5), kogu selle lehekülje 51 teose kohta.
Oil On Canvas, 9 teoseks 51 töödelt sellel lehel.
Social realism, seda lähtudes selle lehe originaalteostest.
Holy-Water Font, Return of the Miners ja The Pithead: Royal Museum of Fine Arts Antwerp, Antverp säilitab 14 selle lehel olevat teost.
